인스타그램 스토리 저장

二〇二二 夏
22‘ Aug

期許 自己能夠靜下心 更專注在自己的生活 與創作。

最近生活步調整個亂掉了 不知道自己在幹嘛

Body movements

Painting some scenery on a moving canvas I made🏞️

空間決定構圖，限制引導手勢。

Space determines composition; constraint shapes gesture.

2024

XF_Recovery-1, 2024

Mood:
像身體，卻尚未成為身體；
具有軀體的邏輯，卻未取得身份。
它與金屬結構交織、生長，
在修復與生成的過程中，
逐漸凝結為一坨「似軀」。

Body-like, yet not fully a body.
It follows the logic of a corporeal form,
but remains without identity.
Interwoven and grown together with metal structures,
it gradually condenses into a "quasi-corpus".

Keywords:
修復、植入物、共生
Recovery, Implant, Sybiosis

Thanks: @recoverydesign @rec_taipei @max50705 @kaynkenchen @dkdk90370

XF_Recovery-1, 2024

Mood:
像身體，卻尚未成為身體；
具有軀體的邏輯，卻未取得身份。
它與金屬結構交織、生長，
在修復與生成的過程中，
逐漸凝結為一坨「似軀」。

Body-like, yet not fully a body.
It follows the logic of a corporeal form,
but remains without identity.
Interwoven and grown together with metal structures,
it gradually condenses into a "quasi-corpus".

Keywords:
修復、植入物、共生
Recovery, Implant, Sybiosis

Thanks: @recoverydesign @rec_taipei @max50705 @kaynkenchen @dkdk90370

XF_Recovery-1, 2024

Mood:
像身體，卻尚未成為身體；
具有軀體的邏輯，卻未取得身份。
它與金屬結構交織、生長，
在修復與生成的過程中，
逐漸凝結為一坨「似軀」。

Body-like, yet not fully a body.
It follows the logic of a corporeal form,
but remains without identity.
Interwoven and grown together with metal structures,
it gradually condenses into a "quasi-corpus".

Keywords:
修復、植入物、共生
Recovery, Implant, Sybiosis

Thanks: @recoverydesign @rec_taipei @max50705 @kaynkenchen @dkdk90370

XF_Recovery-1, 2024

Mood:
像身體，卻尚未成為身體；
具有軀體的邏輯，卻未取得身份。
它與金屬結構交織、生長，
在修復與生成的過程中，
逐漸凝結為一坨「似軀」。

Body-like, yet not fully a body.
It follows the logic of a corporeal form,
but remains without identity.
Interwoven and grown together with metal structures,
it gradually condenses into a "quasi-corpus".

Keywords:
修復、植入物、共生
Recovery, Implant, Sybiosis

Thanks: @recoverydesign @rec_taipei @max50705 @kaynkenchen @dkdk90370

XF_Recovery-1, 2024

Mood:
像身體，卻尚未成為身體；
具有軀體的邏輯，卻未取得身份。
它與金屬結構交織、生長，
在修復與生成的過程中，
逐漸凝結為一坨「似軀」。

Body-like, yet not fully a body.
It follows the logic of a corporeal form,
but remains without identity.
Interwoven and grown together with metal structures,
it gradually condenses into a "quasi-corpus".

Keywords:
修復、植入物、共生
Recovery, Implant, Sybiosis

Thanks: @recoverydesign @rec_taipei @max50705 @kaynkenchen @dkdk90370

2024 🕸️

2024 🕸️

2024 🕸️

2024 🕸️

Egg for Sea Anemone, 2025
@_sea_anemone_

Mood: 外太空休息站，但是不是冷冰冰那種，反而是一種抽離但是有安全感地。空間豎立著一個物體，帶著時間的痕跡，似乎乘載著文明的記憶，一種熟悉地、潮濕地氣味⋯⋯或許它曾經是某種系統的一部分， 一個已經失去功能與相對應的配件、卻被文明保留下來的結構。

A quiet rest stop somewhere in outer space, distant but safe.

A single, timeworn object stands in the room, carrying a civilization’s memory and a damp, familiar scent.

Thanks @jess29.ban @lintsaiyu
Amazing backdrop by @cccoccca

Egg for Sea Anemone, 2025
@_sea_anemone_

Mood: 外太空休息站，但是不是冷冰冰那種，反而是一種抽離但是有安全感地。空間豎立著一個物體，帶著時間的痕跡，似乎乘載著文明的記憶，一種熟悉地、潮濕地氣味⋯⋯或許它曾經是某種系統的一部分， 一個已經失去功能與相對應的配件、卻被文明保留下來的結構。

A quiet rest stop somewhere in outer space, distant but safe.

