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Meet the parents. Another one from ‘Sweet Relief’, more of my masking tape sculpture forthe latest issue of @luncheonmagazine -

‘This project marks a big leap forward for my technique, both in ambition and complexity. The pieces themselves became exercises in story telling. After a few years of concentrating on single characters, I thought it was time to experiment with scenes exploring relationships between characters- a devoted young girl cradles the hands of an old witch, a man conceals something from his fatigued wife, a disapproving couple stares down at their daughter and her suspicious new boo. A soldier robs a clown while he in turn gets robbed by his clown accomplice. Small narrative motifs created for no other reason than to see if I could do it, to see how far I can push that stubborn sticky tape’

Development, loving support and exquisite pigment dusting by @jason_zhangy

Photo assistance and lighting by @samuel_stephenson_

Meet the parents. Another one from ‘Sweet Relief’, more of my masking tape sculpture forthe latest issue of @luncheonmagazine -

‘This project marks a big leap forward for my technique, both in ambition and complexity. The pieces themselves became exercises in story telling. After a few years of concentrating on single characters, I thought it was time to experiment with scenes exploring relationships between characters- a devoted young girl cradles the hands of an old witch, a man conceals something from his fatigued wife, a disapproving couple stares down at their daughter and her suspicious new boo. A soldier robs a clown while he in turn gets robbed by his clown accomplice. Small narrative motifs created for no other reason than to see if I could do it, to see how far I can push that stubborn sticky tape’

Development, loving support and exquisite pigment dusting by @jason_zhangy

Photo assistance and lighting by @samuel_stephenson_

Meet the parents. Another one from ‘Sweet Relief’, more of my masking tape sculpture forthe latest issue of @luncheonmagazine -

‘This project marks a big leap forward for my technique, both in ambition and complexity. The pieces themselves became exercises in story telling. After a few years of concentrating on single characters, I thought it was time to experiment with scenes exploring relationships between characters- a devoted young girl cradles the hands of an old witch, a man conceals something from his fatigued wife, a disapproving couple stares down at their daughter and her suspicious new boo. A soldier robs a clown while he in turn gets robbed by his clown accomplice. Small narrative motifs created for no other reason than to see if I could do it, to see how far I can push that stubborn sticky tape’

Development, loving support and exquisite pigment dusting by @jason_zhangy

Photo assistance and lighting by @samuel_stephenson_

Meet the parents. Another one from ‘Sweet Relief’, more of my masking tape sculpture forthe latest issue of @luncheonmagazine -

‘This project marks a big leap forward for my technique, both in ambition and complexity. The pieces themselves became exercises in story telling. After a few years of concentrating on single characters, I thought it was time to experiment with scenes exploring relationships between characters- a devoted young girl cradles the hands of an old witch, a man conceals something from his fatigued wife, a disapproving couple stares down at their daughter and her suspicious new boo. A soldier robs a clown while he in turn gets robbed by his clown accomplice. Small narrative motifs created for no other reason than to see if I could do it, to see how far I can push that stubborn sticky tape’

Development, loving support and exquisite pigment dusting by @jason_zhangy

Photo assistance and lighting by @samuel_stephenson_

Meet the parents. Another one from ‘Sweet Relief’, more of my masking tape sculpture forthe latest issue of @luncheonmagazine -

‘This project marks a big leap forward for my technique, both in ambition and complexity. The pieces themselves became exercises in story telling. After a few years of concentrating on single characters, I thought it was time to experiment with scenes exploring relationships between characters- a devoted young girl cradles the hands of an old witch, a man conceals something from his fatigued wife, a disapproving couple stares down at their daughter and her suspicious new boo. A soldier robs a clown while he in turn gets robbed by his clown accomplice. Small narrative motifs created for no other reason than to see if I could do it, to see how far I can push that stubborn sticky tape’

Development, loving support and exquisite pigment dusting by @jason_zhangy

Photo assistance and lighting by @samuel_stephenson_

Meet the parents. Another one from ‘Sweet Relief’, more of my masking tape sculpture forthe latest issue of @luncheonmagazine -

