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We are currently reviewing the selection and shortlist process. Stay tuned for the updated open call, the new deadline, and feel free to reach out if you have any question to dnm.mural@proton.me

As part of the weekend presentation of 𝘗𝘓𝘖𝘛 by Josephine Sales, the publication 𝑻𝒉𝒆𝒓𝒆’𝒔 𝒂 𝑻𝒖𝒏𝒏𝒆𝒍 𝑼𝒏𝒅𝒆𝒓 𝑩𝒂𝒍𝒍𝒚𝒃𝒓𝒊𝒕 𝑩𝒖𝒔𝒊𝒏𝒆𝒔𝒔 𝑷𝒂𝒓𝒌 by writer and curator Iarlaith Ní Fheorais will be launched on Sunday 7 June, with a conversation between Ní Fheorais, artist, writer and musician Rouzbeh Shadpey, and artist Josephine Sales.

𝑻𝒉𝒆𝒓𝒆’𝒔 𝒂 𝑻𝒖𝒏𝒏𝒆𝒍 𝑼𝒏𝒅𝒆𝒓 𝑩𝒂𝒍𝒍𝒚𝒃𝒓𝒊𝒕 𝑩𝒖𝒔𝒊𝒏𝒆𝒔𝒔 𝑷𝒂𝒓𝒌 critiques the continuing rise of Ireland as a key location for the global medical technology industry. As multinational corporation revenues soar, state bodies tightly regulate access to publicly-funded healthcare. Ní Fheorais investigates the land-use techniques, landscape aesthetics and architecture of MedTech as an inheritance of the colonial regime of the British Empire and dogma of the Catholic Church that create these conditions. Through her account of the barriers encountered in accessing prosthetic care, it becomes evident that infrastructure plays a crucial role in shaping the politics of healthcare, and how access to medical technologies is managed.

Sunday 7 June, 13:00 - 15:00
Venue: the chapel of cinema LAB111, Arie Biemondstraat 111, Amsterdam

RSVP via the link in bio.

For any access related inquiries, please contact office@ificantdance.org

Image: Cover of There’s a Tunnel Under Ballybrit Business Park by Iarlaith Ní Fheorais. Design by Daly & Lyon.

𝑻𝒉𝒆𝒓𝒆’𝒔 𝒂 𝑻𝒖𝒏𝒏𝒆𝒍 𝑼𝒏𝒅𝒆𝒓 𝑩𝒂𝒍𝒍𝒚𝒃𝒓𝒊𝒕 𝑩𝒖𝒔𝒊𝒏𝒆𝒔𝒔 𝑷𝒂𝒓𝒌 is commissioned by Askeaton Contemporary Arts (Limerick), as as part of 𝘢𝘤𝘤𝘦𝘴𝘴: 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦𝘴 𝘢𝘯𝘥 𝘩𝘢𝘣𝘪𝘵𝘴, an artistic research programme in collaboration with If I Can't Dance (Amsterdam) and Bulegoa z/b (Bilbao). Access: practices and habits is co-funded by the European Union.

[ID slide 1: The details of the event in multicolour text: Book Launch, Iarlaith Ní Fheorais, There’s a Tunnel Under Ballybrit Business Park, 7 June, 13:00 - 15:00, LAB111 (kapel).]

[ID slide 2: A pale pink background with bold blue text covering the full image, mentioning the author and the title of the book.]

As part of the weekend presentation of 𝘗𝘓𝘖𝘛 by Josephine Sales, the publication 𝑻𝒉𝒆𝒓𝒆’𝒔 𝒂 𝑻𝒖𝒏𝒏𝒆𝒍 𝑼𝒏𝒅𝒆𝒓 𝑩𝒂𝒍𝒍𝒚𝒃𝒓𝒊𝒕 𝑩𝒖𝒔𝒊𝒏𝒆𝒔𝒔 𝑷𝒂𝒓𝒌 by writer and curator Iarlaith Ní Fheorais will be launched on Sunday 7 June, with a conversation between Ní Fheorais, artist, writer and musician Rouzbeh Shadpey, and artist Josephine Sales.