A single, timeworn object stands in the room, carrying a civilization’s memory and a damp, familiar scent.

Thanks @jess29.ban @lintsaiyu
Amazing backdrop by @cccoccca

Egg for Sea Anemone, 2025
@_sea_anemone_

Mood: 外太空休息站，但是不是冷冰冰那種，反而是一種抽離但是有安全感地。空間豎立著一個物體，帶著時間的痕跡，似乎乘載著文明的記憶，一種熟悉地、潮濕地氣味⋯⋯或許它曾經是某種系統的一部分， 一個已經失去功能與相對應的配件、卻被文明保留下來的結構。

A quiet rest stop somewhere in outer space, distant but safe.

A single, timeworn object stands in the room, carrying a civilization’s memory and a damp, familiar scent.

Thanks @jess29.ban @lintsaiyu
Amazing backdrop by @cccoccca

Egg for Sea Anemone, 2025
@_sea_anemone_

Mood: 外太空休息站，但是不是冷冰冰那種，反而是一種抽離但是有安全感地。空間豎立著一個物體，帶著時間的痕跡，似乎乘載著文明的記憶，一種熟悉地、潮濕地氣味⋯⋯或許它曾經是某種系統的一部分， 一個已經失去功能與相對應的配件、卻被文明保留下來的結構。

A quiet rest stop somewhere in outer space, distant but safe.

A single, timeworn object stands in the room, carrying a civilization’s memory and a damp, familiar scent.

Thanks @jess29.ban @lintsaiyu
Amazing backdrop by @cccoccca

Egg for Sea Anemone, 2025
@_sea_anemone_

Mood: 外太空休息站，但是不是冷冰冰那種，反而是一種抽離但是有安全感地。空間豎立著一個物體，帶著時間的痕跡，似乎乘載著文明的記憶，一種熟悉地、潮濕地氣味⋯⋯或許它曾經是某種系統的一部分， 一個已經失去功能與相對應的配件、卻被文明保留下來的結構。

A quiet rest stop somewhere in outer space, distant but safe.

A single, timeworn object stands in the room, carrying a civilization’s memory and a damp, familiar scent.

Thanks @jess29.ban @lintsaiyu
Amazing backdrop by @cccoccca

Egg for Sea Anemone, 2025
@_sea_anemone_

Mood: 外太空休息站，但是不是冷冰冰那種，反而是一種抽離但是有安全感地。空間豎立著一個物體，帶著時間的痕跡，似乎乘載著文明的記憶，一種熟悉地、潮濕地氣味⋯⋯或許它曾經是某種系統的一部分， 一個已經失去功能與相對應的配件、卻被文明保留下來的結構。

A quiet rest stop somewhere in outer space, distant but safe.

A single, timeworn object stands in the room, carrying a civilization’s memory and a damp, familiar scent.

Thanks @jess29.ban @lintsaiyu
Amazing backdrop by @cccoccca

Egg for Sea Anemone, 2025
@_sea_anemone_

Mood: 外太空休息站，但是不是冷冰冰那種，反而是一種抽離但是有安全感地。空間豎立著一個物體，帶著時間的痕跡，似乎乘載著文明的記憶，一種熟悉地、潮濕地氣味⋯⋯或許它曾經是某種系統的一部分， 一個已經失去功能與相對應的配件、卻被文明保留下來的結構。

A quiet rest stop somewhere in outer space, distant but safe.

A single, timeworn object stands in the room, carrying a civilization’s memory and a damp, familiar scent.

Thanks @jess29.ban @lintsaiyu
Amazing backdrop by @cccoccca

Egg for Sea Anemone, 2025
@_sea_anemone_

Mood: 外太空休息站，但是不是冷冰冰那種，反而是一種抽離但是有安全感地。空間豎立著一個物體，帶著時間的痕跡，似乎乘載著文明的記憶，一種熟悉地、潮濕地氣味⋯⋯或許它曾經是某種系統的一部分， 一個已經失去功能與相對應的配件、卻被文明保留下來的結構。

A quiet rest stop somewhere in outer space, distant but safe.

A single, timeworn object stands in the room, carrying a civilization’s memory and a damp, familiar scent.

Thanks @jess29.ban @lintsaiyu
Amazing backdrop by @cccoccca

I Cry When Angels Deserves to Die, 2025
Acrylic on canvas, 73 x 116 cm

Chop Suey!

