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taliasaccount

Talia Cotton

Leading the most brilliant team of designer/coders
in the world. @cottondesigninc

94
posts
327
followers
24.7K
following

I’m judging you @d_and_ad #judge #dandad26


402
20
3 months ago


I’m judging you @d_and_ad #judge #dandad26


402
20
3 months ago

We’re excited to announce the next of our keynote speakers for NSSC 2026: @taliasaccount ❤️‍🔥📣

Talia Cotton is a designer, coder, and educator working at the intersection of branding and tech. She is the Founder & Creative Director of @cottondesigninc, an award-winning design and technology agency pioneering design through data and custom code. Prior to Cotton, Talia led the design and development of data-driven and algorithmic brand identities at Pentagram. Alongside her studio work, she also teaches coding and interaction design at Parsons School of Design and Harvard Graduate School of Design.

A Young Guns Award recipient who has spoken in 17(!) countries, Talia brings a global, hands-on perspective to where branding and creative technology are headed. Her keynote is a must-see for anyone interested in algorithmic identities, data-driven design, and the future shape of our discipline.

🚀 Grab your tickets by 3/30/26 to secure your spot to see Talia at NSSC 2026, and stay tuned for more keynote speaker and judge announcements✨


324
11
3 months ago

We’re excited to announce the next of our keynote speakers for NSSC 2026: @taliasaccount ❤️‍🔥📣

Talia Cotton is a designer, coder, and educator working at the intersection of branding and tech. She is the Founder & Creative Director of @cottondesigninc, an award-winning design and technology agency pioneering design through data and custom code. Prior to Cotton, Talia led the design and development of data-driven and algorithmic brand identities at Pentagram. Alongside her studio work, she also teaches coding and interaction design at Parsons School of Design and Harvard Graduate School of Design.

A Young Guns Award recipient who has spoken in 17(!) countries, Talia brings a global, hands-on perspective to where branding and creative technology are headed. Her keynote is a must-see for anyone interested in algorithmic identities, data-driven design, and the future shape of our discipline.

🚀 Grab your tickets by 3/30/26 to secure your spot to see Talia at NSSC 2026, and stay tuned for more keynote speaker and judge announcements✨


324
11
3 months ago

We’re excited to announce the next of our keynote speakers for NSSC 2026: @taliasaccount ❤️‍🔥📣

Talia Cotton is a designer, coder, and educator working at the intersection of branding and tech. She is the Founder & Creative Director of @cottondesigninc, an award-winning design and technology agency pioneering design through data and custom code. Prior to Cotton, Talia led the design and development of data-driven and algorithmic brand identities at Pentagram. Alongside her studio work, she also teaches coding and interaction design at Parsons School of Design and Harvard Graduate School of Design.

A Young Guns Award recipient who has spoken in 17(!) countries, Talia brings a global, hands-on perspective to where branding and creative technology are headed. Her keynote is a must-see for anyone interested in algorithmic identities, data-driven design, and the future shape of our discipline.

🚀 Grab your tickets by 3/30/26 to secure your spot to see Talia at NSSC 2026, and stay tuned for more keynote speaker and judge announcements✨


324
11
3 months ago

We’re excited to announce the next of our keynote speakers for NSSC 2026: @taliasaccount ❤️‍🔥📣

Talia Cotton is a designer, coder, and educator working at the intersection of branding and tech. She is the Founder & Creative Director of @cottondesigninc, an award-winning design and technology agency pioneering design through data and custom code. Prior to Cotton, Talia led the design and development of data-driven and algorithmic brand identities at Pentagram. Alongside her studio work, she also teaches coding and interaction design at Parsons School of Design and Harvard Graduate School of Design.

A Young Guns Award recipient who has spoken in 17(!) countries, Talia brings a global, hands-on perspective to where branding and creative technology are headed. Her keynote is a must-see for anyone interested in algorithmic identities, data-driven design, and the future shape of our discipline.

