인스타그램 스토리 저장

A 2024 music highlight.

Closing the Electronic Dark Star stage at @nyegenyegefest Jinja, 3 hours from Kampala and at the source of the River Nile.

7am sunrise set, that continued beyond the allocated hour, as the stage was getting de-rigged and the crowd stood their ground- right until the speakers blew and we had to go home.

A core memory ❤️

A 2024 music highlight.

Closing the Electronic Dark Star stage at @nyegenyegefest Jinja, 3 hours from Kampala and at the source of the River Nile.

7am sunrise set, that continued beyond the allocated hour, as the stage was getting de-rigged and the crowd stood their ground- right until the speakers blew and we had to go home.

A core memory ❤️

A 2024 music highlight.

Closing the Electronic Dark Star stage at @nyegenyegefest Jinja, 3 hours from Kampala and at the source of the River Nile.

7am sunrise set, that continued beyond the allocated hour, as the stage was getting de-rigged and the crowd stood their ground- right until the speakers blew and we had to go home.

A core memory ❤️

Sudanese ELECTRONIC music to the WORLDddddd

Sudanese ELECTRONIC music to the WORLDddddd

Sudanese ELECTRONIC music to the WORLDddddd

Sudanese ELECTRONIC music to the WORLDddddd

Sudanese ELECTRONIC music to the WORLDddddd

Sudanese ELECTRONIC music to the WORLDddddd

Sudanese ELECTRONIC music to the WORLDddddd

Sudanese ELECTRONIC music to the WORLDddddd

Sudanese ELECTRONIC music to the WORLDddddd

On my 28th Birthday, I ran 16k and then closed for @saliahgram at @parallel.am

Now up on Soundcloud, the chaos that was 3-5am and my best set to date ❣️

On my 28th Birthday, I ran 16k and then closed for @saliahgram at @parallel.am

Now up on Soundcloud, the chaos that was 3-5am and my best set to date ❣️

On my 28th Birthday, I ran 16k and then closed for @saliahgram at @parallel.am

Now up on Soundcloud, the chaos that was 3-5am and my best set to date ❣️

On my 28th Birthday, I ran 16k and then closed for @saliahgram at @parallel.am

Now up on Soundcloud, the chaos that was 3-5am and my best set to date ❣️

On my 28th Birthday, I ran 16k and then closed for @saliahgram at @parallel.am

Now up on Soundcloud, the chaos that was 3-5am and my best set to date ❣️

On my 28th Birthday, I ran 16k and then closed for @saliahgram at @parallel.am

Now up on Soundcloud, the chaos that was 3-5am and my best set to date ❣️

On my 28th Birthday, I ran 16k and then closed for @saliahgram at @parallel.am

Now up on Soundcloud, the chaos that was 3-5am and my best set to date ❣️

On my 28th Birthday, I ran 16k and then closed for @saliahgram at @parallel.am

Now up on Soundcloud, the chaos that was 3-5am and my best set to date ❣️

On my 28th Birthday, I ran 16k and then closed for @saliahgram at @parallel.am

Now up on Soundcloud, the chaos that was 3-5am and my best set to date ❣️

Bootleg cassette- a souvenir my parents bought during their honeymoon

Kasala, 1992

Excited to present some research and moments from my personal archive, exploring the spatiality of Sudanese cassette culture tomorrow at @blackarchivessweden with @spaceblack__ as part of their Tape Memories series 📻

Bootleg cassette- a souvenir my parents bought during their honeymoon

Kasala, 1992

Excited to present some research and moments from my personal archive, exploring the spatiality of Sudanese cassette culture tomorrow at @blackarchivessweden with @spaceblack__ as part of their Tape Memories series 📻

So excited for another edition of SPACE.SOUND *live* again tomorrow from the brand new @sistermidnightfm studios with the most incredible guest TABIDEE. @tabideee

A long time co-conspirator, in architecture, engagement and club spaces, I can’t wait to chat with sis Heba about her sonic spatial practise, in which she has developed an archival practice focused on Sudanese electronic music that moves beyond traditional institutions- drawing from SoundCloud, cassette mixtapes, phone recordings, and personal fieldwork. Through her sound in the club, she channels the spiritual and political lineage of electronic music while paying tribute to its Black pioneers. Her research traces its deep connections to rave culture and collective sonic memory.Plus she’s a civil engineer + she co-runs Space Black - a creative studio of Black built-environment professionals imagining alternative spatial futures for marginalised communities. I’m her biggest fan.

Tune in 4-5PM :))

Plus some snippets/recap of last months show with @resolvecollective chatting all things circularity in space, and you guessed it, sound in celebration of their new collaborative project @tippingpointeast. Think loops, samples, full circle moments. It was such a pleasure and making these connections across practises through music, how we soundtrack our lives in the city and the way both space and sound shape our experiences is so interesting to get everyone’s views on. Listen back on the sistermidnightfm website!

