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Книга Daddy Cool від @breadfield розмірковує над тим, як суб’єктивний образ близької людини може бути переосмислений у зіткненні з досвідом інших людей, які знали ту саму особу. У дослідженні ідентичності та перевтілення автор створює й приміряє різні образи свого батька. І в міру того, як робота триває, а книга починає набувати форми, межа між вигадкою та реальністю поступово зникає.

@breadfield press — це видавництво, зосереджене на дослідженні ідей, процесів і мотивацій, що стоять за фотографічними проєктами та фотокнигами — від задуму до публікації.

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The Daddy Cool project @breadfield raises questions about how the subjective image of a close relative can be re-examined in the encounter with other people's experiences of the same person. In a study of identity and disguise, author creates and tries out different personas for his father. And as the work progresses and the book is starting to take shape, the boundary between fiction and reality begins to dissolve.

@breadfield press is a publishing house focused on exploring the ideas, processes, and motivations behind photographic projects and photo books, from concept to publication.

Soon at the Kyiv Art Book Fair!

5-7 June
at @pavilionofculture

Книга Daddy Cool від @breadfield розмірковує над тим, як суб’єктивний образ близької людини може бути переосмислений у зіткненні з досвідом інших людей, які знали ту саму особу. У дослідженні ідентичності та перевтілення автор створює й приміряє різні образи свого батька. І в міру того, як робота триває, а книга починає набувати форми, межа між вигадкою та реальністю поступово зникає.

@breadfield press — це видавництво, зосереджене на дослідженні ідей, процесів і мотивацій, що стоять за фотографічними проєктами та фотокнигами — від задуму до публікації.

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The Daddy Cool project @breadfield raises questions about how the subjective image of a close relative can be re-examined in the encounter with other people's experiences of the same person. In a study of identity and disguise, author creates and tries out different personas for his father. And as the work progresses and the book is starting to take shape, the boundary between fiction and reality begins to dissolve.

@breadfield press is a publishing house focused on exploring the ideas, processes, and motivations behind photographic projects and photo books, from concept to publication.

Soon at the Kyiv Art Book Fair!

5-7 June
at @pavilionofculture

Книга Daddy Cool від @breadfield розмірковує над тим, як суб’єктивний образ близької людини може бути переосмислений у зіткненні з досвідом інших людей, які знали ту саму особу. У дослідженні ідентичності та перевтілення автор створює й приміряє різні образи свого батька. І в міру того, як робота триває, а книга починає набувати форми, межа між вигадкою та реальністю поступово зникає.

@breadfield press — це видавництво, зосереджене на дослідженні ідей, процесів і мотивацій, що стоять за фотографічними проєктами та фотокнигами — від задуму до публікації.

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The Daddy Cool project @breadfield raises questions about how the subjective image of a close relative can be re-examined in the encounter with other people's experiences of the same person. In a study of identity and disguise, author creates and tries out different personas for his father. And as the work progresses and the book is starting to take shape, the boundary between fiction and reality begins to dissolve.

@breadfield press is a publishing house focused on exploring the ideas, processes, and motivations behind photographic projects and photo books, from concept to publication.

Soon at the Kyiv Art Book Fair!

5-7 June
at @pavilionofculture

Книга Daddy Cool від @breadfield розмірковує над тим, як суб’єктивний образ близької людини може бути переосмислений у зіткненні з досвідом інших людей, які знали ту саму особу. У дослідженні ідентичності та перевтілення автор створює й приміряє різні образи свого батька. І в міру того, як робота триває, а книга починає набувати форми, межа між вигадкою та реальністю поступово зникає.

@breadfield press — це видавництво, зосереджене на дослідженні ідей, процесів і мотивацій, що стоять за фотографічними проєктами та фотокнигами — від задуму до публікації.

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The Daddy Cool project @breadfield raises questions about how the subjective image of a close relative can be re-examined in the encounter with other people's experiences of the same person. In a study of identity and disguise, author creates and tries out different personas for his father. And as the work progresses and the book is starting to take shape, the boundary between fiction and reality begins to dissolve.

@breadfield press is a publishing house focused on exploring the ideas, processes, and motivations behind photographic projects and photo books, from concept to publication.

Soon at the Kyiv Art Book Fair!

5-7 June
at @pavilionofculture

Книга Daddy Cool від @breadfield розмірковує над тим, як суб’єктивний образ близької людини може бути переосмислений у зіткненні з досвідом інших людей, які знали ту саму особу. У дослідженні ідентичності та перевтілення автор створює й приміряє різні образи свого батька. І в міру того, як робота триває, а книга починає набувати форми, межа між вигадкою та реальністю поступово зникає.

@breadfield press — це видавництво, зосереджене на дослідженні ідей, процесів і мотивацій, що стоять за фотографічними проєктами та фотокнигами — від задуму до публікації.

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The Daddy Cool project @breadfield raises questions about how the subjective image of a close relative can be re-examined in the encounter with other people's experiences of the same person. In a study of identity and disguise, author creates and tries out different personas for his father. And as the work progresses and the book is starting to take shape, the boundary between fiction and reality begins to dissolve.

@breadfield press is a publishing house focused on exploring the ideas, processes, and motivations behind photographic projects and photo books, from concept to publication.

Soon at the Kyiv Art Book Fair!

5-7 June
at @pavilionofculture

Книга Daddy Cool від @breadfield розмірковує над тим, як суб’єктивний образ близької людини може бути переосмислений у зіткненні з досвідом інших людей, які знали ту саму особу. У дослідженні ідентичності та перевтілення автор створює й приміряє різні образи свого батька. І в міру того, як робота триває, а книга починає набувати форми, межа між вигадкою та реальністю поступово зникає.

@breadfield press — це видавництво, зосереджене на дослідженні ідей, процесів і мотивацій, що стоять за фотографічними проєктами та фотокнигами — від задуму до публікації.

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The Daddy Cool project @breadfield raises questions about how the subjective image of a close relative can be re-examined in the encounter with other people's experiences of the same person. In a study of identity and disguise, author creates and tries out different personas for his father. And as the work progresses and the book is starting to take shape, the boundary between fiction and reality begins to dissolve.

