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Eu acho que não preciso dizer que a minha mãe é a minha maior fonte de inspiração para tudo na vida.
Há dias em uma conversa ela me contou pela milésima vez que quando estava a minha espera foi a altura em que pintou mais quadros que nunca, sem bloqueios e muita fluidez, como ela mesma disse "não foi uma gestação foi uma residência artística". Não sei se é verdade ou é uma das histórias dela, mas absorvi essa informação e procurei um propósito até tudo isso fazer sentido. Acho que encontrei.
A minha mãe é a matriz, é a genise é a conexão umbilical que nunca foi disconectada. Ela é aquela mão respingada de tinta, é aquele cheiro a diluente, é aquela bagunça onde ela se perde e se encontra, é aquele sorriso meigo, aquele olhar preocupado, coração grande, mãe de quem procura um afago maternal...ela é a minha luz, Lúcia!

#mothersday #diadamae #collage #composite #digitalart #photographylover #photoshop #femaleartist #femaleafricanartist #mozambicanart #mozambique #mother

Capa da @revista_xonguila inspirada na frase “as crianças são flores que nunca murcham” de Samora Machel em alusão ao dia da criança e dia da Independência de Moçambique.
Muito obrigada pelo convite e pelo desafio @marianosilvaphoto

Wooop wooop 🥳🥳🥳 estou em destaque na mais conceituada revista de arte africana no âmbito da minha participação na @feriaarco em Lisboa!!!!.

Posted @withregram • @artafrica_mag ARCOlisboa 2022 will, once again, transform Lisbon into a meeting place for collectors, gallerists, artists and art professionals from all over the world. The Cordoaria Nacional will house its fifth physical edition from 19 to 22 May, displaying artistic content from the more than 70 galleries selected by the Organising Committee and the teams curating its different sections.
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The General Programme, features national and international galleries whose projects will confirm their commitment to quality content. ARCOlisboa is also strengthening the two main curated sections: África in Focus, with the participation of African galleries and Opening Lisboa, focused on newer galleries, that will bring new contents and investigations to the fair.
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@feriaarco @artedegema #arcolisboa #arcolisboa2022

Thandi Pinto utiliza a um arranjo por sobreposição, a colagem de jornais e arquivos não segue uma ordem linear, mas uma lógica de camadas que mimetiza a confusão da memória colectiva. Deste modo, associar a fixação dessas colagens ao som de um navio atracando, a artista cria uma tensão entre a promessa de desenvolvimento e a realidade estática do papel. Leia a crítica em mbenga.co.mz

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

10hours at the@pinakothekdermoderne ✨

Estreada em exposições em 2018, Thandi Pinto participou em mostras e residências artísticas nacionais e internacionais. O seu trabalho integra colecções institucionais e privadas, consolidando a sua presença na cena da arte africana contemporânea. Na 5.ª edição da Residência Artística UPCYCLES, em Maputo, Thandi é uma das cinco artistas seleccionadas. Nesta conversa com a Mbenga, fala da sua abordagem à reinterpretação de arquivos, da reciclagem ideológica de memórias e da vontade de trazer à tona histórias que foram colocadas debaixo do tapete.

https://mbenga.co.mz/?p=14731

Feliz dia da mulher moçambicana ❤️!!!
No fim somos todas um pouco mães deste país

Entre Recortes & Transparências
Between Cut-Outs and Transparences_with Thandi Pinto

🎥 @denilsonpombo & @utsymiguel1
🎬 Denilson Pombo & E Saranga

Die Almresidency lädt Künstlerinnen und Künstler aus aller Welt dazu ein, 10 Tage in der Abgeschiedenheit der Bayrischen Voralpen zu verbringen. Zum Jubiläum sind wir mit ihnen auf den Rechelkopf gewandert.
Jetzt im @weltkunstmagazin Spezial München
Text: Clara Zimmermann
Danke Fernanda ! @fernanda.aloi
Danke Thandi ! @thandi.jpg
Danke an die Kuratorinnen
@magdalenajooss
@janina.totzauer
Danke an @leobendo

Die Almresidency lädt Künstlerinnen und Künstler aus aller Welt dazu ein, 10 Tage in der Abgeschiedenheit der Bayrischen Voralpen zu verbringen. Zum Jubiläum sind wir mit ihnen auf den Rechelkopf gewandert.
Jetzt im @weltkunstmagazin Spezial München
Text: Clara Zimmermann
Danke Fernanda ! @fernanda.aloi
Danke Thandi ! @thandi.jpg
Danke an die Kuratorinnen
@magdalenajooss
@janina.totzauer
Danke an @leobendo

