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mit_cmsw

MIT Comparative Media Studies/Writing

At cmsw.mit.edu, read all about how our Science Writing grad students recently collaborated on four articles with The Associated Press.

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Coming up on Wednesday here at MIT -- 5pm in Stata, room 155:

"Refusing Generative AI: A Critique of Rhetorical Commonplaces about 'AI' in Education"

Professors Jennifer Sano-Franchini, Megan McIntyre, and Maggie Fernandes will address stock arguments in support of generative AI adoption in the classroom. They'll then offer some practical teaching strategies for negotiating some of the challenges that generative AI poses for education, particularly writing education.

https://cmsw.mit.edu/event/refusing-generative-ai-rhetorical-commonplaces-about-ai-in-education/


2
2 weeks ago


It's just about time for the Karmel Writing Prizes Reception! Celebrate the best of MIT student writing...across 20 categories with $ prizes!

Be sure to RSVP: https://cmsw.mit.edu/event/karmel-writing-prizes-reception

It's next Wednesday May 7 at 4:30 pm. Building 14, The Nexus (14S-130)


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3 weeks ago

“It’s an amazing opportunity to work through the data and write in a really vibrant setting where conversation and cross-disciplinary engagement is at the heart of the experience.”

CMS/W Professor T.L. Taylor (@ybikapix) is working on a new book that examines theme parks as sitting at the analytically rich intersection of design, infrastructure, and play: https://news.mit.edu/2026/tl-taylor-named-casbs-fellow-0421


11
3 weeks ago

Coming up on May 6 here at MIT:

"Refusing Generative AI: A Critique of Rhetorical Commonplaces about 'AI' in Education"

Professors Jennifer Sano-Franchini, Megan McIntyre, and Maggie Fernandes will address stock arguments in support of generative AI adoption in the classroom. They'll then offer some practical teaching strategies for negotiating some of the challenges that generative AI poses for education, particularly writing education.

https://cmsw.mit.edu/event/refusing-generative-ai-rhetorical-commonplaces-about-ai-in-education/


6
3 weeks ago

Couldn't join us in person last week for the "MIT in 3:00" video competition screening? Not to worry -- the finalist videos are now all posted!

Kudos to Shreeya Parekh, whose "A Love Letter to My MIT" won this year's Audience Award, and to John Xu and Sofie Howard, whose "ALT + F4" took home the Jury/Chris Pomiecko Award.


6
4 weeks ago

This year our grad program in Science Writing students are collaborating with the Associated Press (@apnews).

They developed and pitched local climate stories, and then over a four-day intensive weekend, they worked with visual journalists from the AP.

Read all about it at cmsw.mit.edu.

“What made the biggest difference for me was being in the field alongside an experienced photojournalist and seeing how they read a scene in practice,” Ana Georgescu, GPSW ‘26, said. “We were able to get immediate feedback on how we directed subjects, which scenes we chose, and how we integrated photography into the reporting process. That kind of hands-on, in-the-moment experience was incredibly helpful, and it’s made me really excited to keep exploring climate stories as well as the visual side of journalism.”

(AP Photo/Joshua A. Bickel)


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1 months ago

With MIT in 3:00 submissions now closed, we get to look forward to the screening! It's coming up fast, next Thursday April 16 in The Nexus (14S-130).

It starts with a reception at 5:30pm, then screenings beginning at 6pm. The Jury Prize ($1,000) and Audience Prize ($500) will be awarded at the end!


3
1 months ago

"Poetry is the most intense and musical form of language."

U.S. Poet Laureate Arthur Sze last week returned to MIT for an "unconventional reading" that traced what it was like to write his first poems here, interspersed with later poems.

He reminded the packed room in Hayden Library how poetry can sharpen attention and expand what we notice in the world.


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1
1 months ago


Today's the deadline!

Submit your short film to the annual MIT in 3:00 contest.

What’s your MIT? And can you show it in 3 minutes?

What’s your specific perspective? What’s a cool activity, project, or spot that hardly anyone knows about? We want you to show us. And it's your chance to win the $1,000 jury prize or $500 audience prize!