🚀 Grab your tickets by 3/30/26 to secure your spot to see Talia at NSSC 2026, and stay tuned for more keynote speaker and judge announcements✨


324
11
3 months ago

We’re excited to announce the next of our keynote speakers for NSSC 2026: @taliasaccount ❤️‍🔥📣

Talia Cotton is a designer, coder, and educator working at the intersection of branding and tech. She is the Founder & Creative Director of @cottondesigninc, an award-winning design and technology agency pioneering design through data and custom code. Prior to Cotton, Talia led the design and development of data-driven and algorithmic brand identities at Pentagram. Alongside her studio work, she also teaches coding and interaction design at Parsons School of Design and Harvard Graduate School of Design.

A Young Guns Award recipient who has spoken in 17(!) countries, Talia brings a global, hands-on perspective to where branding and creative technology are headed. Her keynote is a must-see for anyone interested in algorithmic identities, data-driven design, and the future shape of our discipline.

🚀 Grab your tickets by 3/30/26 to secure your spot to see Talia at NSSC 2026, and stay tuned for more keynote speaker and judge announcements✨


324
11
3 months ago

We’re excited to announce the next of our keynote speakers for NSSC 2026: @taliasaccount ❤️‍🔥📣

Talia Cotton is a designer, coder, and educator working at the intersection of branding and tech. She is the Founder & Creative Director of @cottondesigninc, an award-winning design and technology agency pioneering design through data and custom code. Prior to Cotton, Talia led the design and development of data-driven and algorithmic brand identities at Pentagram. Alongside her studio work, she also teaches coding and interaction design at Parsons School of Design and Harvard Graduate School of Design.

A Young Guns Award recipient who has spoken in 17(!) countries, Talia brings a global, hands-on perspective to where branding and creative technology are headed. Her keynote is a must-see for anyone interested in algorithmic identities, data-driven design, and the future shape of our discipline.

🚀 Grab your tickets by 3/30/26 to secure your spot to see Talia at NSSC 2026, and stay tuned for more keynote speaker and judge announcements✨


324
11
3 months ago


We’re excited to announce the next of our keynote speakers for NSSC 2026: @taliasaccount ❤️‍🔥📣

Talia Cotton is a designer, coder, and educator working at the intersection of branding and tech. She is the Founder & Creative Director of @cottondesigninc, an award-winning design and technology agency pioneering design through data and custom code. Prior to Cotton, Talia led the design and development of data-driven and algorithmic brand identities at Pentagram. Alongside her studio work, she also teaches coding and interaction design at Parsons School of Design and Harvard Graduate School of Design.

A Young Guns Award recipient who has spoken in 17(!) countries, Talia brings a global, hands-on perspective to where branding and creative technology are headed. Her keynote is a must-see for anyone interested in algorithmic identities, data-driven design, and the future shape of our discipline.

🚀 Grab your tickets by 3/30/26 to secure your spot to see Talia at NSSC 2026, and stay tuned for more keynote speaker and judge announcements✨


324
11
3 months ago

Slang drunk words for @theeconomist special holiday issue. Happy new year to all!


871
14
4 months ago

Slang drunk words for @theeconomist special holiday issue. Happy new year to all!


871
14
4 months ago

Slang drunk words for @theeconomist special holiday issue. Happy new year to all!


871
14
4 months ago

Slang drunk words for @theeconomist special holiday issue. Happy new year to all!


871
14
4 months ago

Slang drunk words for @theeconomist special holiday issue. Happy new year to all!


871
14
4 months ago

🎧 AUDIOREACTIVE FESTIVAL POSTER SERIES WORKSHOP RESULTS 🎧

We’re excited to share the outcomes of a one-week workshop led by designer Talia Cotton (@taliacotton) with second-year Media & Interaction Design students at @ecal_ch @ecal_mid!

Each student created a series of three audioreactive posters for a music festival of their choice — one for each headlining artist. Designed as part of a cohesive visual identity, the posters react in real time to the unique energy of each track, merging sound and design into a dynamic system.

The workshop encouraged students to rethink the concert poster as a digital-first experience, fit for today’s social media formats. Through tools using live audio input and generative processes, students experimented with giving partial control to sound itself — letting the music shape the visual outcome.

