인스타그램 스토리 저장

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

✨New Release✨

Introducing Galera, a personal interpretation of Eras®️, shaped by nostalgia, sign painting, and a deep appreciation for the craft behind this 1960s French classic designed by Albert Boton and Albert Hollenstein.

Galera was drawn from the ground up, building on the spirit of the original while bringing smoother transitions across weights, more balanced proportions, and subtle gestures informed by brush practice. The result is sharper, brighter, and made with contemporary digital use in mind.

Designed primarily for display, signage, and digital environments, Galera brings presence and character at large sizes, while maintaining solid performance in medium text settings and remaining usable at smaller sizes.
The family includes a broad Latin-based character set, Cyrillic support, arrows, symbols, OpenType features, and a variable font for finer adjustments across different contexts.

Available now at @dualtype.design

https://dualtype.design/fonts/galera

Read more about Galera process in:
https://dualtype.design/blog/166

#fonts #FontRelease #NewRelease #Typeface

Happy to share that both Dual Casual and Catich Color were selected at this year’s Type Directors Club @typedirectorsTDC72 competition. #tdc72

Dual Casual grows out of sign painting. It’s loose and flexible, built as a variable system that moves across styles and moods.
Catich Color comes from a more educational place, exploring Roman Capitals through brush construction and the thinking of Fr. Edward Catich. It translates stroke logic into a color font.

Both projects come from very different directions, but they share the same curiosity about how letters are built and how they behave.

Thanks for looking, supporting, and sharing along the way. It really means a lot.

Waiting room sketch

Estamos contentos de haber sido seleccionados en la décima bienal de tipografía latinoamericana Tipos Latinos con tres proyectos de DualType:

Dual Grafika en la categoría Título, 
Yumex en Superfamilia y 
Letrabrijes en Experimental.

Siempre es valioso ver estos proyectos dialogando en este contexto y formar parte de una plataforma que reúne tantas voces y enfoques distintos de la tipografía en la región.

——

We’re happy to have been selected in the 10th Latin American Typography Biennial, Tipos Latinos, with three projects from DualType:

Dual Grafika in the Title category,
Yumex in Superfamily, and
Letrabrijes in Experimental.

It’s always valuable to see these projects in dialogue within this context and to be part of a platform that brings together so many voices and different approaches to typography in the region.

Estamos contentos de haber sido seleccionados en la décima bienal de tipografía latinoamericana Tipos Latinos con tres proyectos de DualType:

Dual Grafika en la categoría Título, 
Yumex en Superfamilia y 
Letrabrijes en Experimental.

Siempre es valioso ver estos proyectos dialogando en este contexto y formar parte de una plataforma que reúne tantas voces y enfoques distintos de la tipografía en la región.

——

We’re happy to have been selected in the 10th Latin American Typography Biennial, Tipos Latinos, with three projects from DualType:

Dual Grafika in the Title category,
Yumex in Superfamily, and
Letrabrijes in Experimental.

It’s always valuable to see these projects in dialogue within this context and to be part of a platform that brings together so many voices and different approaches to typography in the region.

Estamos contentos de haber sido seleccionados en la décima bienal de tipografía latinoamericana Tipos Latinos con tres proyectos de DualType:

Dual Grafika en la categoría Título, 
Yumex en Superfamilia y 
Letrabrijes en Experimental.

Siempre es valioso ver estos proyectos dialogando en este contexto y formar parte de una plataforma que reúne tantas voces y enfoques distintos de la tipografía en la región.

——

We’re happy to have been selected in the 10th Latin American Typography Biennial, Tipos Latinos, with three projects from DualType:

Dual Grafika in the Title category,
Yumex in Superfamily, and
Letrabrijes in Experimental.

It’s always valuable to see these projects in dialogue within this context and to be part of a platform that brings together so many voices and different approaches to typography in the region.

Estamos contentos de haber sido seleccionados en la décima bienal de tipografía latinoamericana Tipos Latinos con tres proyectos de DualType:

Dual Grafika en la categoría Título, 
Yumex en Superfamilia y 
Letrabrijes en Experimental.

Siempre es valioso ver estos proyectos dialogando en este contexto y formar parte de una plataforma que reúne tantas voces y enfoques distintos de la tipografía en la región.

——

We’re happy to have been selected in the 10th Latin American Typography Biennial, Tipos Latinos, with three projects from DualType:

Dual Grafika in the Title category,
Yumex in Superfamily, and
Letrabrijes in Experimental.

