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COSTUME store Collector’s item slippes denne uken med @thequickstyle -stjerne Suleman Malik @sulllyquick og hans kone Ariba Malik med de to små barna deres på cover ❤️❤️❤️Dette er det første av totalt fire cover denne utgaven vil ha ⭐️🤍
I KULTURARVEN retter vi fokuset mot flerkulturalitet og hva det gir oss som mennesker og samfunn. Møt ni norske profiler som har vokst opp som barn av innvandrere. De snakker ut om identitet, kultur rikdom, verdier og hva de mener deres generasjon kommer til å gjøre annerledes.
Vår store catwalk-spesial forteller deg alt du trenger å vite om vårens største trender og tendenser, du får møte Skandinavias grønne heltinner i en stor sak om upcycling, lese om toxic positivity og bli bedre kjent med vedens raskeste jente, racerbilkjøreren @alba.racing som er en dansk 16-åring!
Det er bare å glede seg ✨🤍
På cover: @sulllyquick @idollooks @ariba.m.malik
Sjefredaktør: @kine_b_hartz
Moteredaktør: @carolinekrager
Foto: @desiree_mattsson
Styling: @mariafuhre @alphonsamuri
Hår og makeup: @linnlinnea
Stylingassistenter: @malinsem1 @tuvaringso @moysi99
Hår og makeup-assistenter: @byelidachristin @byidastokkeland
Postproduksjon: @ruben_kristiansen
Sulemans look: Dress @khaite_ny @vinccioslo - smykker @tomwood
Aribas look: Kjole @othilieromberg Smykker - privat
“They didn’t even practise,” Suleman Malik says of the 12-minute dance (delivered at his wedding) that first ignited @thequickstyle mania.
But in reality, that performance was actually a culmination of years and years of practice and study, met with the cultural mosaic of the dancers’ backgrounds and love of music. And finally, that special sauce: joy.
Visit the link in bio to read the full digital cover story with Norway’s newest dance deities and don’t miss the exclusive video on Vogue Scandinavia’s YouTube channel later today.
I have never been able to share my experience of choreographing for these hard working artists here. I've choreographed a lot of this in the strangest places, From the piano room, to a messy bedroom, random hallway and a 70 floor studio in China. I never saw it going that big, and I think that's what's beautiful about it. Have it organically organized, otherwise this would never have ended up with me. We have been involved in choreographing a lot of K music, after THIS journey here! which we are very proud of. My biggest role in this here is to always pick up a taste, I don't need to put anything technical as there are a lot of them. I will try my best to put more of the work I have put into other artists in this profile🙏🏽🫶🏽🐅
I have never been able to share my experience of choreographing for these hard working artists here. I've choreographed a lot of this in the strangest places, From the piano room, to a messy bedroom, random hallway and a 70 floor studio in China. I never saw it going that big, and I think that's what's beautiful about it. Have it organically organized, otherwise this would never have ended up with me. We have been involved in choreographing a lot of K music, after THIS journey here! which we are very proud of. My biggest role in this here is to always pick up a taste, I don't need to put anything technical as there are a lot of them. I will try my best to put more of the work I have put into other artists in this profile🙏🏽🫶🏽🐅
I have never been able to share my experience of choreographing for these hard working artists here. I've choreographed a lot of this in the strangest places, From the piano room, to a messy bedroom, random hallway and a 70 floor studio in China. I never saw it going that big, and I think that's what's beautiful about it. Have it organically organized, otherwise this would never have ended up with me. We have been involved in choreographing a lot of K music, after THIS journey here! which we are very proud of. My biggest role in this here is to always pick up a taste, I don't need to put anything technical as there are a lot of them. I will try my best to put more of the work I have put into other artists in this profile🙏🏽🫶🏽🐅
I have never been able to share my experience of choreographing for these hard working artists here. I've choreographed a lot of this in the strangest places, From the piano room, to a messy bedroom, random hallway and a 70 floor studio in China. I never saw it going that big, and I think that's what's beautiful about it. Have it organically organized, otherwise this would never have ended up with me. We have been involved in choreographing a lot of K music, after THIS journey here! which we are very proud of. My biggest role in this here is to always pick up a taste, I don't need to put anything technical as there are a lot of them. I will try my best to put more of the work I have put into other artists in this profile🙏🏽🫶🏽🐅
around the chair. by @sulllyquick
Director of Photography: @olemh
Directed by: @nazquick
this one’s for the choreography lovers! - I made it a long time ago, but so glad that I was able to share this now. HOPE you like it 🫶🏼. #dance #choreography
song: Judai
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