🖥️ Assistant: Théo Déchanez / @theodechanez

🎥 Videographer: Achille Masson / @ac.hille

📸 Photographer: Marvin Merkel / @marvin.merkel

🎵 Projects in order of appearance:

Benjamin Vermot / @benjaminvermot

Marco Boumya / @moga.raw

Matthieu Noël / @matth.noel

Blendi Mazreku / @blen_di8

Léon Bonnet / @leonbonnet.ch

Sacha Kaufmann / @lenskfm

Francisco Iaconucci / @francis.irl_

Karim Kaba / @kree.eeeem

Arthur Effront / @arthureffront

Corentin Maurer / @co.rentin.m

Jade Picard / @beesforaging

Anais Polo / @_anaispolo

Swipe to experience the visual rhythm! 🔊🌀


423
2
10 months ago


🎧 AUDIOREACTIVE FESTIVAL POSTER SERIES WORKSHOP RESULTS 🎧

We’re excited to share the outcomes of a one-week workshop led by designer Talia Cotton (@taliacotton) with second-year Media & Interaction Design students at @ecal_ch @ecal_mid!

Each student created a series of three audioreactive posters for a music festival of their choice — one for each headlining artist. Designed as part of a cohesive visual identity, the posters react in real time to the unique energy of each track, merging sound and design into a dynamic system.

The workshop encouraged students to rethink the concert poster as a digital-first experience, fit for today’s social media formats. Through tools using live audio input and generative processes, students experimented with giving partial control to sound itself — letting the music shape the visual outcome.

🖥️ Assistant: Théo Déchanez / @theodechanez

🎥 Videographer: Achille Masson / @ac.hille

📸 Photographer: Marvin Merkel / @marvin.merkel

🎵 Projects in order of appearance:

Benjamin Vermot / @benjaminvermot

Marco Boumya / @moga.raw

Matthieu Noël / @matth.noel

Blendi Mazreku / @blen_di8

Léon Bonnet / @leonbonnet.ch

Sacha Kaufmann / @lenskfm

Francisco Iaconucci / @francis.irl_

Karim Kaba / @kree.eeeem

Arthur Effront / @arthureffront

Corentin Maurer / @co.rentin.m

Jade Picard / @beesforaging

Anais Polo / @_anaispolo

Swipe to experience the visual rhythm! 🔊🌀


423
2
10 months ago

🎧 AUDIOREACTIVE FESTIVAL POSTER SERIES WORKSHOP RESULTS 🎧

We’re excited to share the outcomes of a one-week workshop led by designer Talia Cotton (@taliacotton) with second-year Media & Interaction Design students at @ecal_ch @ecal_mid!

Each student created a series of three audioreactive posters for a music festival of their choice — one for each headlining artist. Designed as part of a cohesive visual identity, the posters react in real time to the unique energy of each track, merging sound and design into a dynamic system.

The workshop encouraged students to rethink the concert poster as a digital-first experience, fit for today’s social media formats. Through tools using live audio input and generative processes, students experimented with giving partial control to sound itself — letting the music shape the visual outcome.

🖥️ Assistant: Théo Déchanez / @theodechanez

🎥 Videographer: Achille Masson / @ac.hille

📸 Photographer: Marvin Merkel / @marvin.merkel

🎵 Projects in order of appearance:

Benjamin Vermot / @benjaminvermot

Marco Boumya / @moga.raw

Matthieu Noël / @matth.noel

Blendi Mazreku / @blen_di8

Léon Bonnet / @leonbonnet.ch

Sacha Kaufmann / @lenskfm

Francisco Iaconucci / @francis.irl_

Karim Kaba / @kree.eeeem

Arthur Effront / @arthureffront

Corentin Maurer / @co.rentin.m

Jade Picard / @beesforaging

Anais Polo / @_anaispolo

Swipe to experience the visual rhythm! 🔊🌀


423
2
10 months ago

🎧 AUDIOREACTIVE FESTIVAL POSTER SERIES WORKSHOP RESULTS 🎧

We’re excited to share the outcomes of a one-week workshop led by designer Talia Cotton (@taliacotton) with second-year Media & Interaction Design students at @ecal_ch @ecal_mid!

Each student created a series of three audioreactive posters for a music festival of their choice — one for each headlining artist. Designed as part of a cohesive visual identity, the posters react in real time to the unique energy of each track, merging sound and design into a dynamic system.