‘This project marks a big leap forward for my technique, both in ambition and complexity. The pieces themselves became exercises in story telling. After a few years of concentrating on single characters, I thought it was time to experiment with scenes exploring relationships between characters- a devoted young girl cradles the hands of an old witch, a man conceals something from his fatigued wife, a disapproving couple stares down at their daughter and her suspicious new boo. A soldier robs a clown while he in turn gets robbed by his clown accomplice. Small narrative motifs created for no other reason than to see if I could do it, to see how far I can push that stubborn sticky tape’

Development, loving support and exquisite pigment dusting by @jason_zhangy

Photo assistance and lighting by @samuel_stephenson_

Welcome to the fantastic world of artist @garycard . A celebrated set designer, Gary is also a prolific masking tape sculptor. Discover his installation of statues, on view at @saatchiyates until June 14th.

Here’s the first shot from my new story ‘Sweet Relief’ for the latest issue of @luncheonmagazine -

‘By the time this story comes out it will be 30 years since I started creating work with masking tape, three decades of cultivating this peculiar sculpting method into sculptures, sets, masks, headpieces and costumes for the likes of Comme Des Garcons, FKA Twigs and Lady Gaga, to name a couple. But surely there’s a better, more practical way of making things? Nope! For whatever reason, not for me.

There’s an unyielding defiance to the building process that I seem to be attracted to, willing this stubborn sticky paper into shapes it doesn’t want to be shaped into. It’s fiddly and frustrating work, and yet I’m compelled to carry on. The material doesn’t even like me, 
I use so much of the stuff that the adhesive glue builds up a residue on my hands, reacting with my skin and thickening my fingertips into calloused caps, making everything I touch for the next month feel unbearable, it’s not painful or anything, it just gives me the ick, and yet I persist. I know I should move on and explore new methods, it’s not like I haven’t tried, I’ve sculpted with everything from polystyrene to chewing gum, just last year I spent 3 months in Jingdezhen, the ceramic capital of China, on a residency creating my first series of ceramic sculptures, And yet no matter how much I develop my sculpting practices, I always come back to my beloved tape. So to hell with it, I guess I’ll keep moving on with my awkward union. and if i will persist on ruining my hands for this work then the work itself better be worth it. I’ll let you be the judge. ‘

Images by me

With development, loving support and exquisite dusting by @jason_zhangy

Photo assistance and lighting by @samuel_stephenson_

Massive thank you Frances and Luncheon giving me the space to create this story

Here’s the first shot from my new story ‘Sweet Relief’ for the latest issue of @luncheonmagazine -

‘By the time this story comes out it will be 30 years since I started creating work with masking tape, three decades of cultivating this peculiar sculpting method into sculptures, sets, masks, headpieces and costumes for the likes of Comme Des Garcons, FKA Twigs and Lady Gaga, to name a couple. But surely there’s a better, more practical way of making things? Nope! For whatever reason, not for me.

There’s an unyielding defiance to the building process that I seem to be attracted to, willing this stubborn sticky paper into shapes it doesn’t want to be shaped into. It’s fiddly and frustrating work, and yet I’m compelled to carry on. The material doesn’t even like me, 
I use so much of the stuff that the adhesive glue builds up a residue on my hands, reacting with my skin and thickening my fingertips into calloused caps, making everything I touch for the next month feel unbearable, it’s not painful or anything, it just gives me the ick, and yet I persist. I know I should move on and explore new methods, it’s not like I haven’t tried, I’ve sculpted with everything from polystyrene to chewing gum, just last year I spent 3 months in Jingdezhen, the ceramic capital of China, on a residency creating my first series of ceramic sculptures, And yet no matter how much I develop my sculpting practices, I always come back to my beloved tape. So to hell with it, I guess I’ll keep moving on with my awkward union. and if i will persist on ruining my hands for this work then the work itself better be worth it. I’ll let you be the judge. ‘

Images by me

With development, loving support and exquisite dusting by @jason_zhangy

Photo assistance and lighting by @samuel_stephenson_

Massive thank you Frances and Luncheon giving me the space to create this story

Here’s the first shot from my new story ‘Sweet Relief’ for the latest issue of @luncheonmagazine -

‘By the time this story comes out it will be 30 years since I started creating work with masking tape, three decades of cultivating this peculiar sculpting method into sculptures, sets, masks, headpieces and costumes for the likes of Comme Des Garcons, FKA Twigs and Lady Gaga, to name a couple. But surely there’s a better, more practical way of making things? Nope! For whatever reason, not for me.