@breadfield press is a publishing house focused on exploring the ideas, processes, and motivations behind photographic projects and photo books, from concept to publication.

Soon at the Kyiv Art Book Fair!

5-7 June
at @pavilionofculture

Книга Daddy Cool від @breadfield розмірковує над тим, як суб’єктивний образ близької людини може бути переосмислений у зіткненні з досвідом інших людей, які знали ту саму особу. У дослідженні ідентичності та перевтілення автор створює й приміряє різні образи свого батька. І в міру того, як робота триває, а книга починає набувати форми, межа між вигадкою та реальністю поступово зникає.

@breadfield press — це видавництво, зосереджене на дослідженні ідей, процесів і мотивацій, що стоять за фотографічними проєктами та фотокнигами — від задуму до публікації.

---

The Daddy Cool project @breadfield raises questions about how the subjective image of a close relative can be re-examined in the encounter with other people's experiences of the same person. In a study of identity and disguise, author creates and tries out different personas for his father. And as the work progresses and the book is starting to take shape, the boundary between fiction and reality begins to dissolve.

@breadfield press is a publishing house focused on exploring the ideas, processes, and motivations behind photographic projects and photo books, from concept to publication.

Soon at the Kyiv Art Book Fair!

5-7 June
at @pavilionofculture

LANDSKRONA FOTO & BREADFIELD
DUMMY AWARD 2026.
Submission is now closed!

Thank you to all 295 applicants from 49 different countries. The evaluation process will soon begin
and further information will come during the
following weeks.

Photo: Pietro Paolini, Buscando a Bolivar
@pietropaolini

@breadfield @landskronafoto
#breadfieldpress #landskronafotofestival2026 #dummyaward #photobooks #publishing

LAST CHANCE!! 📚📚📚🔥

Do you want to make a photobook?
Have you made a digital dummy of your project?

Apply for LANDSKRONA FOTO & BREADFIELD DUMMY AWARD 2026 and get the chance to have it published.

Deadline 30 April 2026.

There is no need to send us a physical copy of your photobook dummy, we only accept pdfs. Enter your unpublished, self-published, digitally published or produced by print-on-demand, e.g. blurb. photobook pdf.

The prize includes all expenses for book production such as design, printing and distribution. The winner will be invited to Landskrona Foto Festival during the opening weekend 4-6 september 2026 to receive the award.

Deadline 30 April 2026.

Apply at Picter!

Video:
Lay Her Down Upon Her Back by Róisín White / Winner 2022

@landskronafoto #landskronafotofestival2026 #breadfieldpress #dummyaward #photobooks @picter_com

Do you want to make a photobook?
Have you made a digital dummy of your project?

Apply for LANDSKRONA FOTO & BREADFIELD DUMMY AWARD 2026 and get the chance to have it published.

Deadline 30 April 2026.

There is no need to send us a physical copy of your photobook dummy, we only accept pdfs. Enter your unpublished, self-published, digitally published or produced by print-on-demand, e.g. blurb. photobook pdf.

The prize includes all expenses for book production such as design, printing and distribution. The winner will be invited to Landskrona Foto Festival during the opening weekend 4-6 september 2026 to receive the award.

Deadline 30 April 2026.

Apply at Picter!

Photos:
1. Meral Güler and Dan Porter @meralguler4 #danporter
2. Duccio Doretti @ducciodoretti
3. Gloria Oyarzabal @gloria_oyarzabal
4. Pietro Paolini @pietropaolini
5. Satoshi Tsuchiyama @satoshitsuchiyama
6. Róisín White @how_fascinating
7. Lin Wei-Lun @linweilunlin
8. Meral Güler and Dan Porter @meralguler4 #danporter

@landskronafoto #landskronafotofestival2026 #breadfieldpress #dummyaward #photobooks

Come check out our book section! We specialise in small publishers and unique editions, perfect for gifts - or just for yourself ❤️ #slvrbrgs

Now available🌟A curated selection of Breadfield Press books and posters@slvrbrgs, right in the heart of Malmö📚📚📚

#breadfieldpress #slvrbrgs #artbooks #publishing

Now available🌟A curated selection of Breadfield Press books and posters@slvrbrgs, right in the heart of Malmö📚📚📚

#breadfieldpress #slvrbrgs #artbooks #publishing

Breadfield is in the house…woop woop!
We are delighted to now have all of @breadfield press’s books at the gallery for sale. Come by and have a peruse!

Landskrona Foto & Breadfield
Dummy Award 2026!! 📚✨

Meet the Jury:

Mandy Barker
@mandybarkerphotography
Artist

Greger Ulf Nilson
@gregerulfnilson
Designer, graphic artist & gallerist

Raquel Villar-Pérez
@raquel_villarperez
Independent writer & curator

Tommaso Parrillo
@witty_books
Art director & publisher

Jenny Lindhe
@lindhe_jenny
Artist, curator & publisher

Read more about the jury and the dummy award at picter.com (link in our bio).

Deadline 30 April 2026!

@breadfield @landskronafoto
#breadfieldpress #landskronafotofestival2026 #dummyaward
#photobooks

Landskrona Foto & Breadfield
Dummy Award 2026!! 📚✨

Meet the Jury:

Mandy Barker
@mandybarkerphotography
Artist

Greger Ulf Nilson
@gregerulfnilson
Designer, graphic artist & gallerist

Raquel Villar-Pérez
@raquel_villarperez
Independent writer & curator

Tommaso Parrillo
@witty_books
Art director & publisher

Jenny Lindhe
@lindhe_jenny
Artist, curator & publisher

Read more about the jury and the dummy award at picter.com (link in our bio).

Deadline 30 April 2026!

@breadfield @landskronafoto
#breadfieldpress #landskronafotofestival2026 #dummyaward
#photobooks

Landskrona Foto & Breadfield
Dummy Award 2026!! 📚✨

Meet the Jury:

Mandy Barker
@mandybarkerphotography
Artist

Greger Ulf Nilson
@gregerulfnilson
Designer, graphic artist & gallerist

Raquel Villar-Pérez
@raquel_villarperez
Independent writer & curator

Tommaso Parrillo
@witty_books
Art director & publisher

Jenny Lindhe
@lindhe_jenny
Artist, curator & publisher

Read more about the jury and the dummy award at picter.com (link in our bio).

