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Tei Blow

I follow people I disagree with.

2.2K
posts
3.3K
followers
2.2K
following

Thanks for applauding for Chumby at @catchperfseries I fully dissociated like when I’m scrolling the NYFA website


47
2
1 years ago


Karaoke by TEI BLOW (ROKE) + DJ ROB THE RICH !

The Peoples Karaoke/ROKE have been hosting face-melting karaoke since 2013. They will be reuniting on the eve of CATCH with Claudette, their nubile karaoke supercomputer in honor of Caleb’s 27th birthday.

CATCH 81 @ LIFE WORLD 5/2/26
$20 at door


131
2
3 weeks ago

Karaoke by TEI BLOW (ROKE) + DJ ROB THE RICH !

The Peoples Karaoke/ROKE have been hosting face-melting karaoke since 2013. They will be reuniting on the eve of CATCH with Claudette, their nubile karaoke supercomputer in honor of Caleb’s 27th birthday.

CATCH 81 @ LIFE WORLD 5/2/26
$20 at door


131
2
3 weeks ago

Foxy


46
4
2 months ago

Foxy


46
4
2 months ago

39
3
3 months ago

Happy New Year

May all beings be free of suffering

@jonimitchell #cargocult #newyears


58
4 months ago

MARIA BARANOVA !

79-93

In this audio-visual installation, memory is not a static archive but a living, shifting terrain - one shaped and reshaped by the interplay of sound and image.

The work orchestrates a dialogue between found and personal slides, projected through layers of color gels, and an immersive soundscape that blurs the boundaries between recollection and invention.

Sound Design by Tei Blow.

🌐 mariabaranova.com


CATCH 79
6pm Saturday 13 September
at the Chocolate Factory Theater
🎟️ $20 at the door


59
2
8 months ago


MARIA BARANOVA !

79-93

In this audio-visual installation, memory is not a static archive but a living, shifting terrain - one shaped and reshaped by the interplay of sound and image.

The work orchestrates a dialogue between found and personal slides, projected through layers of color gels, and an immersive soundscape that blurs the boundaries between recollection and invention.

Sound Design by Tei Blow.

🌐 mariabaranova.com


CATCH 79
6pm Saturday 13 September
at the Chocolate Factory Theater
🎟️ $20 at the door


59
2
8 months ago

MARIA BARANOVA !

79-93

In this audio-visual installation, memory is not a static archive but a living, shifting terrain - one shaped and reshaped by the interplay of sound and image.

The work orchestrates a dialogue between found and personal slides, projected through layers of color gels, and an immersive soundscape that blurs the boundaries between recollection and invention.

Sound Design by Tei Blow.

🌐 mariabaranova.com


CATCH 79
6pm Saturday 13 September
at the Chocolate Factory Theater
🎟️ $20 at the door


59
2
8 months ago

20
3
8 months ago

22
1
10 months ago

40
1 years ago

Boom booms


17
1 years ago

Interview in @bombmag by @ericbogosian with Richard Foreman


99
4
1 years ago


Interview in @bombmag by @ericbogosian with Richard Foreman


99
4
1 years ago

Interview in @bombmag by @ericbogosian with Richard Foreman


99
4
1 years ago

Interview in @bombmag by @ericbogosian with Richard Foreman


99
4
1 years ago

Interview in @bombmag by @ericbogosian with Richard Foreman


99
4
1 years ago

Interview in @bombmag by @ericbogosian with Richard Foreman


99
4
1 years ago

Interview in @bombmag by @ericbogosian with Richard Foreman


99
4
1 years ago


In 1997 my dad took me to see Richard Foreman’s regional theater commission, Pearls for Pigs. It featured David Patrick Kelly and over the course of two hours nearly 3/4 of the audience left.Actors delivering hypnotically intoned speech; looping minidisc players continuously sputteringfragments of sampled material; destructions of theatrical language that were so disorienting. The ultimate effect of this however felt like I was watching living people onstage and accompanied by the design layers that illustrated the internal spaces of everyonein the piece, in the audience, in the universe. It was a diagonal slicing of human experience. And It was the single most influential moment of theater in my life. I thought holy moley outside of Connecticut maybe everything would be like this in the professional theater! When I returned to design my first show at @hartfordstage with @bigdancetheater in 2010, a member of the production team randomly said “Pearls for Pigs” to his coworker while we were in a production meeting.I asked him what he meant by that since he couldn’t possibly have been at the show. He replied that it was a saying they had around the office when the play is too weird and nobody gets it.
It’s a dream to be so iconic that people without imagination use your name and work as an expression that shows their small mindedness. Long live restless Richard Foreman.End of play.