There’s an unyielding defiance to the building process that I seem to be attracted to, willing this stubborn sticky paper into shapes it doesn’t want to be shaped into. It’s fiddly and frustrating work, and yet I’m compelled to carry on. The material doesn’t even like me, 
I use so much of the stuff that the adhesive glue builds up a residue on my hands, reacting with my skin and thickening my fingertips into calloused caps, making everything I touch for the next month feel unbearable, it’s not painful or anything, it just gives me the ick, and yet I persist. I know I should move on and explore new methods, it’s not like I haven’t tried, I’ve sculpted with everything from polystyrene to chewing gum, just last year I spent 3 months in Jingdezhen, the ceramic capital of China, on a residency creating my first series of ceramic sculptures, And yet no matter how much I develop my sculpting practices, I always come back to my beloved tape. So to hell with it, I guess I’ll keep moving on with my awkward union. and if i will persist on ruining my hands for this work then the work itself better be worth it. I’ll let you be the judge. ‘

Images by me

With development, loving support and exquisite dusting by @jason_zhangy

Photo assistance and lighting by @samuel_stephenson_

Massive thank you Frances and Luncheon giving me the space to create this story

Here’s the first shot from my new story ‘Sweet Relief’ for the latest issue of @luncheonmagazine -

‘By the time this story comes out it will be 30 years since I started creating work with masking tape, three decades of cultivating this peculiar sculpting method into sculptures, sets, masks, headpieces and costumes for the likes of Comme Des Garcons, FKA Twigs and Lady Gaga, to name a couple. But surely there’s a better, more practical way of making things? Nope! For whatever reason, not for me.

There’s an unyielding defiance to the building process that I seem to be attracted to, willing this stubborn sticky paper into shapes it doesn’t want to be shaped into. It’s fiddly and frustrating work, and yet I’m compelled to carry on. The material doesn’t even like me, 
I use so much of the stuff that the adhesive glue builds up a residue on my hands, reacting with my skin and thickening my fingertips into calloused caps, making everything I touch for the next month feel unbearable, it’s not painful or anything, it just gives me the ick, and yet I persist. I know I should move on and explore new methods, it’s not like I haven’t tried, I’ve sculpted with everything from polystyrene to chewing gum, just last year I spent 3 months in Jingdezhen, the ceramic capital of China, on a residency creating my first series of ceramic sculptures, And yet no matter how much I develop my sculpting practices, I always come back to my beloved tape. So to hell with it, I guess I’ll keep moving on with my awkward union. and if i will persist on ruining my hands for this work then the work itself better be worth it. I’ll let you be the judge. ‘

Images by me

With development, loving support and exquisite dusting by @jason_zhangy

Photo assistance and lighting by @samuel_stephenson_

Massive thank you Frances and Luncheon giving me the space to create this story

Here’s the first shot from my new story ‘Sweet Relief’ for the latest issue of @luncheonmagazine -

‘By the time this story comes out it will be 30 years since I started creating work with masking tape, three decades of cultivating this peculiar sculpting method into sculptures, sets, masks, headpieces and costumes for the likes of Comme Des Garcons, FKA Twigs and Lady Gaga, to name a couple. But surely there’s a better, more practical way of making things? Nope! For whatever reason, not for me.