𝑻𝒉𝒆𝒓𝒆’𝒔 𝒂 𝑻𝒖𝒏𝒏𝒆𝒍 𝑼𝒏𝒅𝒆𝒓 𝑩𝒂𝒍𝒍𝒚𝒃𝒓𝒊𝒕 𝑩𝒖𝒔𝒊𝒏𝒆𝒔𝒔 𝑷𝒂𝒓𝒌 critiques the continuing rise of Ireland as a key location for the global medical technology industry. As multinational corporation revenues soar, state bodies tightly regulate access to publicly-funded healthcare. Ní Fheorais investigates the land-use techniques, landscape aesthetics and architecture of MedTech as an inheritance of the colonial regime of the British Empire and dogma of the Catholic Church that create these conditions. Through her account of the barriers encountered in accessing prosthetic care, it becomes evident that infrastructure plays a crucial role in shaping the politics of healthcare, and how access to medical technologies is managed.

Sunday 7 June, 13:00 - 15:00
Venue: the chapel of cinema LAB111, Arie Biemondstraat 111, Amsterdam

RSVP via the link in bio.

For any access related inquiries, please contact office@ificantdance.org

Image: Cover of There’s a Tunnel Under Ballybrit Business Park by Iarlaith Ní Fheorais. Design by Daly & Lyon.

𝑻𝒉𝒆𝒓𝒆’𝒔 𝒂 𝑻𝒖𝒏𝒏𝒆𝒍 𝑼𝒏𝒅𝒆𝒓 𝑩𝒂𝒍𝒍𝒚𝒃𝒓𝒊𝒕 𝑩𝒖𝒔𝒊𝒏𝒆𝒔𝒔 𝑷𝒂𝒓𝒌 is commissioned by Askeaton Contemporary Arts (Limerick), as as part of 𝘢𝘤𝘤𝘦𝘴𝘴: 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦𝘴 𝘢𝘯𝘥 𝘩𝘢𝘣𝘪𝘵𝘴, an artistic research programme in collaboration with If I Can't Dance (Amsterdam) and Bulegoa z/b (Bilbao). Access: practices and habits is co-funded by the European Union.

[ID slide 1: The details of the event in multicolour text: Book Launch, Iarlaith Ní Fheorais, There’s a Tunnel Under Ballybrit Business Park, 7 June, 13:00 - 15:00, LAB111 (kapel).]

[ID slide 2: A pale pink background with bold blue text covering the full image, mentioning the author and the title of the book.]

The 𝙀𝙙𝙞𝙩𝙞𝙤𝙣 𝙓: 𝘽𝙤𝙙𝙮 𝙖𝙨 𝙈𝙚𝙢𝙤𝙧𝙮 summer programme begins with 𝘗𝘓𝘖𝘛 by Josephine Sales.

𝘗𝘓𝘖𝘛 (2026) is a site-specific video work made with a camera on wheels and produced in relation to the architecture of If I Can’t Dance’s home. Filmed in a single take, the camera moves from exterior to interior to exterior, attempting not to leave the same way it came in. Departure is understood as a condition of entry. Drawing on Amsterdam’s historic rope-and-block mechanisms used to move objects in and out of buildings, the work experiments with cinematic movement through vertical transfer, traversal, and suspension. 𝘗𝘓𝘖𝘛 is produced in the Women’s Clinic of the former WG Hospital and projected in the chapel of its former Pathological Anatomy Lab.

Screening times:
Friday 5 June, 20:00–22:00
Saturday 6 June, 10:00–22:00
Sunday 7 June, 10:00–13:00

Venue: the chapel of cinema LAB111, Arie Biemondstraat 111, Amsterdam

RSVP via the link in bio. For access related inquires, please write tooffice@ificantdance.org

𝘗𝘓𝘖𝘛 is commissioned by If I Can’t Dance as part of 𝘢𝘤𝘤𝘦𝘴𝘴: 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦𝘴 𝘢𝘯𝘥 𝘩𝘢𝘣𝘪𝘵𝘴, an artistic research programme in collaboration with Askeaton Contemporary Arts (Limerick) and Bulegoa z/b (Bilbao). 𝘈𝘤𝘤𝘦𝘴𝘴: 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦𝘴 𝘢𝘯𝘥 𝘩𝘢𝘣𝘪𝘵𝘴 is co-funded by the European Union.

[ID slide 1: The details of the project in multicolour text: Josephine Sales, PLOT, 5-7 June, LAB111 (kapel).]

[ID slide 2: A small illuminated green sign modeled after an emergency EXIT sign displays the word “PLOT” in bold uppercase lettering alongside a directional arrow.]

