Zapisz historię na Instagramie
Zapisz za darmo historię, rolki, zdjęcia, wideo, wyróżnione, IGTV z Instagrama online
ri.codesign
Ri_design
Her visionary world
📍Based in London
Enquiries please contact ricong.work@gmail.com
@riccoco_
[ Year 2 Personal Style Development Project ]
Final outcome of two full looks, which mainly concentrated on “hand-printed” prints and textile manipulation.
Men’s look: a high collar top with “shattered” seams, hand-printed outerwear vest and cowboy trousers with self-made judo belt
Women’s look: a high collar vest, outer top layer and a-line skirt with boro patchwork and self-made judo belt
Designer @riccoco_
Photographer @chylledignadice
Model @dinnychiao @ollieplamadyala
[ Year 2 Personal Style Development Project ]
Final outcome of two full looks, which mainly concentrated on “hand-printed” prints and textile manipulation.
Men’s look: a high collar top with “shattered” seams, hand-printed outerwear vest and cowboy trousers with self-made judo belt
Women’s look: a high collar vest, outer top layer and a-line skirt with boro patchwork and self-made judo belt
Designer @riccoco_
Photographer @chylledignadice
Model @dinnychiao @ollieplamadyala
[ Year 2 Personal Style Development Project ]
Final outcome of two full looks, which mainly concentrated on “hand-printed” prints and textile manipulation.
Men’s look: a high collar top with “shattered” seams, hand-printed outerwear vest and cowboy trousers with self-made judo belt
Women’s look: a high collar vest, outer top layer and a-line skirt with boro patchwork and self-made judo belt
Designer @riccoco_
Photographer @chylledignadice
Model @dinnychiao @ollieplamadyala
[ Year 2 Personal Style Development Project ]
Final outcome of two full looks, which mainly concentrated on “hand-printed” prints and textile manipulation.
Men’s look: a high collar top with “shattered” seams, hand-printed outerwear vest and cowboy trousers with self-made judo belt
Women’s look: a high collar vest, outer top layer and a-line skirt with boro patchwork and self-made judo belt
Designer @riccoco_
Photographer @chylledignadice
Model @dinnychiao @ollieplamadyala
[ Year 2 Personal Style Development Project ]
Final outcome of two full looks, which mainly concentrated on “hand-printed” prints and textile manipulation.
Men’s look: a high collar top with “shattered” seams, hand-printed outerwear vest and cowboy trousers with self-made judo belt
Women’s look: a high collar vest, outer top layer and a-line skirt with boro patchwork and self-made judo belt
Designer @riccoco_
Photographer @chylledignadice
Model @dinnychiao @ollieplamadyala
[ Year 2 Personal Style Development Project ]
Final outcome of two full looks, which mainly concentrated on “hand-printed” prints and textile manipulation.
Men’s look: a high collar top with “shattered” seams, hand-printed outerwear vest and cowboy trousers with self-made judo belt
Women’s look: a high collar vest, outer top layer and a-line skirt with boro patchwork and self-made judo belt
Designer @riccoco_
Photographer @chylledignadice
Model @dinnychiao @ollieplamadyala
[ Year 2 Personal Style Development Project ]
Final outcome of two full looks, which mainly concentrated on “hand-printed” prints and textile manipulation.
Men’s look: a high collar top with “shattered” seams, hand-printed outerwear vest and cowboy trousers with self-made judo belt
Women’s look: a high collar vest, outer top layer and a-line skirt with boro patchwork and self-made judo belt
Designer @riccoco_
Photographer @chylledignadice
Model @dinnychiao @ollieplamadyala
[ Year 2 Personal Style Development Project ]
Final outcome of two full looks, which mainly concentrated on “hand-printed” prints and textile manipulation.
Men’s look: a high collar top with “shattered” seams, hand-printed outerwear vest and cowboy trousers with self-made judo belt
Women’s look: a high collar vest, outer top layer and a-line skirt with boro patchwork and self-made judo belt
Designer @riccoco_
Photographer @chylledignadice
Model @dinnychiao @ollieplamadyala
[ Year 2 Personal Style Development Project ]
Final outcome of two full looks, which mainly concentrated on “hand-printed” prints and textile manipulation.