It’s always valuable to see these projects in dialogue within this context and to be part of a platform that brings together so many voices and different approaches to typography in the region.

Estamos contentos de haber sido seleccionados en la décima bienal de tipografía latinoamericana Tipos Latinos con tres proyectos de DualType:

Dual Grafika en la categoría Título, 
Yumex en Superfamilia y 
Letrabrijes en Experimental.

Siempre es valioso ver estos proyectos dialogando en este contexto y formar parte de una plataforma que reúne tantas voces y enfoques distintos de la tipografía en la región.

——

We’re happy to have been selected in the 10th Latin American Typography Biennial, Tipos Latinos, with three projects from DualType:

Dual Grafika in the Title category,
Yumex in Superfamily, and
Letrabrijes in Experimental.

It’s always valuable to see these projects in dialogue within this context and to be part of a platform that brings together so many voices and different approaches to typography in the region.

Draw more letters

Maniac

Curse and blessing

Taller Intensivo: Romanas Monumentales con Gen Ramírez

En este taller introductorio de dos días exploraremos las raíces históricas, la anatomía y la lógica constructiva de las Romanas Monumentales a partir del modelo analítico desarrollado por Edward Catich.

A lo largo del taller, analizaremos las propiedades estilísticas y los elementos estructurales de las Romanas Monumentales para comprender su evolución dentro de la escritura latina. Esta base histórica no solo amplía nuestra mirada, sino que proporciona herramientas concretas para tomar decisiones formales sólidas en el diseño de tipografías.

El trabajo será eminentemente práctico. Los participantes construirán letras trazo por trazo, entendiendo su geometría esencial, su esqueleto y su sistema proporcional. Gradualmente se incorporará mayor complejidad en los detalles, permitiendo también espacios de experimentación y variación dentro del modelo.

FECHA: 
Sábado 21 y Domingo 22 de Marzo 2026, de 10 am a 1pm - 2 pm a 5 pm (1 hora de lunch break)

LUGAR: 
Gimnasio De Arte, Av. Álvaro Obregón 185-piso 3, Roma Nte., CDMX

COSTO
* Costo regular: MXN 3400

Más info y registro en:
@letrastica.cdmx
https://letrastica.com/es/eventos/taller-romanas-con-gen-ramirez

A veces es útil practicar modelos más formales y clásicos. Aunque este ejercicio no intenta replicar la tipografía Óptima, sí hace referencia a la estructura, proporción e intención de letras romanas sin serifa.
Es importante observar cómo los trazos delgados y gruesos se generan principalmente mediante el cambio de presión del pincel. Esto contrasta con otros modelos, en los que los trazos gruesos se construyen mediante dos pasadas o dependen de la rotación de la punta del pincel para producir la variación entre delgado y grueso.

A practicar y ¡felices trazos!

✨ New version ✨

Padova continues to grow.

This new version expands Latin-based language support, broadening its reach across Western and Central European languages. Small caps are now available in both Roman and Italic styles, adding refinement and greater typographic flexibility across all three subfamilies.

Up next: symbols, math support, and superiors/inferiors

Available at @futurefonts 
https://www.futurefonts.com/dualtype/padova

#PadovaType #TypeDesign #FutureFonts #VariableFont #Typography

✨ New version ✨

Padova continues to grow.

This new version expands Latin-based language support, broadening its reach across Western and Central European languages. Small caps are now available in both Roman and Italic styles, adding refinement and greater typographic flexibility across all three subfamilies.

Up next: symbols, math support, and superiors/inferiors

Available at @futurefonts 
https://www.futurefonts.com/dualtype/padova

#PadovaType #TypeDesign #FutureFonts #VariableFont #Typography

✨ New version ✨

Padova continues to grow.

This new version expands Latin-based language support, broadening its reach across Western and Central European languages. Small caps are now available in both Roman and Italic styles, adding refinement and greater typographic flexibility across all three subfamilies.

Up next: symbols, math support, and superiors/inferiors

Available at @futurefonts 
https://www.futurefonts.com/dualtype/padova

#PadovaType #TypeDesign #FutureFonts #VariableFont #Typography

✨ New version ✨

Padova continues to grow.

This new version expands Latin-based language support, broadening its reach across Western and Central European languages. Small caps are now available in both Roman and Italic styles, adding refinement and greater typographic flexibility across all three subfamilies.

