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Earlier this year, The Museum of Modern Art (@themuseumofmodernart) announced its acquisition of all 35 works from Adam Pendleton’s (@pendleton.adam) 2021-2022 exhibition “Who Is Queen?”. The acquisition included paintings and drawings from Pendleton’s Black Dada and WE ARE NOT bodies of work, as well as three videos, including “Notes on Resurrection City”, “Notes on the Robert E. Lee Monument, Richmond VA (figure)”, and “So We Moved: A Portrait of Jack Halberstam”.
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The Mexico City-based photographer and filmmaker Anna Pla-Narbona captured one of the last moments Pendleton had in his studio with the painting “Everything” before it left for the museum’s collection.
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“Who Is Queen?” was organized by Stuart Comer, the Lonti Ebers Chief Curator of Media and Performance (@stuartcomer), with Danielle A. Jackson, former Curatorial Assistant (@virtuosa12), and Gee Wesley, Curatorial Assistant, and with the support of Veronika Molnar, Intern, Department of Media and Performance.
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Photos by @annaplanarbona
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Everything, 2021
Silkscreen ink and black gesso on canvas
120 x 234 in (304.8 x 594.4 cm)
Collection of The Museum of Modern Art, NY

Earlier this year, The Museum of Modern Art (@themuseumofmodernart) announced its acquisition of all 35 works from Adam Pendleton’s (@pendleton.adam) 2021-2022 exhibition “Who Is Queen?”. The acquisition included paintings and drawings from Pendleton’s Black Dada and WE ARE NOT bodies of work, as well as three videos, including “Notes on Resurrection City”, “Notes on the Robert E. Lee Monument, Richmond VA (figure)”, and “So We Moved: A Portrait of Jack Halberstam”.
-
The Mexico City-based photographer and filmmaker Anna Pla-Narbona captured one of the last moments Pendleton had in his studio with the painting “Everything” before it left for the museum’s collection.
-
“Who Is Queen?” was organized by Stuart Comer, the Lonti Ebers Chief Curator of Media and Performance (@stuartcomer), with Danielle A. Jackson, former Curatorial Assistant (@virtuosa12), and Gee Wesley, Curatorial Assistant, and with the support of Veronika Molnar, Intern, Department of Media and Performance.
-
Photos by @annaplanarbona
-
Everything, 2021
Silkscreen ink and black gesso on canvas
120 x 234 in (304.8 x 594.4 cm)
Collection of The Museum of Modern Art, NY

“In the Heart of Washington, Adam Pendleton’s Work Demands Deep Thought” @nytimes @debonairpierre #lookatthematerial #linkinbio

“In the Heart of Washington, Adam Pendleton’s Work Demands Deep Thought” @nytimes @debonairpierre #lookatthematerial #linkinbio

“In the Heart of Washington, Adam Pendleton’s Work Demands Deep Thought” @nytimes @debonairpierre #lookatthematerial #linkinbio

“In the Heart of Washington, Adam Pendleton’s Work Demands Deep Thought” @nytimes @debonairpierre #lookatthematerial #linkinbio

My new Brooklyn studio is featured in @archdigest today. Link in bio for the full story

Via @archdigest:
Artist Adam Pendleton (@pendleton.adam) and longtime collaborator, architect Frederick Tang (@fredericktangarchitecture) recently turned two former storefronts in Brooklyn into a tailor-made studio for Pendleton. Through invitingly tall glass gallery doors, shipped from Italy, they carved out a series of discrete private chambers, as well as a 13-foot-high white box viewing room. On the building’s brick façade they added a band of raked black stucco that calls to mind the textural surfaces of Pendleton’s paintings. “At an institution, my goal is to deconstruct, reimagine, or repurpose,” Pendleton says. “That’s one of the things a painting can do, and I think that’s what good architecture does. It repurposes space. It enacts transformation.”

Step inside the Clinton Hill studio at the link in our bio. Photo by @jasonschmidtstudio; design by @fredericktangarchitecture; words by Kat Herriman.

My new Brooklyn studio is featured in @archdigest today. Link in bio for the full story

Via @archdigest:
Artist Adam Pendleton (@pendleton.adam) and longtime collaborator, architect Frederick Tang (@fredericktangarchitecture) recently turned two former storefronts in Brooklyn into a tailor-made studio for Pendleton. Through invitingly tall glass gallery doors, shipped from Italy, they carved out a series of discrete private chambers, as well as a 13-foot-high white box viewing room. On the building’s brick façade they added a band of raked black stucco that calls to mind the textural surfaces of Pendleton’s paintings. “At an institution, my goal is to deconstruct, reimagine, or repurpose,” Pendleton says. “That’s one of the things a painting can do, and I think that’s what good architecture does. It repurposes space. It enacts transformation.”