Deadline 30 April 2026!

@breadfield @landskronafoto
#breadfieldpress #landskronafotofestival2026 #dummyaward
#photobooks

Landskrona Foto & Breadfield
Dummy Award 2026!! 📚✨

Meet the Jury:

Mandy Barker
@mandybarkerphotography
Artist

Greger Ulf Nilson
@gregerulfnilson
Designer, graphic artist & gallerist

Raquel Villar-Pérez
@raquel_villarperez
Independent writer & curator

Tommaso Parrillo
@witty_books
Art director & publisher

Jenny Lindhe
@lindhe_jenny
Artist, curator & publisher

Read more about the jury and the dummy award at picter.com (link in our bio).

Deadline 30 April 2026!

@breadfield @landskronafoto
#breadfieldpress #landskronafotofestival2026 #dummyaward
#photobooks

Landskrona Foto & Breadfield
Dummy Award 2026!! 📚✨

Meet the Jury:

Mandy Barker
@mandybarkerphotography
Artist

Greger Ulf Nilson
@gregerulfnilson
Designer, graphic artist & gallerist

Raquel Villar-Pérez
@raquel_villarperez
Independent writer & curator

Tommaso Parrillo
@witty_books
Art director & publisher

Jenny Lindhe
@lindhe_jenny
Artist, curator & publisher

Read more about the jury and the dummy award at picter.com (link in our bio).

Deadline 30 April 2026!

@breadfield @landskronafoto
#breadfieldpress #landskronafotofestival2026 #dummyaward
#photobooks

People Have Always Told Stories | Lars Dyrendom & Inuk Jørgensen

Two intertwined artistic narratives expose how Greenland’s histories are shaped by colonial power, forgotten voices, and living memory — contrasting archival hierarchies with oral resistance while confronting the ongoing exploitation of land, people, and truth.

Some stories end up in archives, while others live on through oral tradition. Some become official truths; others are forgotten or rendered invisible. Stories have always existed, yet they are shaped, erased, or reclaimed depending on power, place, and time. Lars’ and Inuk’s work represent two narratives that, in different ways, illuminate Greenland’s history, memory, and colonial structures — both past and present. Lars’ Danish project uses the archival backs of photographs, where notes and names reveal power hierarchies: the Danish members of the expedition are identified with full names, titles, and clear subjectivity, while the Inuit are objectified and described as types. Inuk’s Greenlandic project, based on oral memories and landscapes, gives voice to personal and collective heritage and addresses issues such as uranium mining near the mountains — where extractive interests continue to fuel Western consumerism with little regard for nature, animals, or human life. The work also creates an encounter between photographic and filmic media in book form.

Text: Christine Sjöberg, Mette Sandbye and Naja Dyrendom Graugaard
Proofreading: Caitlin E. Littlewood
Cover image: The Danish Agency for Climate Data, Kuannersuit from 1985.
Design: Julia Brynielsson and Milena Karlsson
Copyright: Lars Dyrendom and Inuk Jørgensen, 2025

More information is available on Breadfield’s website at www.breadfield.com,
where you can also order the book directly.

Lars Dyrendom@inukjorgensen@juliabrynielsson @milenakarlsson@littlewoodphotography @christine.sjoberg @mettesandbye@littlesistoelderbrother
#breadfieldpress#larsdyrendom #inukjorgensen

People Have Always Told Stories | Lars Dyrendom & Inuk Jørgensen

Two intertwined artistic narratives expose how Greenland’s histories are shaped by colonial power, forgotten voices, and living memory — contrasting archival hierarchies with oral resistance while confronting the ongoing exploitation of land, people, and truth.

Some stories end up in archives, while others live on through oral tradition. Some become official truths; others are forgotten or rendered invisible. Stories have always existed, yet they are shaped, erased, or reclaimed depending on power, place, and time. Lars’ and Inuk’s work represent two narratives that, in different ways, illuminate Greenland’s history, memory, and colonial structures — both past and present. Lars’ Danish project uses the archival backs of photographs, where notes and names reveal power hierarchies: the Danish members of the expedition are identified with full names, titles, and clear subjectivity, while the Inuit are objectified and described as types. Inuk’s Greenlandic project, based on oral memories and landscapes, gives voice to personal and collective heritage and addresses issues such as uranium mining near the mountains — where extractive interests continue to fuel Western consumerism with little regard for nature, animals, or human life. The work also creates an encounter between photographic and filmic media in book form.

Text: Christine Sjöberg, Mette Sandbye and Naja Dyrendom Graugaard
Proofreading: Caitlin E. Littlewood
Cover image: The Danish Agency for Climate Data, Kuannersuit from 1985.
Design: Julia Brynielsson and Milena Karlsson
Copyright: Lars Dyrendom and Inuk Jørgensen, 2025

More information is available on Breadfield’s website at www.breadfield.com,
where you can also order the book directly.

Lars Dyrendom@inukjorgensen@juliabrynielsson @milenakarlsson@littlewoodphotography @christine.sjoberg @mettesandbye@littlesistoelderbrother
#breadfieldpress#larsdyrendom #inukjorgensen

People Have Always Told Stories | Lars Dyrendom & Inuk Jørgensen

Two intertwined artistic narratives expose how Greenland’s histories are shaped by colonial power, forgotten voices, and living memory — contrasting archival hierarchies with oral resistance while confronting the ongoing exploitation of land, people, and truth.

Some stories end up in archives, while others live on through oral tradition. Some become official truths; others are forgotten or rendered invisible. Stories have always existed, yet they are shaped, erased, or reclaimed depending on power, place, and time. Lars’ and Inuk’s work represent two narratives that, in different ways, illuminate Greenland’s history, memory, and colonial structures — both past and present. Lars’ Danish project uses the archival backs of photographs, where notes and names reveal power hierarchies: the Danish members of the expedition are identified with full names, titles, and clear subjectivity, while the Inuit are objectified and described as types. Inuk’s Greenlandic project, based on oral memories and landscapes, gives voice to personal and collective heritage and addresses issues such as uranium mining near the mountains — where extractive interests continue to fuel Western consumerism with little regard for nature, animals, or human life. The work also creates an encounter between photographic and filmic media in book form.