If there’s anyone you think I should spotlight on my show in future, or you have a spatial or creative practise that in some way relates to sound, feel free to reach out!

So excited for another edition of SPACE.SOUND *live* again tomorrow from the brand new @sistermidnightfm studios with the most incredible guest TABIDEE. @tabideee

A long time co-conspirator, in architecture, engagement and club spaces, I can’t wait to chat with sis Heba about her sonic spatial practise, in which she has developed an archival practice focused on Sudanese electronic music that moves beyond traditional institutions- drawing from SoundCloud, cassette mixtapes, phone recordings, and personal fieldwork. Through her sound in the club, she channels the spiritual and political lineage of electronic music while paying tribute to its Black pioneers. Her research traces its deep connections to rave culture and collective sonic memory.Plus she’s a civil engineer + she co-runs Space Black - a creative studio of Black built-environment professionals imagining alternative spatial futures for marginalised communities. I’m her biggest fan.

Tune in 4-5PM :))

Plus some snippets/recap of last months show with @resolvecollective chatting all things circularity in space, and you guessed it, sound in celebration of their new collaborative project @tippingpointeast. Think loops, samples, full circle moments. It was such a pleasure and making these connections across practises through music, how we soundtrack our lives in the city and the way both space and sound shape our experiences is so interesting to get everyone’s views on. Listen back on the sistermidnightfm website!

If there’s anyone you think I should spotlight on my show in future, or you have a spatial or creative practise that in some way relates to sound, feel free to reach out!

So excited for another edition of SPACE.SOUND *live* again tomorrow from the brand new @sistermidnightfm studios with the most incredible guest TABIDEE. @tabideee

A long time co-conspirator, in architecture, engagement and club spaces, I can’t wait to chat with sis Heba about her sonic spatial practise, in which she has developed an archival practice focused on Sudanese electronic music that moves beyond traditional institutions- drawing from SoundCloud, cassette mixtapes, phone recordings, and personal fieldwork. Through her sound in the club, she channels the spiritual and political lineage of electronic music while paying tribute to its Black pioneers. Her research traces its deep connections to rave culture and collective sonic memory.Plus she’s a civil engineer + she co-runs Space Black - a creative studio of Black built-environment professionals imagining alternative spatial futures for marginalised communities. I’m her biggest fan.

Tune in 4-5PM :))

Plus some snippets/recap of last months show with @resolvecollective chatting all things circularity in space, and you guessed it, sound in celebration of their new collaborative project @tippingpointeast. Think loops, samples, full circle moments. It was such a pleasure and making these connections across practises through music, how we soundtrack our lives in the city and the way both space and sound shape our experiences is so interesting to get everyone’s views on. Listen back on the sistermidnightfm website!

If there’s anyone you think I should spotlight on my show in future, or you have a spatial or creative practise that in some way relates to sound, feel free to reach out!

So excited for another edition of SPACE.SOUND *live* again tomorrow from the brand new @sistermidnightfm studios with the most incredible guest TABIDEE. @tabideee

A long time co-conspirator, in architecture, engagement and club spaces, I can’t wait to chat with sis Heba about her sonic spatial practise, in which she has developed an archival practice focused on Sudanese electronic music that moves beyond traditional institutions- drawing from SoundCloud, cassette mixtapes, phone recordings, and personal fieldwork. Through her sound in the club, she channels the spiritual and political lineage of electronic music while paying tribute to its Black pioneers. Her research traces its deep connections to rave culture and collective sonic memory.Plus she’s a civil engineer + she co-runs Space Black - a creative studio of Black built-environment professionals imagining alternative spatial futures for marginalised communities. I’m her biggest fan.

Tune in 4-5PM :))

Plus some snippets/recap of last months show with @resolvecollective chatting all things circularity in space, and you guessed it, sound in celebration of their new collaborative project @tippingpointeast. Think loops, samples, full circle moments. It was such a pleasure and making these connections across practises through music, how we soundtrack our lives in the city and the way both space and sound shape our experiences is so interesting to get everyone’s views on. Listen back on the sistermidnightfm website!

If there’s anyone you think I should spotlight on my show in future, or you have a spatial or creative practise that in some way relates to sound, feel free to reach out!