There’s an unyielding defiance to the building process that I seem to be attracted to, willing this stubborn sticky paper into shapes it doesn’t want to be shaped into. It’s fiddly and frustrating work, and yet I’m compelled to carry on. The material doesn’t even like me, 
I use so much of the stuff that the adhesive glue builds up a residue on my hands, reacting with my skin and thickening my fingertips into calloused caps, making everything I touch for the next month feel unbearable, it’s not painful or anything, it just gives me the ick, and yet I persist. I know I should move on and explore new methods, it’s not like I haven’t tried, I’ve sculpted with everything from polystyrene to chewing gum, just last year I spent 3 months in Jingdezhen, the ceramic capital of China, on a residency creating my first series of ceramic sculptures, And yet no matter how much I develop my sculpting practices, I always come back to my beloved tape. So to hell with it, I guess I’ll keep moving on with my awkward union. and if i will persist on ruining my hands for this work then the work itself better be worth it. I’ll let you be the judge. ‘

Images by me

With development, loving support and exquisite dusting by @jason_zhangy

Photo assistance and lighting by @samuel_stephenson_

Massive thank you Frances and Luncheon giving me the space to create this story

Here’s the first shot from my new story ‘Sweet Relief’ for the latest issue of @luncheonmagazine -

‘By the time this story comes out it will be 30 years since I started creating work with masking tape, three decades of cultivating this peculiar sculpting method into sculptures, sets, masks, headpieces and costumes for the likes of Comme Des Garcons, FKA Twigs and Lady Gaga, to name a couple. But surely there’s a better, more practical way of making things? Nope! For whatever reason, not for me.

There’s an unyielding defiance to the building process that I seem to be attracted to, willing this stubborn sticky paper into shapes it doesn’t want to be shaped into. It’s fiddly and frustrating work, and yet I’m compelled to carry on. The material doesn’t even like me, 
I use so much of the stuff that the adhesive glue builds up a residue on my hands, reacting with my skin and thickening my fingertips into calloused caps, making everything I touch for the next month feel unbearable, it’s not painful or anything, it just gives me the ick, and yet I persist. I know I should move on and explore new methods, it’s not like I haven’t tried, I’ve sculpted with everything from polystyrene to chewing gum, just last year I spent 3 months in Jingdezhen, the ceramic capital of China, on a residency creating my first series of ceramic sculptures, And yet no matter how much I develop my sculpting practices, I always come back to my beloved tape. So to hell with it, I guess I’ll keep moving on with my awkward union. and if i will persist on ruining my hands for this work then the work itself better be worth it. I’ll let you be the judge. ‘

Images by me

With development, loving support and exquisite dusting by @jason_zhangy

Photo assistance and lighting by @samuel_stephenson_

Massive thank you Frances and Luncheon giving me the space to create this story

Here’s the first shot from my new story ‘Sweet Relief’ for the latest issue of @luncheonmagazine -

‘By the time this story comes out it will be 30 years since I started creating work with masking tape, three decades of cultivating this peculiar sculpting method into sculptures, sets, masks, headpieces and costumes for the likes of Comme Des Garcons, FKA Twigs and Lady Gaga, to name a couple. But surely there’s a better, more practical way of making things? Nope! For whatever reason, not for me.

There’s an unyielding defiance to the building process that I seem to be attracted to, willing this stubborn sticky paper into shapes it doesn’t want to be shaped into. It’s fiddly and frustrating work, and yet I’m compelled to carry on. The material doesn’t even like me, 
I use so much of the stuff that the adhesive glue builds up a residue on my hands, reacting with my skin and thickening my fingertips into calloused caps, making everything I touch for the next month feel unbearable, it’s not painful or anything, it just gives me the ick, and yet I persist. I know I should move on and explore new methods, it’s not like I haven’t tried, I’ve sculpted with everything from polystyrene to chewing gum, just last year I spent 3 months in Jingdezhen, the ceramic capital of China, on a residency creating my first series of ceramic sculptures, And yet no matter how much I develop my sculpting practices, I always come back to my beloved tape. So to hell with it, I guess I’ll keep moving on with my awkward union. and if i will persist on ruining my hands for this work then the work itself better be worth it. I’ll let you be the judge. ‘

Images by me

With development, loving support and exquisite dusting by @jason_zhangy

Photo assistance and lighting by @samuel_stephenson_

Massive thank you Frances and Luncheon giving me the space to create this story

Here’s the brand new Plaster Shop we’ve created for our friends at @plastermagazine .