Text: Christine Sjöberg, Mette Sandbye and Naja Dyrendom Graugaard
Proofreading: Caitlin E. Littlewood
Cover image: The Danish Agency for Climate Data, Kuannersuit from 1985.
Design: Julia Brynielsson and Milena Karlsson
Copyright: Lars Dyrendom and Inuk Jørgensen, 2025

More information is available on Breadfield’s website at www.breadfield.com,
where you can also order the book directly.

Lars Dyrendom@inukjorgensen@juliabrynielsson @milenakarlsson@littlewoodphotography @christine.sjoberg @mettesandbye@littlesistoelderbrother
#breadfieldpress#larsdyrendom #inukjorgensen

People Have Always Told Stories | Lars Dyrendom & Inuk Jørgensen

Two intertwined artistic narratives expose how Greenland’s histories are shaped by colonial power, forgotten voices, and living memory — contrasting archival hierarchies with oral resistance while confronting the ongoing exploitation of land, people, and truth.

Some stories end up in archives, while others live on through oral tradition. Some become official truths; others are forgotten or rendered invisible. Stories have always existed, yet they are shaped, erased, or reclaimed depending on power, place, and time. Lars’ and Inuk’s work represent two narratives that, in different ways, illuminate Greenland’s history, memory, and colonial structures — both past and present. Lars’ Danish project uses the archival backs of photographs, where notes and names reveal power hierarchies: the Danish members of the expedition are identified with full names, titles, and clear subjectivity, while the Inuit are objectified and described as types. Inuk’s Greenlandic project, based on oral memories and landscapes, gives voice to personal and collective heritage and addresses issues such as uranium mining near the mountains — where extractive interests continue to fuel Western consumerism with little regard for nature, animals, or human life. The work also creates an encounter between photographic and filmic media in book form.

Text: Christine Sjöberg, Mette Sandbye and Naja Dyrendom Graugaard
Proofreading: Caitlin E. Littlewood
Cover image: The Danish Agency for Climate Data, Kuannersuit from 1985.
Design: Julia Brynielsson and Milena Karlsson
Copyright: Lars Dyrendom and Inuk Jørgensen, 2025

More information is available on Breadfield’s website at www.breadfield.com,
where you can also order the book directly.

Lars Dyrendom@inukjorgensen@juliabrynielsson @milenakarlsson@littlewoodphotography @christine.sjoberg @mettesandbye@littlesistoelderbrother
#breadfieldpress#larsdyrendom #inukjorgensen

People Have Always Told Stories | Lars Dyrendom & Inuk Jørgensen

Two intertwined artistic narratives expose how Greenland’s histories are shaped by colonial power, forgotten voices, and living memory — contrasting archival hierarchies with oral resistance while confronting the ongoing exploitation of land, people, and truth.

Some stories end up in archives, while others live on through oral tradition. Some become official truths; others are forgotten or rendered invisible. Stories have always existed, yet they are shaped, erased, or reclaimed depending on power, place, and time. Lars’ and Inuk’s work represent two narratives that, in different ways, illuminate Greenland’s history, memory, and colonial structures — both past and present. Lars’ Danish project uses the archival backs of photographs, where notes and names reveal power hierarchies: the Danish members of the expedition are identified with full names, titles, and clear subjectivity, while the Inuit are objectified and described as types. Inuk’s Greenlandic project, based on oral memories and landscapes, gives voice to personal and collective heritage and addresses issues such as uranium mining near the mountains — where extractive interests continue to fuel Western consumerism with little regard for nature, animals, or human life. The work also creates an encounter between photographic and filmic media in book form.

Text: Christine Sjöberg, Mette Sandbye and Naja Dyrendom Graugaard
Proofreading: Caitlin E. Littlewood
Cover image: The Danish Agency for Climate Data, Kuannersuit from 1985.
Design: Julia Brynielsson and Milena Karlsson
Copyright: Lars Dyrendom and Inuk Jørgensen, 2025

More information is available on Breadfield’s website at www.breadfield.com,
where you can also order the book directly.

Lars Dyrendom@inukjorgensen@juliabrynielsson @milenakarlsson@littlewoodphotography @christine.sjoberg @mettesandbye@littlesistoelderbrother
#breadfieldpress#larsdyrendom #inukjorgensen

People Have Always Told Stories | Lars Dyrendom & Inuk Jørgensen

Two intertwined artistic narratives expose how Greenland’s histories are shaped by colonial power, forgotten voices, and living memory — contrasting archival hierarchies with oral resistance while confronting the ongoing exploitation of land, people, and truth.

Some stories end up in archives, while others live on through oral tradition. Some become official truths; others are forgotten or rendered invisible. Stories have always existed, yet they are shaped, erased, or reclaimed depending on power, place, and time. Lars’ and Inuk’s work represent two narratives that, in different ways, illuminate Greenland’s history, memory, and colonial structures — both past and present. Lars’ Danish project uses the archival backs of photographs, where notes and names reveal power hierarchies: the Danish members of the expedition are identified with full names, titles, and clear subjectivity, while the Inuit are objectified and described as types. Inuk’s Greenlandic project, based on oral memories and landscapes, gives voice to personal and collective heritage and addresses issues such as uranium mining near the mountains — where extractive interests continue to fuel Western consumerism with little regard for nature, animals, or human life. The work also creates an encounter between photographic and filmic media in book form.

Text: Christine Sjöberg, Mette Sandbye and Naja Dyrendom Graugaard
Proofreading: Caitlin E. Littlewood
Cover image: The Danish Agency for Climate Data, Kuannersuit from 1985.
Design: Julia Brynielsson and Milena Karlsson
Copyright: Lars Dyrendom and Inuk Jørgensen, 2025

More information is available on Breadfield’s website at www.breadfield.com,
where you can also order the book directly.

