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luhringaugustine
Luhring Augustine
Chelsea | Leon Kossoff | Apr 17 - Jun 20
Tribeca | Emily Kraus | Apr 11 - Jun 13
Mohammed Sami and Salman Toor are included in “House of Nisaba: New Stories of Painting,” a group exhibition on view at the Moderna Museet in Stockholm, Sweden through August 30, 2026.
The exhibition presents a return to allegory in contemporary figurative painting, presenting over twenty artists’ new works in a site-specific environment created by architect studio @formafantasma. Allegory – long tied to shared iconographies from myth, religion, and history – is resurfacing today in areas of autofiction, mysticism, astrology, esotericism and science fiction. Invoking the Mesopotamian goddess of writing, “House of Nisaba” transforms the gallery into an immersive space where newly produced paintings make allegory a vital form for our divided contemporary world. The artists in this exhibition render new pictorial languages that draw as much from art history, mythology and literature, as from fashion, cinema, news media, science fiction, astrology, and digital platforms. Rather than offering stable narratives, these paintings propose worlds shaped by discontinuity, ambiguity, and multiplicity.
Learn more at the link in our bio.
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#MohammedSami @Salman.Toor #SalmanToor @ModernaMuseet #HouseofNisaba #LuhringAugustine
Installation views: 1. Mohammed Sami, “Framed Liberty,” 2025. © Mohammed Sami 2026; Left and right (part of): Agnes Scherer, “Études Marginales/Marginal Studies, 2026. © Agnes Scherer; 2. Salman Toor, “The Studio,” 2026. © Salman Toor 2026. Photos: My Matson/Moderna Museet.
Mohammed Sami and Salman Toor are included in “House of Nisaba: New Stories of Painting,” a group exhibition on view at the Moderna Museet in Stockholm, Sweden through August 30, 2026.
The exhibition presents a return to allegory in contemporary figurative painting, presenting over twenty artists’ new works in a site-specific environment created by architect studio @formafantasma. Allegory – long tied to shared iconographies from myth, religion, and history – is resurfacing today in areas of autofiction, mysticism, astrology, esotericism and science fiction. Invoking the Mesopotamian goddess of writing, “House of Nisaba” transforms the gallery into an immersive space where newly produced paintings make allegory a vital form for our divided contemporary world. The artists in this exhibition render new pictorial languages that draw as much from art history, mythology and literature, as from fashion, cinema, news media, science fiction, astrology, and digital platforms. Rather than offering stable narratives, these paintings propose worlds shaped by discontinuity, ambiguity, and multiplicity.
Learn more at the link in our bio.
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#MohammedSami @Salman.Toor #SalmanToor @ModernaMuseet #HouseofNisaba #LuhringAugustine
Installation views: 1. Mohammed Sami, “Framed Liberty,” 2025. © Mohammed Sami 2026; Left and right (part of): Agnes Scherer, “Études Marginales/Marginal Studies, 2026. © Agnes Scherer; 2. Salman Toor, “The Studio,” 2026. © Salman Toor 2026. Photos: My Matson/Moderna Museet.
Mohammed Sami and Salman Toor are included in “House of Nisaba: New Stories of Painting,” a group exhibition on view at the Moderna Museet in Stockholm, Sweden through August 30, 2026.
The exhibition presents a return to allegory in contemporary figurative painting, presenting over twenty artists’ new works in a site-specific environment created by architect studio @formafantasma. Allegory – long tied to shared iconographies from myth, religion, and history – is resurfacing today in areas of autofiction, mysticism, astrology, esotericism and science fiction. Invoking the Mesopotamian goddess of writing, “House of Nisaba” transforms the gallery into an immersive space where newly produced paintings make allegory a vital form for our divided contemporary world. The artists in this exhibition render new pictorial languages that draw as much from art history, mythology and literature, as from fashion, cinema, news media, science fiction, astrology, and digital platforms. Rather than offering stable narratives, these paintings propose worlds shaped by discontinuity, ambiguity, and multiplicity.
Learn more at the link in our bio.
