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anothermagazine
AnOther Magazine
A modern eye on fashion, culture and ideas. Read on anothermag.com ↙️
Just premiered at Cannes, Rami Malek gives a pitch-perfect turn in an intimate account of the AIDS epidemic’s devastating impact on the New York theatre scene.
Read @rurydoherty's review at the link in bio 📲
🎥/📸 The Man I Love, 2026
#TheManILove
Just premiered at Cannes, Rami Malek gives a pitch-perfect turn in an intimate account of the AIDS epidemic’s devastating impact on the New York theatre scene.
Read @rurydoherty's review at the link in bio 📲
🎥/📸 The Man I Love, 2026
#TheManILove
Just premiered at Cannes, Rami Malek gives a pitch-perfect turn in an intimate account of the AIDS epidemic’s devastating impact on the New York theatre scene.
Read @rurydoherty's review at the link in bio 📲
🎥/📸 The Man I Love, 2026
#TheManILove
Just premiered at Cannes, Rami Malek gives a pitch-perfect turn in an intimate account of the AIDS epidemic’s devastating impact on the New York theatre scene.
Read @rurydoherty's review at the link in bio 📲
🎥/📸 The Man I Love, 2026
#TheManILove
Just premiered at Cannes, Rami Malek gives a pitch-perfect turn in an intimate account of the AIDS epidemic’s devastating impact on the New York theatre scene.
Read @rurydoherty's review at the link in bio 📲
🎥/📸 The Man I Love, 2026
#TheManILove
Around five years ago, New York-based Dutch photographer @pieterhenket was frustrated with the negativity he saw directed at young people. “I would hear from my older friends that the younger generation weren’t doing anything interesting,” he says.
Assembling a diverse group of queer young people cast from streets, parks, agencies, through connections and word of mouth, Henket recruited Mexico City-born stylist and Willy Chavarria collaborator @chino.castilla to help bring his nonconformist vision to life.
The result is a series of delineated black-and-white portraits with costuming that blends recognisable Mexican symbols – serapes, football kits, a Luchador mask – with operatic flare in the shape of horns, balloons, chaps, corsets and outsized silhouettes.
@ananda_pellerin speaks with Henket about the resulting photo book published by @damiani_books at the link in bio 📲
📸 Birds of Mexico City by Pieter Henket. © Pieter Henket. Courtesy of and published by Damiani Books
1. La Mujer, from the series Birds of Mexico City, 2021
2. El Angel, from the series Birds of Mexico City, 2021
3. Primavera #5, from the series Birds of Mexico City, 2021
5. La gallina, from the series Birds of Mexico City, 2021
6. El Amante #2, from the series Birds of Mexico City, 2021
Around five years ago, New York-based Dutch photographer @pieterhenket was frustrated with the negativity he saw directed at young people. “I would hear from my older friends that the younger generation weren’t doing anything interesting,” he says.
Assembling a diverse group of queer young people cast from streets, parks, agencies, through connections and word of mouth, Henket recruited Mexico City-born stylist and Willy Chavarria collaborator @chino.castilla to help bring his nonconformist vision to life.
The result is a series of delineated black-and-white portraits with costuming that blends recognisable Mexican symbols – serapes, football kits, a Luchador mask – with operatic flare in the shape of horns, balloons, chaps, corsets and outsized silhouettes.
@ananda_pellerin speaks with Henket about the resulting photo book published by @damiani_books at the link in bio 📲
📸 Birds of Mexico City by Pieter Henket. © Pieter Henket. Courtesy of and published by Damiani Books
1. La Mujer, from the series Birds of Mexico City, 2021
2. El Angel, from the series Birds of Mexico City, 2021
3. Primavera #5, from the series Birds of Mexico City, 2021
5. La gallina, from the series Birds of Mexico City, 2021
6. El Amante #2, from the series Birds of Mexico City, 2021
Around five years ago, New York-based Dutch photographer @pieterhenket was frustrated with the negativity he saw directed at young people. “I would hear from my older friends that the younger generation weren’t doing anything interesting,” he says.
Assembling a diverse group of queer young people cast from streets, parks, agencies, through connections and word of mouth, Henket recruited Mexico City-born stylist and Willy Chavarria collaborator @chino.castilla to help bring his nonconformist vision to life.
The result is a series of delineated black-and-white portraits with costuming that blends recognisable Mexican symbols – serapes, football kits, a Luchador mask – with operatic flare in the shape of horns, balloons, chaps, corsets and outsized silhouettes.
