인스타그램 스토리 저장

A musical fragment from the Feiler & Lindström duo concert 29/5-2026) at the DAAD Gallery in Berlin. The performance was dedicated to the memory of our friend and colleague Sören Runolf, who passed away on March 24, 2026. (video by Prada Meinhof) Visa färre

A musical fragments from the Feiler & Lindström duo concert (29/5-2026) at the DAAD Gallery in Berlin. The performance was dedicated to the memory of our friend and colleague Sören Runolf, who passed away on March 24, 2026. (video by Prada Meinhof) Visa färre

Please join us for a special two duo acts on May 29 at 7 PM. @drorfeiler in a duo performance with his long-time collaborator @mats9418. The music they will present is dedicated to their close friend, bandmate, and experimental guitar hero Sören Runolf, who recently passed away. Mats Lindström and Dror Feiler have been working together since the late 1980s, most often in larger constellations, but only on rare and exclusive occasions as a duo.
Feiler & Lindström will share the evening with @daad_artists @javierarealvelez, who will present semiautomático, a duo between a digital entity and himself.

AI model dreamed this. Humans must make it real

Please join us for a special double concert evening on May 29 from 7pm! As Dror Feiler’s fellowship is coming to an end, the year for Javier Areal Vélez in Berlin is just beginning.

Not only do both @daad_artists meet on stage for the first time, but two generations of noise and improvised live electronics come together: @drorfeiler performs a special duo with his long-time collaborator @mats9418, while @javierarealvelez presents semiautomático, a duo between a digital entity and himself.

Lindström and Feiler have been working together since the late 1980s. In most cases with larger constellations but on some rare and exclusive occasions as duo. The concert they will present is dedicated to their close friend, band mate and experimental guitar hero Sören Runolf who passed away recently.

📍daadgalerie, Oranienstraße 161, 10969 Berlin
Free admission, All welcome

Israeli naval forces are reportedly attacking the Freedom Flotilla vessels in international waters west of Cyprus.
The Freedom Flotilla has the right to sail through international waters toward the Palestinian coast. Israel’s genocidal regime has no lawful claim over these waters or over the Palestinian people’s right to freedom and self-determination.
This mission is lawful, nonviolent, and necessary only because Palestinians continue to be denied their basic human and national rights.
Call on your governments to demand safe passage for the flotilla.
Keep speaking about Gaza. Keep speaking about Palestine.

Israeli naval forces are reportedly attacking the Freedom Flotilla vessels in international waters west of Cyprus.
The Freedom Flotilla has the right to sail through international waters toward the Palestinian coast. Israel’s genocidal regime has no lawful claim over these waters or over the Palestinian people’s right to freedom and self-determination.
This mission is lawful, nonviolent, and necessary only because Palestinians continue to be denied their basic human and national rights.
Call on your governments to demand safe passage for the flotilla.
Keep speaking about Gaza. Keep speaking about Palestine.

Israeli naval forces are reportedly attacking the Freedom Flotilla vessels in international waters west of Cyprus.
The Freedom Flotilla has the right to sail through international waters toward the Palestinian coast. Israel’s genocidal regime has no lawful claim over these waters or over the Palestinian people’s right to freedom and self-determination.
This mission is lawful, nonviolent, and necessary only because Palestinians continue to be denied their basic human and national rights.
Call on your governments to demand safe passage for the flotilla.
Keep speaking about Gaza. Keep speaking about Palestine.

Israeli naval forces are reportedly attacking the Freedom Flotilla vessels in international waters west of Cyprus.
The Freedom Flotilla has the right to sail through international waters toward the Palestinian coast. Israel’s genocidal regime has no lawful claim over these waters or over the Palestinian people’s right to freedom and self-determination.
This mission is lawful, nonviolent, and necessary only because Palestinians continue to be denied their basic human and national rights.
Call on your governments to demand safe passage for the flotilla.
Keep speaking about Gaza. Keep speaking about Palestine.

Israeli naval forces are reportedly attacking the Freedom Flotilla vessels in international waters west of Cyprus.
The Freedom Flotilla has the right to sail through international waters toward the Palestinian coast. Israel’s genocidal regime has no lawful claim over these waters or over the Palestinian people’s right to freedom and self-determination.
This mission is lawful, nonviolent, and necessary only because Palestinians continue to be denied their basic human and national rights.
Call on your governments to demand safe passage for the flotilla.
Keep speaking about Gaza. Keep speaking about Palestine.

