Zapisz historię na Instagramie
Zapisz za darmo historię, rolki, zdjęcia, wideo, wyróżnione, IGTV z Instagrama online
daniel__warwick
Daniel Warwick
Director https://danielwarwick.com @scoundrel_films_projects @zauberbergproductions @henry.tv @businessclub.tv
"For the human helicopter sequence, we used a large crane rig with performers and stunties attached in the shape of helicopter rotors, allowing us to capture the effect fully in-camera. Shooting on 16mm film felt essential from the beginning. It gave the project the texture and rawness we were after. The camera was mounted on a Ronin 2 gimbal, suspended from a jib arm attached to a dolly. This setup gave us the flexibility to move quickly and stay efficient throughout the day." - DP @zigzz
Westpac "Project Alpha"
Director: @daniel__warwick
DOP: @zigzz
Production Company: @scoundrel_films_projects
Exec Producer: @adrian_awesome
Prod. Manager: @sue.sparks
Producer:@ctkelly65
Ist AD: Jonny Moffatt
Production Designer / @nevillegstevenson
Costume Stylist: Olivia Dobson
Gaffer: @moody.lights_
Grip: @tomsmovingcompany
1st AC: @ethankjames
2nd AC: @jonastawharu
Editor: @_adamwills
Post Production VFX: @fathom_vfx
Colourist: @maticprusnik
Agency: Goldilocks
Agency Exec Producer: Judy Thompson Senior Integrated
Producer: Em Robertson-McCoy
Executive Creative Director: Dan Wright
Creative Director: Erin Mattingly / Rob Graves Account Manager / Anna
Bentley
Tech Specs:
Camera: ARRIFLEX 416 PLUS
Lenses: Zeiss Super Speeds
Film Stock: 16mm, Kodak VISION3 200T Color Negative Film
"For the human helicopter sequence, we used a large crane rig with performers and stunties attached in the shape of helicopter rotors, allowing us to capture the effect fully in-camera. Shooting on 16mm film felt essential from the beginning. It gave the project the texture and rawness we were after. The camera was mounted on a Ronin 2 gimbal, suspended from a jib arm attached to a dolly. This setup gave us the flexibility to move quickly and stay efficient throughout the day." - DP @zigzz
Westpac "Project Alpha"
Director: @daniel__warwick
DOP: @zigzz
Production Company: @scoundrel_films_projects
Exec Producer: @adrian_awesome
Prod. Manager: @sue.sparks
Producer:@ctkelly65
Ist AD: Jonny Moffatt
Production Designer / @nevillegstevenson
Costume Stylist: Olivia Dobson
Gaffer: @moody.lights_
Grip: @tomsmovingcompany
1st AC: @ethankjames
2nd AC: @jonastawharu
Editor: @_adamwills
Post Production VFX: @fathom_vfx
Colourist: @maticprusnik
Agency: Goldilocks
Agency Exec Producer: Judy Thompson Senior Integrated
Producer: Em Robertson-McCoy
Executive Creative Director: Dan Wright
Creative Director: Erin Mattingly / Rob Graves Account Manager / Anna
Bentley
Tech Specs:
Camera: ARRIFLEX 416 PLUS
Lenses: Zeiss Super Speeds
Film Stock: 16mm, Kodak VISION3 200T Color Negative Film
"For the human helicopter sequence, we used a large crane rig with performers and stunties attached in the shape of helicopter rotors, allowing us to capture the effect fully in-camera. Shooting on 16mm film felt essential from the beginning. It gave the project the texture and rawness we were after. The camera was mounted on a Ronin 2 gimbal, suspended from a jib arm attached to a dolly. This setup gave us the flexibility to move quickly and stay efficient throughout the day." - DP @zigzz
Westpac "Project Alpha"
Director: @daniel__warwick
DOP: @zigzz
Production Company: @scoundrel_films_projects
Exec Producer: @adrian_awesome
Prod. Manager: @sue.sparks
Producer:@ctkelly65
Ist AD: Jonny Moffatt