@ananda_pellerin speaks with Henket about the resulting photo book published by @damiani_books at the link in bio 📲
📸 Birds of Mexico City by Pieter Henket. © Pieter Henket. Courtesy of and published by Damiani Books
1. La Mujer, from the series Birds of Mexico City, 2021
2. El Angel, from the series Birds of Mexico City, 2021
3. Primavera #5, from the series Birds of Mexico City, 2021
5. La gallina, from the series Birds of Mexico City, 2021
6. El Amante #2, from the series Birds of Mexico City, 2021
Around five years ago, New York-based Dutch photographer @pieterhenket was frustrated with the negativity he saw directed at young people. “I would hear from my older friends that the younger generation weren’t doing anything interesting,” he says.
Assembling a diverse group of queer young people cast from streets, parks, agencies, through connections and word of mouth, Henket recruited Mexico City-born stylist and Willy Chavarria collaborator @chino.castilla to help bring his nonconformist vision to life.
The result is a series of delineated black-and-white portraits with costuming that blends recognisable Mexican symbols – serapes, football kits, a Luchador mask – with operatic flare in the shape of horns, balloons, chaps, corsets and outsized silhouettes.
@ananda_pellerin speaks with Henket about the resulting photo book published by @damiani_books at the link in bio 📲
📸 Birds of Mexico City by Pieter Henket. © Pieter Henket. Courtesy of and published by Damiani Books
1. La Mujer, from the series Birds of Mexico City, 2021
2. El Angel, from the series Birds of Mexico City, 2021
3. Primavera #5, from the series Birds of Mexico City, 2021
5. La gallina, from the series Birds of Mexico City, 2021
6. El Amante #2, from the series Birds of Mexico City, 2021
Around five years ago, New York-based Dutch photographer @pieterhenket was frustrated with the negativity he saw directed at young people. “I would hear from my older friends that the younger generation weren’t doing anything interesting,” he says.
Assembling a diverse group of queer young people cast from streets, parks, agencies, through connections and word of mouth, Henket recruited Mexico City-born stylist and Willy Chavarria collaborator @chino.castilla to help bring his nonconformist vision to life.
The result is a series of delineated black-and-white portraits with costuming that blends recognisable Mexican symbols – serapes, football kits, a Luchador mask – with operatic flare in the shape of horns, balloons, chaps, corsets and outsized silhouettes.
@ananda_pellerin speaks with Henket about the resulting photo book published by @damiani_books at the link in bio 📲
📸 Birds of Mexico City by Pieter Henket. © Pieter Henket. Courtesy of and published by Damiani Books
1. La Mujer, from the series Birds of Mexico City, 2021
2. El Angel, from the series Birds of Mexico City, 2021
3. Primavera #5, from the series Birds of Mexico City, 2021
5. La gallina, from the series Birds of Mexico City, 2021
6. El Amante #2, from the series Birds of Mexico City, 2021
Around five years ago, New York-based Dutch photographer @pieterhenket was frustrated with the negativity he saw directed at young people. “I would hear from my older friends that the younger generation weren’t doing anything interesting,” he says.
Assembling a diverse group of queer young people cast from streets, parks, agencies, through connections and word of mouth, Henket recruited Mexico City-born stylist and Willy Chavarria collaborator @chino.castilla to help bring his nonconformist vision to life.
The result is a series of delineated black-and-white portraits with costuming that blends recognisable Mexican symbols – serapes, football kits, a Luchador mask – with operatic flare in the shape of horns, balloons, chaps, corsets and outsized silhouettes.
@ananda_pellerin speaks with Henket about the resulting photo book published by @damiani_books at the link in bio 📲
📸 Birds of Mexico City by Pieter Henket. © Pieter Henket. Courtesy of and published by Damiani Books
1. La Mujer, from the series Birds of Mexico City, 2021
2. El Angel, from the series Birds of Mexico City, 2021
3. Primavera #5, from the series Birds of Mexico City, 2021
5. La gallina, from the series Birds of Mexico City, 2021
6. El Amante #2, from the series Birds of Mexico City, 2021
Since rising to prominence in the 1970s, photographer @sarahmoon_official has enchanted audiences with her ethereal work, which has a painterly and abstract texture that renders her images dreamlike and a little ghostly.
“Sarah believes strongly in the atmosphere of a photograph or picture, rather than simply documentation,” says her gallerist @michaelhoppengallery, who has worked with Moon for 37 years. Open now, the gallery presents a new exhibition of her work spanning 2003 to the present, the fifth solo show in a nearly four-decade collaboration.
