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maakeuk
maake ® - previously Fashion Formula ® - Custom Fabric Printing
🖨️ We digitally print fabric & homewares
🇬🇧 Made in London
🚀 Ships in 1-4 days
🍃 Sustainable inks and fabrics
Digital effect on our Hector Linen ❤️
#maakeuk #surfacepatterndesign #linenfabric #madeintheuk
It’s that time 🍦 Saw this on the machine today and got us wanting to be on a beach 🏖️ Phew it’s hot!
#maakeuk #customfabric #surfacepatterncommunity
Tea Towel Thursday 🍽️ £5.65 per Cotton Drill Tea towel - today only.
Min 3 units for discount. Print your own design, illustration or photos. Mix and match designs - price per unit.
Printed and sewn in London 🇬🇧
#maakeuk #surfacepatterncommunity #printstudio #teatowel #fabricprinting
#bts 🏭 Tea Towels printed and in QC ready to be sewn.
Can you spot yours?
#surfacepatterncommunity #printstudio #teatowel #maakeuk
THE CHORE - Pebble Dash - a big fan of pebble dash so printed some @maakeuk in London on an organic natural twill and made into a Chore style. Thanks for the content @teddyhmu and @jackgrange - more textures to come #menswear #britishmade #madeinuk #modernmenswear
THE CHORE - Pebble Dash - a big fan of pebble dash so printed some @maakeuk in London on an organic natural twill and made into a Chore style. Thanks for the content @teddyhmu and @jackgrange - more textures to come #menswear #britishmade #madeinuk #modernmenswear
THE CHORE - Pebble Dash - a big fan of pebble dash so printed some @maakeuk in London on an organic natural twill and made into a Chore style. Thanks for the content @teddyhmu and @jackgrange - more textures to come #menswear #britishmade #madeinuk #modernmenswear
THE CHORE - Pebble Dash - a big fan of pebble dash so printed some @maakeuk in London on an organic natural twill and made into a Chore style. Thanks for the content @teddyhmu and @jackgrange - more textures to come #menswear #britishmade #madeinuk #modernmenswear
THE CHORE - Pebble Dash - a big fan of pebble dash so printed some @maakeuk in London on an organic natural twill and made into a Chore style. Thanks for the content @teddyhmu and @jackgrange - more textures to come #menswear #britishmade #madeinuk #modernmenswear
THE CHORE - Pebble Dash - a big fan of pebble dash so printed some @maakeuk in London on an organic natural twill and made into a Chore style. Thanks for the content @teddyhmu and @jackgrange - more textures to come #menswear #britishmade #madeinuk #modernmenswear
Production is underway for Ginkgo organic cotton muslin range. Now time to design the packaging!
Thank you Gillian for your help, teaching me how to hem, and having the patience of a saint❤️🌷
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
This chair was a proper privilege.
Working alongside artist @london_artist1 on a piece that now sits inside The Queen’s House at the National Maritime Museum isn’t something I take lightly. This wasn’t just upholstery—it was about holding space for a story.
The fabric, designed by Sharon, which I helped rework into a textile print (getting my favourite printers @maakeuk to print on one of their amazing substrates), carries Sharon’s narrative—flying fish, cou-cou, colour, afro-caribbean culture, memory.
My role was to translate that onto form. To shape it, tension it, respect and honour it. Every line, every seam, every pull of the cloth had to honour what the work represents.
It’s a chair, yes—but it’s also an invitation. To sit. To pause. To reconnect.
And that idea—rest as resistance—that hit me.
Massive thanks to Sharon for trusting me with this. These are the projects that remind me why I love upholstery and textile design.
#Upholstery #SharonWalters #NationalMaritimeMuseum #QueensHouse #FurnitureAsArt ContemporaryCraft Restoration TextileArt BritishCraft SitOnThis!
#bts Linens in the factory this week 🏭 🇬🇧
Printed in our London based print mill.
#maakeuk #surfacepatterncommunity #digitalfabricprinting #workinprogress
Yay 🎉 FREE SHIPPING DAY 📦 👇Read below
All day today, we are offering free UK shipping to orders of any size. 🇬🇧
Simply use code FREESHIP0326 at checkout to claim free shipping on your order. Offer ends tonight 20/03/26 at midnight
#maakeuk #surfacepattern #printstudio #fabrics #londonfabric
New Fabric 🚨 Eco Recycled Ripstop ♻️ is our newest technical fabric - a lightweight 2oz Ripstop made from recycled post consumer waste. Vibrant prints with that inimitable Ripstop square texture. Perfect for apparel, outerwear and accessories.
Find it now online for you to order as samples or full meters.
#maakeuk #surfacepatterncommunity #digitalfabricprinting #madeinuk #ripstop
#deadstock Eco Jersey Tee - a beautiful recycled elastane jersey is an end of line fabric for us and available for only £15 per meter or £12.50 over 10m - while stocks last….175 gsm, cotton soft feel and prints incredibly vibrant.
Check out our deadstock collection to give fabric a new life and save in the process.