So excited for another edition of SPACE.SOUND *live* again tomorrow from the brand new @sistermidnightfm studios with the most incredible guest TABIDEE. @tabideee

A long time co-conspirator, in architecture, engagement and club spaces, I can’t wait to chat with sis Heba about her sonic spatial practise, in which she has developed an archival practice focused on Sudanese electronic music that moves beyond traditional institutions- drawing from SoundCloud, cassette mixtapes, phone recordings, and personal fieldwork. Through her sound in the club, she channels the spiritual and political lineage of electronic music while paying tribute to its Black pioneers. Her research traces its deep connections to rave culture and collective sonic memory.Plus she’s a civil engineer + she co-runs Space Black - a creative studio of Black built-environment professionals imagining alternative spatial futures for marginalised communities. I’m her biggest fan.

Tune in 4-5PM :))

Plus some snippets/recap of last months show with @resolvecollective chatting all things circularity in space, and you guessed it, sound in celebration of their new collaborative project @tippingpointeast. Think loops, samples, full circle moments. It was such a pleasure and making these connections across practises through music, how we soundtrack our lives in the city and the way both space and sound shape our experiences is so interesting to get everyone’s views on. Listen back on the sistermidnightfm website!

If there’s anyone you think I should spotlight on my show in future, or you have a spatial or creative practise that in some way relates to sound, feel free to reach out!

So excited for another edition of SPACE.SOUND *live* again tomorrow from the brand new @sistermidnightfm studios with the most incredible guest TABIDEE. @tabideee

A long time co-conspirator, in architecture, engagement and club spaces, I can’t wait to chat with sis Heba about her sonic spatial practise, in which she has developed an archival practice focused on Sudanese electronic music that moves beyond traditional institutions- drawing from SoundCloud, cassette mixtapes, phone recordings, and personal fieldwork. Through her sound in the club, she channels the spiritual and political lineage of electronic music while paying tribute to its Black pioneers. Her research traces its deep connections to rave culture and collective sonic memory.Plus she’s a civil engineer + she co-runs Space Black - a creative studio of Black built-environment professionals imagining alternative spatial futures for marginalised communities. I’m her biggest fan.

Tune in 4-5PM :))

Plus some snippets/recap of last months show with @resolvecollective chatting all things circularity in space, and you guessed it, sound in celebration of their new collaborative project @tippingpointeast. Think loops, samples, full circle moments. It was such a pleasure and making these connections across practises through music, how we soundtrack our lives in the city and the way both space and sound shape our experiences is so interesting to get everyone’s views on. Listen back on the sistermidnightfm website!

If there’s anyone you think I should spotlight on my show in future, or you have a spatial or creative practise that in some way relates to sound, feel free to reach out!

Join us this Friday for a presentation and listening session with Space Black presented by Heba Tabidi 🤎

Friday 22 May 2026
7-9 pm
📍Black Archives Sweden, Falkenbergsgatan 4A, Malmö

Door opens: 7 pm
Event starts: 7.30 pm

📼
Centered on the migration of cassette tapes during the 1980s and 1990s between Sudan and the UK, this session will explore the movement of music, sound, and cultural memory across borders via cassette technologies, as well as distribution and recording practices among Sudanese communities.

Songs were collected, parties and gatherings recorded, mixtapes made – challenging ideas of belonging and authorship. These practices not only documented moments of collective life and the spatiality of music, but also extended them, allowing listeners in Sudan and the diaspora to share experiences of sound, atmosphere, and sociality across distance and time.
📼

➿About Heba Tabidi:
Heba is a DJ, researcher, and archivist. Her sonic practice explores the critical contributions of Black communities across the continent and diaspora to electronic music. Heba’s sound in the club honours genres shaped by Black pioneers, with a sonic focus on Afro-Arab electronic productions drawing from her Sudanese heritage and neighbouring regional influences, alongside the UK club sounds that soundtracked her introduction to rave culture.

Through this, she has developed an archival practice focused on Sudanese electronic music that moves beyond traditional institutions — drawing from platforms like SoundCloud, cassette mixtapes, phone recordings, and personal fieldwork. The tracks are a living archive and sample pack, serving as a method of documentation and a palette of sounds used in productions to bring the genre to contemporary club spaces.

🔎Learn more about @spaceblack__ via the link in bio
🔗 Läs om eventet på svenska via länken i bio

***
Graphic design: Linda Hallstan
Tape Memories is supported by Riksantikvarieämbetet.

Join us this Friday for a presentation and listening session with Space Black presented by Heba Tabidi 🤎

Friday 22 May 2026
7-9 pm
📍Black Archives Sweden, Falkenbergsgatan 4A, Malmö

Door opens: 7 pm
Event starts: 7.30 pm

📼
Centered on the migration of cassette tapes during the 1980s and 1990s between Sudan and the UK, this session will explore the movement of music, sound, and cultural memory across borders via cassette technologies, as well as distribution and recording practices among Sudanese communities.