The workshop encouraged students to rethink the concert poster as a digital-first experience, fit for today’s social media formats. Through tools using live audio input and generative processes, students experimented with giving partial control to sound itself — letting the music shape the visual outcome.

🖥️ Assistant: Théo Déchanez / @theodechanez

🎥 Videographer: Achille Masson / @ac.hille

📸 Photographer: Marvin Merkel / @marvin.merkel

🎵 Projects in order of appearance:

Benjamin Vermot / @benjaminvermot

Marco Boumya / @moga.raw

Matthieu Noël / @matth.noel

Blendi Mazreku / @blen_di8

Léon Bonnet / @leonbonnet.ch

Sacha Kaufmann / @lenskfm

Francisco Iaconucci / @francis.irl_

Karim Kaba / @kree.eeeem

Arthur Effront / @arthureffront

Corentin Maurer / @co.rentin.m

Jade Picard / @beesforaging

Anais Polo / @_anaispolo

Swipe to experience the visual rhythm! 🔊🌀


423
2
10 months ago

Talia Cotton
#typographicsnyc

📷 @tipocracia_


531
7
10 months ago

Talia Cotton
#typographicsnyc

📷 @tipocracia_


531
7
10 months ago

Talia Cotton
#typographicsnyc

📷 @tipocracia_


531
7
10 months ago


Talia Cotton
#typographicsnyc

📷 @tipocracia_


531
7
10 months ago

LIVE FROM THE INTERSECTION OF ART AND TECHNOLOGY it’s our new episode with the one and only @taliasaccount of @cottondesigninc!

Available on Spotify, Apple and YouTube!


176
2
1 years ago

New Episode with: @taliasaccount of @cottondesigninc tomorrow! She teaches us about code!


3
5
1 years ago

If you could change one thing in the world what would it be? 👇

During our conversation with Talia Cotton (@taliasaccount), educator, designer and founder of Cotton Design (@cottondesigninc) last year, she shared that she’d like to change the world by limiting the technologies people use and encouraging more real-life connections.

Agree 💛 or disagree 🤔? Vote in the comments!

#designleadership #taliacotton #globalchallenges #leadership #creative


125
6
1 years ago

New for @nytopinion :) Link to article in story.

Comment “how to” for a process post!

AD @breezebae.biz is the best.


898
37
1 years ago

Double illo + generative motion asset for the cover article in this weekend’s Sunday Times Opinion section. Always a pleasure to work with the hardworking crew at @nytopinion, this time led by the lovely Art Director @breezebae.biz ! The cover asset was fully generated by code to give it a real gravity effect. The motion asset uses code to spawn exponentially. Swipe to see how many images were exported to get to the final refined asset!


1.4K
26
1 years ago

Double illo + generative motion asset for the cover article in this weekend’s Sunday Times Opinion section. Always a pleasure to work with the hardworking crew at @nytopinion, this time led by the lovely Art Director @breezebae.biz ! The cover asset was fully generated by code to give it a real gravity effect. The motion asset uses code to spawn exponentially. Swipe to see how many images were exported to get to the final refined asset!


1.4K
26
1 years ago

Double illo + generative motion asset for the cover article in this weekend’s Sunday Times Opinion section. Always a pleasure to work with the hardworking crew at @nytopinion, this time led by the lovely Art Director @breezebae.biz ! The cover asset was fully generated by code to give it a real gravity effect. The motion asset uses code to spawn exponentially. Swipe to see how many images were exported to get to the final refined asset!


1.4K
26
1 years ago

Double illo + generative motion asset for the cover article in this weekend’s Sunday Times Opinion section. Always a pleasure to work with the hardworking crew at @nytopinion, this time led by the lovely Art Director @breezebae.biz ! The cover asset was fully generated by code to give it a real gravity effect. The motion asset uses code to spawn exponentially. Swipe to see how many images were exported to get to the final refined asset!


1.4K
26
1 years ago

Double illo + generative motion asset for the cover article in this weekend’s Sunday Times Opinion section. Always a pleasure to work with the hardworking crew at @nytopinion, this time led by the lovely Art Director @breezebae.biz ! The cover asset was fully generated by code to give it a real gravity effect. The motion asset uses code to spawn exponentially. Swipe to see how many images were exported to get to the final refined asset!