Die Almresidency lädt Künstlerinnen und Künstler aus aller Welt dazu ein, 10 Tage in der Abgeschiedenheit der Bayrischen Voralpen zu verbringen. Zum Jubiläum sind wir mit ihnen auf den Rechelkopf gewandert.
Jetzt im @weltkunstmagazin Spezial München
Text: Clara Zimmermann
Danke Fernanda ! @fernanda.aloi
Danke Thandi ! @thandi.jpg
Danke an die Kuratorinnen
@magdalenajooss
@janina.totzauer
Danke an @leobendo

Die Almresidency lädt Künstlerinnen und Künstler aus aller Welt dazu ein, 10 Tage in der Abgeschiedenheit der Bayrischen Voralpen zu verbringen. Zum Jubiläum sind wir mit ihnen auf den Rechelkopf gewandert.
Jetzt im @weltkunstmagazin Spezial München
Text: Clara Zimmermann
Danke Fernanda ! @fernanda.aloi
Danke Thandi ! @thandi.jpg
Danke an die Kuratorinnen
@magdalenajooss
@janina.totzauer
Danke an @leobendo

Die Almresidency lädt Künstlerinnen und Künstler aus aller Welt dazu ein, 10 Tage in der Abgeschiedenheit der Bayrischen Voralpen zu verbringen. Zum Jubiläum sind wir mit ihnen auf den Rechelkopf gewandert.
Jetzt im @weltkunstmagazin Spezial München
Text: Clara Zimmermann
Danke Fernanda ! @fernanda.aloi
Danke Thandi ! @thandi.jpg
Danke an die Kuratorinnen
@magdalenajooss
@janina.totzauer
Danke an @leobendo

Die Almresidency lädt Künstlerinnen und Künstler aus aller Welt dazu ein, 10 Tage in der Abgeschiedenheit der Bayrischen Voralpen zu verbringen. Zum Jubiläum sind wir mit ihnen auf den Rechelkopf gewandert.
Jetzt im @weltkunstmagazin Spezial München
Text: Clara Zimmermann
Danke Fernanda ! @fernanda.aloi
Danke Thandi ! @thandi.jpg
Danke an die Kuratorinnen
@magdalenajooss
@janina.totzauer
Danke an @leobendo

White Saviour Complex, 2020
Serie I ❤️ Maputo.

Um grande shoutout para @ricardopintojorge pela sua grandeza e por ter sido a minha grande inspiração neste trabalho🙌🏿🐐

#throwbackthrusday

Since I first came into contact with photography, I have been exploring its many forms and how it can be used to tell stories. For the past year, I have been studying ways of integrating audiovisual language in my pieces. This an excerpt from an experiment I produced during my residency in @artistinresidencemunich entitled “Mapa de Saudades.”

I challenge time and space, and like a supernatural creature, I travel back to 1990, visiting the dreams of the Magermanes who had just returned from the GDR, in the midst of their abrupt departure following the fall of the Berlin Wall.

Since 2023, I’ve been trying to make my work more hands-onto really feel it, connect with it. It’s not an easy process, and definitely not as relaxing as it might seem, but I’m not there yet. With each attempt, I discover new techniques, new ways to improve, slowly moving closer to what I’ve envisioned.

This time, I created a 140x120 cm panel in 2 days. It was insane but I did it 😅. Not exactly how I wanted it, but I really appreciate the process and everything I learn along the way.

Thank you, Siyoung, for teaching me your technique. 🙏

Since 2023, I’ve been trying to make my work more hands-onto really feel it, connect with it. It’s not an easy process, and definitely not as relaxing as it might seem, but I’m not there yet. With each attempt, I discover new techniques, new ways to improve, slowly moving closer to what I’ve envisioned.

This time, I created a 140x120 cm panel in 2 days. It was insane but I did it 😅. Not exactly how I wanted it, but I really appreciate the process and everything I learn along the way.

Thank you, Siyoung, for teaching me your technique. 🙏

Since 2023, I’ve been trying to make my work more hands-onto really feel it, connect with it. It’s not an easy process, and definitely not as relaxing as it might seem, but I’m not there yet. With each attempt, I discover new techniques, new ways to improve, slowly moving closer to what I’ve envisioned.