“That is what drives my creative energy, knowing there is something ethereal, something different in the air,” Moon tells @laurahavlin. Read more at the link in bio 📲
📸 Photography by #SarahMoon. Courtesy of Michael Hoppen Gallery
1. Yue pour Yohji Yamamoto, 2019
2. Oiseau des îles, 2003
3. Andrea pour Yohji Yamamoto (VII), 2022
5. Djenice for Yohji Yamamoto (II), 2022
6. The shadow, New York, 2022
Since rising to prominence in the 1970s, photographer @sarahmoon_official has enchanted audiences with her ethereal work, which has a painterly and abstract texture that renders her images dreamlike and a little ghostly.
“Sarah believes strongly in the atmosphere of a photograph or picture, rather than simply documentation,” says her gallerist @michaelhoppengallery, who has worked with Moon for 37 years. Open now, the gallery presents a new exhibition of her work spanning 2003 to the present, the fifth solo show in a nearly four-decade collaboration.
“That is what drives my creative energy, knowing there is something ethereal, something different in the air,” Moon tells @laurahavlin. Read more at the link in bio 📲
📸 Photography by #SarahMoon. Courtesy of Michael Hoppen Gallery
1. Yue pour Yohji Yamamoto, 2019
2. Oiseau des îles, 2003
3. Andrea pour Yohji Yamamoto (VII), 2022
5. Djenice for Yohji Yamamoto (II), 2022
6. The shadow, New York, 2022
Since rising to prominence in the 1970s, photographer @sarahmoon_official has enchanted audiences with her ethereal work, which has a painterly and abstract texture that renders her images dreamlike and a little ghostly.
“Sarah believes strongly in the atmosphere of a photograph or picture, rather than simply documentation,” says her gallerist @michaelhoppengallery, who has worked with Moon for 37 years. Open now, the gallery presents a new exhibition of her work spanning 2003 to the present, the fifth solo show in a nearly four-decade collaboration.
“That is what drives my creative energy, knowing there is something ethereal, something different in the air,” Moon tells @laurahavlin. Read more at the link in bio 📲
📸 Photography by #SarahMoon. Courtesy of Michael Hoppen Gallery
1. Yue pour Yohji Yamamoto, 2019
2. Oiseau des îles, 2003
3. Andrea pour Yohji Yamamoto (VII), 2022
5. Djenice for Yohji Yamamoto (II), 2022
6. The shadow, New York, 2022
Since rising to prominence in the 1970s, photographer @sarahmoon_official has enchanted audiences with her ethereal work, which has a painterly and abstract texture that renders her images dreamlike and a little ghostly.
“Sarah believes strongly in the atmosphere of a photograph or picture, rather than simply documentation,” says her gallerist @michaelhoppengallery, who has worked with Moon for 37 years. Open now, the gallery presents a new exhibition of her work spanning 2003 to the present, the fifth solo show in a nearly four-decade collaboration.
“That is what drives my creative energy, knowing there is something ethereal, something different in the air,” Moon tells @laurahavlin. Read more at the link in bio 📲
📸 Photography by #SarahMoon. Courtesy of Michael Hoppen Gallery
1. Yue pour Yohji Yamamoto, 2019
2. Oiseau des îles, 2003
3. Andrea pour Yohji Yamamoto (VII), 2022
5. Djenice for Yohji Yamamoto (II), 2022
6. The shadow, New York, 2022
Since rising to prominence in the 1970s, photographer @sarahmoon_official has enchanted audiences with her ethereal work, which has a painterly and abstract texture that renders her images dreamlike and a little ghostly.
“Sarah believes strongly in the atmosphere of a photograph or picture, rather than simply documentation,” says her gallerist @michaelhoppengallery, who has worked with Moon for 37 years. Open now, the gallery presents a new exhibition of her work spanning 2003 to the present, the fifth solo show in a nearly four-decade collaboration.
“That is what drives my creative energy, knowing there is something ethereal, something different in the air,” Moon tells @laurahavlin. Read more at the link in bio 📲
📸 Photography by #SarahMoon. Courtesy of Michael Hoppen Gallery
1. Yue pour Yohji Yamamoto, 2019
2. Oiseau des îles, 2003
3. Andrea pour Yohji Yamamoto (VII), 2022
5. Djenice for Yohji Yamamoto (II), 2022
6. The shadow, New York, 2022
Since rising to prominence in the 1970s, photographer @sarahmoon_official has enchanted audiences with her ethereal work, which has a painterly and abstract texture that renders her images dreamlike and a little ghostly.
