인스타그램 스토리 저장

Boards of Canada - Inferno

Pre-Order now at Bleep.com

29 May

Squarepusher returns with Kammerkonzert, a riot of hyperfast riffs, fiendish orchestral themes and handbrake turns through progressive and experimental electronics.

+ Includes Bleep retail exclusive Kammerkonzert print

Pre-Order Now at Bleep.com

Squarepusher returns with Kammerkonzert, a riot of hyperfast riffs, fiendish orchestral themes and handbrake turns through progressive and experimental electronics.

+ Includes Bleep retail exclusive Kammerkonzert print

Pre-Order Now at Bleep.com

Level up your gifting with our selection of exclusive merch, books, and accessories. Ready to ship in time for the holiday season!

Shop Now - 🔗 in bio

Video Creator: @milesbuckle.exe

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

Jochem Paap was in no rush to release a solo studio album in the twenty four years since his last Speedy J record Loudboxer, and his sixth album reflects this relaxed pace. Walkman is designed to soundtrack a full journey played on its titular tech, allowing segments to take the form of amorphous soundscapes rather than clearly delineated tracks or songs

The estate of New York proto-synth pioneers Silver Apples launches its own boutique reissue label/electronic music non-profit called the Silver Apples Foundation with a new 12” that features some of the last bits of music from the project, as well as the late Andrew Weatherall's stellar remix of The Edge of Wonder, from their last ever album Clinging to a Dream.

Bay Area post-metal titans Neurosis return after over a decade since their last album with a new lineup joined by long time friend and comrade, Aaron Turner (of Sumac, Old Man Gloom etc fame) bringing rejuvenation to the outfit now in its 4th decade. Continually finding interesting and almost brightly-hued ways to subtly expand their palette as ever their latest points towards even more new avenues for this group to explore in their next phase.

Our download of the week is from Luke Slater under his Planetary Assault Systems, ten years since he last dropped an LP on Ostgut Ton, and things have gotten a lot heavier since Arc Angel’s melodic mysteries. Landing on solid ground with Planetary People with industrial rhythms verging on claustrophobic, anxiously drumming on your skull with a kit of power tool percussion fiercely rooted to the dancefloor.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

Jochem Paap was in no rush to release a solo studio album in the twenty four years since his last Speedy J record Loudboxer, and his sixth album reflects this relaxed pace. Walkman is designed to soundtrack a full journey played on its titular tech, allowing segments to take the form of amorphous soundscapes rather than clearly delineated tracks or songs

The estate of New York proto-synth pioneers Silver Apples launches its own boutique reissue label/electronic music non-profit called the Silver Apples Foundation with a new 12” that features some of the last bits of music from the project, as well as the late Andrew Weatherall's stellar remix of The Edge of Wonder, from their last ever album Clinging to a Dream.

Bay Area post-metal titans Neurosis return after over a decade since their last album with a new lineup joined by long time friend and comrade, Aaron Turner (of Sumac, Old Man Gloom etc fame) bringing rejuvenation to the outfit now in its 4th decade. Continually finding interesting and almost brightly-hued ways to subtly expand their palette as ever their latest points towards even more new avenues for this group to explore in their next phase.

Our download of the week is from Luke Slater under his Planetary Assault Systems, ten years since he last dropped an LP on Ostgut Ton, and things have gotten a lot heavier since Arc Angel’s melodic mysteries. Landing on solid ground with Planetary People with industrial rhythms verging on claustrophobic, anxiously drumming on your skull with a kit of power tool percussion fiercely rooted to the dancefloor.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

Jochem Paap was in no rush to release a solo studio album in the twenty four years since his last Speedy J record Loudboxer, and his sixth album reflects this relaxed pace. Walkman is designed to soundtrack a full journey played on its titular tech, allowing segments to take the form of amorphous soundscapes rather than clearly delineated tracks or songs

The estate of New York proto-synth pioneers Silver Apples launches its own boutique reissue label/electronic music non-profit called the Silver Apples Foundation with a new 12” that features some of the last bits of music from the project, as well as the late Andrew Weatherall's stellar remix of The Edge of Wonder, from their last ever album Clinging to a Dream.

Bay Area post-metal titans Neurosis return after over a decade since their last album with a new lineup joined by long time friend and comrade, Aaron Turner (of Sumac, Old Man Gloom etc fame) bringing rejuvenation to the outfit now in its 4th decade. Continually finding interesting and almost brightly-hued ways to subtly expand their palette as ever their latest points towards even more new avenues for this group to explore in their next phase.