190
9
1 years ago

In 1997 my dad took me to see Richard Foreman’s regional theater commission, Pearls for Pigs. It featured David Patrick Kelly and over the course of two hours nearly 3/4 of the audience left.Actors delivering hypnotically intoned speech; looping minidisc players continuously sputteringfragments of sampled material; destructions of theatrical language that were so disorienting. The ultimate effect of this however felt like I was watching living people onstage and accompanied by the design layers that illustrated the internal spaces of everyonein the piece, in the audience, in the universe. It was a diagonal slicing of human experience. And It was the single most influential moment of theater in my life. I thought holy moley outside of Connecticut maybe everything would be like this in the professional theater! When I returned to design my first show at @hartfordstage with @bigdancetheater in 2010, a member of the production team randomly said “Pearls for Pigs” to his coworker while we were in a production meeting.I asked him what he meant by that since he couldn’t possibly have been at the show. He replied that it was a saying they had around the office when the play is too weird and nobody gets it.
It’s a dream to be so iconic that people without imagination use your name and work as an expression that shows their small mindedness. Long live restless Richard Foreman.End of play.


190
9
1 years ago


스토리 세이브 - 스토리, 릴스, 사진, 비디오, 하이라이트, IGTV를 핸드폰에 저장할 수 있는 최고의 무료 도구.

스토리-세이브.com은 사용자들이 인스타그램에서 스토리, 사진, 비디오, IGTV 등을 직접 다운로드하고 저장할 수 있게 도와주는 직관적인 온라인 도구입니다. Story-Save를 사용하면 인스타그램에서 다양한 콘텐츠를 쉽게 다운로드하고 인터넷 없이도 편리하게 볼 수 있습니다. 인스타그램에서 흥미로운 내용을 발견하고 나중에 보기 위해 저장하고 싶을 때 이 도구가 완벽합니다. Story-Save를 사용하여 인스타그램의 소중한 순간을 놓치지 마세요!

우리의 장점:

회원가입 불필요

앱 다운로드 및 가입 없이, 웹에서 스토리를 저장하세요.

독점적인 고화질

저화질 콘텐츠는 이제 그만, 고해상도 스토리만 보존하세요.

모든 장치에서 접근 가능

모든 브라우저, 아이폰, 안드로이드에서 인스타그램 스토리를 다운로드하세요.

완전 무료 사용

전혀 비용 없이 스토리를 다운로드할 수 있습니다.

자주 묻는 질문

인스타그램 스토리 다운로드 기능은 인스타그램 스토리를 안전하고 고품질로 다운로드할 수 있는 방법을 제공합니다. 사용자 친화적이며, 가입 없이 사용 가능합니다. 링크를 복사하여 붙여넣고 콘텐츠를 즐기세요.
인스타그램 스토리 다운로드는 간단한 과정으로, 세 가지 단계가 필요합니다:
  • 1. 인스타그램 스토리 다운로드 도구에 접속하세요.
  • 2. 인스타그램 프로필의 사용자명을 제공된 필드에 입력하고 다운로드 버튼을 클릭하세요.
  • 3. 현재 24시간 동안 사용 가능한 모든 스토리가 표시됩니다. 원하는 스토리를 선택하고 다운로드하세요.
선택한 스토리는 빠르게 기기의 로컬 저장소에 저장됩니다.
불행히도 개인 계정의 스토리는 개인정보 보호 정책으로 인해 다운로드할 수 없습니다.
인스타그램 스토리 다운로드 서비스에는 사용 횟수 제한이 없습니다. 무제한으로 무료로 사용 가능합니다.
네, 다른 사용자의 인스타그램 스토리를 다운로드하고 저장하는 것은 상업적 용도가 아닌 한 합법입니다. 상업적 용도로 사용하려면 원래 콘텐츠 소유자로부터 허락을 받고, 매번 스토리를 사용할 때마다 출처를 밝혀야 합니다.
다운로드한 스토리는 일반적으로 컴퓨터의 다운로드 폴더에 저장됩니다. 윈도우, 맥, iOS 모두 동일합니다. 모바일 장치에서는 스토리가 핸드폰 저장소에 저장되며, 다운로드 후 바로 갤러리 앱에 나타납니다.