Up next: symbols, math support, and superiors/inferiors

Available at @futurefonts 
https://www.futurefonts.com/dualtype/padova

#PadovaType #TypeDesign #FutureFonts #VariableFont #Typography

✨ New version ✨

Padova continues to grow.

This new version expands Latin-based language support, broadening its reach across Western and Central European languages. Small caps are now available in both Roman and Italic styles, adding refinement and greater typographic flexibility across all three subfamilies.

Up next: symbols, math support, and superiors/inferiors

Available at @futurefonts 
https://www.futurefonts.com/dualtype/padova

#PadovaType #TypeDesign #FutureFonts #VariableFont #Typography

✨ New version ✨

Padova continues to grow.

This new version expands Latin-based language support, broadening its reach across Western and Central European languages. Small caps are now available in both Roman and Italic styles, adding refinement and greater typographic flexibility across all three subfamilies.

Up next: symbols, math support, and superiors/inferiors

Available at @futurefonts 
https://www.futurefonts.com/dualtype/padova

#PadovaType #TypeDesign #FutureFonts #VariableFont #Typography

✨ New version ✨

Padova continues to grow.

This new version expands Latin-based language support, broadening its reach across Western and Central European languages. Small caps are now available in both Roman and Italic styles, adding refinement and greater typographic flexibility across all three subfamilies.

Up next: symbols, math support, and superiors/inferiors

Available at @futurefonts 
https://www.futurefonts.com/dualtype/padova

#PadovaType #TypeDesign #FutureFonts #VariableFont #Typography

✨ New version ✨

Padova continues to grow.

This new version expands Latin-based language support, broadening its reach across Western and Central European languages. Small caps are now available in both Roman and Italic styles, adding refinement and greater typographic flexibility across all three subfamilies.

Up next: symbols, math support, and superiors/inferiors

Available at @futurefonts 
https://www.futurefonts.com/dualtype/padova

#PadovaType #TypeDesign #FutureFonts #VariableFont #Typography

✨ New version ✨

Padova continues to grow.

This new version expands Latin-based language support, broadening its reach across Western and Central European languages. Small caps are now available in both Roman and Italic styles, adding refinement and greater typographic flexibility across all three subfamilies.

Up next: symbols, math support, and superiors/inferiors

Available at @futurefonts 
https://www.futurefonts.com/dualtype/padova

#PadovaType #TypeDesign #FutureFonts #VariableFont #Typography

✨ New version ✨

Padova continues to grow.

This new version expands Latin-based language support, broadening its reach across Western and Central European languages. Small caps are now available in both Roman and Italic styles, adding refinement and greater typographic flexibility across all three subfamilies.

Up next: symbols, math support, and superiors/inferiors

Available at @futurefonts 
https://www.futurefonts.com/dualtype/padova

#PadovaType #TypeDesign #FutureFonts #VariableFont #Typography

Taller Intensivo: Romanas Monumentales con Gen Ramírez

En este taller introductorio de dos días exploraremos las raíces históricas, la anatomía y la lógica constructiva de las Romanas Monumentales a partir del modelo analítico desarrollado por Edward Catich.

Las investigaciones de Catich sobre las inscripciones romanas clásicas demostraron que las letras no fueron concebidas primero en piedra, sino trazadas con pincel y posteriormente talladas. Sus hallazgos transformaron la manera en que entendemos la proporción, el ritmo y el contraste del alfabeto romano, y continúan siendo fundamentales para la práctica tipográfica contemporánea.

A lo largo del taller, analizaremos las propiedades estilísticas y los elementos estructurales de las Romanas Monumentales para comprender su evolución dentro de la escritura latina. Esta base histórica no solo amplía nuestra mirada, sino que proporciona herramientas concretas para tomar decisiones formales sólidas en el diseño de tipografías.

El trabajo será eminentemente práctico. Los participantes construirán letras trazo por trazo, entendiendo su geometría esencial, su esqueleto y su sistema proporcional. Gradualmente se incorporará mayor complejidad en los detalles, permitiendo también espacios de experimentación y variación dentro del modelo.

FECHA: �Sábado 21 y Domingo 22 de Marzo 2026, de 10 am a 1pm - 2 pm a 5 pm (1 hora de lunch break)

LUGAR: �Gimnasio De Arte, Av. Álvaro Obregón 185-piso 3, Roma Nte., CDMX

COSTO�* Costo regular: MXN 3400�* Costo de pronto pago: MXN 3200� (Válido hasta el 7 de marzo)

Más info y registro en: letrastica.com

https://letrastica.com/eventos/taller-romanas-con-gen-ramirez

#calligraphy #brushlettering

New update!