1.4K
26
1 years ago

Double illo + generative motion asset for the cover article in this weekend’s Sunday Times Opinion section. Always a pleasure to work with the hardworking crew at @nytopinion, this time led by the lovely Art Director @breezebae.biz ! The cover asset was fully generated by code to give it a real gravity effect. The motion asset uses code to spawn exponentially. Swipe to see how many images were exported to get to the final refined asset!


1.4K
26
1 years ago

Double illo + generative motion asset for the cover article in this weekend’s Sunday Times Opinion section. Always a pleasure to work with the hardworking crew at @nytopinion, this time led by the lovely Art Director @breezebae.biz ! The cover asset was fully generated by code to give it a real gravity effect. The motion asset uses code to spawn exponentially. Swipe to see how many images were exported to get to the final refined asset!


1.4K
26
1 years ago

Double illo + generative motion asset for the cover article in this weekend’s Sunday Times Opinion section. Always a pleasure to work with the hardworking crew at @nytopinion, this time led by the lovely Art Director @breezebae.biz ! The cover asset was fully generated by code to give it a real gravity effect. The motion asset uses code to spawn exponentially. Swipe to see how many images were exported to get to the final refined asset!


1.4K
26
1 years ago

Double illo + generative motion asset for the cover article in this weekend’s Sunday Times Opinion section. Always a pleasure to work with the hardworking crew at @nytopinion, this time led by the lovely Art Director @breezebae.biz ! The cover asset was fully generated by code to give it a real gravity effect. The motion asset uses code to spawn exponentially. Swipe to see how many images were exported to get to the final refined asset!


1.4K
26
1 years ago

🔉 Had the pleasure of making some colorful generative mesh gradients for @nytopinion‘s election meditation today. Stay calm out there! 🧘

DD @mr_augugliaro 🙏


652
12
1 years ago

🔉 Had the pleasure of making some colorful generative mesh gradients for @nytopinion‘s election meditation today. Stay calm out there! 🧘

DD @mr_augugliaro 🙏


652
12
1 years ago

🔉 Had the pleasure of making some colorful generative mesh gradients for @nytopinion‘s election meditation today. Stay calm out there! 🧘

DD @mr_augugliaro 🙏


652
12
1 years ago

The identity and website for @almostudio is a long time coming and a labor of love. ❣️

When the architecture duo approached me last year for a website and identity, one of the first things I learned about them is that their process is sometimes even more important than their final product:

“We draw a lot as part of our process.,” they said in an early interview, “That’s one of the things that makes us different. We’re not just hands-on. We discover more about each project by drawing.”

That concept alone birthed a total of sixteen (!) exploratory concepts, and led to an extended coding timeline to get the interactive to land—and I couldn’t be more thrilled with the product.

Thanks to the immensely talented @anthonyvgagliardi and @dbooth for the openness to do something different, and the patience to make it work.

More incoming 👉 @cottondesigninc


3.2K
37
2 years ago

The identity and website for @almostudio is a long time coming and a labor of love. ❣️

When the architecture duo approached me last year for a website and identity, one of the first things I learned about them is that their process is sometimes even more important than their final product:

“We draw a lot as part of our process.,” they said in an early interview, “That’s one of the things that makes us different. We’re not just hands-on. We discover more about each project by drawing.”

That concept alone birthed a total of sixteen (!) exploratory concepts, and led to an extended coding timeline to get the interactive to land—and I couldn’t be more thrilled with the product.

Thanks to the immensely talented @anthonyvgagliardi and @dbooth for the openness to do something different, and the patience to make it work.

More incoming 👉 @cottondesigninc


3.2K
37
2 years ago

The identity and website for @almostudio is a long time coming and a labor of love. ❣️

When the architecture duo approached me last year for a website and identity, one of the first things I learned about them is that their process is sometimes even more important than their final product:

“We draw a lot as part of our process.,” they said in an early interview, “That’s one of the things that makes us different. We’re not just hands-on. We discover more about each project by drawing.”