Men’s look: a high collar top with “shattered” seams, hand-printed outerwear vest and cowboy trousers with self-made judo belt
Women’s look: a high collar vest, outer top layer and a-line skirt with boro patchwork and self-made judo belt
Designer @riccoco_
Photographer @chylledignadice
Model @dinnychiao @ollieplamadyala
[ Year 2 Personal Style Development Project ]
Final outcome of two full looks, which mainly concentrated on “hand-printed” prints and textile manipulation.
Men’s look: a high collar top with “shattered” seams, hand-printed outerwear vest and cowboy trousers with self-made judo belt
Women’s look: a high collar vest, outer top layer and a-line skirt with boro patchwork and self-made judo belt
Designer @riccoco_
Photographer @chylledignadice
Model @dinnychiao @ollieplamadyala
[ Year 2 Personal Style Development Project ]
Final outcome of two full looks, which mainly concentrated on “hand-printed” prints and textile manipulation.
Men’s look: a high collar top with “shattered” seams, hand-printed outerwear vest and cowboy trousers with self-made judo belt
Women’s look: a high collar vest, outer top layer and a-line skirt with boro patchwork and self-made judo belt
Designer @riccoco_
Photographer @chylledignadice
Model @dinnychiao @ollieplamadyala
[ Year 2 Personal Style Development Project ]
Final outcome of two full looks, which mainly concentrated on “hand-printed” prints and textile manipulation.
Men’s look: a high collar top with “shattered” seams, hand-printed outerwear vest and cowboy trousers with self-made judo belt
Women’s look: a high collar vest, outer top layer and a-line skirt with boro patchwork and self-made judo belt
Designer @riccoco_
Photographer @chylledignadice
Model @dinnychiao @ollieplamadyala
[ Year 2 Personal Style Development Project ]
A final outcome of an eight look collection consisting of both mens and womenswear, with two full looks being made.
[ Year 2 Personal Style Development Project ]
A final outcome of an eight look collection consisting of both mens and womenswear, with two full looks being made.
[ Year 2 Personal Style Development Project ]
A final outcome of an eight look collection consisting of both mens and womenswear, with two full looks being made.
[ Year 2 Personal Style Development Project ]
A final outcome of an eight look collection consisting of both mens and womenswear, with two full looks being made.
[ Year 2 Personal Style Development Project ]
A final outcome of an eight look collection consisting of both mens and womenswear, with two full looks being made.
[ Year 2 Personal Style Development Project ]
A final outcome of an eight look collection consisting of both mens and womenswear, with two full looks being made.
[ Year 2 Personal Style Development Project ]
A final outcome of an eight look collection consisting of both mens and womenswear, with two full looks being made.
[ Year 2 Personal Style Development Project ]
A final outcome of an eight look collection consisting of both mens and womenswear, with two full looks being made.
[ Year 2 Personal Style Development Project ]
A final outcome of an eight look collection consisting of both mens and womenswear, with two full looks being made.
[ Year 2 Personal Style Development Project ]
A final outcome of an eight look collection consisting of both mens and womenswear, with two full looks being made.
[ Year 2 Personal Style Development Project ]
A final outcome of an eight look collection consisting of both mens and womenswear, with two full looks being made.
[ Year 2 Personal Style Development Project ]
My approach to this project is rooted in hands-on making. I work directly with textiles, experimenting with different fabrics, sewing methods, and material combinations. The process is highly visual and exploratory, driven by testing, touching, and shaping materials to understand their possibilities. This tactile, experimental way of working is central to how the project develops.
[ Year 2 Personal Style Development Project ]
My approach to this project is rooted in hands-on making. I work directly with textiles, experimenting with different fabrics, sewing methods, and material combinations. The process is highly visual and exploratory, driven by testing, touching, and shaping materials to understand their possibilities. This tactile, experimental way of working is central to how the project develops.
[ Year 2 Personal Style Development Project ]
My approach to this project is rooted in hands-on making. I work directly with textiles, experimenting with different fabrics, sewing methods, and material combinations. The process is highly visual and exploratory, driven by testing, touching, and shaping materials to understand their possibilities. This tactile, experimental way of working is central to how the project develops.
[ Year 2 Personal Style Development Project ]
My approach to this project is rooted in hands-on making. I work directly with textiles, experimenting with different fabrics, sewing methods, and material combinations. The process is highly visual and exploratory, driven by testing, touching, and shaping materials to understand their possibilities. This tactile, experimental way of working is central to how the project develops.