Lars Dyrendom@inukjorgensen@juliabrynielsson @milenakarlsson@littlewoodphotography @christine.sjoberg @mettesandbye@littlesistoelderbrother
#breadfieldpress#larsdyrendom #inukjorgensen

People Have Always Told Stories | Lars Dyrendom & Inuk Jørgensen

Two intertwined artistic narratives expose how Greenland’s histories are shaped by colonial power, forgotten voices, and living memory — contrasting archival hierarchies with oral resistance while confronting the ongoing exploitation of land, people, and truth.

Some stories end up in archives, while others live on through oral tradition. Some become official truths; others are forgotten or rendered invisible. Stories have always existed, yet they are shaped, erased, or reclaimed depending on power, place, and time. Lars’ and Inuk’s work represent two narratives that, in different ways, illuminate Greenland’s history, memory, and colonial structures — both past and present. Lars’ Danish project uses the archival backs of photographs, where notes and names reveal power hierarchies: the Danish members of the expedition are identified with full names, titles, and clear subjectivity, while the Inuit are objectified and described as types. Inuk’s Greenlandic project, based on oral memories and landscapes, gives voice to personal and collective heritage and addresses issues such as uranium mining near the mountains — where extractive interests continue to fuel Western consumerism with little regard for nature, animals, or human life. The work also creates an encounter between photographic and filmic media in book form.

Text: Christine Sjöberg, Mette Sandbye and Naja Dyrendom Graugaard
Proofreading: Caitlin E. Littlewood
Cover image: The Danish Agency for Climate Data, Kuannersuit from 1985.
Design: Julia Brynielsson and Milena Karlsson
Copyright: Lars Dyrendom and Inuk Jørgensen, 2025

More information is available on Breadfield’s website at www.breadfield.com,
where you can also order the book directly.

Lars Dyrendom@inukjorgensen@juliabrynielsson @milenakarlsson@littlewoodphotography @christine.sjoberg @mettesandbye@littlesistoelderbrother
#breadfieldpress#larsdyrendom #inukjorgensen

People Have Always Told Stories | Lars Dyrendom & Inuk Jørgensen

Two intertwined artistic narratives expose how Greenland’s histories are shaped by colonial power, forgotten voices, and living memory — contrasting archival hierarchies with oral resistance while confronting the ongoing exploitation of land, people, and truth.

Some stories end up in archives, while others live on through oral tradition. Some become official truths; others are forgotten or rendered invisible. Stories have always existed, yet they are shaped, erased, or reclaimed depending on power, place, and time. Lars’ and Inuk’s work represent two narratives that, in different ways, illuminate Greenland’s history, memory, and colonial structures — both past and present. Lars’ Danish project uses the archival backs of photographs, where notes and names reveal power hierarchies: the Danish members of the expedition are identified with full names, titles, and clear subjectivity, while the Inuit are objectified and described as types. Inuk’s Greenlandic project, based on oral memories and landscapes, gives voice to personal and collective heritage and addresses issues such as uranium mining near the mountains — where extractive interests continue to fuel Western consumerism with little regard for nature, animals, or human life. The work also creates an encounter between photographic and filmic media in book form.

Text: Christine Sjöberg, Mette Sandbye and Naja Dyrendom Graugaard
Proofreading: Caitlin E. Littlewood
Cover image: The Danish Agency for Climate Data, Kuannersuit from 1985.
Design: Julia Brynielsson and Milena Karlsson
Copyright: Lars Dyrendom and Inuk Jørgensen, 2025

More information is available on Breadfield’s website at www.breadfield.com,
where you can also order the book directly.

Lars Dyrendom@inukjorgensen@juliabrynielsson @milenakarlsson@littlewoodphotography @christine.sjoberg @mettesandbye@littlesistoelderbrother
#breadfieldpress#larsdyrendom #inukjorgensen

People Have Always Told Stories | Lars Dyrendom & Inuk Jørgensen

Two intertwined artistic narratives expose how Greenland’s histories are shaped by colonial power, forgotten voices, and living memory — contrasting archival hierarchies with oral resistance while confronting the ongoing exploitation of land, people, and truth.

Some stories end up in archives, while others live on through oral tradition. Some become official truths; others are forgotten or rendered invisible. Stories have always existed, yet they are shaped, erased, or reclaimed depending on power, place, and time. Lars’ and Inuk’s work represent two narratives that, in different ways, illuminate Greenland’s history, memory, and colonial structures — both past and present. Lars’ Danish project uses the archival backs of photographs, where notes and names reveal power hierarchies: the Danish members of the expedition are identified with full names, titles, and clear subjectivity, while the Inuit are objectified and described as types. Inuk’s Greenlandic project, based on oral memories and landscapes, gives voice to personal and collective heritage and addresses issues such as uranium mining near the mountains — where extractive interests continue to fuel Western consumerism with little regard for nature, animals, or human life. The work also creates an encounter between photographic and filmic media in book form.

Text: Christine Sjöberg, Mette Sandbye and Naja Dyrendom Graugaard
Proofreading: Caitlin E. Littlewood
Cover image: The Danish Agency for Climate Data, Kuannersuit from 1985.
Design: Julia Brynielsson and Milena Karlsson
Copyright: Lars Dyrendom and Inuk Jørgensen, 2025

More information is available on Breadfield’s website at www.breadfield.com,
where you can also order the book directly.

Lars Dyrendom@inukjorgensen@juliabrynielsson @milenakarlsson@littlewoodphotography @christine.sjoberg @mettesandbye@littlesistoelderbrother
#breadfieldpress#larsdyrendom #inukjorgensen

People Have Always Told Stories | Lars Dyrendom & Inuk Jørgensen

Two intertwined artistic narratives expose how Greenland’s histories are shaped by colonial power, forgotten voices, and living memory — contrasting archival hierarchies with oral resistance while confronting the ongoing exploitation of land, people, and truth.