Fetza v.03 brings refined letterforms, refines the design space and expands language support, introducing new alternates and ligatures, superiors and inferiors, fractions, extra math symbols, and light kerning adjustments.

Rooted in the hand-painted signage of colonial Mexican towns and inspired by early 1900s English wood type, Fetza continues to evolve into something brighter and more assertive. It feels right at home on letterheads, awnings, packaging, and bold branding systems.

Next step: complete Western and Central European coverage, with alternates and small caps.

Available at:
@futurefonts
https://www.futurefonts.com/dualtype/fetza

#typedesign #font #displaytype

New update!

Fetza v.03 brings refined letterforms, refines the design space and expands language support, introducing new alternates and ligatures, superiors and inferiors, fractions, extra math symbols, and light kerning adjustments.

Rooted in the hand-painted signage of colonial Mexican towns and inspired by early 1900s English wood type, Fetza continues to evolve into something brighter and more assertive. It feels right at home on letterheads, awnings, packaging, and bold branding systems.

Next step: complete Western and Central European coverage, with alternates and small caps.

Available at:
@futurefonts
https://www.futurefonts.com/dualtype/fetza

#typedesign #font #displaytype

New update!

Fetza v.03 brings refined letterforms, refines the design space and expands language support, introducing new alternates and ligatures, superiors and inferiors, fractions, extra math symbols, and light kerning adjustments.

Rooted in the hand-painted signage of colonial Mexican towns and inspired by early 1900s English wood type, Fetza continues to evolve into something brighter and more assertive. It feels right at home on letterheads, awnings, packaging, and bold branding systems.

Next step: complete Western and Central European coverage, with alternates and small caps.

Available at:
@futurefonts
https://www.futurefonts.com/dualtype/fetza

#typedesign #font #displaytype

New update!

Fetza v.03 brings refined letterforms, refines the design space and expands language support, introducing new alternates and ligatures, superiors and inferiors, fractions, extra math symbols, and light kerning adjustments.

Rooted in the hand-painted signage of colonial Mexican towns and inspired by early 1900s English wood type, Fetza continues to evolve into something brighter and more assertive. It feels right at home on letterheads, awnings, packaging, and bold branding systems.

Next step: complete Western and Central European coverage, with alternates and small caps.

Available at:
@futurefonts
https://www.futurefonts.com/dualtype/fetza

#typedesign #font #displaytype

New update!

Fetza v.03 brings refined letterforms, refines the design space and expands language support, introducing new alternates and ligatures, superiors and inferiors, fractions, extra math symbols, and light kerning adjustments.

Rooted in the hand-painted signage of colonial Mexican towns and inspired by early 1900s English wood type, Fetza continues to evolve into something brighter and more assertive. It feels right at home on letterheads, awnings, packaging, and bold branding systems.

Next step: complete Western and Central European coverage, with alternates and small caps.

Available at:
@futurefonts
https://www.futurefonts.com/dualtype/fetza

#typedesign #font #displaytype

New update!

Fetza v.03 brings refined letterforms, refines the design space and expands language support, introducing new alternates and ligatures, superiors and inferiors, fractions, extra math symbols, and light kerning adjustments.

Rooted in the hand-painted signage of colonial Mexican towns and inspired by early 1900s English wood type, Fetza continues to evolve into something brighter and more assertive. It feels right at home on letterheads, awnings, packaging, and bold branding systems.

Next step: complete Western and Central European coverage, with alternates and small caps.

Available at:
@futurefonts
https://www.futurefonts.com/dualtype/fetza

#typedesign #font #displaytype

New update!

Fetza v.03 brings refined letterforms, refines the design space and expands language support, introducing new alternates and ligatures, superiors and inferiors, fractions, extra math symbols, and light kerning adjustments.

Rooted in the hand-painted signage of colonial Mexican towns and inspired by early 1900s English wood type, Fetza continues to evolve into something brighter and more assertive. It feels right at home on letterheads, awnings, packaging, and bold branding systems.

Next step: complete Western and Central European coverage, with alternates and small caps.

Available at:
@futurefonts
https://www.futurefonts.com/dualtype/fetza

#typedesign #font #displaytype