#josephinesales

The 𝙀𝙙𝙞𝙩𝙞𝙤𝙣 𝙓: 𝘽𝙤𝙙𝙮 𝙖𝙨 𝙈𝙚𝙢𝙤𝙧𝙮 summer programme begins with 𝘗𝘓𝘖𝘛 by Josephine Sales.

𝘗𝘓𝘖𝘛 (2026) is a site-specific video work made with a camera on wheels and produced in relation to the architecture of If I Can’t Dance’s home. Filmed in a single take, the camera moves from exterior to interior to exterior, attempting not to leave the same way it came in. Departure is understood as a condition of entry. Drawing on Amsterdam’s historic rope-and-block mechanisms used to move objects in and out of buildings, the work experiments with cinematic movement through vertical transfer, traversal, and suspension. 𝘗𝘓𝘖𝘛 is produced in the Women’s Clinic of the former WG Hospital and projected in the chapel of its former Pathological Anatomy Lab.

Screening times:
Friday 5 June, 20:00–22:00
Saturday 6 June, 10:00–22:00
Sunday 7 June, 10:00–13:00

Venue: the chapel of cinema LAB111, Arie Biemondstraat 111, Amsterdam

RSVP via the link in bio. For access related inquires, please write tooffice@ificantdance.org

𝘗𝘓𝘖𝘛 is commissioned by If I Can’t Dance as part of 𝘢𝘤𝘤𝘦𝘴𝘴: 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦𝘴 𝘢𝘯𝘥 𝘩𝘢𝘣𝘪𝘵𝘴, an artistic research programme in collaboration with Askeaton Contemporary Arts (Limerick) and Bulegoa z/b (Bilbao). 𝘈𝘤𝘤𝘦𝘴𝘴: 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦𝘴 𝘢𝘯𝘥 𝘩𝘢𝘣𝘪𝘵𝘴 is co-funded by the European Union.

[ID slide 1: The details of the project in multicolour text: Josephine Sales, PLOT, 5-7 June, LAB111 (kapel).]

[ID slide 2: A small illuminated green sign modeled after an emergency EXIT sign displays the word “PLOT” in bold uppercase lettering alongside a directional arrow.]

#josephinesales

With immense love and gratitude, If I Can’t Dance says goodbye to its Founding Director, Frédérique Bergholtz, after twenty years. As of 1 May 2026, Anik Fournier, Sara Giannini, and Annick Kleizen have formalized their roles as co-directors, guiding the organization toward a collective governance model.

If I Can’t Dance will always be indebted to — and inspired by — her vision, integrity, and experimental spirit. Good luck with the next dance, dear Frédérique!

You can read Frédérique’s farewell words via the link in our bio.

📷 Portrait of Frédérique Bergholtz. Photo: Prins de Vos

[Image description: Semi-bust portrait of Frédérique gazing serenely toward a distant horizon, beyond the camera’s view. She has fair skin, green eyes, and shoulder-length bronze hair. Her face is tilted gently toward the light. She is wearing a sky-blue blouse whose color resonates with her eyes, along with a golden hoop earring. Her posture is calm and solemn against an empty off-white background.]

'for the listen to live here' is moving into its final two workshops, which will be guided by shy*play.

In the upcoming one, shy*play brings a collective space where languaging is practiced through performative scores. Shaped by “man of autism” Adam Wolfond’s conception of the embodied concept, languaging is approached as language in movement across the limitations and exclusivity of signification alone. It attends to the many languages that gather around words, into sentencing and beyond, those that move vibrantly between and below words while remaining in relation.

The workshop will be structured around a text by artists and architects Arakawa and Gins, which will be transformed into a playful score. Multiple performativities will be activated through it, such as rhythm, vocalisation, spacemaking, movement, affect, sense and nonsense in intertwinement. Experimentation with collectivity is central, with prompts for doing and improvising together while remaining in difference. Instead of prioritising representation, meaning and fluency in communication, the score proposes a detour, foregrounding languaging as a practice of sociality-making and valuing what emerges through it.

Participating in this session requires no prior experience. Drinks and snacks will be offered throughout.