Plaster shop opened its doors on Friday, filled to the brim with all sorts of essential art ephemera- posters, books, tees and loads more art related oddities.

20 Great Chapel Street, London, W1F 8FW, United Kingdom

Open Tuesday to Saturday

Here’s the brand new Plaster Shop we’ve created for our friends at @plastermagazine .

Plaster shop opened its doors on Friday, filled to the brim with all sorts of essential art ephemera- posters, books, tees and loads more art related oddities.

20 Great Chapel Street, London, W1F 8FW, United Kingdom

Open Tuesday to Saturday

Here’s the brand new Plaster Shop we’ve created for our friends at @plastermagazine .

Plaster shop opened its doors on Friday, filled to the brim with all sorts of essential art ephemera- posters, books, tees and loads more art related oddities.

20 Great Chapel Street, London, W1F 8FW, United Kingdom

Open Tuesday to Saturday

Here’s the brand new Plaster Shop we’ve created for our friends at @plastermagazine .

Plaster shop opened its doors on Friday, filled to the brim with all sorts of essential art ephemera- posters, books, tees and loads more art related oddities.

20 Great Chapel Street, London, W1F 8FW, United Kingdom

Open Tuesday to Saturday

Here’s the brand new Plaster Shop we’ve created for our friends at @plastermagazine .

Plaster shop opened its doors on Friday, filled to the brim with all sorts of essential art ephemera- posters, books, tees and loads more art related oddities.

20 Great Chapel Street, London, W1F 8FW, United Kingdom

Open Tuesday to Saturday

Here’s the brand new Plaster Shop we’ve created for our friends at @plastermagazine .

Plaster shop opened its doors on Friday, filled to the brim with all sorts of essential art ephemera- posters, books, tees and loads more art related oddities.

20 Great Chapel Street, London, W1F 8FW, United Kingdom

Open Tuesday to Saturday

Here’s the brand new Plaster Shop we’ve created for our friends at @plastermagazine .

Plaster shop opened its doors on Friday, filled to the brim with all sorts of essential art ephemera- posters, books, tees and loads more art related oddities.

20 Great Chapel Street, London, W1F 8FW, United Kingdom

Open Tuesday to Saturday

Here’s the brand new Plaster Shop we’ve created for our friends at @plastermagazine .

Plaster shop opened its doors on Friday, filled to the brim with all sorts of essential art ephemera- posters, books, tees and loads more art related oddities.

20 Great Chapel Street, London, W1F 8FW, United Kingdom

Open Tuesday to Saturday

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Thrilled to have some pieces from my Homunculus series being shown at @saatchiyates for the new @studioiron_ group exhibition curated by @isamayaffrench . Thank you Isamaya and the team at Saatchi Yates for having me.

On now until 7th June

14 Bury Street
St. James’s
London
SW1Y 6AL

Lead image by @d.zamora11

Here’s me with ‘Harvey, Nick, Joe and Tom’, an installation we created for the recent ground floor refurb at @harveynichols

Here’s me with ‘Harvey, Nick, Joe and Tom’, an installation we created for the recent ground floor refurb at @harveynichols

Here’s me with ‘Harvey, Nick, Joe and Tom’, an installation we created for the recent ground floor refurb at @harveynichols

Here’s me with ‘Harvey, Nick, Joe and Tom’, an installation we created for the recent ground floor refurb at @harveynichols

Here’s me with ‘Harvey, Nick, Joe and Tom’, an installation we created for the recent ground floor refurb at @harveynichols

New @alexandermcqueen Mantra bag campaign

Photography - @timwalker
Creative director - @sean.mcgirr
Art direction - @sj_todd_
Styling - @camillebwaddington
Talent - @viviensolari
Hair - @anthonyturnerhair
Make up - @daniel_s_makeup
Production - @faragoprojects
Special thanks -@jason_zhangy , @gabrielamoussaieff ‘ @yellcling , @chipschasebrody