–
#MohammedSami @Salman.Toor #SalmanToor @ModernaMuseet #HouseofNisaba #LuhringAugustine
Installation views: 1. Mohammed Sami, “Framed Liberty,” 2025. © Mohammed Sami 2026; Left and right (part of): Agnes Scherer, “Études Marginales/Marginal Studies, 2026. © Agnes Scherer; 2. Salman Toor, “The Studio,” 2026. © Salman Toor 2026. Photos: My Matson/Moderna Museet.
Mohammed Sami and Salman Toor are included in “House of Nisaba: New Stories of Painting,” a group exhibition on view at the Moderna Museet in Stockholm, Sweden through August 30, 2026.
The exhibition presents a return to allegory in contemporary figurative painting, presenting over twenty artists’ new works in a site-specific environment created by architect studio @formafantasma. Allegory – long tied to shared iconographies from myth, religion, and history – is resurfacing today in areas of autofiction, mysticism, astrology, esotericism and science fiction. Invoking the Mesopotamian goddess of writing, “House of Nisaba” transforms the gallery into an immersive space where newly produced paintings make allegory a vital form for our divided contemporary world. The artists in this exhibition render new pictorial languages that draw as much from art history, mythology and literature, as from fashion, cinema, news media, science fiction, astrology, and digital platforms. Rather than offering stable narratives, these paintings propose worlds shaped by discontinuity, ambiguity, and multiplicity.
Learn more at the link in our bio.
–
#MohammedSami @Salman.Toor #SalmanToor @ModernaMuseet #HouseofNisaba #LuhringAugustine
Installation views: 1. Mohammed Sami, “Framed Liberty,” 2025. © Mohammed Sami 2026; Left and right (part of): Agnes Scherer, “Études Marginales/Marginal Studies, 2026. © Agnes Scherer; 2. Salman Toor, “The Studio,” 2026. © Salman Toor 2026. Photos: My Matson/Moderna Museet.
“Pipilotti Rist: I’m Not the Girl Who Misses Much” opens at The Joslyn Art Museum in Omaha, Nebraska on May 16.
The exhibition presents an early 1986 video work by Rist titled ,“I’m Not the Girl Who Misses Much”. In this video, Rist pushes pop music’s use of lyrical and sonic repetition and depictions of women to absurd lengths. She intermittently slowed down and sped up footage of her chanting the titular phrase (a line adapted from The Beatles’ 1968 song “Happiness is a Warm Gun”) while making increasingly frantic movements. Editing effects distort the video, resulting in an almost painterly procession of images. Learn more about the exhibition at the link in our bio.
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@Pipilotti_Rist_Studio #PipilottiRist @JoslynArtMuseum #LuhringAugustine
Stills of Pipilotti Rist, “I’m Not the Girl Who Misses Much,” 1986, color video, 7 min. 47 sec. © Pipilotti Rist, Courtesy the artist, Hauser & Wirth and Luhring Augustine / Artists Rights Society (ARS), New York.
“Pipilotti Rist: I’m Not the Girl Who Misses Much” opens at The Joslyn Art Museum in Omaha, Nebraska on May 16.
The exhibition presents an early 1986 video work by Rist titled ,“I’m Not the Girl Who Misses Much”. In this video, Rist pushes pop music’s use of lyrical and sonic repetition and depictions of women to absurd lengths. She intermittently slowed down and sped up footage of her chanting the titular phrase (a line adapted from The Beatles’ 1968 song “Happiness is a Warm Gun”) while making increasingly frantic movements. Editing effects distort the video, resulting in an almost painterly procession of images. Learn more about the exhibition at the link in our bio.
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@Pipilotti_Rist_Studio #PipilottiRist @JoslynArtMuseum #LuhringAugustine
Stills of Pipilotti Rist, “I’m Not the Girl Who Misses Much,” 1986, color video, 7 min. 47 sec. © Pipilotti Rist, Courtesy the artist, Hauser & Wirth and Luhring Augustine / Artists Rights Society (ARS), New York.
“Pipilotti Rist: I’m Not the Girl Who Misses Much” opens at The Joslyn Art Museum in Omaha, Nebraska on May 16.