Step inside the Clinton Hill studio at the link in our bio. Photo by @jasonschmidtstudio; design by @fredericktangarchitecture; words by Kat Herriman.

My new Brooklyn studio is featured in @archdigest today. Link in bio for the full story

Via @archdigest:
Artist Adam Pendleton (@pendleton.adam) and longtime collaborator, architect Frederick Tang (@fredericktangarchitecture) recently turned two former storefronts in Brooklyn into a tailor-made studio for Pendleton. Through invitingly tall glass gallery doors, shipped from Italy, they carved out a series of discrete private chambers, as well as a 13-foot-high white box viewing room. On the building’s brick façade they added a band of raked black stucco that calls to mind the textural surfaces of Pendleton’s paintings. “At an institution, my goal is to deconstruct, reimagine, or repurpose,” Pendleton says. “That’s one of the things a painting can do, and I think that’s what good architecture does. It repurposes space. It enacts transformation.”

Step inside the Clinton Hill studio at the link in our bio. Photo by @jasonschmidtstudio; design by @fredericktangarchitecture; words by Kat Herriman.

My new Brooklyn studio is featured in @archdigest today. Link in bio for the full story

Via @archdigest:
Artist Adam Pendleton (@pendleton.adam) and longtime collaborator, architect Frederick Tang (@fredericktangarchitecture) recently turned two former storefronts in Brooklyn into a tailor-made studio for Pendleton. Through invitingly tall glass gallery doors, shipped from Italy, they carved out a series of discrete private chambers, as well as a 13-foot-high white box viewing room. On the building’s brick façade they added a band of raked black stucco that calls to mind the textural surfaces of Pendleton’s paintings. “At an institution, my goal is to deconstruct, reimagine, or repurpose,” Pendleton says. “That’s one of the things a painting can do, and I think that’s what good architecture does. It repurposes space. It enacts transformation.”

Step inside the Clinton Hill studio at the link in our bio. Photo by @jasonschmidtstudio; design by @fredericktangarchitecture; words by Kat Herriman.

My new Brooklyn studio is featured in @archdigest today. Link in bio for the full story

Via @archdigest:
Artist Adam Pendleton (@pendleton.adam) and longtime collaborator, architect Frederick Tang (@fredericktangarchitecture) recently turned two former storefronts in Brooklyn into a tailor-made studio for Pendleton. Through invitingly tall glass gallery doors, shipped from Italy, they carved out a series of discrete private chambers, as well as a 13-foot-high white box viewing room. On the building’s brick façade they added a band of raked black stucco that calls to mind the textural surfaces of Pendleton’s paintings. “At an institution, my goal is to deconstruct, reimagine, or repurpose,” Pendleton says. “That’s one of the things a painting can do, and I think that’s what good architecture does. It repurposes space. It enacts transformation.”

Step inside the Clinton Hill studio at the link in our bio. Photo by @jasonschmidtstudio; design by @fredericktangarchitecture; words by Kat Herriman.

Untitled (Days), 2026⁠
Silkscreen ink and black gesso on canvas⁠
84 x 101 in. (213.4 x 256.5 cm)

Untitled (Days), 2026⁠
Silkscreen ink and black gesso on canvas⁠
84 x 101 in. (213.4 x 256.5 cm)

Untitled (Days), 2026⁠
Silkscreen ink and black gesso on canvas⁠
84 x 101 in. (213.4 x 256.5 cm)

Untitled (WE ARE NOT), 2025-26⁠
Silkscreen ink and black gesso on canvas⁠
60 x 75 in. (152.4 x 190.5 cm)

Untitled (WE ARE NOT), 2025-26⁠
Silkscreen ink and black gesso on canvas⁠
60 x 75 in. (152.4 x 190.5 cm)

Untitled (WE ARE NOT), 2025-26⁠
Silkscreen ink and black gesso on canvas⁠
60 x 75 in. (152.4 x 190.5 cm)

Now on view, Adam Pendleton + Antoni Tàpies, at @alfonsoartiacogallery, in Naples, Italy, through June 20.⁠

Now on view, Adam Pendleton + Antoni Tàpies, at @alfonsoartiacogallery, in Naples, Italy, through June 20.⁠

Now on view, Adam Pendleton + Antoni Tàpies, at @alfonsoartiacogallery, in Naples, Italy, through June 20.⁠

Now on view, Adam Pendleton + Antoni Tàpies, at @alfonsoartiacogallery, in Naples, Italy, through June 20.⁠