“Sarah believes strongly in the atmosphere of a photograph or picture, rather than simply documentation,” says her gallerist @michaelhoppengallery, who has worked with Moon for 37 years. Open now, the gallery presents a new exhibition of her work spanning 2003 to the present, the fifth solo show in a nearly four-decade collaboration.
“That is what drives my creative energy, knowing there is something ethereal, something different in the air,” Moon tells @laurahavlin. Read more at the link in bio 📲
📸 Photography by #SarahMoon. Courtesy of Michael Hoppen Gallery
1. Yue pour Yohji Yamamoto, 2019
2. Oiseau des îles, 2003
3. Andrea pour Yohji Yamamoto (VII), 2022
5. Djenice for Yohji Yamamoto (II), 2022
6. The shadow, New York, 2022
Since rising to prominence in the 1970s, photographer @sarahmoon_official has enchanted audiences with her ethereal work, which has a painterly and abstract texture that renders her images dreamlike and a little ghostly.
“Sarah believes strongly in the atmosphere of a photograph or picture, rather than simply documentation,” says her gallerist @michaelhoppengallery, who has worked with Moon for 37 years. Open now, the gallery presents a new exhibition of her work spanning 2003 to the present, the fifth solo show in a nearly four-decade collaboration.
“That is what drives my creative energy, knowing there is something ethereal, something different in the air,” Moon tells @laurahavlin. Read more at the link in bio 📲
📸 Photography by #SarahMoon. Courtesy of Michael Hoppen Gallery
1. Yue pour Yohji Yamamoto, 2019
2. Oiseau des îles, 2003
3. Andrea pour Yohji Yamamoto (VII), 2022
5. Djenice for Yohji Yamamoto (II), 2022
6. The shadow, New York, 2022
One hundred years since her birth (on 1 June, 1926), Marilyn Monroe remains one of the most mythologised and photographed figures of the 20th century. Yet, of all the raked-over facets of her life, the idea of Marilyn Monroe as an avid reader is one crucial but less-explored aspect of her legacy.
Inspired by a list of Monroe’s library in her estate sale, @crowther_gail’s new book, Marilyn and Her Books, takes a look at the legendary actress’s life through the prism of the literature she consumed. “I have always been fascinated by other people’s bookshelves and what they can say about a person, so I immediately wanted to engage in an in-depth shelf-snoop of Marilyn’s library to see what that would uncover,” Crowther tells @ohnoitsemilyd.
Read more at the link in bio 📲
📸 #MarilynMonroe reading Ulysses by James Joyce, Long Island, 1955 © Eve Arnold
One hundred years since her birth (on 1 June, 1926), Marilyn Monroe remains one of the most mythologised and photographed figures of the 20th century. Yet, of all the raked-over facets of her life, the idea of Marilyn Monroe as an avid reader is one crucial but less-explored aspect of her legacy.
Inspired by a list of Monroe’s library in her estate sale, @crowther_gail’s new book, Marilyn and Her Books, takes a look at the legendary actress’s life through the prism of the literature she consumed. “I have always been fascinated by other people’s bookshelves and what they can say about a person, so I immediately wanted to engage in an in-depth shelf-snoop of Marilyn’s library to see what that would uncover,” Crowther tells @ohnoitsemilyd.
Read more at the link in bio 📲
📸 #MarilynMonroe reading Ulysses by James Joyce, Long Island, 1955 © Eve Arnold
One hundred years since her birth (on 1 June, 1926), Marilyn Monroe remains one of the most mythologised and photographed figures of the 20th century. Yet, of all the raked-over facets of her life, the idea of Marilyn Monroe as an avid reader is one crucial but less-explored aspect of her legacy.
Inspired by a list of Monroe’s library in her estate sale, @crowther_gail’s new book, Marilyn and Her Books, takes a look at the legendary actress’s life through the prism of the literature she consumed. “I have always been fascinated by other people’s bookshelves and what they can say about a person, so I immediately wanted to engage in an in-depth shelf-snoop of Marilyn’s library to see what that would uncover,” Crowther tells @ohnoitsemilyd.
Read more at the link in bio 📲
📸 #MarilynMonroe reading Ulysses by James Joyce, Long Island, 1955 © Eve Arnold
One hundred years since her birth (on 1 June, 1926), Marilyn Monroe remains one of the most mythologised and photographed figures of the 20th century. Yet, of all the raked-over facets of her life, the idea of Marilyn Monroe as an avid reader is one crucial but less-explored aspect of her legacy.