The exhibition presents an early 1986 video work by Rist titled ,“I’m Not the Girl Who Misses Much”. In this video, Rist pushes pop music’s use of lyrical and sonic repetition and depictions of women to absurd lengths. She intermittently slowed down and sped up footage of her chanting the titular phrase (a line adapted from The Beatles’ 1968 song “Happiness is a Warm Gun”) while making increasingly frantic movements. Editing effects distort the video, resulting in an almost painterly procession of images. Learn more about the exhibition at the link in our bio.
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@Pipilotti_Rist_Studio #PipilottiRist @JoslynArtMuseum #LuhringAugustine
Stills of Pipilotti Rist, “I’m Not the Girl Who Misses Much,” 1986, color video, 7 min. 47 sec. © Pipilotti Rist, Courtesy the artist, Hauser & Wirth and Luhring Augustine / Artists Rights Society (ARS), New York.
Christoper Wool is included in “AURA, a group exhibition on view at AMA Venezia in Venice through November 21, 2026.
This group exhibition is drawn entirely from the AMA Collection, and unfolds through shifting tensions between material and immaterial, between what is seen and what is sensed. “AURA” considers different modes of perception and invites viewers to engage with the works as physical, emotional and mental experience. Learn more at the link in our bio.
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#ChristopherWool @AMAVenezia #AMAVenezia #LuhringAugustine
Courtesy of the artist and AMA Collection. Installation view by Sebastiano Pellion di Persano
Christoper Wool is included in “AURA, a group exhibition on view at AMA Venezia in Venice through November 21, 2026.
This group exhibition is drawn entirely from the AMA Collection, and unfolds through shifting tensions between material and immaterial, between what is seen and what is sensed. “AURA” considers different modes of perception and invites viewers to engage with the works as physical, emotional and mental experience. Learn more at the link in our bio.
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#ChristopherWool @AMAVenezia #AMAVenezia #LuhringAugustine
Courtesy of the artist and AMA Collection. Installation view by Sebastiano Pellion di Persano
Join art historian, curator and former Director of Visual Arts at the British Council, Andrea Rose, as she takes us through our current exhibition, Leon Kossoff, on view at our Chelsea gallery through June 20.
Bringing together paintings from across Kossoff’s career, this exhibition offers one of the most substantial presentations of the artist’s work to be held in New York in recent decades. Widely regarded as one of the most important British painters of the postwar period, Kossoff’s practice was grounded in close observation and a repeated engagement with his subjects through drawing and painting. Working primarily from life, he produced portraits of family, friends, and sitters from his immediate circle alongside views of North and East London – rail stations, schools, streets, and sites of daily life. Characterized by their material density and structural rigor, his paintings, no matter how big or small, are acts of sustained spontaneity. Andrea Rose was responsible for Britain’s representation at the Venice Biennale and has written widely on British art. In 2021, she compiled the Catalogue Raisonné of Leon Kossoff’s oil paintings.
A full conversation with Andrea Rose and Leah Horowitz, Director of Special Projects at Luhring Augustine, is available to view at the link in our bio.
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#LeonKossoff #LuhringAugustine
Emily Kraus has donated a drawing to the White Columns 2026 Benefit Auction taking place on May 27 at @WhiteColumns in New York.
The benefit auction is White Columns’ key annual fundraiser, and attendees can bid in-person on over 100 artworks throughout the evening. Beginning May 12, works will be available for bidding in-person at the gallery and by email or phone. Visit the link in our bio to register to bid and purchase tickets to the live auction.
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@Emily_Kraus_ #EmilyKraus #LuhringAugustine
Artwork by Emily Kraus: “Speleothem #19,” 2025, Charcoal on paper. Photo: Genevieve Hanson
Emily Kraus has donated a drawing to the White Columns 2026 Benefit Auction taking place on May 27 at @WhiteColumns in New York.
The benefit auction is White Columns’ key annual fundraiser, and attendees can bid in-person on over 100 artworks throughout the evening. Beginning May 12, works will be available for bidding in-person at the gallery and by email or phone. Visit the link in our bio to register to bid and purchase tickets to the live auction.