New @alexandermcqueen Mantra bag campaign

Photography - @timwalker
Creative director - @sean.mcgirr
Art direction - @sj_todd_
Styling - @camillebwaddington
Talent - @viviensolari
Hair - @anthonyturnerhair
Make up - @daniel_s_makeup
Production - @faragoprojects
Special thanks -@jason_zhangy , @gabrielamoussaieff ‘ @yellcling , @chipschasebrody

New @alexandermcqueen Mantra bag campaign

Photography - @timwalker
Creative director - @sean.mcgirr
Art direction - @sj_todd_
Styling - @camillebwaddington
Talent - @viviensolari
Hair - @anthonyturnerhair
Make up - @daniel_s_makeup
Production - @faragoprojects
Special thanks -@jason_zhangy , @gabrielamoussaieff ‘ @yellcling , @chipschasebrody

New @alexandermcqueen Mantra bag campaign

Photography - @timwalker
Creative director - @sean.mcgirr
Art direction - @sj_todd_
Styling - @camillebwaddington
Talent - @viviensolari
Hair - @anthonyturnerhair
Make up - @daniel_s_makeup
Production - @faragoprojects
Special thanks -@jason_zhangy , @gabrielamoussaieff ‘ @yellcling , @chipschasebrody

Bust collection - ‘Gathering Dust’ - 2025

Bust collection - ‘Gathering Dust’ - 2025

Bust collection - ‘Gathering Dust’ - 2025

Bust collection - ‘Gathering Dust’ - 2025

Bust collection - ‘Gathering Dust’ - 2025

Bust collection - ‘Gathering Dust’ - 2025

Bust collection - ‘Gathering Dust’ - 2025

Bust collection - ‘Gathering Dust’ - 2025

Bust collection - ‘Gathering Dust’ - 2025

Bust collection - ‘Gathering Dust’ - 2025

Bust collection - ‘Gathering Dust’ - 2025

Bust collection - ‘Gathering Dust’ - 2025

One surprise hit last year was this image from our@luncheonmagazine shoot with @elizavetaporodina , we had no idea people would respond to it in the way that they did, I didn’t even post it at the time! To break my posting dry spell here it is with a few extra I neglected to share

One surprise hit last year was this image from our@luncheonmagazine shoot with @elizavetaporodina , we had no idea people would respond to it in the way that they did, I didn’t even post it at the time! To break my posting dry spell here it is with a few extra I neglected to share

One surprise hit last year was this image from our@luncheonmagazine shoot with @elizavetaporodina , we had no idea people would respond to it in the way that they did, I didn’t even post it at the time! To break my posting dry spell here it is with a few extra I neglected to share

One surprise hit last year was this image from our@luncheonmagazine shoot with @elizavetaporodina , we had no idea people would respond to it in the way that they did, I didn’t even post it at the time! To break my posting dry spell here it is with a few extra I neglected to share

One surprise hit last year was this image from our@luncheonmagazine shoot with @elizavetaporodina , we had no idea people would respond to it in the way that they did, I didn’t even post it at the time! To break my posting dry spell here it is with a few extra I neglected to share

One surprise hit last year was this image from our@luncheonmagazine shoot with @elizavetaporodina , we had no idea people would respond to it in the way that they did, I didn’t even post it at the time! To break my posting dry spell here it is with a few extra I neglected to share

One surprise hit last year was this image from our@luncheonmagazine shoot with @elizavetaporodina , we had no idea people would respond to it in the way that they did, I didn’t even post it at the time! To break my posting dry spell here it is with a few extra I neglected to share

One surprise hit last year was this image from our@luncheonmagazine shoot with @elizavetaporodina , we had no idea people would respond to it in the way that they did, I didn’t even post it at the time! To break my posting dry spell here it is with a few extra I neglected to share

One surprise hit last year was this image from our@luncheonmagazine shoot with @elizavetaporodina , we had no idea people would respond to it in the way that they did, I didn’t even post it at the time! To break my posting dry spell here it is with a few extra I neglected to share

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Fun work pic dump

Awww my babes back! Pocket dog, aka the Comme play pup, aka the Dover Rover has returned home to @doverstreetmarketlondon after a 2 year absence 🥲