[ Year 2 Personal Style Development Project ]
My approach to this project is rooted in hands-on making. I work directly with textiles, experimenting with different fabrics, sewing methods, and material combinations. The process is highly visual and exploratory, driven by testing, touching, and shaping materials to understand their possibilities. This tactile, experimental way of working is central to how the project develops.
[ Year 2 Personal Style Development Project ]
My approach to this project is rooted in hands-on making. I work directly with textiles, experimenting with different fabrics, sewing methods, and material combinations. The process is highly visual and exploratory, driven by testing, touching, and shaping materials to understand their possibilities. This tactile, experimental way of working is central to how the project develops.
[ Year 2 Personal Style Development Project ]
My approach to this project is rooted in hands-on making. I work directly with textiles, experimenting with different fabrics, sewing methods, and material combinations. The process is highly visual and exploratory, driven by testing, touching, and shaping materials to understand their possibilities. This tactile, experimental way of working is central to how the project develops.
[ Year 2 Personal Style Development Project ]
My approach to this project is rooted in hands-on making. I work directly with textiles, experimenting with different fabrics, sewing methods, and material combinations. The process is highly visual and exploratory, driven by testing, touching, and shaping materials to understand their possibilities. This tactile, experimental way of working is central to how the project develops.
[ Year 2 Personal Style Development Project ]
My approach to this project is rooted in hands-on making. I work directly with textiles, experimenting with different fabrics, sewing methods, and material combinations. The process is highly visual and exploratory, driven by testing, touching, and shaping materials to understand their possibilities. This tactile, experimental way of working is central to how the project develops.
[ Year 2 Personal Style Development Project ]
My approach to this project is rooted in hands-on making. I work directly with textiles, experimenting with different fabrics, sewing methods, and material combinations. The process is highly visual and exploratory, driven by testing, touching, and shaping materials to understand their possibilities. This tactile, experimental way of working is central to how the project develops.
[ Year 2 Personal Style Development Project ]
My approach to this project is rooted in hands-on making. I work directly with textiles, experimenting with different fabrics, sewing methods, and material combinations. The process is highly visual and exploratory, driven by testing, touching, and shaping materials to understand their possibilities. This tactile, experimental way of working is central to how the project develops.
[ Year 2 Personal Style Development Project ]
My approach to this project is rooted in hands-on making. I work directly with textiles, experimenting with different fabrics, sewing methods, and material combinations. The process is highly visual and exploratory, driven by testing, touching, and shaping materials to understand their possibilities. This tactile, experimental way of working is central to how the project develops.
[ Year 2 Personal Style Development Project ]
My approach to this project is rooted in hands-on making. I work directly with textiles, experimenting with different fabrics, sewing methods, and material combinations. The process is highly visual and exploratory, driven by testing, touching, and shaping materials to understand their possibilities. This tactile, experimental way of working is central to how the project develops.
[ Year 2 Personal Style Development Project ]
My approach to this project is rooted in hands-on making. I work directly with textiles, experimenting with different fabrics, sewing methods, and material combinations. The process is highly visual and exploratory, driven by testing, touching, and shaping materials to understand their possibilities. This tactile, experimental way of working is central to how the project develops.
[ Year 2 Personal Style Development Project ]
In this project, “broken” objects serve as the central subject matter. Fragments and fractures are often associated with deconstruction, yet I am more interested in what they reveal about an origin—the form, the state, or the story that once existed. Rather than seeking to repair, restore, or resolve, this project embraces brokenness as it is. Whether referring to relationships, the self, or the physical world, I do not intend to mend what has fractured. Instead, I allow things to remain as they are—to stay broken if they must, to exist in fragments if that is where they naturally arrive.
This work is an acceptance of what endures, even in pieces.
[ Year 2 Personal Style Development Project ]
In this project, “broken” objects serve as the central subject matter. Fragments and fractures are often associated with deconstruction, yet I am more interested in what they reveal about an origin—the form, the state, or the story that once existed. Rather than seeking to repair, restore, or resolve, this project embraces brokenness as it is. Whether referring to relationships, the self, or the physical world, I do not intend to mend what has fractured. Instead, I allow things to remain as they are—to stay broken if they must, to exist in fragments if that is where they naturally arrive.
This work is an acceptance of what endures, even in pieces.