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@Emily_Kraus_ #EmilyKraus #LuhringAugustine
Artwork by Emily Kraus: “Speleothem #19,” 2025, Charcoal on paper. Photo: Genevieve Hanson
Join us on May 14th and 15th for a Chelsea and Tribeca Gallery Walk!
ADAA Chelsea Gallery Walk
Thursday, May 14th, 5–8pm
On view | Leon Kossoff
Tribeca Gallery Night
Friday, May 15th, 6–8pm
On view | Emily Kraus: In Relation
Visit the link in our bio to learn more about our exhibitions on view.
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@adaa #ADAAGalleryWalk #TribecaGalleryNight #ArtWeekNYC #LeonKossoff @Emily_Kraus_ #EmilyKraus #LuhringAugustine #LuhringAugustineTribeca
Join us on May 14th and 15th for a Chelsea and Tribeca Gallery Walk!
ADAA Chelsea Gallery Walk
Thursday, May 14th, 5–8pm
On view | Leon Kossoff
Tribeca Gallery Night
Friday, May 15th, 6–8pm
On view | Emily Kraus: In Relation
Visit the link in our bio to learn more about our exhibitions on view.
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@adaa #ADAAGalleryWalk #TribecaGalleryNight #ArtWeekNYC #LeonKossoff @Emily_Kraus_ #EmilyKraus #LuhringAugustine #LuhringAugustineTribeca
Join us on May 14th and 15th for a Chelsea and Tribeca Gallery Walk!
ADAA Chelsea Gallery Walk
Thursday, May 14th, 5–8pm
On view | Leon Kossoff
Tribeca Gallery Night
Friday, May 15th, 6–8pm
On view | Emily Kraus: In Relation
Visit the link in our bio to learn more about our exhibitions on view.
–
@adaa #ADAAGalleryWalk #TribecaGalleryNight #ArtWeekNYC #LeonKossoff @Emily_Kraus_ #EmilyKraus #LuhringAugustine #LuhringAugustineTribeca
Join us on May 14th and 15th for a Chelsea and Tribeca Gallery Walk!
ADAA Chelsea Gallery Walk
Thursday, May 14th, 5–8pm
On view | Leon Kossoff
Tribeca Gallery Night
Friday, May 15th, 6–8pm
On view | Emily Kraus: In Relation
Visit the link in our bio to learn more about our exhibitions on view.
–
@adaa #ADAAGalleryWalk #TribecaGalleryNight #ArtWeekNYC #LeonKossoff @Emily_Kraus_ #EmilyKraus #LuhringAugustine #LuhringAugustineTribeca
Join us on May 14th and 15th for a Chelsea and Tribeca Gallery Walk!
ADAA Chelsea Gallery Walk
Thursday, May 14th, 5–8pm
On view | Leon Kossoff
Tribeca Gallery Night
Friday, May 15th, 6–8pm
On view | Emily Kraus: In Relation
Visit the link in our bio to learn more about our exhibitions on view.
–
@adaa #ADAAGalleryWalk #TribecaGalleryNight #ArtWeekNYC #LeonKossoff @Emily_Kraus_ #EmilyKraus #LuhringAugustine #LuhringAugustineTribeca
Join us on May 14th and 15th for a Chelsea and Tribeca Gallery Walk!
ADAA Chelsea Gallery Walk
Thursday, May 14th, 5–8pm
On view | Leon Kossoff
Tribeca Gallery Night
Friday, May 15th, 6–8pm
On view | Emily Kraus: In Relation
Visit the link in our bio to learn more about our exhibitions on view.
–
@adaa #ADAAGalleryWalk #TribecaGalleryNight #ArtWeekNYC #LeonKossoff @Emily_Kraus_ #EmilyKraus #LuhringAugustine #LuhringAugustineTribeca
#LeeFriedlander • “Bargone, Italy,” 1965, Gelatin silver print.
Discover more by the artist at the link in our bio.
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#LuhringAugustine #LuhringAugustineTribeca
Janine Antoni is included in “Chase a Crooked Shadow: Film Noir as Contemporary Mirror”, a group exhibition on view at The Warehouse in Dallas, TX through July 18, 2026.
