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Io, @pongie147 e il nostro server donato da @xpub.pietzwart

@habitattt.it

Io, @pongie147 e il nostro server donato da @xpub.pietzwart

@habitattt.it

Io, @pongie147 e il nostro server donato da @xpub.pietzwart

@habitattt.it

Io, @pongie147 e il nostro server donato da @xpub.pietzwart

@habitattt.it

Azoth?

A small selection of dirty vinyls, the kind of music your grandparents would dance to without pills.

Digged around second hand shops in Romagna, Bologna, Bruxelles.

Truly thanks to Pongie, Eric and MEGASTORE Sonic Belligeranza.

I had the chance to present “SUPERAGENCY and the politics of memory: @landescape2015 archive as situated infrastructure of Southern Italy” at @ieeevis in Wien.

This work is part of my PhD research on creative ecosystems and performative archives at @abanapoli_official . I won’t explain here what SUPERAGENCY is — I’m still in the process of defining it more precisely — but for now, we can say it’s an application, a software (eventually), running a custom-built cataloguing system I called NOMENKLATURA.

Of course, I designed it around the @landescape2015 archive, and I’m deeply thankful to everyone who has supported the project over the past 10 years.

Special thanks to @fedeamo8 for the first database architecture, @_gi_o as archivist, @_____isle_____ for reconstructing and simplifying the database, and @poni.js , with whom I developed the app and finalized some visualizations.

Looking forward to more handrails and containers, to new ideas and relations, to icons and codes, always navigating an unexplored spaces in the time to come.

I had the chance to present “SUPERAGENCY and the politics of memory: @landescape2015 archive as situated infrastructure of Southern Italy” at @ieeevis in Wien.

This work is part of my PhD research on creative ecosystems and performative archives at @abanapoli_official . I won’t explain here what SUPERAGENCY is — I’m still in the process of defining it more precisely — but for now, we can say it’s an application, a software (eventually), running a custom-built cataloguing system I called NOMENKLATURA.

Of course, I designed it around the @landescape2015 archive, and I’m deeply thankful to everyone who has supported the project over the past 10 years.

Special thanks to @fedeamo8 for the first database architecture, @_gi_o as archivist, @_____isle_____ for reconstructing and simplifying the database, and @poni.js , with whom I developed the app and finalized some visualizations.

Looking forward to more handrails and containers, to new ideas and relations, to icons and codes, always navigating an unexplored spaces in the time to come.

I had the chance to present “SUPERAGENCY and the politics of memory: @landescape2015 archive as situated infrastructure of Southern Italy” at @ieeevis in Wien.

This work is part of my PhD research on creative ecosystems and performative archives at @abanapoli_official . I won’t explain here what SUPERAGENCY is — I’m still in the process of defining it more precisely — but for now, we can say it’s an application, a software (eventually), running a custom-built cataloguing system I called NOMENKLATURA.

Of course, I designed it around the @landescape2015 archive, and I’m deeply thankful to everyone who has supported the project over the past 10 years.

Special thanks to @fedeamo8 for the first database architecture, @_gi_o as archivist, @_____isle_____ for reconstructing and simplifying the database, and @poni.js , with whom I developed the app and finalized some visualizations.

Looking forward to more handrails and containers, to new ideas and relations, to icons and codes, always navigating an unexplored spaces in the time to come.

I had the chance to present “SUPERAGENCY and the politics of memory: @landescape2015 archive as situated infrastructure of Southern Italy” at @ieeevis in Wien.

This work is part of my PhD research on creative ecosystems and performative archives at @abanapoli_official . I won’t explain here what SUPERAGENCY is — I’m still in the process of defining it more precisely — but for now, we can say it’s an application, a software (eventually), running a custom-built cataloguing system I called NOMENKLATURA.

Of course, I designed it around the @landescape2015 archive, and I’m deeply thankful to everyone who has supported the project over the past 10 years.

Special thanks to @fedeamo8 for the first database architecture, @_gi_o as archivist, @_____isle_____ for reconstructing and simplifying the database, and @poni.js , with whom I developed the app and finalized some visualizations.

Looking forward to more handrails and containers, to new ideas and relations, to icons and codes, always navigating an unexplored spaces in the time to come.

I had the chance to present “SUPERAGENCY and the politics of memory: @landescape2015 archive as situated infrastructure of Southern Italy” at @ieeevis in Wien.

This work is part of my PhD research on creative ecosystems and performative archives at @abanapoli_official . I won’t explain here what SUPERAGENCY is — I’m still in the process of defining it more precisely — but for now, we can say it’s an application, a software (eventually), running a custom-built cataloguing system I called NOMENKLATURA.

Of course, I designed it around the @landescape2015 archive, and I’m deeply thankful to everyone who has supported the project over the past 10 years.

Special thanks to @fedeamo8 for the first database architecture, @_gi_o as archivist, @_____isle_____ for reconstructing and simplifying the database, and @poni.js , with whom I developed the app and finalized some visualizations.

Looking forward to more handrails and containers, to new ideas and relations, to icons and codes, always navigating an unexplored spaces in the time to come.

I had the chance to present “SUPERAGENCY and the politics of memory: @landescape2015 archive as situated infrastructure of Southern Italy” at @ieeevis in Wien.

This work is part of my PhD research on creative ecosystems and performative archives at @abanapoli_official . I won’t explain here what SUPERAGENCY is — I’m still in the process of defining it more precisely — but for now, we can say it’s an application, a software (eventually), running a custom-built cataloguing system I called NOMENKLATURA.

Of course, I designed it around the @landescape2015 archive, and I’m deeply thankful to everyone who has supported the project over the past 10 years.

Special thanks to @fedeamo8 for the first database architecture, @_gi_o as archivist, @_____isle_____ for reconstructing and simplifying the database, and @poni.js , with whom I developed the app and finalized some visualizations.

Looking forward to more handrails and containers, to new ideas and relations, to icons and codes, always navigating an unexplored spaces in the time to come.

I had the chance to present “SUPERAGENCY and the politics of memory: @landescape2015 archive as situated infrastructure of Southern Italy” at @ieeevis in Wien.

This work is part of my PhD research on creative ecosystems and performative archives at @abanapoli_official . I won’t explain here what SUPERAGENCY is — I’m still in the process of defining it more precisely — but for now, we can say it’s an application, a software (eventually), running a custom-built cataloguing system I called NOMENKLATURA.

