인스타그램 스토리 저장
무료 인스타그램 스토리, 릴스, 사진, 비디오, 하이라이트, IGTV 온라인 저장
easydoesitrecords
Easy Does It Records
Nashville / Chicago based record label
This week’s new music playlist top 20 🎧
Songs we like. Bands we like.
@brotherbird_
@therealhumanbarbie
@pluralone_official
@sundaymourners
@widowspeaking
@hovvdy
@narasroom
@__fashn_
@thehealingpowerofhorses
@locust_mvh
@coldcourt_
@after.louise
@waltdisco
@camouflybeats
@theunderachievers, @issa_gold & @akthesavior
@overmono
@kareem, @tiny.gun
@villanellemusic
@xfanchonx
@showmethebody
Follow our @spotify playlist for the full weekly mix
#weeklyplaylist #alternativerock #newmusicdiscovery #indierock #grungealternative
Playlist love for @brotherbird_’s newest single “Chameleon”
Featured Playlists:
@applemusic “New in Alternative”
@symphonicdistro “Indie Waves”
#newindiemusic #indieplaylist #newalternative #newmusicdiscovery #indieartistspotlight
Big thanks to @uptohearmusic for the support!! “Chameleon” from @brotherbird_ now streaming everywhere.
Big thanks to @uptohearmusic for the support!! “Chameleon” from @brotherbird_ now streaming everywhere.
Big thanks to @uptohearmusic for the support!! “Chameleon” from @brotherbird_ now streaming everywhere.
Big thanks to @uptohearmusic for the support!! “Chameleon” from @brotherbird_ now streaming everywhere.
Big thanks to @uptohearmusic for the support!! “Chameleon” from @brotherbird_ now streaming everywhere.
This week’s new music playlist top 20 🎧
Songs we like. Bands we like.
@okcowgirlband
@porches_hiii
@band_cola
@slowfictionband
@jawdroppedtheband
@dogmasociety9
@risecarmineofficial
@fright_years
@turnoverva
@thehauntedyouth_official
@dazysound
@rip__magic
@aandrelawrencee
@vulfpeck, @patricksargent
@strangelot
@girlfriend.wife
@pekingduk, @phantogram
@everyone_says_hi_
@zzzahara.wav
@elmtreecircle, @moritzhammrich
#newindiemusic #weeklyplaylist #altrockmusic #shoegazemusic #newmusicdiscovery
“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥 link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy
“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥 link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy
“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥 link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy
“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥 link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy
“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥 link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy
“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥 link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy
“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥 link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy
“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥 link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy
“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥 link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy
“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥 link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy
“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥 link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy
“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥 link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy
“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥 link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy
Chameleon is here!
this song has shape-shifted into a million different versions of itself the past 3 years— so very thrilled to finally share this one
production by @yourstruly.mrmartens , @obolewis , & @okayfineandy
mixed and engineered by @yourstruly.mrmartens additional engineering by @obolewis
mastered by @danmillice
guitars by @jnslrzno
drums by @coolranchdorio
bass by @eli.beaird
string arrangements by @alfieslookbook8899
strings by @alfieslookbook8899 , @laurepling , @beccabradleymusic , & @bugs_bob
lyrics, vocals, additional guitars & production by 🙋♀️
cover art & film shot by @cbauerphoto
@brotherbird_ ‘s “Chameleon” is out now on all streaming platforms. Catch her on tour with @okayfineandy starting May 29 in Chicago at @oldtownschool . More info @ link in bio.
Playlist love for @okcowgirlband’s latest single “Prepared to Lose” 🎧💗
Featured Playlists:
@applemusic New in Alternative
@applemusic New in Rock
@spotify All New Rock
@symphonicdistro Indie Waves
#newmusic #indierock #alternativerock #indieplaylist #playlistspotify
Chameleon is out tomorrow!
+ then I get to play a bunch of solo shows with @okayfineandy and melt into the floor!
only a handful of tix left, so go get em
05.29 Chicago, IL (sold out)
05.30 Chicago, IL (sold out)
05.31 Detroit, MI
06.02. Cleveland, OH (sold out)
06.03 Millvale, PA
06.05 Boston, MA (sold out)
06.06 Woodstock, NY
06.07 New York, NY (sold out)
06.09Wilmington, DE (sold out)
06.10 Saxapahaw, NC (low tix)
06.11 Charleston, SC
06.12 Birmingham, AL (sold out)
see you soon 🦎💕
스토리 세이브 - 스토리, 릴스, 사진, 비디오, 하이라이트, IGTV를 핸드폰에 저장할 수 있는 최고의 무료 도구.
스토리-세이브.com은 사용자들이 인스타그램에서 스토리, 사진, 비디오, IGTV 등을 직접 다운로드하고 저장할 수 있게 도와주는 직관적인 온라인 도구입니다. Story-Save를 사용하면 인스타그램에서 다양한 콘텐츠를 쉽게 다운로드하고 인터넷 없이도 편리하게 볼 수 있습니다. 인스타그램에서 흥미로운 내용을 발견하고 나중에 보기 위해 저장하고 싶을 때 이 도구가 완벽합니다. Story-Save를 사용하여 인스타그램의 소중한 순간을 놓치지 마세요!
우리의 장점:
회원가입 불필요
앱 다운로드 및 가입 없이, 웹에서 스토리를 저장하세요.
독점적인 고화질
저화질 콘텐츠는 이제 그만, 고해상도 스토리만 보존하세요.
모든 장치에서 접근 가능
모든 브라우저, 아이폰, 안드로이드에서 인스타그램 스토리를 다운로드하세요.
완전 무료 사용
전혀 비용 없이 스토리를 다운로드할 수 있습니다.
자주 묻는 질문
- 1. 인스타그램 스토리 다운로드 도구에 접속하세요.
- 2. 인스타그램 프로필의 사용자명을 제공된 필드에 입력하고 다운로드 버튼을 클릭하세요.
- 3. 현재 24시간 동안 사용 가능한 모든 스토리가 표시됩니다. 원하는 스토리를 선택하고 다운로드하세요.