“Chase a Crooked Shadow: Film Noir as Contemporary Mirror” approaches film noir as a visual, psychological, and ethical framework that continues to resonate today. The exhibition considers film noir as an enduring worldview rather than a historical style, tracing its relevance through contemporary art. The works are organized into thematic groupings that echo film noir's recurring archetypes and undercurrents: the detective and antihero; the fatal and shifting power dynamic; criminals and the scene of the crime; noir landscapes and environments; violence and the abject body; and psychological states shaped by duplicity, ambiguity, obsession, and entrapment.
On view by Antoni is “Saddle”, a full raw cowhide draped over a mold of the artist’s body.When the material hardened, the mold was removed and like a ghost, the cowhide holds the memory of the body. “Saddle” aims to confront viewers with the object to evoke feeling the absence of both the artist and the cow.
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@Janine_Antoni #JanineAntoni @WarehouseDallas #LuhringAugustine
“Chase a Crooked Shadow: Film Noir as Contemporary Mirror,” The Warehouse, Dallas, Installation view with work by Janine Antoni, April 11 – July 18, 2026 . Photo: Kevin Todora
Janine Antoni is included in “Chase a Crooked Shadow: Film Noir as Contemporary Mirror”, a group exhibition on view at The Warehouse in Dallas, TX through July 18, 2026.
“Chase a Crooked Shadow: Film Noir as Contemporary Mirror” approaches film noir as a visual, psychological, and ethical framework that continues to resonate today. The exhibition considers film noir as an enduring worldview rather than a historical style, tracing its relevance through contemporary art. The works are organized into thematic groupings that echo film noir's recurring archetypes and undercurrents: the detective and antihero; the fatal and shifting power dynamic; criminals and the scene of the crime; noir landscapes and environments; violence and the abject body; and psychological states shaped by duplicity, ambiguity, obsession, and entrapment.
On view by Antoni is “Saddle”, a full raw cowhide draped over a mold of the artist’s body.When the material hardened, the mold was removed and like a ghost, the cowhide holds the memory of the body. “Saddle” aims to confront viewers with the object to evoke feeling the absence of both the artist and the cow.
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@Janine_Antoni #JanineAntoni @WarehouseDallas #LuhringAugustine
“Chase a Crooked Shadow: Film Noir as Contemporary Mirror,” The Warehouse, Dallas, Installation view with work by Janine Antoni, April 11 – July 18, 2026 . Photo: Kevin Todora
Janine Antoni is included in “Chase a Crooked Shadow: Film Noir as Contemporary Mirror”, a group exhibition on view at The Warehouse in Dallas, TX through July 18, 2026.
“Chase a Crooked Shadow: Film Noir as Contemporary Mirror” approaches film noir as a visual, psychological, and ethical framework that continues to resonate today. The exhibition considers film noir as an enduring worldview rather than a historical style, tracing its relevance through contemporary art. The works are organized into thematic groupings that echo film noir's recurring archetypes and undercurrents: the detective and antihero; the fatal and shifting power dynamic; criminals and the scene of the crime; noir landscapes and environments; violence and the abject body; and psychological states shaped by duplicity, ambiguity, obsession, and entrapment.
On view by Antoni is “Saddle”, a full raw cowhide draped over a mold of the artist’s body.When the material hardened, the mold was removed and like a ghost, the cowhide holds the memory of the body. “Saddle” aims to confront viewers with the object to evoke feeling the absence of both the artist and the cow.
–
@Janine_Antoni #JanineAntoni @WarehouseDallas #LuhringAugustine
“Chase a Crooked Shadow: Film Noir as Contemporary Mirror,” The Warehouse, Dallas, Installation view with work by Janine Antoni, April 11 – July 18, 2026 . Photo: Kevin Todora
Luhring Augustine is pleased to share a guide to exhibitions across Venice showcasing works by Janet Cardiff and George Bures Miller, Ritsue Mishima, and Christopher Wool.
Janet Cardiff and George Bures Miller
“Still Joy — From Ukraine into the World” (May 9 – August 1, 2026)
The Victor Pinchuk Foundation and the @PinchukArtCentre present a group exhibition, “Still Joy — From Ukraine into the World,” as an official Collateral Event of the 61st International Art Exhibition — La Biennale di Venezia on view at the Palazzo Contarini Polignac.