That concept alone birthed a total of sixteen (!) exploratory concepts, and led to an extended coding timeline to get the interactive to land—and I couldn’t be more thrilled with the product.

Thanks to the immensely talented @anthonyvgagliardi and @dbooth for the openness to do something different, and the patience to make it work.

More incoming 👉 @cottondesigninc


3.2K
37
2 years ago

The identity and website for @almostudio is a long time coming and a labor of love. ❣️

When the architecture duo approached me last year for a website and identity, one of the first things I learned about them is that their process is sometimes even more important than their final product:

“We draw a lot as part of our process.,” they said in an early interview, “That’s one of the things that makes us different. We’re not just hands-on. We discover more about each project by drawing.”

That concept alone birthed a total of sixteen (!) exploratory concepts, and led to an extended coding timeline to get the interactive to land—and I couldn’t be more thrilled with the product.

Thanks to the immensely talented @anthonyvgagliardi and @dbooth for the openness to do something different, and the patience to make it work.

More incoming 👉 @cottondesigninc


3.2K
37
2 years ago

The identity and website for @almostudio is a long time coming and a labor of love. ❣️

When the architecture duo approached me last year for a website and identity, one of the first things I learned about them is that their process is sometimes even more important than their final product:

“We draw a lot as part of our process.,” they said in an early interview, “That’s one of the things that makes us different. We’re not just hands-on. We discover more about each project by drawing.”

That concept alone birthed a total of sixteen (!) exploratory concepts, and led to an extended coding timeline to get the interactive to land—and I couldn’t be more thrilled with the product.

Thanks to the immensely talented @anthonyvgagliardi and @dbooth for the openness to do something different, and the patience to make it work.

More incoming 👉 @cottondesigninc


3.2K
37
2 years ago

The identity and website for @almostudio is a long time coming and a labor of love. ❣️

When the architecture duo approached me last year for a website and identity, one of the first things I learned about them is that their process is sometimes even more important than their final product:

“We draw a lot as part of our process.,” they said in an early interview, “That’s one of the things that makes us different. We’re not just hands-on. We discover more about each project by drawing.”

That concept alone birthed a total of sixteen (!) exploratory concepts, and led to an extended coding timeline to get the interactive to land—and I couldn’t be more thrilled with the product.

Thanks to the immensely talented @anthonyvgagliardi and @dbooth for the openness to do something different, and the patience to make it work.

More incoming 👉 @cottondesigninc


3.2K
37
2 years ago

The identity and website for @almostudio is a long time coming and a labor of love. ❣️

When the architecture duo approached me last year for a website and identity, one of the first things I learned about them is that their process is sometimes even more important than their final product:

“We draw a lot as part of our process.,” they said in an early interview, “That’s one of the things that makes us different. We’re not just hands-on. We discover more about each project by drawing.”

That concept alone birthed a total of sixteen (!) exploratory concepts, and led to an extended coding timeline to get the interactive to land—and I couldn’t be more thrilled with the product.

Thanks to the immensely talented @anthonyvgagliardi and @dbooth for the openness to do something different, and the patience to make it work.

More incoming 👉 @cottondesigninc


3.2K
37
2 years ago

The identity and website for @almostudio is a long time coming and a labor of love. ❣️

When the architecture duo approached me last year for a website and identity, one of the first things I learned about them is that their process is sometimes even more important than their final product:

“We draw a lot as part of our process.,” they said in an early interview, “That’s one of the things that makes us different. We’re not just hands-on. We discover more about each project by drawing.”

That concept alone birthed a total of sixteen (!) exploratory concepts, and led to an extended coding timeline to get the interactive to land—and I couldn’t be more thrilled with the product.

Thanks to the immensely talented @anthonyvgagliardi and @dbooth for the openness to do something different, and the patience to make it work.

More incoming 👉 @cottondesigninc


3.2K
37
2 years ago

The identity and website for @almostudio is a long time coming and a labor of love. ❣️

When the architecture duo approached me last year for a website and identity, one of the first things I learned about them is that their process is sometimes even more important than their final product:

“We draw a lot as part of our process.,” they said in an early interview, “That’s one of the things that makes us different. We’re not just hands-on. We discover more about each project by drawing.”