Production Designer / @nevillegstevenson
Costume Stylist: Olivia Dobson
Gaffer: @moody.lights_
Grip: @tomsmovingcompany
1st AC: @ethankjames
2nd AC: @jonastawharu
Editor: @_adamwills
Post Production VFX: @fathom_vfx
Colourist: @maticprusnik
Agency: Goldilocks
Agency Exec Producer: Judy Thompson Senior Integrated
Producer: Em Robertson-McCoy
Executive Creative Director: Dan Wright
Creative Director: Erin Mattingly / Rob Graves Account Manager / Anna
Bentley
Tech Specs:
Camera: ARRIFLEX 416 PLUS
Lenses: Zeiss Super Speeds
Film Stock: 16mm, Kodak VISION3 200T Color Negative Film
"For the human helicopter sequence, we used a large crane rig with performers and stunties attached in the shape of helicopter rotors, allowing us to capture the effect fully in-camera. Shooting on 16mm film felt essential from the beginning. It gave the project the texture and rawness we were after. The camera was mounted on a Ronin 2 gimbal, suspended from a jib arm attached to a dolly. This setup gave us the flexibility to move quickly and stay efficient throughout the day." - DP @zigzz
Westpac "Project Alpha"
Director: @daniel__warwick
DOP: @zigzz
Production Company: @scoundrel_films_projects
Exec Producer: @adrian_awesome
Prod. Manager: @sue.sparks
Producer:@ctkelly65
Ist AD: Jonny Moffatt
Production Designer / @nevillegstevenson
Costume Stylist: Olivia Dobson
Gaffer: @moody.lights_
Grip: @tomsmovingcompany
1st AC: @ethankjames
2nd AC: @jonastawharu
Editor: @_adamwills
Post Production VFX: @fathom_vfx
Colourist: @maticprusnik
Agency: Goldilocks
Agency Exec Producer: Judy Thompson Senior Integrated
Producer: Em Robertson-McCoy
Executive Creative Director: Dan Wright
Creative Director: Erin Mattingly / Rob Graves Account Manager / Anna
Bentley
Tech Specs:
Camera: ARRIFLEX 416 PLUS
Lenses: Zeiss Super Speeds
Film Stock: 16mm, Kodak VISION3 200T Color Negative Film
"For the human helicopter sequence, we used a large crane rig with performers and stunties attached in the shape of helicopter rotors, allowing us to capture the effect fully in-camera. Shooting on 16mm film felt essential from the beginning. It gave the project the texture and rawness we were after. The camera was mounted on a Ronin 2 gimbal, suspended from a jib arm attached to a dolly. This setup gave us the flexibility to move quickly and stay efficient throughout the day." - DP @zigzz
Westpac "Project Alpha"
Director: @daniel__warwick
DOP: @zigzz
Production Company: @scoundrel_films_projects
Exec Producer: @adrian_awesome
Prod. Manager: @sue.sparks
Producer:@ctkelly65
Ist AD: Jonny Moffatt
Production Designer / @nevillegstevenson
Costume Stylist: Olivia Dobson
Gaffer: @moody.lights_
Grip: @tomsmovingcompany
1st AC: @ethankjames
2nd AC: @jonastawharu
Editor: @_adamwills
Post Production VFX: @fathom_vfx
Colourist: @maticprusnik
Agency: Goldilocks
Agency Exec Producer: Judy Thompson Senior Integrated
Producer: Em Robertson-McCoy
Executive Creative Director: Dan Wright
Creative Director: Erin Mattingly / Rob Graves Account Manager / Anna
Bentley
Tech Specs:
Camera: ARRIFLEX 416 PLUS
Lenses: Zeiss Super Speeds
Film Stock: 16mm, Kodak VISION3 200T Color Negative Film
"For the human helicopter sequence, we used a large crane rig with performers and stunties attached in the shape of helicopter rotors, allowing us to capture the effect fully in-camera. Shooting on 16mm film felt essential from the beginning. It gave the project the texture and rawness we were after. The camera was mounted on a Ronin 2 gimbal, suspended from a jib arm attached to a dolly. This setup gave us the flexibility to move quickly and stay efficient throughout the day." - DP @zigzz