Ritsue Mishima
“The Only True Protest is Beauty” (April 25 – October 4, 2026)
This group exhibition on view at @FondazioneDriesVanNoten, housed at the Palazzo Pisani Moretta, is an exploration of beauty as a charged encounter, capable of unsettling the familiar and making space for the unexpected.
Ritsue Mishima
“Ethnography of the Body and Material — Slowness and Depth in an Accelerated Society” (May 9 – November 22, 2026).
This group exhibition, on view at the Palazzo Pisani Santa Marina, is concurrent with the 61st International Art Exhibition - La Biennale di Venezia, and aims to restore a different sense of time and physical perception inherent in the act of “making” back into today’s world of ever-accelerating information and consumption.
Christopher Wool
“AURA” (May 4 – November 21, 2026)
This group exhibition, on view at @AMAVenezia, is drawn entirely from the AMA Collection, and unfolds through shifting tensions between material and immaterial, between what is seen and what is sensed.
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#JanetCardiff #GeorgeBuresMiller #RitsueMishima #ChristopherWool #VeniceBiennale2026 @LaBiennale #LuhringAugustine
Luhring Augustine is pleased to share a guide to exhibitions across Venice showcasing works by Janet Cardiff and George Bures Miller, Ritsue Mishima, and Christopher Wool.
Janet Cardiff and George Bures Miller
“Still Joy — From Ukraine into the World” (May 9 – August 1, 2026)
The Victor Pinchuk Foundation and the @PinchukArtCentre present a group exhibition, “Still Joy — From Ukraine into the World,” as an official Collateral Event of the 61st International Art Exhibition — La Biennale di Venezia on view at the Palazzo Contarini Polignac.
Ritsue Mishima
“The Only True Protest is Beauty” (April 25 – October 4, 2026)
This group exhibition on view at @FondazioneDriesVanNoten, housed at the Palazzo Pisani Moretta, is an exploration of beauty as a charged encounter, capable of unsettling the familiar and making space for the unexpected.
Ritsue Mishima
“Ethnography of the Body and Material — Slowness and Depth in an Accelerated Society” (May 9 – November 22, 2026).
This group exhibition, on view at the Palazzo Pisani Santa Marina, is concurrent with the 61st International Art Exhibition - La Biennale di Venezia, and aims to restore a different sense of time and physical perception inherent in the act of “making” back into today’s world of ever-accelerating information and consumption.
Christopher Wool
“AURA” (May 4 – November 21, 2026)
This group exhibition, on view at @AMAVenezia, is drawn entirely from the AMA Collection, and unfolds through shifting tensions between material and immaterial, between what is seen and what is sensed.
–
#JanetCardiff #GeorgeBuresMiller #RitsueMishima #ChristopherWool #VeniceBiennale2026 @LaBiennale #LuhringAugustine
Luhring Augustine is pleased to share a guide to exhibitions across Venice showcasing works by Janet Cardiff and George Bures Miller, Ritsue Mishima, and Christopher Wool.
Janet Cardiff and George Bures Miller
“Still Joy — From Ukraine into the World” (May 9 – August 1, 2026)
The Victor Pinchuk Foundation and the @PinchukArtCentre present a group exhibition, “Still Joy — From Ukraine into the World,” as an official Collateral Event of the 61st International Art Exhibition — La Biennale di Venezia on view at the Palazzo Contarini Polignac.
Ritsue Mishima
“The Only True Protest is Beauty” (April 25 – October 4, 2026)
This group exhibition on view at @FondazioneDriesVanNoten, housed at the Palazzo Pisani Moretta, is an exploration of beauty as a charged encounter, capable of unsettling the familiar and making space for the unexpected.
Ritsue Mishima
“Ethnography of the Body and Material — Slowness and Depth in an Accelerated Society” (May 9 – November 22, 2026).
This group exhibition, on view at the Palazzo Pisani Santa Marina, is concurrent with the 61st International Art Exhibition - La Biennale di Venezia, and aims to restore a different sense of time and physical perception inherent in the act of “making” back into today’s world of ever-accelerating information and consumption.