That concept alone birthed a total of sixteen (!) exploratory concepts, and led to an extended coding timeline to get the interactive to land—and I couldn’t be more thrilled with the product.

Thanks to the immensely talented @anthonyvgagliardi and @dbooth for the openness to do something different, and the patience to make it work.

More incoming 👉 @cottondesigninc


3.2K
37
2 years ago

The identity and website for @almostudio is a long time coming and a labor of love. ❣️

When the architecture duo approached me last year for a website and identity, one of the first things I learned about them is that their process is sometimes even more important than their final product:

“We draw a lot as part of our process.,” they said in an early interview, “That’s one of the things that makes us different. We’re not just hands-on. We discover more about each project by drawing.”

That concept alone birthed a total of sixteen (!) exploratory concepts, and led to an extended coding timeline to get the interactive to land—and I couldn’t be more thrilled with the product.

Thanks to the immensely talented @anthonyvgagliardi and @dbooth for the openness to do something different, and the patience to make it work.

More incoming 👉 @cottondesigninc


3.2K
37
2 years ago


Story Save - Najlepsze darmowe narzędzie do zapisywania historii, rolek, zdjęć, wideo, wyróżnionych, IGTV na telefonie.

Story-save.com to intuicyjne narzędzie online, które umożliwia pobieranie i zapisywanie różnych treści, w tym historii, zdjęć, wideo i materiałów IGTV bezpośrednio z Instagrama. Dzięki Story-Save możesz łatwo pobierać różnorodne treści z Instagrama, a także oglądać je w dogodnym czasie, nawet bez dostępu do internetu. To narzędzie jest idealne na chwile, kiedy znajdziesz coś interesującego na Instagramie i chcesz zapisać to na później. Użyj Story-Save, aby nie przegapić okazji, aby zabrać ulubione momenty z Instagrama ze sobą!

Nasze zalety:

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Wysoka jakość

Zakończ z kiepską jakością treści, zachowuj tylko wysokiej rozdzielczości historie.

Dostępność na wszystkich

Urządzenia Pobieraj historie z Instagrama za pomocą każdej przeglądarki, iPhone'a, Androida.

Całkowicie darmowe

Absolutnie bez opłat. Pobierz dowolną historię bez żadnych kosztów.

Najczęściej zadawane pytania

Funkcja pobierania historii na Instagramie została zaprojektowana w celu zapewnienia bezpiecznej i wysokiej jakości metody pobierania historii z Instagrama. Jest łatwa w obsłudze i nie wymaga rejestracji ani logowania. Wystarczy skopiować link, wkleić go i cieszyć się treścią.
Pobieranie historii z Instagrama to prosty proces, który obejmuje trzy kroki:
  • 1. Przejdź do narzędzia do pobierania historii z Instagrama.
  • 2. Następnie wpisz nazwę użytkownika profilu Instagram w podanym polu i kliknij przycisk Pobierz.
  • 3. Zobaczysz wszystkie historie dostępne w bieżącym 24-godzinnym okresie. Wybierz te, które chcesz pobrać, i kliknij Pobierz.
Wybrana historia zostanie szybko zapisana w pamięci lokalnej Twojego urządzenia.
Niestety, nie jest możliwe pobieranie historii z prywatnych kont z powodu ograniczeń prywatności.
Nie ma limitu na liczbę historii, które można pobrać. Usługa pobierania historii jest dostępna do nieograniczonego użytku i jest całkowicie darmowa.
Tak, legalne jest pobieranie i zapisywanie historii z Instagrama innych użytkowników, pod warunkiem, że nie będą one wykorzystywane do celów komercyjnych. Jeśli zamierzasz je wykorzystać komercyjnie, musisz uzyskać zgodę właściciela treści i przypisać mu autorstwo za każdym razem, gdy historia jest używana.
Wszystkie pobrane historie są zazwyczaj zapisywane w folderze Pobrane na Twoim komputerze, niezależnie od tego, czy używasz Windowsa, Maca, czy iOS. Na urządzeniach mobilnych historie są zapisywane w pamięci telefonu i powinny natychmiast pojawić się w aplikacji Galeria po pobraniu.