Inspired by a list of Monroe’s library in her estate sale, @crowther_gail’s new book, Marilyn and Her Books, takes a look at the legendary actress’s life through the prism of the literature she consumed. “I have always been fascinated by other people’s bookshelves and what they can say about a person, so I immediately wanted to engage in an in-depth shelf-snoop of Marilyn’s library to see what that would uncover,” Crowther tells @ohnoitsemilyd.
Read more at the link in bio 📲
📸 #MarilynMonroe reading Ulysses by James Joyce, Long Island, 1955 © Eve Arnold
One hundred years since her birth (on 1 June, 1926), Marilyn Monroe remains one of the most mythologised and photographed figures of the 20th century. Yet, of all the raked-over facets of her life, the idea of Marilyn Monroe as an avid reader is one crucial but less-explored aspect of her legacy.
Inspired by a list of Monroe’s library in her estate sale, @crowther_gail’s new book, Marilyn and Her Books, takes a look at the legendary actress’s life through the prism of the literature she consumed. “I have always been fascinated by other people’s bookshelves and what they can say about a person, so I immediately wanted to engage in an in-depth shelf-snoop of Marilyn’s library to see what that would uncover,” Crowther tells @ohnoitsemilyd.
Read more at the link in bio 📲
📸 #MarilynMonroe reading Ulysses by James Joyce, Long Island, 1955 © Eve Arnold
One hundred years since her birth (on 1 June, 1926), Marilyn Monroe remains one of the most mythologised and photographed figures of the 20th century. Yet, of all the raked-over facets of her life, the idea of Marilyn Monroe as an avid reader is one crucial but less-explored aspect of her legacy.
Inspired by a list of Monroe’s library in her estate sale, @crowther_gail’s new book, Marilyn and Her Books, takes a look at the legendary actress’s life through the prism of the literature she consumed. “I have always been fascinated by other people’s bookshelves and what they can say about a person, so I immediately wanted to engage in an in-depth shelf-snoop of Marilyn’s library to see what that would uncover,” Crowther tells @ohnoitsemilyd.
Read more at the link in bio 📲
📸 #MarilynMonroe reading Ulysses by James Joyce, Long Island, 1955 © Eve Arnold
One hundred years since her birth (on 1 June, 1926), Marilyn Monroe remains one of the most mythologised and photographed figures of the 20th century. Yet, of all the raked-over facets of her life, the idea of Marilyn Monroe as an avid reader is one crucial but less-explored aspect of her legacy.
Inspired by a list of Monroe’s library in her estate sale, @crowther_gail’s new book, Marilyn and Her Books, takes a look at the legendary actress’s life through the prism of the literature she consumed. “I have always been fascinated by other people’s bookshelves and what they can say about a person, so I immediately wanted to engage in an in-depth shelf-snoop of Marilyn’s library to see what that would uncover,” Crowther tells @ohnoitsemilyd.
Read more at the link in bio 📲
📸 #MarilynMonroe reading Ulysses by James Joyce, Long Island, 1955 © Eve Arnold
@demna shut down Times Square for his biggest @gucci show yet: a spectacle of GucciCore glamour, New York character studies and deep-brand mythology.
Read @alexanderfury’s review at the link in bio 📲
📸 Gucci Cruise 2027. Courtesy of Gucci
#Gucci
@demna shut down Times Square for his biggest @gucci show yet: a spectacle of GucciCore glamour, New York character studies and deep-brand mythology.
Read @alexanderfury’s review at the link in bio 📲
📸 Gucci Cruise 2027. Courtesy of Gucci
#Gucci
@demna shut down Times Square for his biggest @gucci show yet: a spectacle of GucciCore glamour, New York character studies and deep-brand mythology.
Read @alexanderfury’s review at the link in bio 📲
📸 Gucci Cruise 2027. Courtesy of Gucci
#Gucci
@demna shut down Times Square for his biggest @gucci show yet: a spectacle of GucciCore glamour, New York character studies and deep-brand mythology.
Read @alexanderfury’s review at the link in bio 📲
📸 Gucci Cruise 2027. Courtesy of Gucci
#Gucci
@demna shut down Times Square for his biggest @gucci show yet: a spectacle of GucciCore glamour, New York character studies and deep-brand mythology.