Now on view, Adam Pendleton + Antoni Tàpies, at @alfonsoartiacogallery, in Naples, Italy, through June 20.⁠

Adam Pendleton + Antoni Tàpies, opening May 11, 2026 at Alfonso Artiaco Gallery (@alfonsoartiacogallery), Naples, Italy. ⁠

Adam Pendleton + Antoni Tàpies, opening May 11, 2026 at Alfonso Artiaco Gallery (@alfonsoartiacogallery), Naples, Italy. ⁠

Adam Pendleton + Antoni Tàpies, opening May 11, 2026 at Alfonso Artiaco Gallery (@alfonsoartiacogallery), Naples, Italy. ⁠

Adam Pendleton + Antoni Tàpies, opening May 11, 2026 at Alfonso Artiaco Gallery (@alfonsoartiacogallery), Naples, Italy. ⁠

Adam Pendleton + Antoni Tàpies, opening May 11, 2026 at Alfonso Artiaco Gallery (@alfonsoartiacogallery), Naples, Italy. ⁠

Adam Pendleton + Antoni Tàpies, opening May 11, 2026 at Alfonso Artiaco Gallery (@alfonsoartiacogallery), Naples, Italy. ⁠

Untitled (Days), 2025⁠-26⁠
Silkscreen ink and black gesso on canvas⁠
50 x 60 in. (127 x 152.4 cm)

Untitled (Days), 2025⁠-26⁠
Silkscreen ink and black gesso on canvas⁠
50 x 60 in. (127 x 152.4 cm)

Untitled (Days), 2025⁠-26⁠
Silkscreen ink and black gesso on canvas⁠
50 x 60 in. (127 x 152.4 cm)

An Art and Fashion Party for Nina Simone. Adam Pendleton and Gabriela Hearst celebrated a recent collaboration with an evening-long tribute to the legendary musician and activist. @tmagazine, @gabrielahearst, by Rose Courteau

An Art and Fashion Party for Nina Simone. Adam Pendleton and Gabriela Hearst celebrated a recent collaboration with an evening-long tribute to the legendary musician and activist. @tmagazine, @gabrielahearst, by Rose Courteau

An Art and Fashion Party for Nina Simone. Adam Pendleton and Gabriela Hearst celebrated a recent collaboration with an evening-long tribute to the legendary musician and activist. @tmagazine, @gabrielahearst, by Rose Courteau

An Art and Fashion Party for Nina Simone. Adam Pendleton and Gabriela Hearst celebrated a recent collaboration with an evening-long tribute to the legendary musician and activist. @tmagazine, @gabrielahearst, by Rose Courteau

An Art and Fashion Party for Nina Simone. Adam Pendleton and Gabriela Hearst celebrated a recent collaboration with an evening-long tribute to the legendary musician and activist. @tmagazine, @gabrielahearst, by Rose Courteau

An Art and Fashion Party for Nina Simone. Adam Pendleton and Gabriela Hearst celebrated a recent collaboration with an evening-long tribute to the legendary musician and activist. @tmagazine, @gabrielahearst, by Rose Courteau

An Art and Fashion Party for Nina Simone. Adam Pendleton and Gabriela Hearst celebrated a recent collaboration with an evening-long tribute to the legendary musician and activist. @tmagazine, @gabrielahearst, by Rose Courteau

Now on view: Adam Pendleton: Can I Be?, Langen Foundation (@langenfoundation), Neuss, Germany, April 19 - August 09.

Now on view: Adam Pendleton: Can I Be?, Langen Foundation (@langenfoundation), Neuss, Germany, April 19 - August 09.

Now on view: Adam Pendleton: Can I Be?, Langen Foundation (@langenfoundation), Neuss, Germany, April 19 - August 09.

Now on view: Adam Pendleton: Can I Be?, Langen Foundation (@langenfoundation), Neuss, Germany, April 19 - August 09.

Opening April 19th—Adam Pendleton: Can I Be? at the @langenfoundation in Neuss, Germany.

Opening April 19th—Adam Pendleton: Can I Be? at the @langenfoundation in Neuss, Germany.

Opening April 19th—Adam Pendleton: Can I Be? at the @langenfoundation in Neuss, Germany.

Opening April 19th—Adam Pendleton: Can I Be? at the @langenfoundation in Neuss, Germany.

Opening April 19th—Adam Pendleton: Can I Be? at the @langenfoundation in Neuss, Germany.

Adam Pendleton: Can I Be?, opening April 19 at the Langen Foundation (@langenfoundation) in Neuss, Germany.⁠