Westpac "Project Alpha"
Director: @daniel__warwick
DOP: @zigzz
Production Company: @scoundrel_films_projects
Exec Producer: @adrian_awesome
Prod. Manager: @sue.sparks
Producer:@ctkelly65
Ist AD: Jonny Moffatt
Production Designer / @nevillegstevenson
Costume Stylist: Olivia Dobson
Gaffer: @moody.lights_
Grip: @tomsmovingcompany
1st AC: @ethankjames
2nd AC: @jonastawharu
Editor: @_adamwills
Post Production VFX: @fathom_vfx
Colourist: @maticprusnik
Agency: Goldilocks
Agency Exec Producer: Judy Thompson Senior Integrated
Producer: Em Robertson-McCoy
Executive Creative Director: Dan Wright
Creative Director: Erin Mattingly / Rob Graves Account Manager / Anna
Bentley
Tech Specs:
Camera: ARRIFLEX 416 PLUS
Lenses: Zeiss Super Speeds
Film Stock: 16mm, Kodak VISION3 200T Color Negative Film
"For the human helicopter sequence, we used a large crane rig with performers and stunties attached in the shape of helicopter rotors, allowing us to capture the effect fully in-camera. Shooting on 16mm film felt essential from the beginning. It gave the project the texture and rawness we were after. The camera was mounted on a Ronin 2 gimbal, suspended from a jib arm attached to a dolly. This setup gave us the flexibility to move quickly and stay efficient throughout the day." - DP @zigzz
Westpac "Project Alpha"
Director: @daniel__warwick
DOP: @zigzz
Production Company: @scoundrel_films_projects
Exec Producer: @adrian_awesome
Prod. Manager: @sue.sparks
Producer:@ctkelly65
Ist AD: Jonny Moffatt
Production Designer / @nevillegstevenson
Costume Stylist: Olivia Dobson
Gaffer: @moody.lights_
Grip: @tomsmovingcompany
1st AC: @ethankjames
2nd AC: @jonastawharu
Editor: @_adamwills
Post Production VFX: @fathom_vfx
Colourist: @maticprusnik
Agency: Goldilocks
Agency Exec Producer: Judy Thompson Senior Integrated
Producer: Em Robertson-McCoy
Executive Creative Director: Dan Wright
Creative Director: Erin Mattingly / Rob Graves Account Manager / Anna
Bentley
Tech Specs:
Camera: ARRIFLEX 416 PLUS
Lenses: Zeiss Super Speeds
Film Stock: 16mm, Kodak VISION3 200T Color Negative Film
Quick shoutout to @maxbaule who helped us out on doing a pre-grade when we were testing the 16mm stock on Westpac. Thankyou hombre.
(main colour grade was @maticprusnik also thankyou hombre!)
Beautiful tests by @zigzz
Quick shoutout to @maxbaule who helped us out on doing a pre-grade when we were testing the 16mm stock on Westpac. Thankyou hombre.
(main colour grade was @maticprusnik also thankyou hombre!)
Beautiful tests by @zigzz
Quick shoutout to @maxbaule who helped us out on doing a pre-grade when we were testing the 16mm stock on Westpac. Thankyou hombre.
(main colour grade was @maticprusnik also thankyou hombre!)
Beautiful tests by @zigzz
NEW WORK… Director’s Cut for WESTPAC - it was a true pleasure to work in wonderful New Zealand once again! Ad 1 of 2. Beautiful 16mm front lit - makes my heart giggle. 🐷❤️ Thankyou to all involved.
Director / Daniel Warwick
DoP / Ziga Zupancic @zigzz
Production Company / Scoundrel @scoundrel_films_projects
Exec Producer / Adrian Shapiro @adrian_awesome
Producer / Claire Kelly @ctkelly65
Editor / Adam Wills @_adamwills
Client / Westpac
Client Senior MArketing Manager / Michelle Lumsden
Head of Brand / Nilz Allerston
Senior Marketing Manager / Pip Mearns Marketing Manager / Caitlin Harris-Wallace
Agency / Goldilocks
Agency Exec Producer / Judy ThompsonSenior Integrated Producer / Em Robertson-McCoy Executive Creative Director / Dan Wright