📍WG Plein 881
Saturday 23 May
🕔14-17hr (doors open at 13.50)
Free

🔗 Tickets via the link in bio

➝Covid testing
To help everyone feel comfortable and safe, please take a Covid test before the event; if you have symptoms, please do not attend and let us know so we can offer your spot to someone else. Tests and masks will be available at the venue.

➝Accessibility
If I Can’t Dance is on the second floor, unfortunately, without elevator access. There is also a narrow staircase inside the space.
Two gender neutral WC on the first floor
Language: English

Flyer design: nor akelei with drawings created by participants in a workshop led by Sam Metz at ATD in Amsterdam, as part of the “What If… Neurodiversity?” symposium, January 2025.

Supported by Pictoright Fonds and Amsterdams Fonds voor de Kunst.

[ID in comments]

The contemporary visual arts and creative industries (BKCI) in Amsterdam are under severe pressure. Although BKCI institutions are highly regarded internationally and indispensable to the city, conditions are becoming increasingly difficult. Recent research commissioned by the Municipality of Amsterdam and MOKER reveals that there are significant financial problems and uncertainties behind the scenes.

In the Visual Arts and Creative Industries Emergency Plan, we call, on behalf of MOKER, for structural additional investment of €4.4 million per year and policy adjustments by the Municipality of Amsterdam, the Amsterdam Arts Council and the Amsterdam Fund for the Arts. This is necessary to strengthen the sector, secure its position within the local arts ecosystem, and offer prospects for development and growth.

🔗 For more information and to view the emergency plan, please visit https://moker.amsterdam/

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De hedendaagse beeldende kunst- en creatieve industrie (BKCI) in Amsterdam staat onder grote druk. Hoewel BKCI-instellingen internationaal hoog aangeschreven staan en onmisbaar zijn voor de stad, worden de omstandigheden steeds moeilijker. Uit recent onderzoek in opdracht van de Gemeente Amsterdam en MOKER blijken er achter de schermen grote financiële problemen en onzekerheden te spelen.

In het Noodplan Beeldende Kunst en Creatieve Industrie roepen wij namens MOKER op tot structurele extra investeringen van € 4,4 miljoen per jaar en beleidsaanpassingen door de Gemeente Amsterdam, de Amsterdamse Kunstraad en het Amsterdams Fonds voor de Kunst. Dit is noodzakelijk om de sector te verstevigen, een stevige positie te geven binnen het stedelijk kunstbestel en perspectief te bieden op ontwikkeling en groei.

🔗 Voor meer informatie en om het noodplan te bekijken, ga naar https://moker.amsterdam/

[ID: Colourful typographical slide with Dutch text on a green background and a stripe of three other colours (orange, sky blue, and magenta) on the right. The text reads: "Noodplan MOKER. Drie stappen om de hedendaagse beeldende kunst en creatieve industrie in Amsterdam te redden." The MOKER logo in black and magenta is placed in the bottom right-hand corner.]

The next session of the ‘for the listen to live here’ series is guided by Hazara Afghan/Dutch artist Raoni/Muzho Saleh. Through his ongoing practice ‘Mourning Sociality’, Raoni creates ceremonial gatherings where grief is expressed collectively through moaning and listening. In this space, he invites to play with grief as a psychosomatic, spiritual experience that is always political. Expressing grief collectively creates space for embodying other worlds.

This iteration, ‘moaning with/through textile bodies’, will focus on how touch and sound can move one another closer, into shared emotional utterances, while being enwrapping in shared fabrics. Raoni/Muzho will provide a structured container to play with simple movement and sound exercises. The emphasis lies in playing and play-acting with the experience of grief, and participants are encouraged to take responsibility for what arises for them. We will learn how to listen to and receive the moaning calls of others through the membrane of our skin, and to locate what this listening opens up within us. Participating in this session requires no prior experience with movement and sound.

There will be some sweet snacks and a light dinner after the session.

📍WG Plein 881, Amsterdam
🕔Saturday 25 April
15-19hr (doors open at 14:50hr)
Free

🔗 Tickets via the link in bio

➝Covid testing
To help everyone feel comfortable and safe, please take a Covid test before the event; if you have symptoms, please do not attend and let us know so we can offer your spot to someone else. Tests and masks will be available at the venue.