#maakeuk #printstudio #surfacepatterncommunity #digitalfabricprinting
#workinprogress 🏭 📸 Swipe Right to view Factory shots from this week
1. Make a Meter split of multiple designs on Stretch Jersey
2. Organic Nimbus Linen
3. Colourful prints on Organic Optic Panama Cotton
4. A geometric print on Plutus Velvet FR
5. Organic Optic Panama Cotton
6. Make a Meter split with multiple designs on Velvet
7. large oversized panels on Calico Cotton
#maakeuk #surfacepatterncommunity #fabricprinting #madeinuk
#workinprogress 🏭 📸 Swipe Right to view Factory shots from this week
1. Make a Meter split of multiple designs on Stretch Jersey
2. Organic Nimbus Linen
3. Colourful prints on Organic Optic Panama Cotton
4. A geometric print on Plutus Velvet FR
5. Organic Optic Panama Cotton
6. Make a Meter split with multiple designs on Velvet
7. large oversized panels on Calico Cotton
#maakeuk #surfacepatterncommunity #fabricprinting #madeinuk
#workinprogress 🏭 📸 Swipe Right to view Factory shots from this week
1. Make a Meter split of multiple designs on Stretch Jersey
2. Organic Nimbus Linen
3. Colourful prints on Organic Optic Panama Cotton
4. A geometric print on Plutus Velvet FR
5. Organic Optic Panama Cotton
6. Make a Meter split with multiple designs on Velvet
7. large oversized panels on Calico Cotton
#maakeuk #surfacepatterncommunity #fabricprinting #madeinuk
#workinprogress 🏭 📸 Swipe Right to view Factory shots from this week
1. Make a Meter split of multiple designs on Stretch Jersey
2. Organic Nimbus Linen
3. Colourful prints on Organic Optic Panama Cotton
4. A geometric print on Plutus Velvet FR
5. Organic Optic Panama Cotton
6. Make a Meter split with multiple designs on Velvet
7. large oversized panels on Calico Cotton
#maakeuk #surfacepatterncommunity #fabricprinting #madeinuk
#workinprogress 🏭 📸 Swipe Right to view Factory shots from this week
1. Make a Meter split of multiple designs on Stretch Jersey
2. Organic Nimbus Linen
3. Colourful prints on Organic Optic Panama Cotton
4. A geometric print on Plutus Velvet FR
5. Organic Optic Panama Cotton
6. Make a Meter split with multiple designs on Velvet
7. large oversized panels on Calico Cotton
#maakeuk #surfacepatterncommunity #fabricprinting #madeinuk
#workinprogress 🏭 📸 Swipe Right to view Factory shots from this week
1. Make a Meter split of multiple designs on Stretch Jersey
2. Organic Nimbus Linen
3. Colourful prints on Organic Optic Panama Cotton
4. A geometric print on Plutus Velvet FR
5. Organic Optic Panama Cotton
6. Make a Meter split with multiple designs on Velvet
7. large oversized panels on Calico Cotton
#maakeuk #surfacepatterncommunity #fabricprinting #madeinuk
#workinprogress 🏭 📸 Swipe Right to view Factory shots from this week
1. Make a Meter split of multiple designs on Stretch Jersey
2. Organic Nimbus Linen
3. Colourful prints on Organic Optic Panama Cotton
4. A geometric print on Plutus Velvet FR
5. Organic Optic Panama Cotton
6. Make a Meter split with multiple designs on Velvet
7. large oversized panels on Calico Cotton
#maakeuk #surfacepatterncommunity #fabricprinting #madeinuk
Story Save - Najlepsze darmowe narzędzie do zapisywania historii, rolek, zdjęć, wideo, wyróżnionych, IGTV na telefonie.
Story-save.com to intuicyjne narzędzie online, które umożliwia pobieranie i zapisywanie różnych treści, w tym historii, zdjęć, wideo i materiałów IGTV bezpośrednio z Instagrama. Dzięki Story-Save możesz łatwo pobierać różnorodne treści z Instagrama, a także oglądać je w dogodnym czasie, nawet bez dostępu do internetu. To narzędzie jest idealne na chwile, kiedy znajdziesz coś interesującego na Instagramie i chcesz zapisać to na później. Użyj Story-Save, aby nie przegapić okazji, aby zabrać ulubione momenty z Instagrama ze sobą!
Nasze zalety:
Brak potrzeby rejestracji
Unikaj pobierania aplikacji i rejestracji, przechowuj historie w internecie.
Wysoka jakość
Zakończ z kiepską jakością treści, zachowuj tylko wysokiej rozdzielczości historie.
Dostępność na wszystkich
Urządzenia Pobieraj historie z Instagrama za pomocą każdej przeglądarki, iPhone'a, Androida.
Całkowicie darmowe
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Najczęściej zadawane pytania
- 1. Przejdź do narzędzia do pobierania historii z Instagrama.
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- 3. Zobaczysz wszystkie historie dostępne w bieżącym 24-godzinnym okresie. Wybierz te, które chcesz pobrać, i kliknij Pobierz.