Exhibited at @wangallery_official

I Cry When Angels Deserves to Die, 2025
Acrylic on canvas, 73 x 116 cm

Chop Suey!

Exhibited at @wangallery_official

I Cry When Angels Deserves to Die, 2025
Acrylic on canvas, 73 x 116 cm

Chop Suey!

Exhibited at @wangallery_official

I Cry When Angels Deserves to Die, 2025
Acrylic on canvas, 73 x 116 cm

Chop Suey!

Exhibited at @wangallery_official

I Cry When Angels Deserves to Die, 2025
Acrylic on canvas, 73 x 116 cm

Chop Suey!

Exhibited at @wangallery_official

I Cry When Angels Deserves to Die, 2025
Acrylic on canvas, 73 x 116 cm

Chop Suey!

Exhibited at @wangallery_official

I Cry When Angels Deserves to Die, 2025
Acrylic on canvas, 73 x 116 cm

Chop Suey!

Exhibited at @wangallery_official

I Cry When Angels Deserves to Die, 2025
Acrylic on canvas, 73 x 116 cm

Chop Suey!

Exhibited at @wangallery_official

.
RECOVERY X Cels細胞 異肉骼系列 Xenoflesh series

仿生的過程，
不僅是對自然的再現，
更是對生命可能姿態的推測。
骨與金屬交纏，
外來的材料被視為新生的骨片，
銜接於身體的節點。

金屬線條宛如骨骼的延伸，
身體成為容器，
允許異質物質安置、滋生。

這是一場植入的模擬——
在肉與異材之間，
生成一種全新的平衡。

RECOVERY X Cels 一場微型的移植實驗。

Art Direction / Stylist
@cels___
@recoverydesign

Model
@cococoralcorona

Photography
@ru_ur_photo + @lynnbelong

Clothing
@rec_taipei
@silvernine_sn9

Special thanks
@purefuck

.
RECOVERY X Cels細胞 異肉骼系列 Xenoflesh series

仿生的過程，
不僅是對自然的再現，
更是對生命可能姿態的推測。
骨與金屬交纏，
外來的材料被視為新生的骨片，
銜接於身體的節點。

金屬線條宛如骨骼的延伸，
身體成為容器，
允許異質物質安置、滋生。

這是一場植入的模擬——
在肉與異材之間，
生成一種全新的平衡。

RECOVERY X Cels 一場微型的移植實驗。

Art Direction / Stylist
@cels___
@recoverydesign

Model
@cococoralcorona

Photography
@ru_ur_photo + @lynnbelong

Clothing
@rec_taipei
@silvernine_sn9

Special thanks
@purefuck

.
RECOVERY X Cels細胞 異肉骼系列 Xenoflesh series

仿生的過程，
不僅是對自然的再現，
更是對生命可能姿態的推測。
骨與金屬交纏，
外來的材料被視為新生的骨片，
銜接於身體的節點。

金屬線條宛如骨骼的延伸，
身體成為容器，
允許異質物質安置、滋生。

這是一場植入的模擬——
在肉與異材之間，
生成一種全新的平衡。

RECOVERY X Cels 一場微型的移植實驗。

Art Direction / Stylist
@cels___
@recoverydesign

Model
@cococoralcorona

Photography
@ru_ur_photo + @lynnbelong

Clothing
@rec_taipei
@silvernine_sn9

Special thanks
@purefuck

.
RECOVERY X Cels細胞 異肉骼系列 Xenoflesh series

仿生的過程，
不僅是對自然的再現，
更是對生命可能姿態的推測。
骨與金屬交纏，
外來的材料被視為新生的骨片，
銜接於身體的節點。

金屬線條宛如骨骼的延伸，
身體成為容器，
允許異質物質安置、滋生。

這是一場植入的模擬——
在肉與異材之間，
生成一種全新的平衡。

RECOVERY X Cels 一場微型的移植實驗。

Art Direction / Stylist
@cels___
@recoverydesign

Model
@cococoralcorona

Photography
@ru_ur_photo + @lynnbelong

Clothing
@rec_taipei
@silvernine_sn9

Special thanks
@purefuck

.
RECOVERY X Cels細胞 異肉骼系列 Xenoflesh series

仿生的過程，
不僅是對自然的再現，
更是對生命可能姿態的推測。
骨與金屬交纏，
外來的材料被視為新生的骨片，
銜接於身體的節點。

金屬線條宛如骨骼的延伸，
身體成為容器，
允許異質物質安置、滋生。

這是一場植入的模擬——
在肉與異材之間，
生成一種全新的平衡。

RECOVERY X Cels 一場微型的移植實驗。

Art Direction / Stylist
@cels___
@recoverydesign

Model
@cococoralcorona

Photography
@ru_ur_photo + @lynnbelong

Clothing