[ Year 2 Personal Style Development Project ]
In this project, “broken” objects serve as the central subject matter. Fragments and fractures are often associated with deconstruction, yet I am more interested in what they reveal about an origin—the form, the state, or the story that once existed. Rather than seeking to repair, restore, or resolve, this project embraces brokenness as it is. Whether referring to relationships, the self, or the physical world, I do not intend to mend what has fractured. Instead, I allow things to remain as they are—to stay broken if they must, to exist in fragments if that is where they naturally arrive.
This work is an acceptance of what endures, even in pieces.
[ Year 2 Personal Style Development Project ]
In this project, “broken” objects serve as the central subject matter. Fragments and fractures are often associated with deconstruction, yet I am more interested in what they reveal about an origin—the form, the state, or the story that once existed. Rather than seeking to repair, restore, or resolve, this project embraces brokenness as it is. Whether referring to relationships, the self, or the physical world, I do not intend to mend what has fractured. Instead, I allow things to remain as they are—to stay broken if they must, to exist in fragments if that is where they naturally arrive.
This work is an acceptance of what endures, even in pieces.
[ Year 2 Personal Style Development Project ]
In this project, “broken” objects serve as the central subject matter. Fragments and fractures are often associated with deconstruction, yet I am more interested in what they reveal about an origin—the form, the state, or the story that once existed. Rather than seeking to repair, restore, or resolve, this project embraces brokenness as it is. Whether referring to relationships, the self, or the physical world, I do not intend to mend what has fractured. Instead, I allow things to remain as they are—to stay broken if they must, to exist in fragments if that is where they naturally arrive.
This work is an acceptance of what endures, even in pieces.
[ Year 2 Personal Style Development Project ]
In this project, “broken” objects serve as the central subject matter. Fragments and fractures are often associated with deconstruction, yet I am more interested in what they reveal about an origin—the form, the state, or the story that once existed. Rather than seeking to repair, restore, or resolve, this project embraces brokenness as it is. Whether referring to relationships, the self, or the physical world, I do not intend to mend what has fractured. Instead, I allow things to remain as they are—to stay broken if they must, to exist in fragments if that is where they naturally arrive.
This work is an acceptance of what endures, even in pieces.
[ Year 2 Personal Style Development Project ]
In this project, “broken” objects serve as the central subject matter. Fragments and fractures are often associated with deconstruction, yet I am more interested in what they reveal about an origin—the form, the state, or the story that once existed. Rather than seeking to repair, restore, or resolve, this project embraces brokenness as it is. Whether referring to relationships, the self, or the physical world, I do not intend to mend what has fractured. Instead, I allow things to remain as they are—to stay broken if they must, to exist in fragments if that is where they naturally arrive.
This work is an acceptance of what endures, even in pieces.
[A truly joyful project, made even better by such a talented team!]
Stylist: Maki So @maki.so_
Photographer/Art direction: Luana Radovic @level26.studio
Filmmaker: Giulio Sabia, moviamostudios
MUA: Jun Sato @jun.mua
Model: Samuel Zinczenko @samuel_zinczenko
[A truly joyful project, made even better by such a talented team!]
Stylist: Maki So @maki.so_
Photographer/Art direction: Luana Radovic @level26.studio
Filmmaker: Giulio Sabia, moviamostudios
MUA: Jun Sato @jun.mua
Model: Samuel Zinczenko @samuel_zinczenko
[A truly joyful project, made even better by such a talented team!]
Stylist: Maki So @maki.so_
Photographer/Art direction: Luana Radovic @level26.studio
Filmmaker: Giulio Sabia, moviamostudios
MUA: Jun Sato @jun.mua
Model: Samuel Zinczenko @samuel_zinczenko
[A truly joyful project, made even better by such a talented team!]
Stylist: Maki So @maki.so_
Photographer/Art direction: Luana Radovic @level26.studio
Filmmaker: Giulio Sabia, moviamostudios
MUA: Jun Sato @jun.mua
Model: Samuel Zinczenko @samuel_zinczenko
[A truly joyful project, made even better by such a talented team!]
Stylist: Maki So @maki.so_
Photographer/Art direction: Luana Radovic @level26.studio
Filmmaker: Giulio Sabia, moviamostudios
MUA: Jun Sato @jun.mua
Model: Samuel Zinczenko @samuel_zinczenko
[A truly joyful project, made even better by such a talented team!]