Read @alexanderfury’s review at the link in bio 📲
📸 Gucci Cruise 2027. Courtesy of Gucci
#Gucci
@demna shut down Times Square for his biggest @gucci show yet: a spectacle of GucciCore glamour, New York character studies and deep-brand mythology.
Read @alexanderfury’s review at the link in bio 📲
📸 Gucci Cruise 2027. Courtesy of Gucci
#Gucci
@demna shut down Times Square for his biggest @gucci show yet: a spectacle of GucciCore glamour, New York character studies and deep-brand mythology.
Read @alexanderfury’s review at the link in bio 📲
📸 Gucci Cruise 2027. Courtesy of Gucci
#Gucci
@demna shut down Times Square for his biggest @gucci show yet: a spectacle of GucciCore glamour, New York character studies and deep-brand mythology.
Read @alexanderfury’s review at the link in bio 📲
📸 Gucci Cruise 2027. Courtesy of Gucci
#Gucci
@demna shut down Times Square for his biggest @gucci show yet: a spectacle of GucciCore glamour, New York character studies and deep-brand mythology.
Read @alexanderfury’s review at the link in bio 📲
📸 Gucci Cruise 2027. Courtesy of Gucci
#Gucci
@demna shut down Times Square for his biggest @gucci show yet: a spectacle of GucciCore glamour, New York character studies and deep-brand mythology.
Read @alexanderfury’s review at the link in bio 📲
📸 Gucci Cruise 2027. Courtesy of Gucci
#Gucci
@demna shut down Times Square for his biggest @gucci show yet: a spectacle of GucciCore glamour, New York character studies and deep-brand mythology.
Read @alexanderfury’s review at the link in bio 📲
📸 Gucci Cruise 2027. Courtesy of Gucci
#Gucci
@demna shut down Times Square for his biggest @gucci show yet: a spectacle of GucciCore glamour, New York character studies and deep-brand mythology.
Read @alexanderfury’s review at the link in bio 📲
📸 Gucci Cruise 2027. Courtesy of Gucci
#Gucci
As @demna prepares to unveil @gucci’s Cruise 2027 show in New York today at 9pm EDT, @alexanderfury offers a closer look at the invitation, which reveals a surprisingly deep understanding of the house’s American history ➡️
🎥 Courtesy of Gucci
As @demna prepares to unveil @gucci’s Cruise 2027 show in New York today at 9pm EDT, @alexanderfury offers a closer look at the invitation, which reveals a surprisingly deep understanding of the house’s American history ➡️
🎥 Courtesy of Gucci
As @demna prepares to unveil @gucci’s Cruise 2027 show in New York today at 9pm EDT, @alexanderfury offers a closer look at the invitation, which reveals a surprisingly deep understanding of the house’s American history ➡️
🎥 Courtesy of Gucci
As @demna prepares to unveil @gucci’s Cruise 2027 show in New York today at 9pm EDT, @alexanderfury offers a closer look at the invitation, which reveals a surprisingly deep understanding of the house’s American history ➡️
🎥 Courtesy of Gucci
As @demna prepares to unveil @gucci’s Cruise 2027 show in New York today at 9pm EDT, @alexanderfury offers a closer look at the invitation, which reveals a surprisingly deep understanding of the house’s American history ➡️
🎥 Courtesy of Gucci
“When you’re interested in fashion, you’re always thinking about the future,” says @patric_heavenly6 and @bryntaub, whose designs at @vaquera.nyc skewer American dress codes through a dada-inflected logic.
In the new issue of AnOther Magazine, the duo speak with @georgepistachio to discuss the future, and why moving to Paris felt like a “necessary reset.” Read more at the link in bio 📲
Photography by @mark_peckmezian
“When you’re interested in fashion, you’re always thinking about the future,” says @patric_heavenly6 and @bryntaub, whose designs at @vaquera.nyc skewer American dress codes through a dada-inflected logic.
In the new issue of AnOther Magazine, the duo speak with @georgepistachio to discuss the future, and why moving to Paris felt like a “necessary reset.” Read more at the link in bio 📲
Photography by @mark_peckmezian
After graduating from the Art Center College of Design in Pasadena, California, September 1964, photographer @gideonlewin travelled to New York to interview for a job with Richard Avedon, who was born on this day in 1923. He arrived at 110 East 58th Street with a leatherbound portfolio in hand and took the elevator up to the fourth floor. Just as he was about to enter Avedon’s studio, the famed model Wilhelmina breezed out. “I knew I was in the right place,” Lewin tells AnOther.