Songs were collected, parties and gatherings recorded, mixtapes made – challenging ideas of belonging and authorship. These practices not only documented moments of collective life and the spatiality of music, but also extended them, allowing listeners in Sudan and the diaspora to share experiences of sound, atmosphere, and sociality across distance and time.
📼

➿About Heba Tabidi:
Heba is a DJ, researcher, and archivist. Her sonic practice explores the critical contributions of Black communities across the continent and diaspora to electronic music. Heba’s sound in the club honours genres shaped by Black pioneers, with a sonic focus on Afro-Arab electronic productions drawing from her Sudanese heritage and neighbouring regional influences, alongside the UK club sounds that soundtracked her introduction to rave culture.

Through this, she has developed an archival practice focused on Sudanese electronic music that moves beyond traditional institutions — drawing from platforms like SoundCloud, cassette mixtapes, phone recordings, and personal fieldwork. The tracks are a living archive and sample pack, serving as a method of documentation and a palette of sounds used in productions to bring the genre to contemporary club spaces.

🔎Learn more about @spaceblack__ via the link in bio
🔗 Läs om eventet på svenska via länken i bio

***
Graphic design: Linda Hallstan
Tape Memories is supported by Riksantikvarieämbetet.

Join us this Friday for a presentation and listening session with Space Black presented by Heba Tabidi 🤎

Friday 22 May 2026
7-9 pm
📍Black Archives Sweden, Falkenbergsgatan 4A, Malmö

Door opens: 7 pm
Event starts: 7.30 pm

📼
Centered on the migration of cassette tapes during the 1980s and 1990s between Sudan and the UK, this session will explore the movement of music, sound, and cultural memory across borders via cassette technologies, as well as distribution and recording practices among Sudanese communities.

Songs were collected, parties and gatherings recorded, mixtapes made – challenging ideas of belonging and authorship. These practices not only documented moments of collective life and the spatiality of music, but also extended them, allowing listeners in Sudan and the diaspora to share experiences of sound, atmosphere, and sociality across distance and time.
📼

➿About Heba Tabidi:
Heba is a DJ, researcher, and archivist. Her sonic practice explores the critical contributions of Black communities across the continent and diaspora to electronic music. Heba’s sound in the club honours genres shaped by Black pioneers, with a sonic focus on Afro-Arab electronic productions drawing from her Sudanese heritage and neighbouring regional influences, alongside the UK club sounds that soundtracked her introduction to rave culture.

Through this, she has developed an archival practice focused on Sudanese electronic music that moves beyond traditional institutions — drawing from platforms like SoundCloud, cassette mixtapes, phone recordings, and personal fieldwork. The tracks are a living archive and sample pack, serving as a method of documentation and a palette of sounds used in productions to bring the genre to contemporary club spaces.

🔎Learn more about @spaceblack__ via the link in bio
🔗 Läs om eventet på svenska via länken i bio

***
Graphic design: Linda Hallstan
Tape Memories is supported by Riksantikvarieämbetet.

If You Are a Big Tree #4

From the archive to the club ❤️

📷: @jvdphotography & Felix Meritis

If You Are a Big Tree #4

From the archive to the club ❤️

📷: @jvdphotography & Felix Meritis

If You Are a Big Tree #4

From the archive to the club ❤️

📷: @jvdphotography & Felix Meritis

If You Are a Big Tree #4

From the archive to the club ❤️

📷: @jvdphotography & Felix Meritis

If You Are a Big Tree #4

From the archive to the club ❤️

📷: @jvdphotography & Felix Meritis

If You Are a Big Tree #4

From the archive to the club ❤️

📷: @jvdphotography & Felix Meritis

If You Are a Big Tree #4

From the archive to the club ❤️

📷: @jvdphotography & Felix Meritis

If You Are a Big Tree #4

From the archive to the club ❤️

📷: @jvdphotography & Felix Meritis

If You Are a Big Tree #4

From the archive to the club ❤️

📷: @jvdphotography & Felix Meritis

IASPIS Research Residency: reimagining ‘club’ spaces for Sudanese Sounds
(WIP project)

Space Black in Conversation with Fadlabi

With the support of IASPS, we were honoured to host visual artist, curator Fadlabi in Stockholm for a collective dinner and conversation. Falabdi was invited to share his practice and the inception of the Khartoum Contemporary Art Center (KCAC), a deeply loved space in Oslo, Norway @khartoum_contemporary

KCAC was a beautiful, fully flexible, self-designed and self-built space created by Fadlabi and his team. Named after Sudan’s capital, it paid tribute to Sudanese identity, its expansive arts and culture scene, and its precolonial role as a crossroads of trade and cultural exchange linking different parts of Africa. This was reflected through its design and curation; the centre facilitated artists from across the global majority and its diasporas, offering an extensive programme of exhibitions, film screenings, panel discussions, debates, book launches, reading circles, and club nights.