Some stories end up in archives, while others live on through oral tradition. Some become official truths; others are forgotten or rendered invisible. Stories have always existed, yet they are shaped, erased, or reclaimed depending on power, place, and time. Lars’ and Inuk’s work represent two narratives that, in different ways, illuminate Greenland’s history, memory, and colonial structures — both past and present. Lars’ Danish project uses the archival backs of photographs, where notes and names reveal power hierarchies: the Danish members of the expedition are identified with full names, titles, and clear subjectivity, while the Inuit are objectified and described as types. Inuk’s Greenlandic project, based on oral memories and landscapes, gives voice to personal and collective heritage and addresses issues such as uranium mining near the mountains — where extractive interests continue to fuel Western consumerism with little regard for nature, animals, or human life. The work also creates an encounter between photographic and filmic media in book form.

Text: Christine Sjöberg, Mette Sandbye and Naja Dyrendom Graugaard
Proofreading: Caitlin E. Littlewood
Cover image: The Danish Agency for Climate Data, Kuannersuit from 1985.
Design: Julia Brynielsson and Milena Karlsson
Copyright: Lars Dyrendom and Inuk Jørgensen, 2025

More information is available on Breadfield’s website at www.breadfield.com,
where you can also order the book directly.

Lars Dyrendom@inukjorgensen@juliabrynielsson @milenakarlsson@littlewoodphotography @christine.sjoberg @mettesandbye@littlesistoelderbrother
#breadfieldpress#larsdyrendom #inukjorgensen

Paris Photo was a blast. Thanks to everyone who stopped by!
“Mazu,” is now available on @breadfield and @witty_books websites 📚
Last picture by @kuschonink 🙏🏽

Paris Photo was a blast. Thanks to everyone who stopped by!
“Mazu,” is now available on @breadfield and @witty_books websites 📚
Last picture by @kuschonink 🙏🏽

Paris Photo was a blast. Thanks to everyone who stopped by!
“Mazu,” is now available on @breadfield and @witty_books websites 📚
Last picture by @kuschonink 🙏🏽

Paris Photo was a blast. Thanks to everyone who stopped by!
“Mazu,” is now available on @breadfield and @witty_books websites 📚
Last picture by @kuschonink 🙏🏽

Paris Photo was a blast. Thanks to everyone who stopped by!
“Mazu,” is now available on @breadfield and @witty_books websites 📚
Last picture by @kuschonink 🙏🏽

Paris Photo was a blast. Thanks to everyone who stopped by!
“Mazu,” is now available on @breadfield and @witty_books websites 📚
Last picture by @kuschonink 🙏🏽

Paris Photo was a blast. Thanks to everyone who stopped by!
“Mazu,” is now available on @breadfield and @witty_books websites 📚
Last picture by @kuschonink 🙏🏽

Paris Photo was a blast. Thanks to everyone who stopped by!
“Mazu,” is now available on @breadfield and @witty_books websites 📚
Last picture by @kuschonink 🙏🏽

Paris Photo was a blast. Thanks to everyone who stopped by!
“Mazu,” is now available on @breadfield and @witty_books websites 📚
Last picture by @kuschonink 🙏🏽

Do you want to make a photobook?
Have you made a dummy of your project?

Apply for LANDSKRONA FOTO & BREADFIELD DUMMY AWARD 2026 and get the chance to have it published.

There is no need to send us a physical copy of your photobook dummy, we only accept pdfs. Enter your unpublished, self-published, digitally published or produced by print-on-demand, e.g. blurb. photobook pdf.

The prize includes all expenses for book production such as design, printing and distribution. The winner will be invited to Landskrona Foto Festival during the opening weekend 4-6 september 2026 to receive the award.

Deadline 30 April 2026.

Apply at Picter!

Photo: Lin Wei-Lun @linweilunlin

@landskronafoto #landskronafotofestival2026 #breadfieldpress #dummyaward #photobooks

Book design for @linweilunlin book Mazu,
Published by @breadfield & @witty_books

This book is made almost entirely by hand. 600 examples, with knots in between each page. It contains a pocket, folders, silkscreen cover. Lots of elements and have been a challenge to say the least. But I am super excited and happy to say we finally made the book like Lin’s original dummy. Thanks for the collab Lin 📚🙏🏽

“”Mazu,” presents a series of postcards written to Mazu, the sea goddess who arrived Taiwan from the Chinese mainland three centuries ago. Today, the Taiwanese see her not only as a protector of the island’s fishermen and sailors as a guardian deity of the entire island of Taiwan. During periods of geopolitical instability, most recently during prominent US politician Nancy Pelosi’s visit to Taipei, the postcards asked for her protection.

The photographs printed on the postcards document my personal investigation into the impact of Pelosi’s visit, not only on the cross-strait relationship but also on myself and other Taiwanese. I explore my anxieties about the safety of my family and friends amidst unprecedented Chinese military activity around Taiwan. It also reflects on the mental and physical toll the crisis has had on soldiers and the economic sanctions levied by Beijing against Taiwan’s fishing industry as punishment for the governing party in Taiwan’s pro-independent slant.” — Lin Wei-Lun

Special thanks to Jacob from Spine Studio for setting this project up.

Print by: Mark Production

#Bookdesign #editorial #TheBookDesign #editorialphotography #artdirection #editorialdesign #graphicdesign #booklover #typography #cover #bookaward #typedesign #print #typography #graphicindex #thedesignkids #collectgraphics #fvckingdesign #grafikgalerie #designeverywhere #handbound #offset #folder #boundbook

Book design for @linweilunlin book Mazu,
Published by @breadfield & @witty_books

This book is made almost entirely by hand. 600 examples, with knots in between each page. It contains a pocket, folders, silkscreen cover. Lots of elements and have been a challenge to say the least. But I am super excited and happy to say we finally made the book like Lin’s original dummy. Thanks for the collab Lin 📚🙏🏽

“”Mazu,” presents a series of postcards written to Mazu, the sea goddess who arrived Taiwan from the Chinese mainland three centuries ago. Today, the Taiwanese see her not only as a protector of the island’s fishermen and sailors as a guardian deity of the entire island of Taiwan. During periods of geopolitical instability, most recently during prominent US politician Nancy Pelosi’s visit to Taipei, the postcards asked for her protection.