Creative Director / Erin Mattingly
Creative Director / Rob GravesAccount Manager / Anna Bentley
1st AD / Jonny Moffatt
2nd AD / Esther Clewlow
Production Manager / Sue Sparks
Production Coordinator / Paddy Compter
Unit Manager / Jake Hurrell
Location Manager / Mike Holloway
Location Manager / Hywel Griffiths
Location Scout / Stephen Piper
Location Scout / Drew Stanton
Location Scout / Luke Wheeler
Production Designer / Neville Stevenson @nevillegstevenson
Buyer -dresser / Rachel Lees
Standby / Tristan McLeod
Construction - frame / Brendan Wheatley
Costume Stylist / Olivia Dobson
Costume Assistant / Laura Schneemann
Make Up Artist / Stefan Knight
Make Up Artist Assistant / Mitzi Oliver
1st AC / Ethan James
2nd AC / Jonas Tawharu
Video Assist & DIT / Conrad Armstrong
Gaffer / Marcus Upton @moody.lights_
Best Person LX / Tane Kingan
Lighting Tech / Lucas Bauer
Key Grip / Tom Davis Grip / Kayne Asher
Sound Master / Mark Storey
Catering / Carl @ Get Cheffed
Post Production VFX / Fathom @fathom_vfx
Executive Producer / Damon Duncan
Producer / Helen Naulls
VFX Supervisor / Rhys Dippie
Head of 2D and Lead Compositor / Richard Betts
Compositors / Chunlei Jia, Sarah Roberts, Romain Paillet
Colourist / Matic Prusnik @maticprusnik
Pre-grade / Max Baule
Storyboards / Otto Wiezorek @ottowiezorek
Soundmix / Miller Christensen-Yule
+++part 2 NEW WORK+++
DAD & VO: CARWYN GLYN
DAUGHTER: MALI-CHARLOTTE-CHARLES
CLIENT:TRANSPORT FOR WALES
AGENCY:GOLLEY SLATER GROUP
CREATIVE DIRECTOR:DAVID ABBOTT
ASSOCIATE CREATIVE DIRECTOR:LEWIS CLEMENTS
AGENCY PRODUCER:FRANKIE HURLEY
ASSOCIATE DIRECTOR:SOPHIE YOUNG
PRODUCTION COMPANY:OBJECT & ANIMAL @objectandanimal
DIRECTOR: DANIEL WARWICK @daniel__warwick
MANAGING DIRECTOR / EP:DOM THOMAS @dom________________
HEAD OF PRODUCTION / EP:LAURA HEGARTY @lollylaws
PRODUCER:TOM FARLEY @tom33farley
PRODUCTION MANAGER:LUCY MORTON HICKS @lucymortonhicks
PRODUCTION ASSISTANT:HAYLEY WEST
1st AD:ROB THORPE�
DOP: OTTAR GUDNASON @gudnason
FOCUS PULLER:ANT HUGILL�CLAPPER LOADER: PIRAN MILLER�GRIP: DAI HOPKINS
GAFFER: MARK HOLOWNIA
PRODUCTION DESIGNER: GREGG SHOULDER
PROP MASTER:GEORGE CLARK
PUPPETEER & DESIGNER:HUGH PURVES @hpmakes
PUPPETEER:SARAH WRIGHT
COSTUME STYLIST:CAT LADD�COSTUME ASSISTANT:MAIRE GRAHAM O’HARA
EDITORIAL: WORK EDITORIAL @workeditorial
EDITOR: NEIL SMITH
EDITOR: CHARLIE MORETON
PRODUCER: FRANKIE ELSTER
CONCEPTUAL ARTIST: JOHN DAVIES @_johndavies
STORYBOARDS: OTTO WIEZOREK @ottowiezorek
VFX/POSTPRODUCTION: PINEAPPLE VFX @pineapple_vfx
FOUNDER/CREATIVE DIRECTOR: KIA COATES
AI & CG LEAD: MARK BAILEY�2D ARTIST: PAUL VENN STIRLING
2D ARTIST: SEBASTIEN GAUCHER�2D ARTIST: KIM RANZANI �DMP: CARL EDLUND �EXECUTIVE POST PRODUCER: JOSH SANNDERS
VFX PRODUCER: POLLY CARTWRIGHT
ON SET SUPERVISOR:ADAM GRINT
FLASHBACK IMAGES: BEPIC STUDIO @bepic.studio
VISUAL ARTIST: PAULA BLESA
VFX SUPERVISOR: BASTI KONRADT�PRODUCER: LION GRAF
AUDIO POST PRODUCTION: CRANC @crancaudio
CHIEF SOUND ENGINEER: STEVE CASTLE
MUSIC / CHOIR COMPOSER: RICHARD VAUGHAN / BECHGYN BRO TAF
COLOR: TIME BASED ARTS @timebasedarts
COLORIST: RUTH WARDELL
PRODUCER: DAN KREEGER
++NewWork++
There’s no Super Bowl in Wales, but if there was, you would get there with Transport for Wales… or return home after a Hen Do.
This was a wonderful ride with an outstanding team!
With full blown passion in every craft we created this piece with a mix of finely designed miniature sets and puppets on trains, combined it with stunning post production in hybrid with Ai elements.