Fadlabi generouslyshared archival materials documenting how KCAC was acquired and designed, and provided virtual insights contributing to our ongoing research .

A huge thank you to @magnus.ericson.se and @iaspis.se for making this event possible, and Fabaldi for such a generous offering of his amazing work

IASPIS Research Residency: reimagining ‘club’ spaces for Sudanese Sounds
(WIP project)

Space Black in Conversation with Fadlabi

With the support of IASPS, we were honoured to host visual artist, curator Fadlabi in Stockholm for a collective dinner and conversation. Falabdi was invited to share his practice and the inception of the Khartoum Contemporary Art Center (KCAC), a deeply loved space in Oslo, Norway @khartoum_contemporary

KCAC was a beautiful, fully flexible, self-designed and self-built space created by Fadlabi and his team. Named after Sudan’s capital, it paid tribute to Sudanese identity, its expansive arts and culture scene, and its precolonial role as a crossroads of trade and cultural exchange linking different parts of Africa. This was reflected through its design and curation; the centre facilitated artists from across the global majority and its diasporas, offering an extensive programme of exhibitions, film screenings, panel discussions, debates, book launches, reading circles, and club nights.

Fadlabi generouslyshared archival materials documenting how KCAC was acquired and designed, and provided virtual insights contributing to our ongoing research .

A huge thank you to @magnus.ericson.se and @iaspis.se for making this event possible, and Fabaldi for such a generous offering of his amazing work

IASPIS Research Residency: reimagining ‘club’ spaces for Sudanese Sounds
(WIP project)

Space Black in Conversation with Fadlabi

With the support of IASPS, we were honoured to host visual artist, curator Fadlabi in Stockholm for a collective dinner and conversation. Falabdi was invited to share his practice and the inception of the Khartoum Contemporary Art Center (KCAC), a deeply loved space in Oslo, Norway @khartoum_contemporary

KCAC was a beautiful, fully flexible, self-designed and self-built space created by Fadlabi and his team. Named after Sudan’s capital, it paid tribute to Sudanese identity, its expansive arts and culture scene, and its precolonial role as a crossroads of trade and cultural exchange linking different parts of Africa. This was reflected through its design and curation; the centre facilitated artists from across the global majority and its diasporas, offering an extensive programme of exhibitions, film screenings, panel discussions, debates, book launches, reading circles, and club nights.

Fadlabi generouslyshared archival materials documenting how KCAC was acquired and designed, and provided virtual insights contributing to our ongoing research .

A huge thank you to @magnus.ericson.se and @iaspis.se for making this event possible, and Fabaldi for such a generous offering of his amazing work

IASPIS Research Residency: reimagining ‘club’ spaces for Sudanese Sounds
(WIP project)

Space Black in Conversation with Fadlabi

With the support of IASPS, we were honoured to host visual artist, curator Fadlabi in Stockholm for a collective dinner and conversation. Falabdi was invited to share his practice and the inception of the Khartoum Contemporary Art Center (KCAC), a deeply loved space in Oslo, Norway @khartoum_contemporary

KCAC was a beautiful, fully flexible, self-designed and self-built space created by Fadlabi and his team. Named after Sudan’s capital, it paid tribute to Sudanese identity, its expansive arts and culture scene, and its precolonial role as a crossroads of trade and cultural exchange linking different parts of Africa. This was reflected through its design and curation; the centre facilitated artists from across the global majority and its diasporas, offering an extensive programme of exhibitions, film screenings, panel discussions, debates, book launches, reading circles, and club nights.

Fadlabi generouslyshared archival materials documenting how KCAC was acquired and designed, and provided virtual insights contributing to our ongoing research .

A huge thank you to @magnus.ericson.se and @iaspis.se for making this event possible, and Fabaldi for such a generous offering of his amazing work

IASPIS Research Residency: reimagining ‘club’ spaces for Sudanese Sounds
(WIP project)

Space Black in Conversation with Fadlabi

With the support of IASPS, we were honoured to host visual artist, curator Fadlabi in Stockholm for a collective dinner and conversation. Falabdi was invited to share his practice and the inception of the Khartoum Contemporary Art Center (KCAC), a deeply loved space in Oslo, Norway @khartoum_contemporary

KCAC was a beautiful, fully flexible, self-designed and self-built space created by Fadlabi and his team. Named after Sudan’s capital, it paid tribute to Sudanese identity, its expansive arts and culture scene, and its precolonial role as a crossroads of trade and cultural exchange linking different parts of Africa. This was reflected through its design and curation; the centre facilitated artists from across the global majority and its diasporas, offering an extensive programme of exhibitions, film screenings, panel discussions, debates, book launches, reading circles, and club nights.

