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saxtonal
Saxon Buckley
Nati | ☮️ 🌱| Graphic designer and illustrator
‘Untitled No.1’
May, 2026
400mmx400mm
Digital
Sourced from an old VHS recording, captured digtially, and distorted.
'Son of Frank - Andiamo'
November, 2025
520x520mm
Acrylic, and ink on paper
To celebrate the 5 year anniversary of my dear friends', and talented artists' @mrboombox and @julianjonathanfrancescoamato band, I am honoured to have created their second album cover 'Andiamo'.
Thank you for the opportunity to collaborate with your talents, as well as your love for music.
I look forward to creating more with @son_of_frank_music in the future.
In their wise words 'Music inspires Art. Art inspires Music. '
As always, a special thank you to @rathenartprinting for their excellent quality scanning -
Artificial Death
September, 2025
1400x900mm
Mixed media on paper
Thank you to @rathenartprinting for the excellent scanning
Artificial Death
September, 2025
1400x900mm
Mixed media on paper
Thank you to @rathenartprinting for the excellent scanning
Artificial Death
September, 2025
1400x900mm
Mixed media on paper
Thank you to @rathenartprinting for the excellent scanning
‘Unplanned Power Outage (UPO)’
September 11, 2025
420x594mm
Printmaking ink, and acrylic on paper
(Image has been digitally altered to remove lighting sheen.)
‘Ingleburn, on a Sunday Morning’
September, 2025
594x420mm
Acrylic, coloured pencil, and Posca on paper
Another pleasant valley Sunday
‘Consortium No.1’
June, 2023
594x841mm (Approximately)
The ‘infinity arrows’ were something I had designed digitally, then transferred over to paper, where I could improvise the finer details. This rendering approach was also implemented in ‘Consortium No. 2’.
‘Consortium No.1’
June, 2023
594x841mm (Approximately)
The ‘infinity arrows’ were something I had designed digitally, then transferred over to paper, where I could improvise the finer details. This rendering approach was also implemented in ‘Consortium No. 2’.
‘Consortium No.1’
June, 2023
594x841mm (Approximately)
The ‘infinity arrows’ were something I had designed digitally, then transferred over to paper, where I could improvise the finer details. This rendering approach was also implemented in ‘Consortium No. 2’.
‘Consortium No.1’
June, 2023
594x841mm (Approximately)
The ‘infinity arrows’ were something I had designed digitally, then transferred over to paper, where I could improvise the finer details. This rendering approach was also implemented in ‘Consortium No. 2’.
Saxon Buckley @saxtonal is a Sydney-based graphic designer and illustrator whose work blends a fine arts background with traditional design principles. Rooted in symmetry and geometry, their process begins with a hand-drawn grid — a structure that brings balance to more chaotic or speculative forms.
Buckley’s work offers a meditation on the complexity of human systems and the fragility of meaning-making in a rapidly changing world. Their layered, diagrammatic approach echoes themes of memory, structure, and the traces we leave behind — like a map of the collective subconscious at a turning point.
‘Palimpsest’ opens 2–3 August at 465 King Street, Newtown.
Saxon Buckley @saxtonal is a Sydney-based graphic designer and illustrator whose work blends a fine arts background with traditional design principles. Rooted in symmetry and geometry, their process begins with a hand-drawn grid — a structure that brings balance to more chaotic or speculative forms.
Buckley’s work offers a meditation on the complexity of human systems and the fragility of meaning-making in a rapidly changing world. Their layered, diagrammatic approach echoes themes of memory, structure, and the traces we leave behind — like a map of the collective subconscious at a turning point.
‘Palimpsest’ opens 2–3 August at 465 King Street, Newtown.
Saxon Buckley @saxtonal is a Sydney-based graphic designer and illustrator whose work blends a fine arts background with traditional design principles. Rooted in symmetry and geometry, their process begins with a hand-drawn grid — a structure that brings balance to more chaotic or speculative forms.
Buckley’s work offers a meditation on the complexity of human systems and the fragility of meaning-making in a rapidly changing world. Their layered, diagrammatic approach echoes themes of memory, structure, and the traces we leave behind — like a map of the collective subconscious at a turning point.
‘Palimpsest’ opens 2–3 August at 465 King Street, Newtown.
Saxon Buckley @saxtonal is a Sydney-based graphic designer and illustrator whose work blends a fine arts background with traditional design principles. Rooted in symmetry and geometry, their process begins with a hand-drawn grid — a structure that brings balance to more chaotic or speculative forms.
Buckley’s work offers a meditation on the complexity of human systems and the fragility of meaning-making in a rapidly changing world. Their layered, diagrammatic approach echoes themes of memory, structure, and the traces we leave behind — like a map of the collective subconscious at a turning point.
‘Palimpsest’ opens 2–3 August at 465 King Street, Newtown.
Saxon Buckley @saxtonal is a Sydney-based graphic designer and illustrator whose work blends a fine arts background with traditional design principles. Rooted in symmetry and geometry, their process begins with a hand-drawn grid — a structure that brings balance to more chaotic or speculative forms.
Buckley’s work offers a meditation on the complexity of human systems and the fragility of meaning-making in a rapidly changing world. Their layered, diagrammatic approach echoes themes of memory, structure, and the traces we leave behind — like a map of the collective subconscious at a turning point.
‘Palimpsest’ opens 2–3 August at 465 King Street, Newtown.
Saxon Buckley @saxtonal is a Sydney-based graphic designer and illustrator whose work blends a fine arts background with traditional design principles. Rooted in symmetry and geometry, their process begins with a hand-drawn grid — a structure that brings balance to more chaotic or speculative forms.
Buckley’s work offers a meditation on the complexity of human systems and the fragility of meaning-making in a rapidly changing world. Their layered, diagrammatic approach echoes themes of memory, structure, and the traces we leave behind — like a map of the collective subconscious at a turning point.
‘Palimpsest’ opens 2–3 August at 465 King Street, Newtown.
We are very excited to present ‘Palimpsest: Works on Paper’, a group exhibition exploring the tension between mark-making and erasure, surface and memory, legibility and resistance.
Borrowing its name from the term palimpsest — a surface made to be written over, layered with traces of prior inscriptions — the exhibition brings together six contemporary artists who approach paper not as a blank canvas, but as a contested site of presence, absence, and reconstruction.
‘RGB on a Black Screen’
June, 2025
420x594mm
Pastel on Paper
From pastel to your screen
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