Of course, I designed it around the @landescape2015 archive, and I’m deeply thankful to everyone who has supported the project over the past 10 years.

Special thanks to @fedeamo8 for the first database architecture, @_gi_o as archivist, @_____isle_____ for reconstructing and simplifying the database, and @poni.js , with whom I developed the app and finalized some visualizations.

Looking forward to more handrails and containers, to new ideas and relations, to icons and codes, always navigating an unexplored spaces in the time to come.

I had the chance to present “SUPERAGENCY and the politics of memory: @landescape2015 archive as situated infrastructure of Southern Italy” at @ieeevis in Wien.

This work is part of my PhD research on creative ecosystems and performative archives at @abanapoli_official . I won’t explain here what SUPERAGENCY is — I’m still in the process of defining it more precisely — but for now, we can say it’s an application, a software (eventually), running a custom-built cataloguing system I called NOMENKLATURA.

Of course, I designed it around the @landescape2015 archive, and I’m deeply thankful to everyone who has supported the project over the past 10 years.

Special thanks to @fedeamo8 for the first database architecture, @_gi_o as archivist, @_____isle_____ for reconstructing and simplifying the database, and @poni.js , with whom I developed the app and finalized some visualizations.

Looking forward to more handrails and containers, to new ideas and relations, to icons and codes, always navigating an unexplored spaces in the time to come.

S performansa 🦋🪐🔮 𝐅𝐞𝐝𝐞𝐫𝐢𝐜𝐨 𝐏𝐨𝐧𝐢, 𝐂𝐡𝐢𝐚𝐫𝐚 𝐏𝐫𝐨𝐝𝐢: 𝐀𝐥𝐠𝐨𝐫𝐢𝐬𝐦𝐨

»𝑉 𝑖𝑚𝑒𝑛𝑢 𝑑𝑖𝑓𝑟𝑎𝑘𝑐𝑖𝑗𝑒 𝑟𝑎𝑧𝑔𝑙𝑎𝑠̌𝑎𝑚 𝑘𝑎𝑜𝑡𝑖𝑐̌𝑛𝑜 𝑚𝑛𝑜𝑧̌𝑒𝑛𝑗𝑒 𝑗𝑒𝑧𝑖𝑘𝑜𝑣, 𝑐𝑒𝑙𝑜𝑠𝑡𝑛𝑜 𝑟𝑎𝑧𝑢𝑚𝑒𝑣𝑎𝑛𝑗𝑒 𝑜𝑏𝑠𝑡𝑜𝑗𝑎, 𝑛𝑎𝑠𝑖𝑙𝑛𝑜 𝑚𝑒𝑑𝑖𝑡𝑎𝑐𝑖𝑗𝑜 𝑧𝑎𝑣𝑜𝑙𝑗𝑜 𝑏𝑖𝑠𝑡𝑣𝑎, 𝑏𝑜𝑔𝑜𝑘𝑙𝑒𝑡𝑠𝑡𝑣𝑜 𝑘𝑜𝑡 𝑝𝑟𝑎𝑧𝑛𝑜𝑣𝑎𝑛𝑗𝑒 𝑠𝑎𝑚𝑒𝑔𝑎 𝑠𝑒𝑏𝑒, 𝑖𝑠𝑘𝑎𝑛𝑗𝑒 𝑎𝑙𝑖 𝑢𝑠𝑡𝑣𝑎𝑟𝑗𝑎𝑛𝑗𝑒 𝑖𝑧𝑣𝑜𝑟𝑛𝑒𝑔𝑎 𝑠𝑚𝑖𝑠𝑙𝑎 𝑎𝑙𝑖 𝐸𝑛𝑜𝑠𝑡𝑖 𝑎𝑙𝑖 𝐴𝑙𝑒𝑓𝑎 𝑖𝑛 𝑟𝑎𝑧𝑚𝑒𝑗𝑖𝑡𝑒𝑣 𝑑𝑖𝑎𝑔𝑜𝑛𝑎𝑙𝑒, 𝑘𝑖 𝑛𝑎𝑘𝑎𝑧𝑢𝑗𝑒 𝑛𝑎 𝑖𝑟𝑎𝑐𝑖𝑜𝑛𝑎𝑙𝑛𝑜 𝑧𝑎𝑣𝑒𝑠𝑡, 𝑟𝑎𝑧𝑝𝑒𝑡𝑜 𝑚𝑒𝑑 𝑠𝑣𝑒𝑡𝑜 𝑛𝑎𝑣𝑝𝑖𝑐̌𝑛𝑖𝑐𝑜 𝑖𝑛 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙𝑛𝑜 𝑣𝑜𝑑𝑜𝑟𝑎𝑣𝑛𝑖𝑐𝑜.«