Fadlabi generouslyshared archival materials documenting how KCAC was acquired and designed, and provided virtual insights contributing to our ongoing research .

A huge thank you to @magnus.ericson.se and @iaspis.se for making this event possible, and Fabaldi for such a generous offering of his amazing work

IASPIS Research Residency: reimagining ‘club’ spaces for Sudanese Sounds
(WIP project)

Space Black in Conversation with Fadlabi

With the support of IASPS, we were honoured to host visual artist, curator Fadlabi in Stockholm for a collective dinner and conversation. Falabdi was invited to share his practice and the inception of the Khartoum Contemporary Art Center (KCAC), a deeply loved space in Oslo, Norway @khartoum_contemporary

KCAC was a beautiful, fully flexible, self-designed and self-built space created by Fadlabi and his team. Named after Sudan’s capital, it paid tribute to Sudanese identity, its expansive arts and culture scene, and its precolonial role as a crossroads of trade and cultural exchange linking different parts of Africa. This was reflected through its design and curation; the centre facilitated artists from across the global majority and its diasporas, offering an extensive programme of exhibitions, film screenings, panel discussions, debates, book launches, reading circles, and club nights.

Fadlabi generouslyshared archival materials documenting how KCAC was acquired and designed, and provided virtual insights contributing to our ongoing research .

A huge thank you to @magnus.ericson.se and @iaspis.se for making this event possible, and Fabaldi for such a generous offering of his amazing work

IASPIS Research Residency: reimagining ‘club’ spaces for Sudanese Sounds
(WIP project)

Space Black in Conversation with Fadlabi

With the support of IASPS, we were honoured to host visual artist, curator Fadlabi in Stockholm for a collective dinner and conversation. Falabdi was invited to share his practice and the inception of the Khartoum Contemporary Art Center (KCAC), a deeply loved space in Oslo, Norway @khartoum_contemporary

KCAC was a beautiful, fully flexible, self-designed and self-built space created by Fadlabi and his team. Named after Sudan’s capital, it paid tribute to Sudanese identity, its expansive arts and culture scene, and its precolonial role as a crossroads of trade and cultural exchange linking different parts of Africa. This was reflected through its design and curation; the centre facilitated artists from across the global majority and its diasporas, offering an extensive programme of exhibitions, film screenings, panel discussions, debates, book launches, reading circles, and club nights.

Fadlabi generouslyshared archival materials documenting how KCAC was acquired and designed, and provided virtual insights contributing to our ongoing research .

A huge thank you to @magnus.ericson.se and @iaspis.se for making this event possible, and Fabaldi for such a generous offering of his amazing work

IASPIS Research Residency: reimagining ‘club’ spaces for Sudanese Sounds
(WIP project)

Space Black in Conversation with Fadlabi

With the support of IASPS, we were honoured to host visual artist, curator Fadlabi in Stockholm for a collective dinner and conversation. Falabdi was invited to share his practice and the inception of the Khartoum Contemporary Art Center (KCAC), a deeply loved space in Oslo, Norway @khartoum_contemporary

KCAC was a beautiful, fully flexible, self-designed and self-built space created by Fadlabi and his team. Named after Sudan’s capital, it paid tribute to Sudanese identity, its expansive arts and culture scene, and its precolonial role as a crossroads of trade and cultural exchange linking different parts of Africa. This was reflected through its design and curation; the centre facilitated artists from across the global majority and its diasporas, offering an extensive programme of exhibitions, film screenings, panel discussions, debates, book launches, reading circles, and club nights.

Fadlabi generouslyshared archival materials documenting how KCAC was acquired and designed, and provided virtual insights contributing to our ongoing research .

A huge thank you to @magnus.ericson.se and @iaspis.se for making this event possible, and Fabaldi for such a generous offering of his amazing work

@Tabideee is a DJ, researcher, and archivist exploring the critical contributions of Black communities across the continent and diaspora to electronic music. Her sound pays tribute to Afro-Arab electronic productions, specifically exploring her Sudanese heritage and neighbouring influences.

Drawing from platforms like Youtube, SoundCloud, cassette mixtapes, phone recordings, and fieldwork, she built a deeply personal archive, which she uses to create new sounds out of memories and lived experiences. Among other things, she mentions great music and resources such as @al.rassa, @djbasma, and @sudantapesarchive.

We sat down with Tabideee to learn more about her process, her British Afro-Arab upbringing, and her advocacy for Sudan.

Read: link ⟶ LGW’s bio.

@Tabideee is a DJ, researcher, and archivist exploring the critical contributions of Black communities across the continent and diaspora to electronic music. Her sound pays tribute to Afro-Arab electronic productions, specifically exploring her Sudanese heritage and neighbouring influences.