➝Accessibility
If I Can’t Dance is on the second floor, unfortunately, without elevator access. There is also a narrow staircase inside the space.
Two gender neutral WC on the first floor
Language: English
For a more detailed description of the space, contact shy.into.play@gmail.com

Flyer design: nor akelei. Drawings featured on the flyers were created by participants in a workshop led by Sam Metz at ATD in Amsterdam, as part of the “What If… Neurodiversity?” symposium in January 2025.

ID in comments.

𝗜𝗳 𝗜 𝗖𝗮𝗻’𝘁 𝗗𝗮𝗻𝗰𝗲 𝗶𝘀 𝗹𝗼𝗼𝗸𝗶𝗻𝗴 𝘁𝗼 𝗯𝗼𝗿𝗿𝗼𝘄 𝗰𝗮𝗿𝗽𝗲𝘁𝘀!

These carpets will become co-hosts of a gathering and listening space developed by artist/researcher yasmine eid-sabbagh, as a new iteration of her ongoing project 𝙁𝙧𝙞𝙘𝙩𝙞𝙤𝙣𝙖𝙡 𝘾𝙤𝙣𝙫𝙚𝙧𝙨𝙖𝙩𝙞𝙤𝙣𝙨. From 20 June to 11 July 2026, the space will host collective listening sessions, reading circles, and conversations engaging the complexity of Palestinian life through the stories of Burj al-Shamali, a Palestinian refugee camp located southeast of Tyre, Lebanon. Your carpet will become part of this space of connection, reflection, and resonance, shaping how we gather, sit, listen, and spend time together.

We will take good care of your carpets and return them clean right after the project concludes. If you are interested, you can find all the details via the link in our bio.

Thank you!

This chapter of 'Frictional Conversations', presented within the context of If I Can’t Dance Edition X – Body as Memory, was commissioned as part of the Consortium Commissions—a project initiated by Mophradat. The presentation is further supported by the Mondriaan Fund, AFK (Amsterdam Fund for the Arts), het Cultuurfonds and the DOEN Foundation.

📷 'Frictional Conversations' at documenta 15, Kassel, 2022. Photo: Rozenn Quéré

[ID. A large room is filled with a multitude of carpets of different colours and styles. Spread around are also straw cushions and white paper cards. A small portion of the white concrete ceiling is visible. One arch gently divides the room. The frontal wall opposite the camera is covered with long greyish/purple curtains. In the corner next to it are located a drum set and a grand piano.]

The housing cooperative de Nieuwe Meent (dNM), together with a coalition of Amsterdam-based cultural institutions formed by de Appel, Framer Framed, and If I Can't Dance, I Don't Want To Be Part Of Your Revolution, have launched an open call for the realization of a semi-permanent mural on the North facade of the dM building in Watergraasmeer, Amsterdam Oost.

You can download the open call via the link in bio.

We will host two info meeting on the 18th of April at 17:00 and on the 8th of May at 19:30.

During the info session you can visit the site, meet  de Nieuwe Meent members and the organizers, and ask questions about the procedure.

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16/04/2026 - 19:30
Bulegoa z/b
SAVERIO CANTONI: THE OPPOSITE OF SILENCE IS A SHOCKWAVE
Presentación de Saverio Cantoni al comienzo de su residencia en Bulegoa z/b.
//
Saverio Cantoniren aurkezpena, Bulegoa z/b-en egindako egonaldiaren amaieran.

* The opposite of silence is a shockwave es una producción de Bulegoa z/b como parte de access: practices and habits (acceso: prácticas y hábitos), un proyecto de colaboración a largo plazo con If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution (Ámsterdam, Holanda) y Askeaton Contemporary Arts (Askeaton, Irlanda). Su objetivo es desarrollar la accesibilidad como una práctica creativa en el centro del trabajo de estas organizaciones artísticas. Access: practices and habits está cofinanciado por la Unión Europea.
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#residenciaartistica #egonaldia #residency #bulegoazb #oficinadearteyconocimiento #bilbao #solokoetxe
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@leire_vergara@beacaviapardo@saveriocantoni @askeatoncontemporary @ificantdance_

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16/04/2026 - 19:30
Bulegoa z/b
SAVERIO CANTONI: THE OPPOSITE OF SILENCE IS A SHOCKWAVE
Presentación de Saverio Cantoni al comienzo de su residencia en Bulegoa z/b.
//
Saverio Cantoniren aurkezpena, Bulegoa z/b-en egindako egonaldiaren amaieran.