The NAKABA goes on!! - Here is Ghayath Almadhoun's poem WE from 2008. The killig goes on and the poem is unfortunatly is more than up to date. Ghayath Almadhoun’s poem WE was written during the attack launched by Israel on the Gaza Strip at the end of 2008. Here is the closing part of my composition EPEXEGESIS with Blixa Bargeld as a narrator and Ilan Volkov as conductor. Here in English and Arabic:
WE
We, who are strewn about in fragments, whose flesh flies through the air like raindrops, offer our profound apologies to everyone in this civilised world, men, women and children, because we have unintentionally appeared in their peaceful homes without asking permission. We apologise for stamping our severed body parts into their snow-white memory, because we have violated the image of the normal, whole human being in their eyes, because we have had the impertinence to leap suddenly on to news bulletins and the pages of the internet and the press, naked except for our blood and charred remains. We apologise to all those who did not have the courage to look directly at our injuries for fear they would be too horrified, and to those unable to finish their evening meals after they had unexpectedly seen fresh images of us on television. We apologise for the suffering we caused to all who saw us like that, unembellished, with no attempt having been made to put us back together or reassemble our remains before we appeared on their screens. We also apologise to the Israeli soldiers who took the trouble to press the buttons in their aircraft and tanks to blow us to pieces, and we are sorry for how hideous we looked after they aimed their shells and bombs straight at our soft heads, and for the hours they are now going to spend in psychiatrists’ clinics, trying to become human again, like they were before our transformation into repulsive body parts that pursue them whenever they try to sleep. We are the things you have seen on your screens and in the press, and if you made an effort to fit the pieces together, like a jigsaw, you would get a clear picture of us, so clear that you would be unable to do a thing.
Translation: Catherine Cobham
نحن المتناثرون شظايا، الممطرون لح

A taste of how a church organ (Hans-Ola Ericsson) and reeds (Dror Feiler) sound in a bootleg fragment of Lamentation (2024).

On 8 May at 18:30 in Sophienkirche, Berlin: two world premieres—*Galé* for solo glissando flute, and *Stille kommt um die Wehrlosen* for glissando flute (Erik Drescher) and organ (Maximilian Schnaus).

See: https://fb.me/e/jqO2WnHi6](https://fb.me/e/jqO2WnHi6

Dror Feiler is a @daad_artists fellow

Closing a day of talks and discussions around CTM 2026’s dissonate < > resonate theme, @drorfeiler, @ibeeiliyas and @microhm.io—three artists who use noise in their roles as artists, organizers and activists—join @lottiesebes to talk noise-making as a process of building and breaking systems: technical, social, political, aesthetic.

› Listen now via biolinktree🎚️

Photos: @udosiegfriedt

Closing a day of talks and discussions around CTM 2026’s dissonate < > resonate theme, @drorfeiler, @ibeeiliyas and @microhm.io—three artists who use noise in their roles as artists, organizers and activists—join @lottiesebes to talk noise-making as a process of building and breaking systems: technical, social, political, aesthetic.

› Listen now via biolinktree🎚️

Photos: @udosiegfriedt

Closing a day of talks and discussions around CTM 2026’s dissonate < > resonate theme, @drorfeiler, @ibeeiliyas and @microhm.io—three artists who use noise in their roles as artists, organizers and activists—join @lottiesebes to talk noise-making as a process of building and breaking systems: technical, social, political, aesthetic.

› Listen now via biolinktree🎚️

Photos: @udosiegfriedt

Closing a day of talks and discussions around CTM 2026’s dissonate < > resonate theme, @drorfeiler, @ibeeiliyas and @microhm.io—three artists who use noise in their roles as artists, organizers and activists—join @lottiesebes to talk noise-making as a process of building and breaking systems: technical, social, political, aesthetic.

› Listen now via biolinktree🎚️

Photos: @udosiegfriedt

Closing a day of talks and discussions around CTM 2026’s dissonate < > resonate theme, @drorfeiler, @ibeeiliyas and @microhm.io—three artists who use noise in their roles as artists, organizers and activists—join @lottiesebes to talk noise-making as a process of building and breaking systems: technical, social, political, aesthetic.

› Listen now via biolinktree🎚️

Photos: @udosiegfriedt

Sören Runolf – elektroakustiske musik/klangskapare samt Lokomotiv Konkret’s gitarrist, cellist, och pianist i över femtio år är inte med oss längre. Begravningen äger rum på Fylkingen den 19 maj kl. 14. Därefter inbjuds till en minnesstund.
OSA till abcbegravning@gmail.com senast den 12 maj

re:organ_LABOR FÜR NEUE ORGELKLÄNGE und GLISSANDOFLÖTE - Music by Dror Feiler & JEHAN ALAIN
Concert at Sophienkirche 8 May 18:30 CET. Erik Drescher | glissando flute
Maximilian Schnaus | organ

JEHAN ALAIN - Trois danses for organ
DROR FEILER - Galé (world premiere) for glissando flute solo and - שטיל קומט אום דער אומבאַשיצטער (Stille kommt um die Wehrlosen), (world premiere) for glissando flute and organ