@rec_taipei
@silvernine_sn9

Special thanks
@purefuck

.
RECOVERY X Cels細胞 異肉骼系列 Xenoflesh series

仿生的過程，
不僅是對自然的再現，
更是對生命可能姿態的推測。
骨與金屬交纏，
外來的材料被視為新生的骨片，
銜接於身體的節點。

金屬線條宛如骨骼的延伸，
身體成為容器，
允許異質物質安置、滋生。

這是一場植入的模擬——
在肉與異材之間，
生成一種全新的平衡。

RECOVERY X Cels 一場微型的移植實驗。

Art Direction / Stylist
@cels___
@recoverydesign

Model
@cococoralcorona

Photography
@ru_ur_photo + @lynnbelong

Clothing
@rec_taipei
@silvernine_sn9

Special thanks
@purefuck

.
RECOVERY X Cels細胞 異肉骼系列 Xenoflesh series

仿生的過程，
不僅是對自然的再現，
更是對生命可能姿態的推測。
骨與金屬交纏，
外來的材料被視為新生的骨片，
銜接於身體的節點。

金屬線條宛如骨骼的延伸，
身體成為容器，
允許異質物質安置、滋生。

這是一場植入的模擬——
在肉與異材之間，
生成一種全新的平衡。

RECOVERY X Cels 一場微型的移植實驗。

Art Direction / Stylist
@cels___
@recoverydesign

Model
@cococoralcorona

Photography
@ru_ur_photo + @lynnbelong

Clothing
@rec_taipei
@silvernine_sn9

Special thanks
@purefuck

駱駝的骨架 Echoes of the Dunes
2025 | acrylic on canvas | 38 x 45 cm

Exhibited at @wangallery_official

駱駝的骨架 Echoes of the Dunes
2025 | acrylic on canvas | 38 x 45 cm

Exhibited at @wangallery_official

駱駝的骨架 Echoes of the Dunes
2025 | acrylic on canvas | 38 x 45 cm

Exhibited at @wangallery_official

駱駝的骨架 Echoes of the Dunes
2025 | acrylic on canvas | 38 x 45 cm

Exhibited at @wangallery_official

駱駝的骨架 Echoes of the Dunes
2025 | acrylic on canvas | 38 x 45 cm

Exhibited at @wangallery_official

Dig your own grave

🪦For @ravefuntaiwan Art directed and style by @majajajalee poster by @moooonwu gaffer @yk6jo6 and 3D shovel by @cels___

Dig your own grave

🪦For @ravefuntaiwan Art directed and style by @majajajalee poster by @moooonwu gaffer @yk6jo6 and 3D shovel by @cels___

Dig your own grave

🪦For @ravefuntaiwan Art directed and style by @majajajalee poster by @moooonwu gaffer @yk6jo6 and 3D shovel by @cels___

Dig your own grave

🪦For @ravefuntaiwan Art directed and style by @majajajalee poster by @moooonwu gaffer @yk6jo6 and 3D shovel by @cels___

Dig your own grave

🪦For @ravefuntaiwan Art directed and style by @majajajalee poster by @moooonwu gaffer @yk6jo6 and 3D shovel by @cels___

Dig your own grave

🪦For @ravefuntaiwan Art directed and style by @majajajalee poster by @moooonwu gaffer @yk6jo6 and 3D shovel by @cels___

Dig your own grave

🪦For @ravefuntaiwan Art directed and style by @majajajalee poster by @moooonwu gaffer @yk6jo6 and 3D shovel by @cels___

Dig your own grave

🪦For @ravefuntaiwan Art directed and style by @majajajalee poster by @moooonwu gaffer @yk6jo6 and 3D shovel by @cels___

Tree for Incoder, 2025
H180*Ø120cm

在建構樹的造型時感覺很像在空間書寫，
每一筆，每一劃在數位空間裡相互依靠、支撐，
再被物質化到現實世界。

我想像能量從地面被吸取，再迅速竄流向上、爆散，
像是一口氣沿著結構往上推動，讓形體暫時站在那裡。

Building the tree feels like spatial calligraphy.
Each stroke leans on another in digital space,
before being translated into matter.