From the performance 🦋🪐🔮 𝐅𝐞𝐝𝐞𝐫𝐢𝐜𝐨 𝐏𝐨𝐧𝐢, 𝐂𝐡𝐢𝐚𝐫𝐚 𝐏𝐫𝐨𝐝𝐢: 𝐀𝐥𝐠𝐨𝐫𝐢𝐬𝐦𝐨

»𝐼𝑛 𝑡ℎ𝑒 𝑛𝑎𝑚𝑒 𝑜𝑓 𝑑𝑖𝑓𝑓𝑟𝑎𝑐𝑡𝑖𝑜𝑛, 𝐼 𝑑𝑒𝑐𝑙𝑎𝑟𝑒: 𝐶ℎ𝑎𝑜𝑡𝑖𝑐 𝑚𝑢𝑙𝑡𝑖𝑝𝑙𝑖𝑐𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑙𝑎𝑛𝑔𝑢𝑎𝑔𝑒𝑠; 𝐻𝑜𝑙𝑖𝑠𝑡𝑖𝑐 𝑢𝑛𝑑𝑒𝑟𝑠𝑡𝑎𝑛𝑑𝑖𝑛𝑔 𝑜𝑓 𝑒𝑥𝑖𝑠𝑡𝑒𝑛𝑐𝑒; 𝑉𝑖𝑜𝑙𝑒𝑛𝑡 𝑚𝑒𝑑𝑖𝑡𝑎𝑡𝑖𝑜𝑛 𝑓𝑜𝑟 𝑡ℎ𝑒 𝑒𝑠𝑠𝑒𝑛𝑐𝑒; 𝐵𝑙𝑎𝑠𝑝ℎ𝑒𝑚𝑦 𝑎𝑠 𝑠𝑒𝑙𝑓-𝑐𝑒𝑙𝑒𝑏𝑟𝑎𝑡𝑖𝑜𝑛; 𝑆𝑒𝑎𝑟𝑐ℎ 𝑜𝑟 𝑔𝑒𝑛𝑒𝑟𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑡ℎ𝑒 𝑓𝑖𝑟𝑠𝑡 𝑠𝑒𝑛𝑠𝑒, 𝑜𝑟 𝑈𝑛𝑖𝑡𝑦, 𝑜𝑟 𝐴𝑙𝑒𝑓; 𝐷𝑒𝑚𝑎𝑟𝑐𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑡ℎ𝑎𝑡 𝑑𝑖𝑎𝑔𝑜𝑛𝑎𝑙 𝑡ℎ𝑎𝑡 𝑖𝑠 𝑎 𝑠𝑦𝑚𝑝𝑡𝑜𝑚 𝑜𝑓 𝑡ℎ𝑒 𝑖𝑟𝑟𝑎𝑡𝑖𝑜𝑛𝑎𝑙 𝑐𝑜𝑛𝑠𝑐𝑖𝑜𝑢𝑠𝑛𝑒𝑠𝑠, 𝑠𝑡𝑟𝑒𝑡𝑐ℎ𝑒𝑑 𝑏𝑒𝑡𝑤𝑒𝑒𝑛 𝑡ℎ𝑒 𝑠𝑎𝑐𝑟𝑒𝑑 𝑣𝑒𝑟𝑡𝑖𝑐𝑎𝑙 𝑙𝑖𝑛𝑒 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙 ℎ𝑜𝑟𝑖𝑧𝑜𝑛𝑡𝑎𝑙.«

🤳🏻@poni.js @chjaraprodi

📷 @cd_yknyu

S performansa 🦋🪐🔮 𝐅𝐞𝐝𝐞𝐫𝐢𝐜𝐨 𝐏𝐨𝐧𝐢, 𝐂𝐡𝐢𝐚𝐫𝐚 𝐏𝐫𝐨𝐝𝐢: 𝐀𝐥𝐠𝐨𝐫𝐢𝐬𝐦𝐨

»𝑉 𝑖𝑚𝑒𝑛𝑢 𝑑𝑖𝑓𝑟𝑎𝑘𝑐𝑖𝑗𝑒 𝑟𝑎𝑧𝑔𝑙𝑎𝑠̌𝑎𝑚 𝑘𝑎𝑜𝑡𝑖𝑐̌𝑛𝑜 𝑚𝑛𝑜𝑧̌𝑒𝑛𝑗𝑒 𝑗𝑒𝑧𝑖𝑘𝑜𝑣, 𝑐𝑒𝑙𝑜𝑠𝑡𝑛𝑜 𝑟𝑎𝑧𝑢𝑚𝑒𝑣𝑎𝑛𝑗𝑒 𝑜𝑏𝑠𝑡𝑜𝑗𝑎, 𝑛𝑎𝑠𝑖𝑙𝑛𝑜 𝑚𝑒𝑑𝑖𝑡𝑎𝑐𝑖𝑗𝑜 𝑧𝑎𝑣𝑜𝑙𝑗𝑜 𝑏𝑖𝑠𝑡𝑣𝑎, 𝑏𝑜𝑔𝑜𝑘𝑙𝑒𝑡𝑠𝑡𝑣𝑜 𝑘𝑜𝑡 𝑝𝑟𝑎𝑧𝑛𝑜𝑣𝑎𝑛𝑗𝑒 𝑠𝑎𝑚𝑒𝑔𝑎 𝑠𝑒𝑏𝑒, 𝑖𝑠𝑘𝑎𝑛𝑗𝑒 𝑎𝑙𝑖 𝑢𝑠𝑡𝑣𝑎𝑟𝑗𝑎𝑛𝑗𝑒 𝑖𝑧𝑣𝑜𝑟𝑛𝑒𝑔𝑎 𝑠𝑚𝑖𝑠𝑙𝑎 𝑎𝑙𝑖 𝐸𝑛𝑜𝑠𝑡𝑖 𝑎𝑙𝑖 𝐴𝑙𝑒𝑓𝑎 𝑖𝑛 𝑟𝑎𝑧𝑚𝑒𝑗𝑖𝑡𝑒𝑣 𝑑𝑖𝑎𝑔𝑜𝑛𝑎𝑙𝑒, 𝑘𝑖 𝑛𝑎𝑘𝑎𝑧𝑢𝑗𝑒 𝑛𝑎 𝑖𝑟𝑎𝑐𝑖𝑜𝑛𝑎𝑙𝑛𝑜 𝑧𝑎𝑣𝑒𝑠𝑡, 𝑟𝑎𝑧𝑝𝑒𝑡𝑜 𝑚𝑒𝑑 𝑠𝑣𝑒𝑡𝑜 𝑛𝑎𝑣𝑝𝑖𝑐̌𝑛𝑖𝑐𝑜 𝑖𝑛 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙𝑛𝑜 𝑣𝑜𝑑𝑜𝑟𝑎𝑣𝑛𝑖𝑐𝑜.«