Our download of the week is from Luke Slater under his Planetary Assault Systems, ten years since he last dropped an LP on Ostgut Ton, and things have gotten a lot heavier since Arc Angel’s melodic mysteries. Landing on solid ground with Planetary People with industrial rhythms verging on claustrophobic, anxiously drumming on your skull with a kit of power tool percussion fiercely rooted to the dancefloor.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

Jochem Paap was in no rush to release a solo studio album in the twenty four years since his last Speedy J record Loudboxer, and his sixth album reflects this relaxed pace. Walkman is designed to soundtrack a full journey played on its titular tech, allowing segments to take the form of amorphous soundscapes rather than clearly delineated tracks or songs

The estate of New York proto-synth pioneers Silver Apples launches its own boutique reissue label/electronic music non-profit called the Silver Apples Foundation with a new 12” that features some of the last bits of music from the project, as well as the late Andrew Weatherall's stellar remix of The Edge of Wonder, from their last ever album Clinging to a Dream.

Bay Area post-metal titans Neurosis return after over a decade since their last album with a new lineup joined by long time friend and comrade, Aaron Turner (of Sumac, Old Man Gloom etc fame) bringing rejuvenation to the outfit now in its 4th decade. Continually finding interesting and almost brightly-hued ways to subtly expand their palette as ever their latest points towards even more new avenues for this group to explore in their next phase.

Our download of the week is from Luke Slater under his Planetary Assault Systems, ten years since he last dropped an LP on Ostgut Ton, and things have gotten a lot heavier since Arc Angel’s melodic mysteries. Landing on solid ground with Planetary People with industrial rhythms verging on claustrophobic, anxiously drumming on your skull with a kit of power tool percussion fiercely rooted to the dancefloor.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

Jochem Paap was in no rush to release a solo studio album in the twenty four years since his last Speedy J record Loudboxer, and his sixth album reflects this relaxed pace. Walkman is designed to soundtrack a full journey played on its titular tech, allowing segments to take the form of amorphous soundscapes rather than clearly delineated tracks or songs

The estate of New York proto-synth pioneers Silver Apples launches its own boutique reissue label/electronic music non-profit called the Silver Apples Foundation with a new 12” that features some of the last bits of music from the project, as well as the late Andrew Weatherall's stellar remix of The Edge of Wonder, from their last ever album Clinging to a Dream.

Bay Area post-metal titans Neurosis return after over a decade since their last album with a new lineup joined by long time friend and comrade, Aaron Turner (of Sumac, Old Man Gloom etc fame) bringing rejuvenation to the outfit now in its 4th decade. Continually finding interesting and almost brightly-hued ways to subtly expand their palette as ever their latest points towards even more new avenues for this group to explore in their next phase.

Our download of the week is from Luke Slater under his Planetary Assault Systems, ten years since he last dropped an LP on Ostgut Ton, and things have gotten a lot heavier since Arc Angel’s melodic mysteries. Landing on solid ground with Planetary People with industrial rhythms verging on claustrophobic, anxiously drumming on your skull with a kit of power tool percussion fiercely rooted to the dancefloor.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

Jochem Paap was in no rush to release a solo studio album in the twenty four years since his last Speedy J record Loudboxer, and his sixth album reflects this relaxed pace. Walkman is designed to soundtrack a full journey played on its titular tech, allowing segments to take the form of amorphous soundscapes rather than clearly delineated tracks or songs

The estate of New York proto-synth pioneers Silver Apples launches its own boutique reissue label/electronic music non-profit called the Silver Apples Foundation with a new 12” that features some of the last bits of music from the project, as well as the late Andrew Weatherall's stellar remix of The Edge of Wonder, from their last ever album Clinging to a Dream.

Bay Area post-metal titans Neurosis return after over a decade since their last album with a new lineup joined by long time friend and comrade, Aaron Turner (of Sumac, Old Man Gloom etc fame) bringing rejuvenation to the outfit now in its 4th decade. Continually finding interesting and almost brightly-hued ways to subtly expand their palette as ever their latest points towards even more new avenues for this group to explore in their next phase.

Our download of the week is from Luke Slater under his Planetary Assault Systems, ten years since he last dropped an LP on Ostgut Ton, and things have gotten a lot heavier since Arc Angel’s melodic mysteries. Landing on solid ground with Planetary People with industrial rhythms verging on claustrophobic, anxiously drumming on your skull with a kit of power tool percussion fiercely rooted to the dancefloor.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

Jochem Paap was in no rush to release a solo studio album in the twenty four years since his last Speedy J record Loudboxer, and his sixth album reflects this relaxed pace. Walkman is designed to soundtrack a full journey played on its titular tech, allowing segments to take the form of amorphous soundscapes rather than clearly delineated tracks or songs

The estate of New York proto-synth pioneers Silver Apples launches its own boutique reissue label/electronic music non-profit called the Silver Apples Foundation with a new 12” that features some of the last bits of music from the project, as well as the late Andrew Weatherall's stellar remix of The Edge of Wonder, from their last ever album Clinging to a Dream.