Stylist: Maki So @maki.so_
Photographer/Art direction: Luana Radovic @level26.studio
Filmmaker: Giulio Sabia, moviamostudios
MUA: Jun Sato @jun.mua
Model: Samuel Zinczenko @samuel_zinczenko
Happy to be part of a team that is always on fire !!
PHILIPP DORNER SPRING/SUMMER 2026 LOOKBOOK
Creative director ppdrnr
Photo/Video @filipskibaa
Styling @_stevenhuang
Production Manager @junidemarcos
Hair @mikeynoir
Make up @charliaverymakeup
Design management @garaboehm
Assistant @_heike_dorner
Assistant @riccoco_
Assistant @birdfoodeater
Assistant @francesturner___
Talent @judenaylor
Talent @hazsingh_
Embroidery @neko.moons
Photo studio @marianovivanco
@londonfashionweek
@britishfashioncouncil
Happy to be part of a team that is always on fire !!
PHILIPP DORNER SPRING/SUMMER 2026 LOOKBOOK
Creative director ppdrnr
Photo/Video @filipskibaa
Styling @_stevenhuang
Production Manager @junidemarcos
Hair @mikeynoir
Make up @charliaverymakeup
Design management @garaboehm
Assistant @_heike_dorner
Assistant @riccoco_
Assistant @birdfoodeater
Assistant @francesturner___
Talent @judenaylor
Talent @hazsingh_
Embroidery @neko.moons
Photo studio @marianovivanco
@londonfashionweek
@britishfashioncouncil
Happy to be part of a team that is always on fire !!
PHILIPP DORNER SPRING/SUMMER 2026 LOOKBOOK
Creative director ppdrnr
Photo/Video @filipskibaa
Styling @_stevenhuang
Production Manager @junidemarcos
Hair @mikeynoir
Make up @charliaverymakeup
Design management @garaboehm
Assistant @_heike_dorner
Assistant @riccoco_
Assistant @birdfoodeater
Assistant @francesturner___
Talent @judenaylor
Talent @hazsingh_
Embroidery @neko.moons
Photo studio @marianovivanco
@londonfashionweek
@britishfashioncouncil
Happy to be part of a team that is always on fire !!
PHILIPP DORNER SPRING/SUMMER 2026 LOOKBOOK
Creative director ppdrnr
Photo/Video @filipskibaa
Styling @_stevenhuang
Production Manager @junidemarcos
Hair @mikeynoir
Make up @charliaverymakeup
Design management @garaboehm
Assistant @_heike_dorner
Assistant @riccoco_
Assistant @birdfoodeater
Assistant @francesturner___
Talent @judenaylor
Talent @hazsingh_
Embroidery @neko.moons
Photo studio @marianovivanco
@londonfashionweek
@britishfashioncouncil
Happy to be part of a team that is always on fire !!
PHILIPP DORNER SPRING/SUMMER 2026 LOOKBOOK
Creative director ppdrnr
Photo/Video @filipskibaa
Styling @_stevenhuang
Production Manager @junidemarcos
Hair @mikeynoir
Make up @charliaverymakeup
Design management @garaboehm
Assistant @_heike_dorner
Assistant @riccoco_
Assistant @birdfoodeater
Assistant @francesturner___
Talent @judenaylor
Talent @hazsingh_
Embroidery @neko.moons
Photo studio @marianovivanco
@londonfashionweek
@britishfashioncouncil
Happy to be part of a team that is always on fire !!
PHILIPP DORNER SPRING/SUMMER 2026 LOOKBOOK
Creative director ppdrnr
Photo/Video @filipskibaa
Styling @_stevenhuang
Production Manager @junidemarcos
Hair @mikeynoir
Make up @charliaverymakeup
Design management @garaboehm
Assistant @_heike_dorner
Assistant @riccoco_
Assistant @birdfoodeater
Assistant @francesturner___
Talent @judenaylor
Talent @hazsingh_
Embroidery @neko.moons
Photo studio @marianovivanco
@londonfashionweek
@britishfashioncouncil
Happy to be part of a team that is always on fire !!
PHILIPP DORNER SPRING/SUMMER 2026 LOOKBOOK
Creative director ppdrnr
Photo/Video @filipskibaa
Styling @_stevenhuang
Production Manager @junidemarcos
Hair @mikeynoir
Make up @charliaverymakeup
Design management @garaboehm
Assistant @_heike_dorner
Assistant @riccoco_
Assistant @birdfoodeater
Assistant @francesturner___
Talent @judenaylor
Talent @hazsingh_
Embroidery @neko.moons
Photo studio @marianovivanco
@londonfashionweek
@britishfashioncouncil
Happy to be part of a team that is always on fire !!