From the performance 🦋🪐🔮 𝐅𝐞𝐝𝐞𝐫𝐢𝐜𝐨 𝐏𝐨𝐧𝐢, 𝐂𝐡𝐢𝐚𝐫𝐚 𝐏𝐫𝐨𝐝𝐢: 𝐀𝐥𝐠𝐨𝐫𝐢𝐬𝐦𝐨

»𝐼𝑛 𝑡ℎ𝑒 𝑛𝑎𝑚𝑒 𝑜𝑓 𝑑𝑖𝑓𝑓𝑟𝑎𝑐𝑡𝑖𝑜𝑛, 𝐼 𝑑𝑒𝑐𝑙𝑎𝑟𝑒: 𝐶ℎ𝑎𝑜𝑡𝑖𝑐 𝑚𝑢𝑙𝑡𝑖𝑝𝑙𝑖𝑐𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑙𝑎𝑛𝑔𝑢𝑎𝑔𝑒𝑠; 𝐻𝑜𝑙𝑖𝑠𝑡𝑖𝑐 𝑢𝑛𝑑𝑒𝑟𝑠𝑡𝑎𝑛𝑑𝑖𝑛𝑔 𝑜𝑓 𝑒𝑥𝑖𝑠𝑡𝑒𝑛𝑐𝑒; 𝑉𝑖𝑜𝑙𝑒𝑛𝑡 𝑚𝑒𝑑𝑖𝑡𝑎𝑡𝑖𝑜𝑛 𝑓𝑜𝑟 𝑡ℎ𝑒 𝑒𝑠𝑠𝑒𝑛𝑐𝑒; 𝐵𝑙𝑎𝑠𝑝ℎ𝑒𝑚𝑦 𝑎𝑠 𝑠𝑒𝑙𝑓-𝑐𝑒𝑙𝑒𝑏𝑟𝑎𝑡𝑖𝑜𝑛; 𝑆𝑒𝑎𝑟𝑐ℎ 𝑜𝑟 𝑔𝑒𝑛𝑒𝑟𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑡ℎ𝑒 𝑓𝑖𝑟𝑠𝑡 𝑠𝑒𝑛𝑠𝑒, 𝑜𝑟 𝑈𝑛𝑖𝑡𝑦, 𝑜𝑟 𝐴𝑙𝑒𝑓; 𝐷𝑒𝑚𝑎𝑟𝑐𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑡ℎ𝑎𝑡 𝑑𝑖𝑎𝑔𝑜𝑛𝑎𝑙 𝑡ℎ𝑎𝑡 𝑖𝑠 𝑎 𝑠𝑦𝑚𝑝𝑡𝑜𝑚 𝑜𝑓 𝑡ℎ𝑒 𝑖𝑟𝑟𝑎𝑡𝑖𝑜𝑛𝑎𝑙 𝑐𝑜𝑛𝑠𝑐𝑖𝑜𝑢𝑠𝑛𝑒𝑠𝑠, 𝑠𝑡𝑟𝑒𝑡𝑐ℎ𝑒𝑑 𝑏𝑒𝑡𝑤𝑒𝑒𝑛 𝑡ℎ𝑒 𝑠𝑎𝑐𝑟𝑒𝑑 𝑣𝑒𝑟𝑡𝑖𝑐𝑎𝑙 𝑙𝑖𝑛𝑒 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙 ℎ𝑜𝑟𝑖𝑧𝑜𝑛𝑡𝑎𝑙.«

🤳🏻@poni.js @chjaraprodi

📷 @cd_yknyu

S performansa 🦋🪐🔮 𝐅𝐞𝐝𝐞𝐫𝐢𝐜𝐨 𝐏𝐨𝐧𝐢, 𝐂𝐡𝐢𝐚𝐫𝐚 𝐏𝐫𝐨𝐝𝐢: 𝐀𝐥𝐠𝐨𝐫𝐢𝐬𝐦𝐨

»𝑉 𝑖𝑚𝑒𝑛𝑢 𝑑𝑖𝑓𝑟𝑎𝑘𝑐𝑖𝑗𝑒 𝑟𝑎𝑧𝑔𝑙𝑎𝑠̌𝑎𝑚 𝑘𝑎𝑜𝑡𝑖𝑐̌𝑛𝑜 𝑚𝑛𝑜𝑧̌𝑒𝑛𝑗𝑒 𝑗𝑒𝑧𝑖𝑘𝑜𝑣, 𝑐𝑒𝑙𝑜𝑠𝑡𝑛𝑜 𝑟𝑎𝑧𝑢𝑚𝑒𝑣𝑎𝑛𝑗𝑒 𝑜𝑏𝑠𝑡𝑜𝑗𝑎, 𝑛𝑎𝑠𝑖𝑙𝑛𝑜 𝑚𝑒𝑑𝑖𝑡𝑎𝑐𝑖𝑗𝑜 𝑧𝑎𝑣𝑜𝑙𝑗𝑜 𝑏𝑖𝑠𝑡𝑣𝑎, 𝑏𝑜𝑔𝑜𝑘𝑙𝑒𝑡𝑠𝑡𝑣𝑜 𝑘𝑜𝑡 𝑝𝑟𝑎𝑧𝑛𝑜𝑣𝑎𝑛𝑗𝑒 𝑠𝑎𝑚𝑒𝑔𝑎 𝑠𝑒𝑏𝑒, 𝑖𝑠𝑘𝑎𝑛𝑗𝑒 𝑎𝑙𝑖 𝑢𝑠𝑡𝑣𝑎𝑟𝑗𝑎𝑛𝑗𝑒 𝑖𝑧𝑣𝑜𝑟𝑛𝑒𝑔𝑎 𝑠𝑚𝑖𝑠𝑙𝑎 𝑎𝑙𝑖 𝐸𝑛𝑜𝑠𝑡𝑖 𝑎𝑙𝑖 𝐴𝑙𝑒𝑓𝑎 𝑖𝑛 𝑟𝑎𝑧𝑚𝑒𝑗𝑖𝑡𝑒𝑣 𝑑𝑖𝑎𝑔𝑜𝑛𝑎𝑙𝑒, 𝑘𝑖 𝑛𝑎𝑘𝑎𝑧𝑢𝑗𝑒 𝑛𝑎 𝑖𝑟𝑎𝑐𝑖𝑜𝑛𝑎𝑙𝑛𝑜 𝑧𝑎𝑣𝑒𝑠𝑡, 𝑟𝑎𝑧𝑝𝑒𝑡𝑜 𝑚𝑒𝑑 𝑠𝑣𝑒𝑡𝑜 𝑛𝑎𝑣𝑝𝑖𝑐̌𝑛𝑖𝑐𝑜 𝑖𝑛 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙𝑛𝑜 𝑣𝑜𝑑𝑜𝑟𝑎𝑣𝑛𝑖𝑐𝑜.«