Energy is imagined as drawn from the ground,
rapidly moving upward and dispersing.

Like a single breath driving through the structure,
temporarily sustaining the form.

Thanks:
@incoder_tw @jyuan.lo @kenalwayscan @whitemoubear @jeah.__

Tree for Incoder, 2025
H180*Ø120cm

在建構樹的造型時感覺很像在空間書寫，
每一筆，每一劃在數位空間裡相互依靠、支撐，
再被物質化到現實世界。

我想像能量從地面被吸取，再迅速竄流向上、爆散，
像是一口氣沿著結構往上推動，讓形體暫時站在那裡。

Building the tree feels like spatial calligraphy.
Each stroke leans on another in digital space,
before being translated into matter.

Energy is imagined as drawn from the ground,
rapidly moving upward and dispersing.

Like a single breath driving through the structure,
temporarily sustaining the form.

Thanks:
@incoder_tw @jyuan.lo @kenalwayscan @whitemoubear @jeah.__

Tree for Incoder, 2025
H180*Ø120cm

在建構樹的造型時感覺很像在空間書寫，
每一筆，每一劃在數位空間裡相互依靠、支撐，
再被物質化到現實世界。

我想像能量從地面被吸取，再迅速竄流向上、爆散，
像是一口氣沿著結構往上推動，讓形體暫時站在那裡。

Building the tree feels like spatial calligraphy.
Each stroke leans on another in digital space,
before being translated into matter.

Energy is imagined as drawn from the ground,
rapidly moving upward and dispersing.

Like a single breath driving through the structure,
temporarily sustaining the form.

Thanks:
@incoder_tw @jyuan.lo @kenalwayscan @whitemoubear @jeah.__

Tree for Incoder, 2025
H180*Ø120cm

在建構樹的造型時感覺很像在空間書寫，
每一筆，每一劃在數位空間裡相互依靠、支撐，
再被物質化到現實世界。

我想像能量從地面被吸取，再迅速竄流向上、爆散，
像是一口氣沿著結構往上推動，讓形體暫時站在那裡。

Building the tree feels like spatial calligraphy.
Each stroke leans on another in digital space,
before being translated into matter.

Energy is imagined as drawn from the ground,
rapidly moving upward and dispersing.

Like a single breath driving through the structure,
temporarily sustaining the form.

Thanks:
@incoder_tw @jyuan.lo @kenalwayscan @whitemoubear @jeah.__

Tree for Incoder, 2025
H180*Ø120cm

在建構樹的造型時感覺很像在空間書寫，
每一筆，每一劃在數位空間裡相互依靠、支撐，
再被物質化到現實世界。

我想像能量從地面被吸取，再迅速竄流向上、爆散，
像是一口氣沿著結構往上推動，讓形體暫時站在那裡。

Building the tree feels like spatial calligraphy.
Each stroke leans on another in digital space,
before being translated into matter.

Energy is imagined as drawn from the ground,
rapidly moving upward and dispersing.

Like a single breath driving through the structure,
temporarily sustaining the form.

Thanks:
@incoder_tw @jyuan.lo @kenalwayscan @whitemoubear @jeah.__

Tree for Incoder, 2025
H180*Ø120cm

在建構樹的造型時感覺很像在空間書寫，
每一筆，每一劃在數位空間裡相互依靠、支撐，
再被物質化到現實世界。

我想像能量從地面被吸取，再迅速竄流向上、爆散，
像是一口氣沿著結構往上推動，讓形體暫時站在那裡。

Building the tree feels like spatial calligraphy.
Each stroke leans on another in digital space,
before being translated into matter.

Energy is imagined as drawn from the ground,
rapidly moving upward and dispersing.

Like a single breath driving through the structure,
temporarily sustaining the form.

Thanks:
@incoder_tw @jyuan.lo @kenalwayscan @whitemoubear @jeah.__

Tree for Incoder, 2025
H180*Ø120cm

在建構樹的造型時感覺很像在空間書寫，
每一筆，每一劃在數位空間裡相互依靠、支撐，
再被物質化到現實世界。

我想像能量從地面被吸取，再迅速竄流向上、爆散，
像是一口氣沿著結構往上推動，讓形體暫時站在那裡。

Building the tree feels like spatial calligraphy.
Each stroke leans on another in digital space,
before being translated into matter.

Energy is imagined as drawn from the ground,
rapidly moving upward and dispersing.