That auspicious encounter marked the start of a 16-year partnership poignantly chronicled in the book Avedon – Behind the Scenes 1964-1980, a lavish monograph featuring intimate stories and behind-the-scenes photographs from some of the best moments in Avedon’s career. Whether photographing legends like Sophia Loren, Audrey Hepburn, Cher, Veruschka, or Twiggy, Lewin paints a revealing portrait of Avedon, the artist and the man.
At the link in bio, Lewin shares his memories of what it was like to work side-by-side with one of the greatest photographers of the 20th century 📲
📸 Avedon – Behind the Scenes 1964-1980. From Avedon by Gideon Lewin, published by powerHouse Books
#RichardAvedon
After graduating from the Art Center College of Design in Pasadena, California, September 1964, photographer @gideonlewin travelled to New York to interview for a job with Richard Avedon, who was born on this day in 1923. He arrived at 110 East 58th Street with a leatherbound portfolio in hand and took the elevator up to the fourth floor. Just as he was about to enter Avedon’s studio, the famed model Wilhelmina breezed out. “I knew I was in the right place,” Lewin tells AnOther.
That auspicious encounter marked the start of a 16-year partnership poignantly chronicled in the book Avedon – Behind the Scenes 1964-1980, a lavish monograph featuring intimate stories and behind-the-scenes photographs from some of the best moments in Avedon’s career. Whether photographing legends like Sophia Loren, Audrey Hepburn, Cher, Veruschka, or Twiggy, Lewin paints a revealing portrait of Avedon, the artist and the man.
At the link in bio, Lewin shares his memories of what it was like to work side-by-side with one of the greatest photographers of the 20th century 📲
📸 Avedon – Behind the Scenes 1964-1980. From Avedon by Gideon Lewin, published by powerHouse Books
#RichardAvedon
After graduating from the Art Center College of Design in Pasadena, California, September 1964, photographer @gideonlewin travelled to New York to interview for a job with Richard Avedon, who was born on this day in 1923. He arrived at 110 East 58th Street with a leatherbound portfolio in hand and took the elevator up to the fourth floor. Just as he was about to enter Avedon’s studio, the famed model Wilhelmina breezed out. “I knew I was in the right place,” Lewin tells AnOther.
That auspicious encounter marked the start of a 16-year partnership poignantly chronicled in the book Avedon – Behind the Scenes 1964-1980, a lavish monograph featuring intimate stories and behind-the-scenes photographs from some of the best moments in Avedon’s career. Whether photographing legends like Sophia Loren, Audrey Hepburn, Cher, Veruschka, or Twiggy, Lewin paints a revealing portrait of Avedon, the artist and the man.
At the link in bio, Lewin shares his memories of what it was like to work side-by-side with one of the greatest photographers of the 20th century 📲
📸 Avedon – Behind the Scenes 1964-1980. From Avedon by Gideon Lewin, published by powerHouse Books
#RichardAvedon
After graduating from the Art Center College of Design in Pasadena, California, September 1964, photographer @gideonlewin travelled to New York to interview for a job with Richard Avedon, who was born on this day in 1923. He arrived at 110 East 58th Street with a leatherbound portfolio in hand and took the elevator up to the fourth floor. Just as he was about to enter Avedon’s studio, the famed model Wilhelmina breezed out. “I knew I was in the right place,” Lewin tells AnOther.
That auspicious encounter marked the start of a 16-year partnership poignantly chronicled in the book Avedon – Behind the Scenes 1964-1980, a lavish monograph featuring intimate stories and behind-the-scenes photographs from some of the best moments in Avedon’s career. Whether photographing legends like Sophia Loren, Audrey Hepburn, Cher, Veruschka, or Twiggy, Lewin paints a revealing portrait of Avedon, the artist and the man.
At the link in bio, Lewin shares his memories of what it was like to work side-by-side with one of the greatest photographers of the 20th century 📲
📸 Avedon – Behind the Scenes 1964-1980. From Avedon by Gideon Lewin, published by powerHouse Books
#RichardAvedon
After graduating from the Art Center College of Design in Pasadena, California, September 1964, photographer @gideonlewin travelled to New York to interview for a job with Richard Avedon, who was born on this day in 1923. He arrived at 110 East 58th Street with a leatherbound portfolio in hand and took the elevator up to the fourth floor. Just as he was about to enter Avedon’s studio, the famed model Wilhelmina breezed out. “I knew I was in the right place,” Lewin tells AnOther.