From the performance 🦋🪐🔮 𝐅𝐞𝐝𝐞𝐫𝐢𝐜𝐨 𝐏𝐨𝐧𝐢, 𝐂𝐡𝐢𝐚𝐫𝐚 𝐏𝐫𝐨𝐝𝐢: 𝐀𝐥𝐠𝐨𝐫𝐢𝐬𝐦𝐨

»𝐼𝑛 𝑡ℎ𝑒 𝑛𝑎𝑚𝑒 𝑜𝑓 𝑑𝑖𝑓𝑓𝑟𝑎𝑐𝑡𝑖𝑜𝑛, 𝐼 𝑑𝑒𝑐𝑙𝑎𝑟𝑒: 𝐶ℎ𝑎𝑜𝑡𝑖𝑐 𝑚𝑢𝑙𝑡𝑖𝑝𝑙𝑖𝑐𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑙𝑎𝑛𝑔𝑢𝑎𝑔𝑒𝑠; 𝐻𝑜𝑙𝑖𝑠𝑡𝑖𝑐 𝑢𝑛𝑑𝑒𝑟𝑠𝑡𝑎𝑛𝑑𝑖𝑛𝑔 𝑜𝑓 𝑒𝑥𝑖𝑠𝑡𝑒𝑛𝑐𝑒; 𝑉𝑖𝑜𝑙𝑒𝑛𝑡 𝑚𝑒𝑑𝑖𝑡𝑎𝑡𝑖𝑜𝑛 𝑓𝑜𝑟 𝑡ℎ𝑒 𝑒𝑠𝑠𝑒𝑛𝑐𝑒; 𝐵𝑙𝑎𝑠𝑝ℎ𝑒𝑚𝑦 𝑎𝑠 𝑠𝑒𝑙𝑓-𝑐𝑒𝑙𝑒𝑏𝑟𝑎𝑡𝑖𝑜𝑛; 𝑆𝑒𝑎𝑟𝑐ℎ 𝑜𝑟 𝑔𝑒𝑛𝑒𝑟𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑡ℎ𝑒 𝑓𝑖𝑟𝑠𝑡 𝑠𝑒𝑛𝑠𝑒, 𝑜𝑟 𝑈𝑛𝑖𝑡𝑦, 𝑜𝑟 𝐴𝑙𝑒𝑓; 𝐷𝑒𝑚𝑎𝑟𝑐𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑡ℎ𝑎𝑡 𝑑𝑖𝑎𝑔𝑜𝑛𝑎𝑙 𝑡ℎ𝑎𝑡 𝑖𝑠 𝑎 𝑠𝑦𝑚𝑝𝑡𝑜𝑚 𝑜𝑓 𝑡ℎ𝑒 𝑖𝑟𝑟𝑎𝑡𝑖𝑜𝑛𝑎𝑙 𝑐𝑜𝑛𝑠𝑐𝑖𝑜𝑢𝑠𝑛𝑒𝑠𝑠, 𝑠𝑡𝑟𝑒𝑡𝑐ℎ𝑒𝑑 𝑏𝑒𝑡𝑤𝑒𝑒𝑛 𝑡ℎ𝑒 𝑠𝑎𝑐𝑟𝑒𝑑 𝑣𝑒𝑟𝑡𝑖𝑐𝑎𝑙 𝑙𝑖𝑛𝑒 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙 ℎ𝑜𝑟𝑖𝑧𝑜𝑛𝑡𝑎𝑙.«

🤳🏻@poni.js @chjaraprodi

📷 @cd_yknyu

S performansa 🦋🪐🔮 𝐅𝐞𝐝𝐞𝐫𝐢𝐜𝐨 𝐏𝐨𝐧𝐢, 𝐂𝐡𝐢𝐚𝐫𝐚 𝐏𝐫𝐨𝐝𝐢: 𝐀𝐥𝐠𝐨𝐫𝐢𝐬𝐦𝐨

»𝑉 𝑖𝑚𝑒𝑛𝑢 𝑑𝑖𝑓𝑟𝑎𝑘𝑐𝑖𝑗𝑒 𝑟𝑎𝑧𝑔𝑙𝑎𝑠̌𝑎𝑚 𝑘𝑎𝑜𝑡𝑖𝑐̌𝑛𝑜 𝑚𝑛𝑜𝑧̌𝑒𝑛𝑗𝑒 𝑗𝑒𝑧𝑖𝑘𝑜𝑣, 𝑐𝑒𝑙𝑜𝑠𝑡𝑛𝑜 𝑟𝑎𝑧𝑢𝑚𝑒𝑣𝑎𝑛𝑗𝑒 𝑜𝑏𝑠𝑡𝑜𝑗𝑎, 𝑛𝑎𝑠𝑖𝑙𝑛𝑜 𝑚𝑒𝑑𝑖𝑡𝑎𝑐𝑖𝑗𝑜 𝑧𝑎𝑣𝑜𝑙𝑗𝑜 𝑏𝑖𝑠𝑡𝑣𝑎, 𝑏𝑜𝑔𝑜𝑘𝑙𝑒𝑡𝑠𝑡𝑣𝑜 𝑘𝑜𝑡 𝑝𝑟𝑎𝑧𝑛𝑜𝑣𝑎𝑛𝑗𝑒 𝑠𝑎𝑚𝑒𝑔𝑎 𝑠𝑒𝑏𝑒, 𝑖𝑠𝑘𝑎𝑛𝑗𝑒 𝑎𝑙𝑖 𝑢𝑠𝑡𝑣𝑎𝑟𝑗𝑎𝑛𝑗𝑒 𝑖𝑧𝑣𝑜𝑟𝑛𝑒𝑔𝑎 𝑠𝑚𝑖𝑠𝑙𝑎 𝑎𝑙𝑖 𝐸𝑛𝑜𝑠𝑡𝑖 𝑎𝑙𝑖 𝐴𝑙𝑒𝑓𝑎 𝑖𝑛 𝑟𝑎𝑧𝑚𝑒𝑗𝑖𝑡𝑒𝑣 𝑑𝑖𝑎𝑔𝑜𝑛𝑎𝑙𝑒, 𝑘𝑖 𝑛𝑎𝑘𝑎𝑧𝑢𝑗𝑒 𝑛𝑎 𝑖𝑟𝑎𝑐𝑖𝑜𝑛𝑎𝑙𝑛𝑜 𝑧𝑎𝑣𝑒𝑠𝑡, 𝑟𝑎𝑧𝑝𝑒𝑡𝑜 𝑚𝑒𝑑 𝑠𝑣𝑒𝑡𝑜 𝑛𝑎𝑣𝑝𝑖𝑐̌𝑛𝑖𝑐𝑜 𝑖𝑛 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙𝑛𝑜 𝑣𝑜𝑑𝑜𝑟𝑎𝑣𝑛𝑖𝑐𝑜.«