Awww my babes back! Pocket dog, aka the Comme play pup, aka the Dover Rover has returned home to @doverstreetmarketlondon after a 2 year absence 🥲

Awww my babes back! Pocket dog, aka the Comme play pup, aka the Dover Rover has returned home to @doverstreetmarketlondon after a 2 year absence 🥲

Awww my babes back! Pocket dog, aka the Comme play pup, aka the Dover Rover has returned home to @doverstreetmarketlondon after a 2 year absence 🥲

Awww my babes back! Pocket dog, aka the Comme play pup, aka the Dover Rover has returned home to @doverstreetmarketlondon after a 2 year absence 🥲

My Christmas gift to you - Trisha Paytas riding a giant lipstick through a festive vortex
Some behind the scenes from our @maccosmetics campaign earlier this year

Director - @charlie_chops
Creative direction - @lelejulianna
Global creative- @drewpsie
Production - @jnproductionglobal
Dop - @jackch__
Make up - @anatakahashiii
Hair - @cyndiaharvey
Styling - @gabriellak_j
Set build - @andyknightltd

Featuring - @trishapaytas @awengchuol @alexconsani @william_de_val @alysondubey

Special thanks to @gabrielamoussaieff@jasonzangy
@aleksashinamarina @liquidset_

My Christmas gift to you - Trisha Paytas riding a giant lipstick through a festive vortex
Some behind the scenes from our @maccosmetics campaign earlier this year

Director - @charlie_chops
Creative direction - @lelejulianna
Global creative- @drewpsie
Production - @jnproductionglobal
Dop - @jackch__
Make up - @anatakahashiii
Hair - @cyndiaharvey
Styling - @gabriellak_j
Set build - @andyknightltd

Featuring - @trishapaytas @awengchuol @alexconsani @william_de_val @alysondubey

Special thanks to @gabrielamoussaieff@jasonzangy
@aleksashinamarina @liquidset_

My Christmas gift to you - Trisha Paytas riding a giant lipstick through a festive vortex
Some behind the scenes from our @maccosmetics campaign earlier this year

Director - @charlie_chops
Creative direction - @lelejulianna
Global creative- @drewpsie
Production - @jnproductionglobal
Dop - @jackch__
Make up - @anatakahashiii
Hair - @cyndiaharvey
Styling - @gabriellak_j
Set build - @andyknightltd

Featuring - @trishapaytas @awengchuol @alexconsani @william_de_val @alysondubey

Special thanks to @gabrielamoussaieff@jasonzangy
@aleksashinamarina @liquidset_

My Christmas gift to you - Trisha Paytas riding a giant lipstick through a festive vortex
Some behind the scenes from our @maccosmetics campaign earlier this year

Director - @charlie_chops
Creative direction - @lelejulianna
Global creative- @drewpsie
Production - @jnproductionglobal
Dop - @jackch__
Make up - @anatakahashiii
Hair - @cyndiaharvey
Styling - @gabriellak_j
Set build - @andyknightltd

Featuring - @trishapaytas @awengchuol @alexconsani @william_de_val @alysondubey

Special thanks to @gabrielamoussaieff@jasonzangy
@aleksashinamarina @liquidset_

My Christmas gift to you - Trisha Paytas riding a giant lipstick through a festive vortex
Some behind the scenes from our @maccosmetics campaign earlier this year

Director - @charlie_chops
Creative direction - @lelejulianna
Global creative- @drewpsie
Production - @jnproductionglobal
Dop - @jackch__
Make up - @anatakahashiii
Hair - @cyndiaharvey
Styling - @gabriellak_j
Set build - @andyknightltd

Featuring - @trishapaytas @awengchuol @alexconsani @william_de_val @alysondubey

Special thanks to @gabrielamoussaieff@jasonzangy
@aleksashinamarina @liquidset_

My Christmas gift to you - Trisha Paytas riding a giant lipstick through a festive vortex
Some behind the scenes from our @maccosmetics campaign earlier this year

Director - @charlie_chops
Creative direction - @lelejulianna
Global creative- @drewpsie
Production - @jnproductionglobal
Dop - @jackch__
Make up - @anatakahashiii
Hair - @cyndiaharvey
Styling - @gabriellak_j
Set build - @andyknightltd