* The opposite of silence is a shockwave es una producción de Bulegoa z/b como parte de access: practices and habits (acceso: prácticas y hábitos), un proyecto de colaboración a largo plazo con If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution (Ámsterdam, Holanda) y Askeaton Contemporary Arts (Askeaton, Irlanda). Su objetivo es desarrollar la accesibilidad como una práctica creativa en el centro del trabajo de estas organizaciones artísticas. Access: practices and habits está cofinanciado por la Unión Europea.
.
.
#residenciaartistica #egonaldia #residency #bulegoazb #oficinadearteyconocimiento #bilbao #solokoetxe
.
.
@leire_vergara@beacaviapardo@saveriocantoni @askeatoncontemporary @ificantdance_

The housing cooperative de Nieuwe Meent (dNM), together with de Appel, Framer Framed, and If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, are launching an open call for a mural that will inhabit the north facade of the dNM building in Amsterdam East.

dNM is one of Amsterdam’s first housing coops and has recently been nominated for the Amsterdam Architecture Prize 2026. Rooted in the housing rights movement, dNM is a social, political, and architectural project completely developed through a community-led process. dNM is an experiment in co-design, shared living, and solidarity economy. The mural will form an integral part of the building and its vision.

We’re looking for proposals with a strong conceptual, poetic, or political message that engage with dNM principles and values. We especially welcome experimental, community-driven approaches that involve dialogue with residents or nearby communities.

Open to artists, writers, designers, architects, and activists. No prior mural experience required, as we are interested in proposals that expand our idea of what a mural can be or who a mural artist is. We strongly encourage applications from BIPOC, queer, trans, disabled, and non-binary practitioners, and those engaging with housing, commons, and social justice.

📅 Deadline: June 1, 2026

Info meetings & site visits:
April 18, 17-18hr & May 8, 19:30-20:30hr
@woonruimtecooperatief/ @nooncoffeeculture (corner dNM).

Questions via dnm.mural@proton.me

🔗 Full open call at the link in bio.

dNM is a project by dNM coop members and @timetoaccess i.c.w. Roel van der Zeeuw Architects. Flyer: Raoul Audouin.

[ID. Flyer announcing an open call for a mural at de Nieuwe Meent (dNM). Using a white background, it features a photograph of a red-brick residential building behind a railway platform, with overhead cables and bare trees in view. A faint rectangular outline marks the proposed mural location on the facade. Bold, sans-serif black typography highlights “OPEN CALL for a mural,” while subtle diagonal lines referencing the train cables add movement to the design. The logos of de Appel, Framer Framed, and If I Can’t Dance are listed at the bottom.]

The next session of the ‘for the listen to live here’ series is guided by voice and sound artist, researcher, and performer Angelo Custodio. Through listening, he facilitates processes that hold space for regenerative movement and nourish relational understandings of the bodymindvoice. His work develops sonic encounters with the vulnerable, opening “cracks” to wild(er) spaces that utterly invite freer ecologies of living.

This session emerges from a collaboration between Angelo Custodio and shy*play to explore diffractive practices of polyphony. This means composing in difference yet in relation, where each voice carries its own worlds, creating a multivocality that follows no hierarchy and seeks no unity.

Through various scores, a range of different possibilities of participation will be prompted, from the use of the voice for humming, murmuring, stuttering, etc., to engaging in spatial movement or stimming practices such as rocking and circling. The space will be arranged with hanging fabrics to avoid the need for facial centering and other neurotypical conventions.

Those who feel marginalized or silenced in mainstream spaces are especially warmly invited. Participants require no prior experience. Drinks and snacks will be offered throughout.

📍WG Plein 881, Amsterdam
🕔Saturday 4 April, 14-17hr (doors open at 13.45hr)
Free

🔗 Tickets via the link in bio

➝Covid testing
To help everyone feel comfortable and safe, please take a Covid test before the event; if you have symptoms, please do not attend and let us know so we can offer your spot to someone else. Tests and masks will be available at the venue.

➝Accessibility
If I Can’t Dance is on the second floor, unfortunately, without elevator access. There is also a narrow staircase inside the space.
Two gender neutral WC on the first floor
Language: English

Flyer design: nor akelei with rawings created by participants in a workshop led by Sam Metz at ATD in Amsterdam, as part of the “What If… Neurodiversity?” symposium, January 2025.

[ID in comments]