5
1 months ago

Reminder, we're thrilled to co-host U.S. poet laureate Arthur Sze tomorrow evening (Wednesday, doors at 5:30, Building 14S, room 130) for a reading and book signing. Please join us!

Sze -- author of twelve books of poetry -- is also an editor and translator.

The event is presented by us at CMS/W, via our William Corbett Poetry Series, along with @litatmit and the @mitpressbookstore. Enormous thanks to lecturer @chloegarciaroberts for organizing.


20
1 months ago

Deadline April 6!

What’s your MIT? And can you show it in 3 minutes?

Submit your short film to the annual MIT in 3:00 contest.

It's your chance to win the $1,000 jury prize or $500 audience prize!

What’s your specific perspective? What’s a cool activity, project, or spot that hardly anyone knows about? We want you to show us!


7
1
1 months ago

In two weeks, on Wednesday April 1 at 6pm, with @litatmit and the @mitpressbookstore, we and our William Corbett Poetry Series will be hosting U.S. poet laureate Arthur Sze.

That'll be in Building 14, in Hayden Library's Nexus.

Arthur Sze is a poet, translator, and editor, and in 2025 he was named the 25th Poet Laureate of the United States.

He is the author of twelve books of poetry, including Into the Hush (2025) and The White Orchard: Selected Interviews, Essays, and Poems (2025); The Glass Constellation: New and Collected Poems (2021); Sight Lines (2019), for which he won the National Book Award; Compass Rose (2014); The Ginkgo Light (2009); Quipu (2005); The Redshifting Web: Poems 1970–1998 (1998); and Archipelago (1995). He also authored Transient Worlds: On Translating Poetry (forthcoming from Copper Canyon Press, 2026), The Silk Dragon II: Translations of Chinese Poetry (2024), and edited Chinese Writers on Writing (2010). His poetry has been translated into fifteen languages, including Chinese, Dutch, German, Portuguese, and Spanish.


5
2 months ago


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Story-save.com to intuicyjne narzędzie online, które umożliwia pobieranie i zapisywanie różnych treści, w tym historii, zdjęć, wideo i materiałów IGTV bezpośrednio z Instagrama. Dzięki Story-Save możesz łatwo pobierać różnorodne treści z Instagrama, a także oglądać je w dogodnym czasie, nawet bez dostępu do internetu. To narzędzie jest idealne na chwile, kiedy znajdziesz coś interesującego na Instagramie i chcesz zapisać to na później. Użyj Story-Save, aby nie przegapić okazji, aby zabrać ulubione momenty z Instagrama ze sobą!

Nasze zalety:

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Unikaj pobierania aplikacji i rejestracji, przechowuj historie w internecie.

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Najczęściej zadawane pytania

Funkcja pobierania historii na Instagramie została zaprojektowana w celu zapewnienia bezpiecznej i wysokiej jakości metody pobierania historii z Instagrama. Jest łatwa w obsłudze i nie wymaga rejestracji ani logowania. Wystarczy skopiować link, wkleić go i cieszyć się treścią.
Pobieranie historii z Instagrama to prosty proces, który obejmuje trzy kroki:
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Wybrana historia zostanie szybko zapisana w pamięci lokalnej Twojego urządzenia.
Niestety, nie jest możliwe pobieranie historii z prywatnych kont z powodu ograniczeń prywatności.
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Tak, legalne jest pobieranie i zapisywanie historii z Instagrama innych użytkowników, pod warunkiem, że nie będą one wykorzystywane do celów komercyjnych. Jeśli zamierzasz je wykorzystać komercyjnie, musisz uzyskać zgodę właściciela treści i przypisać mu autorstwo za każdym razem, gdy historia jest używana.
Wszystkie pobrane historie są zazwyczaj zapisywane w folderze Pobrane na Twoim komputerze, niezależnie od tego, czy używasz Windowsa, Maca, czy iOS. Na urządzeniach mobilnych historie są zapisywane w pamięci telefonu i powinny natychmiast pojawić się w aplikacji Galeria po pobraniu.