The photographs printed on the postcards document my personal investigation into the impact of Pelosi’s visit, not only on the cross-strait relationship but also on myself and other Taiwanese. I explore my anxieties about the safety of my family and friends amidst unprecedented Chinese military activity around Taiwan. It also reflects on the mental and physical toll the crisis has had on soldiers and the economic sanctions levied by Beijing against Taiwan’s fishing industry as punishment for the governing party in Taiwan’s pro-independent slant.” — Lin Wei-Lun

Special thanks to Jacob from Spine Studio for setting this project up.

Print by: Mark Production

#Bookdesign #editorial #TheBookDesign #editorialphotography #artdirection #editorialdesign #graphicdesign #booklover #typography #cover #bookaward #typedesign #print #typography #graphicindex #thedesignkids #collectgraphics #fvckingdesign #grafikgalerie #designeverywhere #handbound #offset #folder #boundbook

Book design for @linweilunlin book Mazu,
Published by @breadfield & @witty_books

This book is made almost entirely by hand. 600 examples, with knots in between each page. It contains a pocket, folders, silkscreen cover. Lots of elements and have been a challenge to say the least. But I am super excited and happy to say we finally made the book like Lin’s original dummy. Thanks for the collab Lin 📚🙏🏽

“”Mazu,” presents a series of postcards written to Mazu, the sea goddess who arrived Taiwan from the Chinese mainland three centuries ago. Today, the Taiwanese see her not only as a protector of the island’s fishermen and sailors as a guardian deity of the entire island of Taiwan. During periods of geopolitical instability, most recently during prominent US politician Nancy Pelosi’s visit to Taipei, the postcards asked for her protection.

The photographs printed on the postcards document my personal investigation into the impact of Pelosi’s visit, not only on the cross-strait relationship but also on myself and other Taiwanese. I explore my anxieties about the safety of my family and friends amidst unprecedented Chinese military activity around Taiwan. It also reflects on the mental and physical toll the crisis has had on soldiers and the economic sanctions levied by Beijing against Taiwan’s fishing industry as punishment for the governing party in Taiwan’s pro-independent slant.” — Lin Wei-Lun

Special thanks to Jacob from Spine Studio for setting this project up.

Print by: Mark Production

#Bookdesign #editorial #TheBookDesign #editorialphotography #artdirection #editorialdesign #graphicdesign #booklover #typography #cover #bookaward #typedesign #print #typography #graphicindex #thedesignkids #collectgraphics #fvckingdesign #grafikgalerie #designeverywhere #handbound #offset #folder #boundbook

Book design for @linweilunlin book Mazu,
Published by @breadfield & @witty_books

This book is made almost entirely by hand. 600 examples, with knots in between each page. It contains a pocket, folders, silkscreen cover. Lots of elements and have been a challenge to say the least. But I am super excited and happy to say we finally made the book like Lin’s original dummy. Thanks for the collab Lin 📚🙏🏽

“”Mazu,” presents a series of postcards written to Mazu, the sea goddess who arrived Taiwan from the Chinese mainland three centuries ago. Today, the Taiwanese see her not only as a protector of the island’s fishermen and sailors as a guardian deity of the entire island of Taiwan. During periods of geopolitical instability, most recently during prominent US politician Nancy Pelosi’s visit to Taipei, the postcards asked for her protection.

The photographs printed on the postcards document my personal investigation into the impact of Pelosi’s visit, not only on the cross-strait relationship but also on myself and other Taiwanese. I explore my anxieties about the safety of my family and friends amidst unprecedented Chinese military activity around Taiwan. It also reflects on the mental and physical toll the crisis has had on soldiers and the economic sanctions levied by Beijing against Taiwan’s fishing industry as punishment for the governing party in Taiwan’s pro-independent slant.” — Lin Wei-Lun

Special thanks to Jacob from Spine Studio for setting this project up.

Print by: Mark Production

#Bookdesign #editorial #TheBookDesign #editorialphotography #artdirection #editorialdesign #graphicdesign #booklover #typography #cover #bookaward #typedesign #print #typography #graphicindex #thedesignkids #collectgraphics #fvckingdesign #grafikgalerie #designeverywhere #handbound #offset #folder #boundbook

Book design for @linweilunlin book Mazu,
Published by @breadfield & @witty_books

This book is made almost entirely by hand. 600 examples, with knots in between each page. It contains a pocket, folders, silkscreen cover. Lots of elements and have been a challenge to say the least. But I am super excited and happy to say we finally made the book like Lin’s original dummy. Thanks for the collab Lin 📚🙏🏽

“”Mazu,” presents a series of postcards written to Mazu, the sea goddess who arrived Taiwan from the Chinese mainland three centuries ago. Today, the Taiwanese see her not only as a protector of the island’s fishermen and sailors as a guardian deity of the entire island of Taiwan. During periods of geopolitical instability, most recently during prominent US politician Nancy Pelosi’s visit to Taipei, the postcards asked for her protection.

The photographs printed on the postcards document my personal investigation into the impact of Pelosi’s visit, not only on the cross-strait relationship but also on myself and other Taiwanese. I explore my anxieties about the safety of my family and friends amidst unprecedented Chinese military activity around Taiwan. It also reflects on the mental and physical toll the crisis has had on soldiers and the economic sanctions levied by Beijing against Taiwan’s fishing industry as punishment for the governing party in Taiwan’s pro-independent slant.” — Lin Wei-Lun

Special thanks to Jacob from Spine Studio for setting this project up.

Print by: Mark Production

#Bookdesign #editorial #TheBookDesign #editorialphotography #artdirection #editorialdesign #graphicdesign #booklover #typography #cover #bookaward #typedesign #print #typography #graphicindex #thedesignkids #collectgraphics #fvckingdesign #grafikgalerie #designeverywhere #handbound #offset #folder #boundbook

Book design for @linweilunlin book Mazu,
Published by @breadfield & @witty_books

This book is made almost entirely by hand. 600 examples, with knots in between each page. It contains a pocket, folders, silkscreen cover. Lots of elements and have been a challenge to say the least. But I am super excited and happy to say we finally made the book like Lin’s original dummy. Thanks for the collab Lin 📚🙏🏽

“”Mazu,” presents a series of postcards written to Mazu, the sea goddess who arrived Taiwan from the Chinese mainland three centuries ago. Today, the Taiwanese see her not only as a protector of the island’s fishermen and sailors as a guardian deity of the entire island of Taiwan. During periods of geopolitical instability, most recently during prominent US politician Nancy Pelosi’s visit to Taipei, the postcards asked for her protection.