Like a single breath driving through the structure,
temporarily sustaining the form.

Thanks:
@incoder_tw @jyuan.lo @kenalwayscan @whitemoubear @jeah.__

Tree for Incoder, 2025
H180*Ø120cm

在建構樹的造型時感覺很像在空間書寫，
每一筆，每一劃在數位空間裡相互依靠、支撐，
再被物質化到現實世界。

我想像能量從地面被吸取，再迅速竄流向上、爆散，
像是一口氣沿著結構往上推動，讓形體暫時站在那裡。

Building the tree feels like spatial calligraphy.
Each stroke leans on another in digital space,
before being translated into matter.

Energy is imagined as drawn from the ground,
rapidly moving upward and dispersing.

Like a single breath driving through the structure,
temporarily sustaining the form.

Thanks:
@incoder_tw @jyuan.lo @kenalwayscan @whitemoubear @jeah.__

Tree for Incoder, 2025
H180*Ø120cm

在建構樹的造型時感覺很像在空間書寫，
每一筆，每一劃在數位空間裡相互依靠、支撐，
再被物質化到現實世界。

我想像能量從地面被吸取，再迅速竄流向上、爆散，
像是一口氣沿著結構往上推動，讓形體暫時站在那裡。

Building the tree feels like spatial calligraphy.
Each stroke leans on another in digital space,
before being translated into matter.

Energy is imagined as drawn from the ground,
rapidly moving upward and dispersing.

Like a single breath driving through the structure,
temporarily sustaining the form.

Thanks:
@incoder_tw @jyuan.lo @kenalwayscan @whitemoubear @jeah.__

Tree for Incoder, 2025
H180*Ø120cm

在建構樹的造型時感覺很像在空間書寫，
每一筆，每一劃在數位空間裡相互依靠、支撐，
再被物質化到現實世界。

我想像能量從地面被吸取，再迅速竄流向上、爆散，
像是一口氣沿著結構往上推動，讓形體暫時站在那裡。

Building the tree feels like spatial calligraphy.
Each stroke leans on another in digital space,
before being translated into matter.

Energy is imagined as drawn from the ground,
rapidly moving upward and dispersing.

Like a single breath driving through the structure,
temporarily sustaining the form.

Thanks:
@incoder_tw @jyuan.lo @kenalwayscan @whitemoubear @jeah.__

Tree for Incoder, 2025
H180*Ø120cm

在建構樹的造型時感覺很像在空間書寫，
每一筆，每一劃在數位空間裡相互依靠、支撐，
再被物質化到現實世界。

我想像能量從地面被吸取，再迅速竄流向上、爆散，
像是一口氣沿著結構往上推動，讓形體暫時站在那裡。

Building the tree feels like spatial calligraphy.
Each stroke leans on another in digital space,
before being translated into matter.

Energy is imagined as drawn from the ground,
rapidly moving upward and dispersing.

Like a single breath driving through the structure,
temporarily sustaining the form.

Thanks:
@incoder_tw @jyuan.lo @kenalwayscan @whitemoubear @jeah.__

Tree for Incoder, 2025
H180*Ø120cm

在建構樹的造型時感覺很像在空間書寫，
每一筆，每一劃在數位空間裡相互依靠、支撐，
再被物質化到現實世界。

我想像能量從地面被吸取，再迅速竄流向上、爆散，
像是一口氣沿著結構往上推動，讓形體暫時站在那裡。

Building the tree feels like spatial calligraphy.
Each stroke leans on another in digital space,
before being translated into matter.

Energy is imagined as drawn from the ground,
rapidly moving upward and dispersing.

Like a single breath driving through the structure,
temporarily sustaining the form.

Thanks:
@incoder_tw @jyuan.lo @kenalwayscan @whitemoubear @jeah.__

Tree for Incoder, 2025
H180*Ø120cm

在建構樹的造型時感覺很像在空間書寫，
每一筆，每一劃在數位空間裡相互依靠、支撐，
再被物質化到現實世界。

我想像能量從地面被吸取，再迅速竄流向上、爆散，
像是一口氣沿著結構往上推動，讓形體暫時站在那裡。

Building the tree feels like spatial calligraphy.
Each stroke leans on another in digital space,
before being translated into matter.

Energy is imagined as drawn from the ground,
rapidly moving upward and dispersing.

Like a single breath driving through the structure,
temporarily sustaining the form.

Thanks:
@incoder_tw @jyuan.lo @kenalwayscan @whitemoubear @jeah.__