From the performance 🦋🪐🔮 𝐅𝐞𝐝𝐞𝐫𝐢𝐜𝐨 𝐏𝐨𝐧𝐢, 𝐂𝐡𝐢𝐚𝐫𝐚 𝐏𝐫𝐨𝐝𝐢: 𝐀𝐥𝐠𝐨𝐫𝐢𝐬𝐦𝐨

»𝐼𝑛 𝑡ℎ𝑒 𝑛𝑎𝑚𝑒 𝑜𝑓 𝑑𝑖𝑓𝑓𝑟𝑎𝑐𝑡𝑖𝑜𝑛, 𝐼 𝑑𝑒𝑐𝑙𝑎𝑟𝑒: 𝐶ℎ𝑎𝑜𝑡𝑖𝑐 𝑚𝑢𝑙𝑡𝑖𝑝𝑙𝑖𝑐𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑙𝑎𝑛𝑔𝑢𝑎𝑔𝑒𝑠; 𝐻𝑜𝑙𝑖𝑠𝑡𝑖𝑐 𝑢𝑛𝑑𝑒𝑟𝑠𝑡𝑎𝑛𝑑𝑖𝑛𝑔 𝑜𝑓 𝑒𝑥𝑖𝑠𝑡𝑒𝑛𝑐𝑒; 𝑉𝑖𝑜𝑙𝑒𝑛𝑡 𝑚𝑒𝑑𝑖𝑡𝑎𝑡𝑖𝑜𝑛 𝑓𝑜𝑟 𝑡ℎ𝑒 𝑒𝑠𝑠𝑒𝑛𝑐𝑒; 𝐵𝑙𝑎𝑠𝑝ℎ𝑒𝑚𝑦 𝑎𝑠 𝑠𝑒𝑙𝑓-𝑐𝑒𝑙𝑒𝑏𝑟𝑎𝑡𝑖𝑜𝑛; 𝑆𝑒𝑎𝑟𝑐ℎ 𝑜𝑟 𝑔𝑒𝑛𝑒𝑟𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑡ℎ𝑒 𝑓𝑖𝑟𝑠𝑡 𝑠𝑒𝑛𝑠𝑒, 𝑜𝑟 𝑈𝑛𝑖𝑡𝑦, 𝑜𝑟 𝐴𝑙𝑒𝑓; 𝐷𝑒𝑚𝑎𝑟𝑐𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑡ℎ𝑎𝑡 𝑑𝑖𝑎𝑔𝑜𝑛𝑎𝑙 𝑡ℎ𝑎𝑡 𝑖𝑠 𝑎 𝑠𝑦𝑚𝑝𝑡𝑜𝑚 𝑜𝑓 𝑡ℎ𝑒 𝑖𝑟𝑟𝑎𝑡𝑖𝑜𝑛𝑎𝑙 𝑐𝑜𝑛𝑠𝑐𝑖𝑜𝑢𝑠𝑛𝑒𝑠𝑠, 𝑠𝑡𝑟𝑒𝑡𝑐ℎ𝑒𝑑 𝑏𝑒𝑡𝑤𝑒𝑒𝑛 𝑡ℎ𝑒 𝑠𝑎𝑐𝑟𝑒𝑑 𝑣𝑒𝑟𝑡𝑖𝑐𝑎𝑙 𝑙𝑖𝑛𝑒 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙 ℎ𝑜𝑟𝑖𝑧𝑜𝑛𝑡𝑎𝑙.«

🤳🏻@poni.js @chjaraprodi

📷 @cd_yknyu

S performansa 🦋🪐🔮 𝐅𝐞𝐝𝐞𝐫𝐢𝐜𝐨 𝐏𝐨𝐧𝐢, 𝐂𝐡𝐢𝐚𝐫𝐚 𝐏𝐫𝐨𝐝𝐢: 𝐀𝐥𝐠𝐨𝐫𝐢𝐬𝐦𝐨

»𝑉 𝑖𝑚𝑒𝑛𝑢 𝑑𝑖𝑓𝑟𝑎𝑘𝑐𝑖𝑗𝑒 𝑟𝑎𝑧𝑔𝑙𝑎𝑠̌𝑎𝑚 𝑘𝑎𝑜𝑡𝑖𝑐̌𝑛𝑜 𝑚𝑛𝑜𝑧̌𝑒𝑛𝑗𝑒 𝑗𝑒𝑧𝑖𝑘𝑜𝑣, 𝑐𝑒𝑙𝑜𝑠𝑡𝑛𝑜 𝑟𝑎𝑧𝑢𝑚𝑒𝑣𝑎𝑛𝑗𝑒 𝑜𝑏𝑠𝑡𝑜𝑗𝑎, 𝑛𝑎𝑠𝑖𝑙𝑛𝑜 𝑚𝑒𝑑𝑖𝑡𝑎𝑐𝑖𝑗𝑜 𝑧𝑎𝑣𝑜𝑙𝑗𝑜 𝑏𝑖𝑠𝑡𝑣𝑎, 𝑏𝑜𝑔𝑜𝑘𝑙𝑒𝑡𝑠𝑡𝑣𝑜 𝑘𝑜𝑡 𝑝𝑟𝑎𝑧𝑛𝑜𝑣𝑎𝑛𝑗𝑒 𝑠𝑎𝑚𝑒𝑔𝑎 𝑠𝑒𝑏𝑒, 𝑖𝑠𝑘𝑎𝑛𝑗𝑒 𝑎𝑙𝑖 𝑢𝑠𝑡𝑣𝑎𝑟𝑗𝑎𝑛𝑗𝑒 𝑖𝑧𝑣𝑜𝑟𝑛𝑒𝑔𝑎 𝑠𝑚𝑖𝑠𝑙𝑎 𝑎𝑙𝑖 𝐸𝑛𝑜𝑠𝑡𝑖 𝑎𝑙𝑖 𝐴𝑙𝑒𝑓𝑎 𝑖𝑛 𝑟𝑎𝑧𝑚𝑒𝑗𝑖𝑡𝑒𝑣 𝑑𝑖𝑎𝑔𝑜𝑛𝑎𝑙𝑒, 𝑘𝑖 𝑛𝑎𝑘𝑎𝑧𝑢𝑗𝑒 𝑛𝑎 𝑖𝑟𝑎𝑐𝑖𝑜𝑛𝑎𝑙𝑛𝑜 𝑧𝑎𝑣𝑒𝑠𝑡, 𝑟𝑎𝑧𝑝𝑒𝑡𝑜 𝑚𝑒𝑑 𝑠𝑣𝑒𝑡𝑜 𝑛𝑎𝑣𝑝𝑖𝑐̌𝑛𝑖𝑐𝑜 𝑖𝑛 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙𝑛𝑜 𝑣𝑜𝑑𝑜𝑟𝑎𝑣𝑛𝑖𝑐𝑜.«