Featuring - @trishapaytas @awengchuol @alexconsani @william_de_val @alysondubey

Special thanks to @gabrielamoussaieff@jasonzangy
@aleksashinamarina @liquidset_

My Christmas gift to you - Trisha Paytas riding a giant lipstick through a festive vortex
Some behind the scenes from our @maccosmetics campaign earlier this year

Director - @charlie_chops
Creative direction - @lelejulianna
Global creative- @drewpsie
Production - @jnproductionglobal
Dop - @jackch__
Make up - @anatakahashiii
Hair - @cyndiaharvey
Styling - @gabriellak_j
Set build - @andyknightltd

Featuring - @trishapaytas @awengchuol @alexconsani @william_de_val @alysondubey

Special thanks to @gabrielamoussaieff@jasonzangy
@aleksashinamarina @liquidset_

My Christmas gift to you - Trisha Paytas riding a giant lipstick through a festive vortex
Some behind the scenes from our @maccosmetics campaign earlier this year

Director - @charlie_chops
Creative direction - @lelejulianna
Global creative- @drewpsie
Production - @jnproductionglobal
Dop - @jackch__
Make up - @anatakahashiii
Hair - @cyndiaharvey
Styling - @gabriellak_j
Set build - @andyknightltd

Featuring - @trishapaytas @awengchuol @alexconsani @william_de_val @alysondubey

Special thanks to @gabrielamoussaieff@jasonzangy
@aleksashinamarina @liquidset_

My Christmas gift to you - Trisha Paytas riding a giant lipstick through a festive vortex
Some behind the scenes from our @maccosmetics campaign earlier this year

Director - @charlie_chops
Creative direction - @lelejulianna
Global creative- @drewpsie
Production - @jnproductionglobal
Dop - @jackch__
Make up - @anatakahashiii
Hair - @cyndiaharvey
Styling - @gabriellak_j
Set build - @andyknightltd

Featuring - @trishapaytas @awengchuol @alexconsani @william_de_val @alysondubey

Special thanks to @gabrielamoussaieff@jasonzangy
@aleksashinamarina @liquidset_

My Christmas gift to you - Trisha Paytas riding a giant lipstick through a festive vortex
Some behind the scenes from our @maccosmetics campaign earlier this year

Director - @charlie_chops
Creative direction - @lelejulianna
Global creative- @drewpsie
Production - @jnproductionglobal
Dop - @jackch__
Make up - @anatakahashiii
Hair - @cyndiaharvey
Styling - @gabriellak_j
Set build - @andyknightltd

Featuring - @trishapaytas @awengchuol @alexconsani @william_de_val @alysondubey

Special thanks to @gabrielamoussaieff@jasonzangy
@aleksashinamarina @liquidset_

My Christmas gift to you - Trisha Paytas riding a giant lipstick through a festive vortex
Some behind the scenes from our @maccosmetics campaign earlier this year

Director - @charlie_chops
Creative direction - @lelejulianna
Global creative- @drewpsie
Production - @jnproductionglobal
Dop - @jackch__
Make up - @anatakahashiii
Hair - @cyndiaharvey
Styling - @gabriellak_j
Set build - @andyknightltd

Featuring - @trishapaytas @awengchuol @alexconsani @william_de_val @alysondubey

Special thanks to @gabrielamoussaieff@jasonzangy
@aleksashinamarina @liquidset_

My Christmas gift to you - Trisha Paytas riding a giant lipstick through a festive vortex
Some behind the scenes from our @maccosmetics campaign earlier this year

Director - @charlie_chops
Creative direction - @lelejulianna
Global creative- @drewpsie
Production - @jnproductionglobal
Dop - @jackch__
Make up - @anatakahashiii
Hair - @cyndiaharvey
Styling - @gabriellak_j
Set build - @andyknightltd

Featuring - @trishapaytas @awengchuol @alexconsani @william_de_val @alysondubey

Special thanks to @gabrielamoussaieff@jasonzangy
@aleksashinamarina @liquidset_