Drawing from platforms like Youtube, SoundCloud, cassette mixtapes, phone recordings, and fieldwork, she built a deeply personal archive, which she uses to create new sounds out of memories and lived experiences. Among other things, she mentions great music and resources such as @al.rassa, @djbasma, and @sudantapesarchive.

We sat down with Tabideee to learn more about her process, her British Afro-Arab upbringing, and her advocacy for Sudan.

Read: link ⟶ LGW’s bio.

@Tabideee is a DJ, researcher, and archivist exploring the critical contributions of Black communities across the continent and diaspora to electronic music. Her sound pays tribute to Afro-Arab electronic productions, specifically exploring her Sudanese heritage and neighbouring influences.

Drawing from platforms like Youtube, SoundCloud, cassette mixtapes, phone recordings, and fieldwork, she built a deeply personal archive, which she uses to create new sounds out of memories and lived experiences. Among other things, she mentions great music and resources such as @al.rassa, @djbasma, and @sudantapesarchive.

We sat down with Tabideee to learn more about her process, her British Afro-Arab upbringing, and her advocacy for Sudan.

Read: link ⟶ LGW’s bio.

@Tabideee is a DJ, researcher, and archivist exploring the critical contributions of Black communities across the continent and diaspora to electronic music. Her sound pays tribute to Afro-Arab electronic productions, specifically exploring her Sudanese heritage and neighbouring influences.

Drawing from platforms like Youtube, SoundCloud, cassette mixtapes, phone recordings, and fieldwork, she built a deeply personal archive, which she uses to create new sounds out of memories and lived experiences. Among other things, she mentions great music and resources such as @al.rassa, @djbasma, and @sudantapesarchive.

We sat down with Tabideee to learn more about her process, her British Afro-Arab upbringing, and her advocacy for Sudan.

Read: link ⟶ LGW’s bio.

@Tabideee is a DJ, researcher, and archivist exploring the critical contributions of Black communities across the continent and diaspora to electronic music. Her sound pays tribute to Afro-Arab electronic productions, specifically exploring her Sudanese heritage and neighbouring influences.

Drawing from platforms like Youtube, SoundCloud, cassette mixtapes, phone recordings, and fieldwork, she built a deeply personal archive, which she uses to create new sounds out of memories and lived experiences. Among other things, she mentions great music and resources such as @al.rassa, @djbasma, and @sudantapesarchive.

We sat down with Tabideee to learn more about her process, her British Afro-Arab upbringing, and her advocacy for Sudan.

Read: link ⟶ LGW’s bio.

@Tabideee is a DJ, researcher, and archivist exploring the critical contributions of Black communities across the continent and diaspora to electronic music. Her sound pays tribute to Afro-Arab electronic productions, specifically exploring her Sudanese heritage and neighbouring influences.

Drawing from platforms like Youtube, SoundCloud, cassette mixtapes, phone recordings, and fieldwork, she built a deeply personal archive, which she uses to create new sounds out of memories and lived experiences. Among other things, she mentions great music and resources such as @al.rassa, @djbasma, and @sudantapesarchive.

We sat down with Tabideee to learn more about her process, her British Afro-Arab upbringing, and her advocacy for Sudan.

Read: link ⟶ LGW’s bio.

@Tabideee is a DJ, researcher, and archivist exploring the critical contributions of Black communities across the continent and diaspora to electronic music. Her sound pays tribute to Afro-Arab electronic productions, specifically exploring her Sudanese heritage and neighbouring influences.

Drawing from platforms like Youtube, SoundCloud, cassette mixtapes, phone recordings, and fieldwork, she built a deeply personal archive, which she uses to create new sounds out of memories and lived experiences. Among other things, she mentions great music and resources such as @al.rassa, @djbasma, and @sudantapesarchive.

We sat down with Tabideee to learn more about her process, her British Afro-Arab upbringing, and her advocacy for Sudan.

Read: link ⟶ LGW’s bio.

If You Are a Big Tree #4

In conversation with @saffakhalil on the informal sonic archive, and the forgotten subcultures as a reference for new sounds in the club

📷: @jvdphotography & Felix Meritis

If You Are a Big Tree #4

In conversation with @saffakhalil on the informal sonic archive, and the forgotten subcultures as a reference for new sounds in the club

📷: @jvdphotography & Felix Meritis

If You Are a Big Tree #4

In conversation with @saffakhalil on the informal sonic archive, and the forgotten subcultures as a reference for new sounds in the club

📷: @jvdphotography & Felix Meritis

Late twenties are CANCELLED xx

Late twenties are CANCELLED xx

Late twenties are CANCELLED xx

Late twenties are CANCELLED xx

Late twenties are CANCELLED xx

Late twenties are CANCELLED xx

Late twenties are CANCELLED xx

Late twenties are CANCELLED xx

Late twenties are CANCELLED xx

Late twenties are CANCELLED xx

Late twenties are CANCELLED xx

Late twenties are CANCELLED xx

Today marks 3 years of the Sudan War, resulting in the greatest humanitarian crisis of the 21st century.This fundraiser began as an urgent relief fund and 3 years later continues to provide on the ground support to communties across Sudan. As communties return to their homes where they can, or attempt to rebuild their lives somewhere anew, some of our fundraising efforts can now also support longer term initiatives where possible.

