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Tsarouchis, 1952

#cycladic

Bronze greaves with Medusa heads

Bronze greaves with Medusa heads

Bronze greaves with Medusa heads

Bronze greaves with Medusa heads

Grandma by @inesdifolcojemni 💙

Hassan Fathy 💜

Hassan Fathy 💜

Hassan Fathy 💜

Hassan Fathy 💜

Hassan Fathy 💜

Hassan Fathy 💜

“Potential Matches” by @elenademetria (watercolour on used colour catcher, 90 x 60 cm) 🥂🪅🧡 DM for more info

“Potential Matches” by @elenademetria (watercolour on used colour catcher, 90 x 60 cm) 🥂🪅🧡 DM for more info

“Potential Matches” by @elenademetria (watercolour on used colour catcher, 90 x 60 cm) 🥂🪅🧡 DM for more info

“Potential Matches” by @elenademetria (watercolour on used colour catcher, 90 x 60 cm) 🥂🪅🧡 DM for more info

Views from my solo show “On The Phone, Again” at @alkinois off-space curated by @alixjanta with a text by @georgia_r_w 🤍
“The Fall I-IX” installation (2015-2025) 245x110 cm
Used color catchers, tape, system for vertical blinds
Click by @thanassisgatos

Views from my solo show “On The Phone, Again” at @alkinois off-space curated by @alixjanta with a text by @georgia_r_w 🤍
“The Fall I-IX” installation (2015-2025) 245x110 cm
Used color catchers, tape, system for vertical blinds
Click by @thanassisgatos

Views from my solo show “On The Phone, Again” at @alkinois off-space curated by @alixjanta with a text by @georgia_r_w 🤍
“The Fall I-IX” installation (2015-2025) 245x110 cm
Used color catchers, tape, system for vertical blinds
Click by @thanassisgatos

Views from my solo show “On The Phone, Again” at @alkinois off-space curated by @alixjanta with a text by @georgia_r_w 🤍
“The Fall I-IX” installation (2015-2025) 245x110 cm
Used color catchers, tape, system for vertical blinds
Click by @thanassisgatos

After the long Summer Break, we are very pleased to welcome you again! “The Work of Fire” by @clementinekeithroach and @christopheropage is open today and tomorrow 7-9pm and by appointment ❤️‍🔥 until September 26th

After the long Summer Break, we are very pleased to welcome you again! “The Work of Fire” by @clementinekeithroach and @christopheropage is open today and tomorrow 7-9pm and by appointment ❤️‍🔥 until September 26th

“THE WORK OF FIRE” by @clementinekeithroach and @christopheropage
Open tomorrow and every Thursday this July 7-10pm and by appointment

Text below by @gabrielcoleman01

“The history of trompe l’oeil can be traced back to Pliny’s anecdotes about the great masters of fourth century BC Greek painting. His stories of lines, birds, grapes and curtains have always inspired the exploration of painting’s illusionistic language. The collaboration between Christopher Page and Clementine Keith Roach is a beautiful and erudite elaboration of this tradition.
Over the past month a symbiotic relationship has played out in their Athenian studio. With their young family as much a part of the work as themselves, the two artists have forged their personal styles into something totally new. The result is “The Work of Fire”, a collection which doesn’t entirely belong to either but is the product of a dialogue between sculptor and painter exploring material and form, time and patina, colour and meaning.
The interplay of light and shadow, before only suggested in Christopher’s work, is now bought to life by the physicality of Clementine’s plaster casts. These plaster casts, taken from the artist’s own limbs, re-enact and celebrate the act of making. We are bought to the Promethean animation of mute material- the moment when clay gave form to mankind and with it birthed the flame of creativity. The central role of nurture in this process is drawn out as arms and hands support one another in delicate gestures evocative of the devastating dexiosis handshakes on Classical Athenian funerary sculptures and Roman scarcophagi…” remaining text in next comment

“THE WORK OF FIRE” by @clementinekeithroach and @christopheropage
Open tomorrow and every Thursday this July 7-10pm and by appointment

Text below by @gabrielcoleman01

“The history of trompe l’oeil can be traced back to Pliny’s anecdotes about the great masters of fourth century BC Greek painting. His stories of lines, birds, grapes and curtains have always inspired the exploration of painting’s illusionistic language. The collaboration between Christopher Page and Clementine Keith Roach is a beautiful and erudite elaboration of this tradition.
Over the past month a symbiotic relationship has played out in their Athenian studio. With their young family as much a part of the work as themselves, the two artists have forged their personal styles into something totally new. The result is “The Work of Fire”, a collection which doesn’t entirely belong to either but is the product of a dialogue between sculptor and painter exploring material and form, time and patina, colour and meaning.
The interplay of light and shadow, before only suggested in Christopher’s work, is now bought to life by the physicality of Clementine’s plaster casts. These plaster casts, taken from the artist’s own limbs, re-enact and celebrate the act of making. We are bought to the Promethean animation of mute material- the moment when clay gave form to mankind and with it birthed the flame of creativity. The central role of nurture in this process is drawn out as arms and hands support one another in delicate gestures evocative of the devastating dexiosis handshakes on Classical Athenian funerary sculptures and Roman scarcophagi…” remaining text in next comment