This time, I created a 140x120 cm panel in 2 days. It was insane but I did it 😅. Not exactly how I wanted it, but I really appreciate the process and everything I learn along the way.

Thank you, Siyoung, for teaching me your technique. 🙏

Since 2023, I’ve been trying to make my work more hands-onto really feel it, connect with it. It’s not an easy process, and definitely not as relaxing as it might seem, but I’m not there yet. With each attempt, I discover new techniques, new ways to improve, slowly moving closer to what I’ve envisioned.

This time, I created a 140x120 cm panel in 2 days. It was insane but I did it 😅. Not exactly how I wanted it, but I really appreciate the process and everything I learn along the way.

Thank you, Siyoung, for teaching me your technique. 🙏

Since 2023, I’ve been trying to make my work more hands-onto really feel it, connect with it. It’s not an easy process, and definitely not as relaxing as it might seem, but I’m not there yet. With each attempt, I discover new techniques, new ways to improve, slowly moving closer to what I’ve envisioned.

This time, I created a 140x120 cm panel in 2 days. It was insane but I did it 😅. Not exactly how I wanted it, but I really appreciate the process and everything I learn along the way.

Thank you, Siyoung, for teaching me your technique. 🙏

Since 2023, I’ve been trying to make my work more hands-onto really feel it, connect with it. It’s not an easy process, and definitely not as relaxing as it might seem, but I’m not there yet. With each attempt, I discover new techniques, new ways to improve, slowly moving closer to what I’ve envisioned.

This time, I created a 140x120 cm panel in 2 days. It was insane but I did it 😅. Not exactly how I wanted it, but I really appreciate the process and everything I learn along the way.

Thank you, Siyoung, for teaching me your technique. 🙏

Since 2023, I’ve been trying to make my work more hands-onto really feel it, connect with it. It’s not an easy process, and definitely not as relaxing as it might seem, but I’m not there yet. With each attempt, I discover new techniques, new ways to improve, slowly moving closer to what I’ve envisioned.

This time, I created a 140x120 cm panel in 2 days. It was insane but I did it 😅. Not exactly how I wanted it, but I really appreciate the process and everything I learn along the way.

Thank you, Siyoung, for teaching me your technique. 🙏

Since 2023, I’ve been trying to make my work more hands-onto really feel it, connect with it. It’s not an easy process, and definitely not as relaxing as it might seem, but I’m not there yet. With each attempt, I discover new techniques, new ways to improve, slowly moving closer to what I’ve envisioned.

This time, I created a 140x120 cm panel in 2 days. It was insane but I did it 😅. Not exactly how I wanted it, but I really appreciate the process and everything I learn along the way.

Thank you, Siyoung, for teaching me your technique. 🙏

Since 2023, I’ve been trying to make my work more hands-onto really feel it, connect with it. It’s not an easy process, and definitely not as relaxing as it might seem, but I’m not there yet. With each attempt, I discover new techniques, new ways to improve, slowly moving closer to what I’ve envisioned.

This time, I created a 140x120 cm panel in 2 days. It was insane but I did it 😅. Not exactly how I wanted it, but I really appreciate the process and everything I learn along the way.

Thank you, Siyoung, for teaching me your technique. 🙏

Since 2023, I’ve been trying to make my work more hands-onto really feel it, connect with it. It’s not an easy process, and definitely not as relaxing as it might seem, but I’m not there yet. With each attempt, I discover new techniques, new ways to improve, slowly moving closer to what I’ve envisioned.

This time, I created a 140x120 cm panel in 2 days. It was insane but I did it 😅. Not exactly how I wanted it, but I really appreciate the process and everything I learn along the way.

Thank you, Siyoung, for teaching me your technique. 🙏

Since 2023, I’ve been trying to make my work more hands-onto really feel it, connect with it. It’s not an easy process, and definitely not as relaxing as it might seem, but I’m not there yet. With each attempt, I discover new techniques, new ways to improve, slowly moving closer to what I’ve envisioned.

This time, I created a 140x120 cm panel in 2 days. It was insane but I did it 😅. Not exactly how I wanted it, but I really appreciate the process and everything I learn along the way.

Thank you, Siyoung, for teaching me your technique. 🙏