Zapisz historię na Instagramie
Zapisz za darmo historię, rolki, zdjęcia, wideo, wyróżnione, IGTV z Instagrama online
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
I want to say I’m so grateful for the lifetime we’ve had together, but I could spend a thousand eternities with you and it would not be enough.
I’m not ready to say goodbye, but nothing ever ends, so I’ll carry you with me on my arm and in my heart always. You’re the best cat I’ve ever known, & the world is not the same world I knew yesterday.
I love you Tib. You never allowed me to feel alone. I just want one more cuddle, just one more affectionate blink.
Ikiru. Akira Kurosawa, 1952.
One of my favourite films of all time by my favourite director of all time. Takashi Shimura portrays Kanji Watanabe, a government worker who grapples with his mortality & decides he needs to start living. One thing that stuck with me in this film is Takashi’s performance, the tears in his eyes feel almost too real.
Ikiru. Akira Kurosawa, 1952.
One of my favourite films of all time by my favourite director of all time. Takashi Shimura portrays Kanji Watanabe, a government worker who grapples with his mortality & decides he needs to start living. One thing that stuck with me in this film is Takashi’s performance, the tears in his eyes feel almost too real.
Ikiru. Akira Kurosawa, 1952.
One of my favourite films of all time by my favourite director of all time. Takashi Shimura portrays Kanji Watanabe, a government worker who grapples with his mortality & decides he needs to start living. One thing that stuck with me in this film is Takashi’s performance, the tears in his eyes feel almost too real.
Ikiru. Akira Kurosawa, 1952.
One of my favourite films of all time by my favourite director of all time. Takashi Shimura portrays Kanji Watanabe, a government worker who grapples with his mortality & decides he needs to start living. One thing that stuck with me in this film is Takashi’s performance, the tears in his eyes feel almost too real.
Ikiru. Akira Kurosawa, 1952.
One of my favourite films of all time by my favourite director of all time. Takashi Shimura portrays Kanji Watanabe, a government worker who grapples with his mortality & decides he needs to start living. One thing that stuck with me in this film is Takashi’s performance, the tears in his eyes feel almost too real.
Ikiru. Akira Kurosawa, 1952.
One of my favourite films of all time by my favourite director of all time. Takashi Shimura portrays Kanji Watanabe, a government worker who grapples with his mortality & decides he needs to start living. One thing that stuck with me in this film is Takashi’s performance, the tears in his eyes feel almost too real.
Ikiru. Akira Kurosawa, 1952.
One of my favourite films of all time by my favourite director of all time. Takashi Shimura portrays Kanji Watanabe, a government worker who grapples with his mortality & decides he needs to start living. One thing that stuck with me in this film is Takashi’s performance, the tears in his eyes feel almost too real.
Ikiru. Akira Kurosawa, 1952.
One of my favourite films of all time by my favourite director of all time. Takashi Shimura portrays Kanji Watanabe, a government worker who grapples with his mortality & decides he needs to start living. One thing that stuck with me in this film is Takashi’s performance, the tears in his eyes feel almost too real.
Ikiru. Akira Kurosawa, 1952.
One of my favourite films of all time by my favourite director of all time. Takashi Shimura portrays Kanji Watanabe, a government worker who grapples with his mortality & decides he needs to start living. One thing that stuck with me in this film is Takashi’s performance, the tears in his eyes feel almost too real.
Ikiru. Akira Kurosawa, 1952.
One of my favourite films of all time by my favourite director of all time. Takashi Shimura portrays Kanji Watanabe, a government worker who grapples with his mortality & decides he needs to start living. One thing that stuck with me in this film is Takashi’s performance, the tears in his eyes feel almost too real.
Chungking Express. Wong Kar-wai, 1994.
An exploration of yearning, what once was and what could have been.
Chungking Express. Wong Kar-wai, 1994.
An exploration of yearning, what once was and what could have been.
Chungking Express. Wong Kar-wai, 1994.
An exploration of yearning, what once was and what could have been.
Chungking Express. Wong Kar-wai, 1994.
An exploration of yearning, what once was and what could have been.
Chungking Express. Wong Kar-wai, 1994.
An exploration of yearning, what once was and what could have been.
Chungking Express. Wong Kar-wai, 1994.
An exploration of yearning, what once was and what could have been.
Chungking Express. Wong Kar-wai, 1994.
An exploration of yearning, what once was and what could have been.
Chungking Express. Wong Kar-wai, 1994.
An exploration of yearning, what once was and what could have been.
Chungking Express. Wong Kar-wai, 1994.
An exploration of yearning, what once was and what could have been.
Chungking Express. Wong Kar-wai, 1994.
An exploration of yearning, what once was and what could have been.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
‘As I Was Moving Ahead Occasionally I Saw Moments Of Beauty.’ Jonas Mekas, 2000.
Jonas Mekas condenses 30 years into a 5 hour film that shows every day moments of life with his family, friends, and most importantly himself. It is really a meditation on what most people would call the mundanity of life, but through Mekas’ eye you discover a different kind of paradise.
Watching this film is like living someone else’s life for 30 years. And then you finish the film and you have to come back to your life again, only something has changed. Something essential.
Story Save - Najlepsze darmowe narzędzie do zapisywania historii, rolek, zdjęć, wideo, wyróżnionych, IGTV na telefonie.
Story-save.com to intuicyjne narzędzie online, które umożliwia pobieranie i zapisywanie różnych treści, w tym historii, zdjęć, wideo i materiałów IGTV bezpośrednio z Instagrama. Dzięki Story-Save możesz łatwo pobierać różnorodne treści z Instagrama, a także oglądać je w dogodnym czasie, nawet bez dostępu do internetu. To narzędzie jest idealne na chwile, kiedy znajdziesz coś interesującego na Instagramie i chcesz zapisać to na później. Użyj Story-Save, aby nie przegapić okazji, aby zabrać ulubione momenty z Instagrama ze sobą!
Nasze zalety:
Brak potrzeby rejestracji
Unikaj pobierania aplikacji i rejestracji, przechowuj historie w internecie.
Wysoka jakość
Zakończ z kiepską jakością treści, zachowuj tylko wysokiej rozdzielczości historie.
Dostępność na wszystkich
Urządzenia Pobieraj historie z Instagrama za pomocą każdej przeglądarki, iPhone'a, Androida.
Całkowicie darmowe
Absolutnie bez opłat. Pobierz dowolną historię bez żadnych kosztów.
Najczęściej zadawane pytania
- 1. Przejdź do narzędzia do pobierania historii z Instagrama.
- 2. Następnie wpisz nazwę użytkownika profilu Instagram w podanym polu i kliknij przycisk Pobierz.
- 3. Zobaczysz wszystkie historie dostępne w bieżącym 24-godzinnym okresie. Wybierz te, które chcesz pobrać, i kliknij Pobierz.