PHILIPP DORNER SPRING/SUMMER 2026 LOOKBOOK
Creative director ppdrnr
Photo/Video @filipskibaa
Styling @_stevenhuang
Production Manager @junidemarcos
Hair @mikeynoir
Make up @charliaverymakeup
Design management @garaboehm
Assistant @_heike_dorner
Assistant @riccoco_
Assistant @birdfoodeater
Assistant @francesturner___
Talent @judenaylor
Talent @hazsingh_
Embroidery @neko.moons
Photo studio @marianovivanco
@londonfashionweek
@britishfashioncouncil
Happy to be part of a team that is always on fire !!
PHILIPP DORNER SPRING/SUMMER 2026 LOOKBOOK
Creative director ppdrnr
Photo/Video @filipskibaa
Styling @_stevenhuang
Production Manager @junidemarcos
Hair @mikeynoir
Make up @charliaverymakeup
Design management @garaboehm
Assistant @_heike_dorner
Assistant @riccoco_
Assistant @birdfoodeater
Assistant @francesturner___
Talent @judenaylor
Talent @hazsingh_
Embroidery @neko.moons
Photo studio @marianovivanco
@londonfashionweek
@britishfashioncouncil
Happy to be part of a team that is always on fire !!
PHILIPP DORNER SPRING/SUMMER 2026 LOOKBOOK
Creative director ppdrnr
Photo/Video @filipskibaa
Styling @_stevenhuang
Production Manager @junidemarcos
Hair @mikeynoir
Make up @charliaverymakeup
Design management @garaboehm
Assistant @_heike_dorner
Assistant @riccoco_
Assistant @birdfoodeater
Assistant @francesturner___
Talent @judenaylor
Talent @hazsingh_
Embroidery @neko.moons
Photo studio @marianovivanco
@londonfashionweek
@britishfashioncouncil
Happy to be part of a team that is always on fire !!
PHILIPP DORNER SPRING/SUMMER 2026 LOOKBOOK
Creative director ppdrnr
Photo/Video @filipskibaa
Styling @_stevenhuang
Production Manager @junidemarcos
Hair @mikeynoir
Make up @charliaverymakeup
Design management @garaboehm
Assistant @_heike_dorner
Assistant @riccoco_
Assistant @birdfoodeater
Assistant @francesturner___
Talent @judenaylor
Talent @hazsingh_
Embroidery @neko.moons
Photo studio @marianovivanco
@londonfashionweek
@britishfashioncouncil
Story Save - Najlepsze darmowe narzędzie do zapisywania historii, rolek, zdjęć, wideo, wyróżnionych, IGTV na telefonie.
Story-save.com to intuicyjne narzędzie online, które umożliwia pobieranie i zapisywanie różnych treści, w tym historii, zdjęć, wideo i materiałów IGTV bezpośrednio z Instagrama. Dzięki Story-Save możesz łatwo pobierać różnorodne treści z Instagrama, a także oglądać je w dogodnym czasie, nawet bez dostępu do internetu. To narzędzie jest idealne na chwile, kiedy znajdziesz coś interesującego na Instagramie i chcesz zapisać to na później. Użyj Story-Save, aby nie przegapić okazji, aby zabrać ulubione momenty z Instagrama ze sobą!
Nasze zalety:
Brak potrzeby rejestracji
Unikaj pobierania aplikacji i rejestracji, przechowuj historie w internecie.
Wysoka jakość
Zakończ z kiepską jakością treści, zachowuj tylko wysokiej rozdzielczości historie.
Dostępność na wszystkich
Urządzenia Pobieraj historie z Instagrama za pomocą każdej przeglądarki, iPhone'a, Androida.
Całkowicie darmowe
Absolutnie bez opłat. Pobierz dowolną historię bez żadnych kosztów.
Najczęściej zadawane pytania
- 1. Przejdź do narzędzia do pobierania historii z Instagrama.
- 2. Następnie wpisz nazwę użytkownika profilu Instagram w podanym polu i kliknij przycisk Pobierz.
- 3. Zobaczysz wszystkie historie dostępne w bieżącym 24-godzinnym okresie. Wybierz te, które chcesz pobrać, i kliknij Pobierz.