A number of generous donations made this year, alongside a significant contribution from funds raised by the @blackarchivessweden community and additional external donations has allowed us to build a community water point and repairs the backup water storage tank.

The water point has been constructed in a school in the west of Omdurman, with 700 students who previously had no running water supply and relied on on buying water and filling a Zeers — a traditional earthenware pot that cools and stores drinking water for the students.

Thank you to for three years of donations and continued support.In the face of overwhelming need our collective, localised actions have allowed us to reach hundreds of people with dignity. As the conflict continues across the country and the wake of war leaves millions vulnerable,please continue donating to grassroots initiatives,campaign to hold governments accountable—to recognise the crisis and take immediate action, support Sudanese refuges in your local areas, keep informed and your eyes on Sudan.
🇸🇩❤️‍🩹

Today marks 3 years of the Sudan War, resulting in the greatest humanitarian crisis of the 21st century.This fundraiser began as an urgent relief fund and 3 years later continues to provide on the ground support to communties across Sudan. As communties return to their homes where they can, or attempt to rebuild their lives somewhere anew, some of our fundraising efforts can now also support longer term initiatives where possible.

A number of generous donations made this year, alongside a significant contribution from funds raised by the @blackarchivessweden community and additional external donations has allowed us to build a community water point and repairs the backup water storage tank.

The water point has been constructed in a school in the west of Omdurman, with 700 students who previously had no running water supply and relied on on buying water and filling a Zeers — a traditional earthenware pot that cools and stores drinking water for the students.

Thank you to for three years of donations and continued support.In the face of overwhelming need our collective, localised actions have allowed us to reach hundreds of people with dignity. As the conflict continues across the country and the wake of war leaves millions vulnerable,please continue donating to grassroots initiatives,campaign to hold governments accountable—to recognise the crisis and take immediate action, support Sudanese refuges in your local areas, keep informed and your eyes on Sudan.
🇸🇩❤️‍🩹

Today marks 3 years of the Sudan War, resulting in the greatest humanitarian crisis of the 21st century.This fundraiser began as an urgent relief fund and 3 years later continues to provide on the ground support to communties across Sudan. As communties return to their homes where they can, or attempt to rebuild their lives somewhere anew, some of our fundraising efforts can now also support longer term initiatives where possible.

A number of generous donations made this year, alongside a significant contribution from funds raised by the @blackarchivessweden community and additional external donations has allowed us to build a community water point and repairs the backup water storage tank.

The water point has been constructed in a school in the west of Omdurman, with 700 students who previously had no running water supply and relied on on buying water and filling a Zeers — a traditional earthenware pot that cools and stores drinking water for the students.

Thank you to for three years of donations and continued support.In the face of overwhelming need our collective, localised actions have allowed us to reach hundreds of people with dignity. As the conflict continues across the country and the wake of war leaves millions vulnerable,please continue donating to grassroots initiatives,campaign to hold governments accountable—to recognise the crisis and take immediate action, support Sudanese refuges in your local areas, keep informed and your eyes on Sudan.
🇸🇩❤️‍🩹

Today marks 3 years of the Sudan War, resulting in the greatest humanitarian crisis of the 21st century.This fundraiser began as an urgent relief fund and 3 years later continues to provide on the ground support to communties across Sudan. As communties return to their homes where they can, or attempt to rebuild their lives somewhere anew, some of our fundraising efforts can now also support longer term initiatives where possible.

A number of generous donations made this year, alongside a significant contribution from funds raised by the @blackarchivessweden community and additional external donations has allowed us to build a community water point and repairs the backup water storage tank.

The water point has been constructed in a school in the west of Omdurman, with 700 students who previously had no running water supply and relied on on buying water and filling a Zeers — a traditional earthenware pot that cools and stores drinking water for the students.

Thank you to for three years of donations and continued support.In the face of overwhelming need our collective, localised actions have allowed us to reach hundreds of people with dignity. As the conflict continues across the country and the wake of war leaves millions vulnerable,please continue donating to grassroots initiatives,campaign to hold governments accountable—to recognise the crisis and take immediate action, support Sudanese refuges in your local areas, keep informed and your eyes on Sudan.
🇸🇩❤️‍🩹