Christopher Wool
“AURA” (May 4 – November 21, 2026)
This group exhibition, on view at @AMAVenezia, is drawn entirely from the AMA Collection, and unfolds through shifting tensions between material and immaterial, between what is seen and what is sensed.
–
#JanetCardiff #GeorgeBuresMiller #RitsueMishima #ChristopherWool #VeniceBiennale2026 @LaBiennale #LuhringAugustine
Luhring Augustine is pleased to share a guide to exhibitions across Venice showcasing works by Janet Cardiff and George Bures Miller, Ritsue Mishima, and Christopher Wool.
Janet Cardiff and George Bures Miller
“Still Joy — From Ukraine into the World” (May 9 – August 1, 2026)
The Victor Pinchuk Foundation and the @PinchukArtCentre present a group exhibition, “Still Joy — From Ukraine into the World,” as an official Collateral Event of the 61st International Art Exhibition — La Biennale di Venezia on view at the Palazzo Contarini Polignac.
Ritsue Mishima
“The Only True Protest is Beauty” (April 25 – October 4, 2026)
This group exhibition on view at @FondazioneDriesVanNoten, housed at the Palazzo Pisani Moretta, is an exploration of beauty as a charged encounter, capable of unsettling the familiar and making space for the unexpected.
Ritsue Mishima
“Ethnography of the Body and Material — Slowness and Depth in an Accelerated Society” (May 9 – November 22, 2026).
This group exhibition, on view at the Palazzo Pisani Santa Marina, is concurrent with the 61st International Art Exhibition - La Biennale di Venezia, and aims to restore a different sense of time and physical perception inherent in the act of “making” back into today’s world of ever-accelerating information and consumption.
Christopher Wool
“AURA” (May 4 – November 21, 2026)
This group exhibition, on view at @AMAVenezia, is drawn entirely from the AMA Collection, and unfolds through shifting tensions between material and immaterial, between what is seen and what is sensed.
–
#JanetCardiff #GeorgeBuresMiller #RitsueMishima #ChristopherWool #VeniceBiennale2026 @LaBiennale #LuhringAugustine
Luhring Augustine is pleased to share a guide to exhibitions across Venice showcasing works by Janet Cardiff and George Bures Miller, Ritsue Mishima, and Christopher Wool.
Janet Cardiff and George Bures Miller
“Still Joy — From Ukraine into the World” (May 9 – August 1, 2026)
The Victor Pinchuk Foundation and the @PinchukArtCentre present a group exhibition, “Still Joy — From Ukraine into the World,” as an official Collateral Event of the 61st International Art Exhibition — La Biennale di Venezia on view at the Palazzo Contarini Polignac.
Ritsue Mishima
“The Only True Protest is Beauty” (April 25 – October 4, 2026)
This group exhibition on view at @FondazioneDriesVanNoten, housed at the Palazzo Pisani Moretta, is an exploration of beauty as a charged encounter, capable of unsettling the familiar and making space for the unexpected.
Ritsue Mishima
“Ethnography of the Body and Material — Slowness and Depth in an Accelerated Society” (May 9 – November 22, 2026).
This group exhibition, on view at the Palazzo Pisani Santa Marina, is concurrent with the 61st International Art Exhibition - La Biennale di Venezia, and aims to restore a different sense of time and physical perception inherent in the act of “making” back into today’s world of ever-accelerating information and consumption.
Christopher Wool
“AURA” (May 4 – November 21, 2026)
This group exhibition, on view at @AMAVenezia, is drawn entirely from the AMA Collection, and unfolds through shifting tensions between material and immaterial, between what is seen and what is sensed.
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#JanetCardiff #GeorgeBuresMiller #RitsueMishima #ChristopherWool #VeniceBiennale2026 @LaBiennale #LuhringAugustine
We are delighted to announce that a catalogue will be published on the occasion of our Leon Kossoff exhibition, currently on view at our Chelsea gallery.