From the performance 🦋🪐🔮 𝐅𝐞𝐝𝐞𝐫𝐢𝐜𝐨 𝐏𝐨𝐧𝐢, 𝐂𝐡𝐢𝐚𝐫𝐚 𝐏𝐫𝐨𝐝𝐢: 𝐀𝐥𝐠𝐨𝐫𝐢𝐬𝐦𝐨

»𝐼𝑛 𝑡ℎ𝑒 𝑛𝑎𝑚𝑒 𝑜𝑓 𝑑𝑖𝑓𝑓𝑟𝑎𝑐𝑡𝑖𝑜𝑛, 𝐼 𝑑𝑒𝑐𝑙𝑎𝑟𝑒: 𝐶ℎ𝑎𝑜𝑡𝑖𝑐 𝑚𝑢𝑙𝑡𝑖𝑝𝑙𝑖𝑐𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑙𝑎𝑛𝑔𝑢𝑎𝑔𝑒𝑠; 𝐻𝑜𝑙𝑖𝑠𝑡𝑖𝑐 𝑢𝑛𝑑𝑒𝑟𝑠𝑡𝑎𝑛𝑑𝑖𝑛𝑔 𝑜𝑓 𝑒𝑥𝑖𝑠𝑡𝑒𝑛𝑐𝑒; 𝑉𝑖𝑜𝑙𝑒𝑛𝑡 𝑚𝑒𝑑𝑖𝑡𝑎𝑡𝑖𝑜𝑛 𝑓𝑜𝑟 𝑡ℎ𝑒 𝑒𝑠𝑠𝑒𝑛𝑐𝑒; 𝐵𝑙𝑎𝑠𝑝ℎ𝑒𝑚𝑦 𝑎𝑠 𝑠𝑒𝑙𝑓-𝑐𝑒𝑙𝑒𝑏𝑟𝑎𝑡𝑖𝑜𝑛; 𝑆𝑒𝑎𝑟𝑐ℎ 𝑜𝑟 𝑔𝑒𝑛𝑒𝑟𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑡ℎ𝑒 𝑓𝑖𝑟𝑠𝑡 𝑠𝑒𝑛𝑠𝑒, 𝑜𝑟 𝑈𝑛𝑖𝑡𝑦, 𝑜𝑟 𝐴𝑙𝑒𝑓; 𝐷𝑒𝑚𝑎𝑟𝑐𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑡ℎ𝑎𝑡 𝑑𝑖𝑎𝑔𝑜𝑛𝑎𝑙 𝑡ℎ𝑎𝑡 𝑖𝑠 𝑎 𝑠𝑦𝑚𝑝𝑡𝑜𝑚 𝑜𝑓 𝑡ℎ𝑒 𝑖𝑟𝑟𝑎𝑡𝑖𝑜𝑛𝑎𝑙 𝑐𝑜𝑛𝑠𝑐𝑖𝑜𝑢𝑠𝑛𝑒𝑠𝑠, 𝑠𝑡𝑟𝑒𝑡𝑐ℎ𝑒𝑑 𝑏𝑒𝑡𝑤𝑒𝑒𝑛 𝑡ℎ𝑒 𝑠𝑎𝑐𝑟𝑒𝑑 𝑣𝑒𝑟𝑡𝑖𝑐𝑎𝑙 𝑙𝑖𝑛𝑒 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙 ℎ𝑜𝑟𝑖𝑧𝑜𝑛𝑡𝑎𝑙.«

🤳🏻@poni.js @chjaraprodi

📷 @cd_yknyu

S performansa 🦋🪐🔮 𝐅𝐞𝐝𝐞𝐫𝐢𝐜𝐨 𝐏𝐨𝐧𝐢, 𝐂𝐡𝐢𝐚𝐫𝐚 𝐏𝐫𝐨𝐝𝐢: 𝐀𝐥𝐠𝐨𝐫𝐢𝐬𝐦𝐨

»𝑉 𝑖𝑚𝑒𝑛𝑢 𝑑𝑖𝑓𝑟𝑎𝑘𝑐𝑖𝑗𝑒 𝑟𝑎𝑧𝑔𝑙𝑎𝑠̌𝑎𝑚 𝑘𝑎𝑜𝑡𝑖𝑐̌𝑛𝑜 𝑚𝑛𝑜𝑧̌𝑒𝑛𝑗𝑒 𝑗𝑒𝑧𝑖𝑘𝑜𝑣, 𝑐𝑒𝑙𝑜𝑠𝑡𝑛𝑜 𝑟𝑎𝑧𝑢𝑚𝑒𝑣𝑎𝑛𝑗𝑒 𝑜𝑏𝑠𝑡𝑜𝑗𝑎, 𝑛𝑎𝑠𝑖𝑙𝑛𝑜 𝑚𝑒𝑑𝑖𝑡𝑎𝑐𝑖𝑗𝑜 𝑧𝑎𝑣𝑜𝑙𝑗𝑜 𝑏𝑖𝑠𝑡𝑣𝑎, 𝑏𝑜𝑔𝑜𝑘𝑙𝑒𝑡𝑠𝑡𝑣𝑜 𝑘𝑜𝑡 𝑝𝑟𝑎𝑧𝑛𝑜𝑣𝑎𝑛𝑗𝑒 𝑠𝑎𝑚𝑒𝑔𝑎 𝑠𝑒𝑏𝑒, 𝑖𝑠𝑘𝑎𝑛𝑗𝑒 𝑎𝑙𝑖 𝑢𝑠𝑡𝑣𝑎𝑟𝑗𝑎𝑛𝑗𝑒 𝑖𝑧𝑣𝑜𝑟𝑛𝑒𝑔𝑎 𝑠𝑚𝑖𝑠𝑙𝑎 𝑎𝑙𝑖 𝐸𝑛𝑜𝑠𝑡𝑖 𝑎𝑙𝑖 𝐴𝑙𝑒𝑓𝑎 𝑖𝑛 𝑟𝑎𝑧𝑚𝑒𝑗𝑖𝑡𝑒𝑣 𝑑𝑖𝑎𝑔𝑜𝑛𝑎𝑙𝑒, 𝑘𝑖 𝑛𝑎𝑘𝑎𝑧𝑢𝑗𝑒 𝑛𝑎 𝑖𝑟𝑎𝑐𝑖𝑜𝑛𝑎𝑙𝑛𝑜 𝑧𝑎𝑣𝑒𝑠𝑡, 𝑟𝑎𝑧𝑝𝑒𝑡𝑜 𝑚𝑒𝑑 𝑠𝑣𝑒𝑡𝑜 𝑛𝑎𝑣𝑝𝑖𝑐̌𝑛𝑖𝑐𝑜 𝑖𝑛 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙𝑛𝑜 𝑣𝑜𝑑𝑜𝑟𝑎𝑣𝑛𝑖𝑐𝑜.«