That auspicious encounter marked the start of a 16-year partnership poignantly chronicled in the book Avedon – Behind the Scenes 1964-1980, a lavish monograph featuring intimate stories and behind-the-scenes photographs from some of the best moments in Avedon’s career. Whether photographing legends like Sophia Loren, Audrey Hepburn, Cher, Veruschka, or Twiggy, Lewin paints a revealing portrait of Avedon, the artist and the man.
At the link in bio, Lewin shares his memories of what it was like to work side-by-side with one of the greatest photographers of the 20th century 📲
📸 Avedon – Behind the Scenes 1964-1980. From Avedon by Gideon Lewin, published by powerHouse Books
#RichardAvedon
After graduating from the Art Center College of Design in Pasadena, California, September 1964, photographer @gideonlewin travelled to New York to interview for a job with Richard Avedon, who was born on this day in 1923. He arrived at 110 East 58th Street with a leatherbound portfolio in hand and took the elevator up to the fourth floor. Just as he was about to enter Avedon’s studio, the famed model Wilhelmina breezed out. “I knew I was in the right place,” Lewin tells AnOther.
That auspicious encounter marked the start of a 16-year partnership poignantly chronicled in the book Avedon – Behind the Scenes 1964-1980, a lavish monograph featuring intimate stories and behind-the-scenes photographs from some of the best moments in Avedon’s career. Whether photographing legends like Sophia Loren, Audrey Hepburn, Cher, Veruschka, or Twiggy, Lewin paints a revealing portrait of Avedon, the artist and the man.
At the link in bio, Lewin shares his memories of what it was like to work side-by-side with one of the greatest photographers of the 20th century 📲
📸 Avedon – Behind the Scenes 1964-1980. From Avedon by Gideon Lewin, published by powerHouse Books
#RichardAvedon
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
Happy birthday @sofiacoppola. The filmmaker turns 55 today.
From The Virgin Suicides’ clan of sisters suffocating in Seventies suburbia to The Bling Ring’s underparented teens on a celebrity-burgling spree, Sofia Coppola conjures the rich texture of girlhood caught in flux like no one else. For the Autumn/Winter 2023 issue of AnOther Magazine, Coppola spoke to Cindy Sherman about her Priscilla Presley biopic, her early life on the set of Apocalypse Now, and more. Revisit the conversation at the link in bio 📲
Photography by #BibiBorthwick
Styling by @katieshillingford
Sofia Coppola in conversation with @cindysherman, introduced by #HannahLack
Editor-in-chief @susannahfrankel
Art direction by @sj_todd_
Hair by @odilegilbert_official
Make-up by @sandrinecanobock
Casting by @gkldprojects
Set design by @christianfeltham
Production by @zoe__tomlinson and @faragoprojects
Fashion @chanelofficial
#SofiaCoppola
Happy birthday @sofiacoppola. The filmmaker turns 55 today.
From The Virgin Suicides’ clan of sisters suffocating in Seventies suburbia to The Bling Ring’s underparented teens on a celebrity-burgling spree, Sofia Coppola conjures the rich texture of girlhood caught in flux like no one else. For the Autumn/Winter 2023 issue of AnOther Magazine, Coppola spoke to Cindy Sherman about her Priscilla Presley biopic, her early life on the set of Apocalypse Now, and more. Revisit the conversation at the link in bio 📲
Photography by #BibiBorthwick
Styling by @katieshillingford
Sofia Coppola in conversation with @cindysherman, introduced by #HannahLack
Editor-in-chief @susannahfrankel
Art direction by @sj_todd_
Hair by @odilegilbert_official
Make-up by @sandrinecanobock
Casting by @gkldprojects
Set design by @christianfeltham
Production by @zoe__tomlinson and @faragoprojects
Fashion @chanelofficial
#SofiaCoppola
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Story Save - Najlepsze darmowe narzędzie do zapisywania historii, rolek, zdjęć, wideo, wyróżnionych, IGTV na telefonie.
Story-save.com to intuicyjne narzędzie online, które umożliwia pobieranie i zapisywanie różnych treści, w tym historii, zdjęć, wideo i materiałów IGTV bezpośrednio z Instagrama. Dzięki Story-Save możesz łatwo pobierać różnorodne treści z Instagrama, a także oglądać je w dogodnym czasie, nawet bez dostępu do internetu. To narzędzie jest idealne na chwile, kiedy znajdziesz coś interesującego na Instagramie i chcesz zapisać to na później. Użyj Story-Save, aby nie przegapić okazji, aby zabrać ulubione momenty z Instagrama ze sobą!
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