Thank you all from the bottom of my heart…
CLIENT:TRANSPORT FOR WALES
AGENCY:GOLLEY SLATER GROUP
CREATIVE DIRECTOR:DAVID ABBOTT
ASSOCIATE CREATIVE DIRECTOR:LEWIS CLEMENTS
AGENCY PRODUCER:FRANKIE HURLEY
ASSOCIATE DIRECTOR:SOPHIE YOUNG
PRODUCTION COMPANY:OBJECT & ANIMAL @objectandanimal
DIRECTOR: DANIEL WARWICK @daniel__warwick
MANAGING DIRECTOR / EP:DOM THOMAS @dom________________ HEAD OF PRODUCTION / EP:LAURA HEGARTY @lollylaws
PRODUCER:TOM FARLEY @tom33farley
PRODUCTION MANAGER:LUCY MORTON HICKS @lucymortonhicks
PRODUCTION ASSISTANT:HAYLEY WEST
1st AD:ROB THORPE
DOP: OTTAR GUDNASON @gudnason
FOCUS PULLER:ANT HUGILL CLAPPER LOADER: PIRAN MILLER GRIP: DAI HOPKINS
GAFFER: MARK HOLOWNIA
PRODUCTION DESIGNER: GREGG SHOULDER
PROP MASTER:GEORGE CLARK
PUPPETEER & DESIGNER:HUGH PURVES @hpmakes
PUPPETEER:SARAH WRIGHT
COSTUME STYLIST:CAT LADD COSTUME ASSISTANT:MAIRE GRAHAM O’HARA
EDITORIAL: WORK EDITORIAL @workeditorial
EDITOR: NEIL SMITH
EDITOR: CHARLIE MORETON
PRODUCER: FRANKIE ELSTER
CONCEPTUAL ARTIST: JOHN DAVIES @_johndavies
STORYBOARDS: OTTO WIEZOREK @ottowiezorek
VFX/POSTPRODUCTION: PINEAPPLE VFX @pineapple_vfx
FOUNDER/CREATIVE DIRECTOR: KIA COATES
AI & CG LEAD: MARK BAILEY 2D ARTIST: PAUL VENN STIRLING
2D ARTIST: SEBASTIEN GAUCHER 2D ARTIST: KIM RANZANIDMP: CARL EDLUNDEXECUTIVE POST PRODUCER: JOSH SANNDERS
VFX PRODUCER: POLLY CARTWRIGHT
ON SET SUPERVISOR:ADAM GRINT
FLASHBACK IMAGES: BEPIC STUDIO @bepic.studio
VISUAL ARTIST: PAULA BLESA
VFX SUPERVISOR: BASTI KONRADT PRODUCER: LION GRAF
AUDIO POST PRODUCTION: CRANC
CHIEF SOUND ENGINEER: STEVE CASTLE
MUSIC / CHOIR COMPOSER: RICHARD VAUGHAN / BECHGYN BRO TAF
COLOR: TIME BASED ARTS @timebasedarts
COLORIST: RUTH WARDELL
PRODUCER: DAN KREEGER
Story Save - Najlepsze darmowe narzędzie do zapisywania historii, rolek, zdjęć, wideo, wyróżnionych, IGTV na telefonie.
Story-save.com to intuicyjne narzędzie online, które umożliwia pobieranie i zapisywanie różnych treści, w tym historii, zdjęć, wideo i materiałów IGTV bezpośrednio z Instagrama. Dzięki Story-Save możesz łatwo pobierać różnorodne treści z Instagrama, a także oglądać je w dogodnym czasie, nawet bez dostępu do internetu. To narzędzie jest idealne na chwile, kiedy znajdziesz coś interesującego na Instagramie i chcesz zapisać to na później. Użyj Story-Save, aby nie przegapić okazji, aby zabrać ulubione momenty z Instagrama ze sobą!
Nasze zalety:
Brak potrzeby rejestracji
Unikaj pobierania aplikacji i rejestracji, przechowuj historie w internecie.
Wysoka jakość
Zakończ z kiepską jakością treści, zachowuj tylko wysokiej rozdzielczości historie.
Dostępność na wszystkich
Urządzenia Pobieraj historie z Instagrama za pomocą każdej przeglądarki, iPhone'a, Androida.
Całkowicie darmowe
Absolutnie bez opłat. Pobierz dowolną historię bez żadnych kosztów.
Najczęściej zadawane pytania
- 1. Przejdź do narzędzia do pobierania historii z Instagrama.
- 2. Następnie wpisz nazwę użytkownika profilu Instagram w podanym polu i kliknij przycisk Pobierz.
- 3. Zobaczysz wszystkie historie dostępne w bieżącym 24-godzinnym okresie. Wybierz te, które chcesz pobrać, i kliknij Pobierz.