From the performance 🦋🪐🔮 𝐅𝐞𝐝𝐞𝐫𝐢𝐜𝐨 𝐏𝐨𝐧𝐢, 𝐂𝐡𝐢𝐚𝐫𝐚 𝐏𝐫𝐨𝐝𝐢: 𝐀𝐥𝐠𝐨𝐫𝐢𝐬𝐦𝐨

»𝐼𝑛 𝑡ℎ𝑒 𝑛𝑎𝑚𝑒 𝑜𝑓 𝑑𝑖𝑓𝑓𝑟𝑎𝑐𝑡𝑖𝑜𝑛, 𝐼 𝑑𝑒𝑐𝑙𝑎𝑟𝑒: 𝐶ℎ𝑎𝑜𝑡𝑖𝑐 𝑚𝑢𝑙𝑡𝑖𝑝𝑙𝑖𝑐𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑙𝑎𝑛𝑔𝑢𝑎𝑔𝑒𝑠; 𝐻𝑜𝑙𝑖𝑠𝑡𝑖𝑐 𝑢𝑛𝑑𝑒𝑟𝑠𝑡𝑎𝑛𝑑𝑖𝑛𝑔 𝑜𝑓 𝑒𝑥𝑖𝑠𝑡𝑒𝑛𝑐𝑒; 𝑉𝑖𝑜𝑙𝑒𝑛𝑡 𝑚𝑒𝑑𝑖𝑡𝑎𝑡𝑖𝑜𝑛 𝑓𝑜𝑟 𝑡ℎ𝑒 𝑒𝑠𝑠𝑒𝑛𝑐𝑒; 𝐵𝑙𝑎𝑠𝑝ℎ𝑒𝑚𝑦 𝑎𝑠 𝑠𝑒𝑙𝑓-𝑐𝑒𝑙𝑒𝑏𝑟𝑎𝑡𝑖𝑜𝑛; 𝑆𝑒𝑎𝑟𝑐ℎ 𝑜𝑟 𝑔𝑒𝑛𝑒𝑟𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑡ℎ𝑒 𝑓𝑖𝑟𝑠𝑡 𝑠𝑒𝑛𝑠𝑒, 𝑜𝑟 𝑈𝑛𝑖𝑡𝑦, 𝑜𝑟 𝐴𝑙𝑒𝑓; 𝐷𝑒𝑚𝑎𝑟𝑐𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝑡ℎ𝑎𝑡 𝑑𝑖𝑎𝑔𝑜𝑛𝑎𝑙 𝑡ℎ𝑎𝑡 𝑖𝑠 𝑎 𝑠𝑦𝑚𝑝𝑡𝑜𝑚 𝑜𝑓 𝑡ℎ𝑒 𝑖𝑟𝑟𝑎𝑡𝑖𝑜𝑛𝑎𝑙 𝑐𝑜𝑛𝑠𝑐𝑖𝑜𝑢𝑠𝑛𝑒𝑠𝑠, 𝑠𝑡𝑟𝑒𝑡𝑐ℎ𝑒𝑑 𝑏𝑒𝑡𝑤𝑒𝑒𝑛 𝑡ℎ𝑒 𝑠𝑎𝑐𝑟𝑒𝑑 𝑣𝑒𝑟𝑡𝑖𝑐𝑎𝑙 𝑙𝑖𝑛𝑒 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙 ℎ𝑜𝑟𝑖𝑧𝑜𝑛𝑡𝑎𝑙.«

🤳🏻@poni.js @chjaraprodi

📷 @cd_yknyu

遁地力-地遁
十月一日，十七时启
地遁工作室（landescape studio）
Via Alfieri n 29 - 5 pm

Fluchbarkeit von Landescape
1. Oktober, Beginn um 17:00 Uhr
Landescape Studio
Via Alfieri Nr. 29

La fugacità di Landescape
1 ottobre - Landescape Studio
Via Alfieri 29 - dalle 17:00

🖤 👹 @mfru.ifca

9€ for a liter of sparkling water was the most cospirative moment, defeated

🖤 👹 @mfru.ifca

9€ for a liter of sparkling water was the most cospirative moment, defeated

🖤 👹 @mfru.ifca

9€ for a liter of sparkling water was the most cospirative moment, defeated

🖤 👹 @mfru.ifca

9€ for a liter of sparkling water was the most cospirative moment, defeated

🖤 👹 @mfru.ifca

9€ for a liter of sparkling water was the most cospirative moment, defeated

🖤 👹 @mfru.ifca

9€ for a liter of sparkling water was the most cospirative moment, defeated

🖤 👹 @mfru.ifca

9€ for a liter of sparkling water was the most cospirative moment, defeated

🖤 👹 @mfru.ifca

9€ for a liter of sparkling water was the most cospirative moment, defeated

🖤 👹 @mfru.ifca

9€ for a liter of sparkling water was the most cospirative moment, defeated

🖤 👹 @mfru.ifca

9€ for a liter of sparkling water was the most cospirative moment, defeated

@vena.platform @habitattt.it

Tanto sapete già tutto

@vena.platform @habitattt.it

Tanto sapete già tutto

@vena.platform @habitattt.it

Tanto sapete già tutto

@vena.platform @habitattt.it

Tanto sapete già tutto

Uau smol tour dis weak end

Ciao @palazzobronzo ciao @ljudmilalab

Uau smol tour dis weak end

Ciao @palazzobronzo ciao @ljudmilalab

Uau smol tour dis weak end

Ciao @palazzobronzo ciao @ljudmilalab

Uau smol tour dis weak end

Ciao @palazzobronzo ciao @ljudmilalab

Requiem sul terminal

Requiem sul terminal

Requiem sul terminal

Gioia che riannoda, dolore che inchioda

Gioia che riannoda, dolore che inchioda

Gioia che riannoda, dolore che inchioda

Gioia che riannoda, dolore che inchioda

“Notes taken on an ancestral pocketbook without any means of linearity, technic or decency.

Recorded, played, scratched, mixed, altered around our hill while thinking about the city that fades and the moon that rises.”