Published by Luhring Augustine, the catalogue will present a holistic understanding of Kossoff's artistic vision. Bringing together works spanning six-decades of Kossoff's career, the publication will also include an essay by Hilton Als. Visit the link in our bio to preorder a copy today.
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#LeonKossoff #HiltonAls #LuhringAugustine
We are delighted to announce that a catalogue will be published on the occasion of our Leon Kossoff exhibition, currently on view at our Chelsea gallery.
Published by Luhring Augustine, the catalogue will present a holistic understanding of Kossoff's artistic vision. Bringing together works spanning six-decades of Kossoff's career, the publication will also include an essay by Hilton Als. Visit the link in our bio to preorder a copy today.
–
#LeonKossoff #HiltonAls #LuhringAugustine
We are delighted to announce that a catalogue will be published on the occasion of our Leon Kossoff exhibition, currently on view at our Chelsea gallery.
Published by Luhring Augustine, the catalogue will present a holistic understanding of Kossoff's artistic vision. Bringing together works spanning six-decades of Kossoff's career, the publication will also include an essay by Hilton Als. Visit the link in our bio to preorder a copy today.
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#LeonKossoff #HiltonAls #LuhringAugustine
#PhilipTaaffe • “Botanicon,” 2023, Mixed media on canvas
Explore more about the artist at the link in our bio.
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#LuhringAugustine #LuhringAugustineTribeca
#PhilipTaaffe • “Botanicon,” 2023, Mixed media on canvas
Explore more about the artist at the link in our bio.
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#LuhringAugustine #LuhringAugustineTribeca
#PhilipTaaffe • “Botanicon,” 2023, Mixed media on canvas
Explore more about the artist at the link in our bio.
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#LuhringAugustine #LuhringAugustineTribeca
“Emily Kraus: In Relation,” is on view at our Tribeca gallery through June 13.
This exhibition of new works by Kraus marks the artist’s first solo presentation with the gallery and in New York. Kraus’s methodology is rooted in her background in somatic and meditative practices. Inverting the traditional choreography of painter and medium, her process embraces a combative exchange between conscious and unconscious action. Vibrating with an eloquent stutter, the work reveals subtle modulations and sudden accents that echo repeated patterns found in nature, such as the cadence of breath or the ripple of waves. Evident in this new body of work is Kraus’s continually evolving relationship with her cube–like apparatus, built by her own design, which she uses to create her large–scale abstractions.
Learn more at the link in our bio.
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@Emily_Kraus_ #EmilyKraus #LuhringAugustine #LuhringAugustineTribeca
Photos by Farzad Owrang
“Emily Kraus: In Relation,” is on view at our Tribeca gallery through June 13.
This exhibition of new works by Kraus marks the artist’s first solo presentation with the gallery and in New York. Kraus’s methodology is rooted in her background in somatic and meditative practices. Inverting the traditional choreography of painter and medium, her process embraces a combative exchange between conscious and unconscious action. Vibrating with an eloquent stutter, the work reveals subtle modulations and sudden accents that echo repeated patterns found in nature, such as the cadence of breath or the ripple of waves. Evident in this new body of work is Kraus’s continually evolving relationship with her cube–like apparatus, built by her own design, which she uses to create her large–scale abstractions.
Learn more at the link in our bio.
–
@Emily_Kraus_ #EmilyKraus #LuhringAugustine #LuhringAugustineTribeca
Photos by Farzad Owrang
“Emily Kraus: In Relation,” is on view at our Tribeca gallery through June 13.
This exhibition of new works by Kraus marks the artist’s first solo presentation with the gallery and in New York. Kraus’s methodology is rooted in her background in somatic and meditative practices. Inverting the traditional choreography of painter and medium, her process embraces a combative exchange between conscious and unconscious action. Vibrating with an eloquent stutter, the work reveals subtle modulations and sudden accents that echo repeated patterns found in nature, such as the cadence of breath or the ripple of waves. Evident in this new body of work is Kraus’s continually evolving relationship with her cube–like apparatus, built by her own design, which she uses to create her large–scale abstractions.
Learn more at the link in our bio.
–
@Emily_Kraus_ #EmilyKraus #LuhringAugustine #LuhringAugustineTribeca
Photos by Farzad Owrang
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