The photographs printed on the postcards document my personal investigation into the impact of Pelosi’s visit, not only on the cross-strait relationship but also on myself and other Taiwanese. I explore my anxieties about the safety of my family and friends amidst unprecedented Chinese military activity around Taiwan. It also reflects on the mental and physical toll the crisis has had on soldiers and the economic sanctions levied by Beijing against Taiwan’s fishing industry as punishment for the governing party in Taiwan’s pro-independent slant.” — Lin Wei-Lun

Special thanks to Jacob from Spine Studio for setting this project up.

Print by: Mark Production

#Bookdesign #editorial #TheBookDesign #editorialphotography #artdirection #editorialdesign #graphicdesign #booklover #typography #cover #bookaward #typedesign #print #typography #graphicindex #thedesignkids #collectgraphics #fvckingdesign #grafikgalerie #designeverywhere #handbound #offset #folder #boundbook

Book design for @linweilunlin book Mazu,
Published by @breadfield & @witty_books

This book is made almost entirely by hand. 600 examples, with knots in between each page. It contains a pocket, folders, silkscreen cover. Lots of elements and have been a challenge to say the least. But I am super excited and happy to say we finally made the book like Lin’s original dummy. Thanks for the collab Lin 📚🙏🏽

“”Mazu,” presents a series of postcards written to Mazu, the sea goddess who arrived Taiwan from the Chinese mainland three centuries ago. Today, the Taiwanese see her not only as a protector of the island’s fishermen and sailors as a guardian deity of the entire island of Taiwan. During periods of geopolitical instability, most recently during prominent US politician Nancy Pelosi’s visit to Taipei, the postcards asked for her protection.

The photographs printed on the postcards document my personal investigation into the impact of Pelosi’s visit, not only on the cross-strait relationship but also on myself and other Taiwanese. I explore my anxieties about the safety of my family and friends amidst unprecedented Chinese military activity around Taiwan. It also reflects on the mental and physical toll the crisis has had on soldiers and the economic sanctions levied by Beijing against Taiwan’s fishing industry as punishment for the governing party in Taiwan’s pro-independent slant.” — Lin Wei-Lun

Special thanks to Jacob from Spine Studio for setting this project up.

Print by: Mark Production

#Bookdesign #editorial #TheBookDesign #editorialphotography #artdirection #editorialdesign #graphicdesign #booklover #typography #cover #bookaward #typedesign #print #typography #graphicindex #thedesignkids #collectgraphics #fvckingdesign #grafikgalerie #designeverywhere #handbound #offset #folder #boundbook

Book design for @linweilunlin book Mazu,
Published by @breadfield & @witty_books

This book is made almost entirely by hand. 600 examples, with knots in between each page. It contains a pocket, folders, silkscreen cover. Lots of elements and have been a challenge to say the least. But I am super excited and happy to say we finally made the book like Lin’s original dummy. Thanks for the collab Lin 📚🙏🏽

“”Mazu,” presents a series of postcards written to Mazu, the sea goddess who arrived Taiwan from the Chinese mainland three centuries ago. Today, the Taiwanese see her not only as a protector of the island’s fishermen and sailors as a guardian deity of the entire island of Taiwan. During periods of geopolitical instability, most recently during prominent US politician Nancy Pelosi’s visit to Taipei, the postcards asked for her protection.

The photographs printed on the postcards document my personal investigation into the impact of Pelosi’s visit, not only on the cross-strait relationship but also on myself and other Taiwanese. I explore my anxieties about the safety of my family and friends amidst unprecedented Chinese military activity around Taiwan. It also reflects on the mental and physical toll the crisis has had on soldiers and the economic sanctions levied by Beijing against Taiwan’s fishing industry as punishment for the governing party in Taiwan’s pro-independent slant.” — Lin Wei-Lun

Special thanks to Jacob from Spine Studio for setting this project up.

Print by: Mark Production

#Bookdesign #editorial #TheBookDesign #editorialphotography #artdirection #editorialdesign #graphicdesign #booklover #typography #cover #bookaward #typedesign #print #typography #graphicindex #thedesignkids #collectgraphics #fvckingdesign #grafikgalerie #designeverywhere #handbound #offset #folder #boundbook

Book design for @linweilunlin book Mazu,
Published by @breadfield & @witty_books

This book is made almost entirely by hand. 600 examples, with knots in between each page. It contains a pocket, folders, silkscreen cover. Lots of elements and have been a challenge to say the least. But I am super excited and happy to say we finally made the book like Lin’s original dummy. Thanks for the collab Lin 📚🙏🏽

“”Mazu,” presents a series of postcards written to Mazu, the sea goddess who arrived Taiwan from the Chinese mainland three centuries ago. Today, the Taiwanese see her not only as a protector of the island’s fishermen and sailors as a guardian deity of the entire island of Taiwan. During periods of geopolitical instability, most recently during prominent US politician Nancy Pelosi’s visit to Taipei, the postcards asked for her protection.

The photographs printed on the postcards document my personal investigation into the impact of Pelosi’s visit, not only on the cross-strait relationship but also on myself and other Taiwanese. I explore my anxieties about the safety of my family and friends amidst unprecedented Chinese military activity around Taiwan. It also reflects on the mental and physical toll the crisis has had on soldiers and the economic sanctions levied by Beijing against Taiwan’s fishing industry as punishment for the governing party in Taiwan’s pro-independent slant.” — Lin Wei-Lun

Special thanks to Jacob from Spine Studio for setting this project up.

Print by: Mark Production

#Bookdesign #editorial #TheBookDesign #editorialphotography #artdirection #editorialdesign #graphicdesign #booklover #typography #cover #bookaward #typedesign #print #typography #graphicindex #thedesignkids #collectgraphics #fvckingdesign #grafikgalerie #designeverywhere #handbound #offset #folder #boundbook