Bay Area post-metal titans Neurosis return after over a decade since their last album with a new lineup joined by long time friend and comrade, Aaron Turner (of Sumac, Old Man Gloom etc fame) bringing rejuvenation to the outfit now in its 4th decade. Continually finding interesting and almost brightly-hued ways to subtly expand their palette as ever their latest points towards even more new avenues for this group to explore in their next phase.

Our download of the week is from Luke Slater under his Planetary Assault Systems, ten years since he last dropped an LP on Ostgut Ton, and things have gotten a lot heavier since Arc Angel’s melodic mysteries. Landing on solid ground with Planetary People with industrial rhythms verging on claustrophobic, anxiously drumming on your skull with a kit of power tool percussion fiercely rooted to the dancefloor.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

Jochem Paap was in no rush to release a solo studio album in the twenty four years since his last Speedy J record Loudboxer, and his sixth album reflects this relaxed pace. Walkman is designed to soundtrack a full journey played on its titular tech, allowing segments to take the form of amorphous soundscapes rather than clearly delineated tracks or songs

The estate of New York proto-synth pioneers Silver Apples launches its own boutique reissue label/electronic music non-profit called the Silver Apples Foundation with a new 12” that features some of the last bits of music from the project, as well as the late Andrew Weatherall's stellar remix of The Edge of Wonder, from their last ever album Clinging to a Dream.

Bay Area post-metal titans Neurosis return after over a decade since their last album with a new lineup joined by long time friend and comrade, Aaron Turner (of Sumac, Old Man Gloom etc fame) bringing rejuvenation to the outfit now in its 4th decade. Continually finding interesting and almost brightly-hued ways to subtly expand their palette as ever their latest points towards even more new avenues for this group to explore in their next phase.

Our download of the week is from Luke Slater under his Planetary Assault Systems, ten years since he last dropped an LP on Ostgut Ton, and things have gotten a lot heavier since Arc Angel’s melodic mysteries. Landing on solid ground with Planetary People with industrial rhythms verging on claustrophobic, anxiously drumming on your skull with a kit of power tool percussion fiercely rooted to the dancefloor.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

Jochem Paap was in no rush to release a solo studio album in the twenty four years since his last Speedy J record Loudboxer, and his sixth album reflects this relaxed pace. Walkman is designed to soundtrack a full journey played on its titular tech, allowing segments to take the form of amorphous soundscapes rather than clearly delineated tracks or songs

The estate of New York proto-synth pioneers Silver Apples launches its own boutique reissue label/electronic music non-profit called the Silver Apples Foundation with a new 12” that features some of the last bits of music from the project, as well as the late Andrew Weatherall's stellar remix of The Edge of Wonder, from their last ever album Clinging to a Dream.

Bay Area post-metal titans Neurosis return after over a decade since their last album with a new lineup joined by long time friend and comrade, Aaron Turner (of Sumac, Old Man Gloom etc fame) bringing rejuvenation to the outfit now in its 4th decade. Continually finding interesting and almost brightly-hued ways to subtly expand their palette as ever their latest points towards even more new avenues for this group to explore in their next phase.

Our download of the week is from Luke Slater under his Planetary Assault Systems, ten years since he last dropped an LP on Ostgut Ton, and things have gotten a lot heavier since Arc Angel’s melodic mysteries. Landing on solid ground with Planetary People with industrial rhythms verging on claustrophobic, anxiously drumming on your skull with a kit of power tool percussion fiercely rooted to the dancefloor.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

Jochem Paap was in no rush to release a solo studio album in the twenty four years since his last Speedy J record Loudboxer, and his sixth album reflects this relaxed pace. Walkman is designed to soundtrack a full journey played on its titular tech, allowing segments to take the form of amorphous soundscapes rather than clearly delineated tracks or songs

The estate of New York proto-synth pioneers Silver Apples launches its own boutique reissue label/electronic music non-profit called the Silver Apples Foundation with a new 12” that features some of the last bits of music from the project, as well as the late Andrew Weatherall's stellar remix of The Edge of Wonder, from their last ever album Clinging to a Dream.

Bay Area post-metal titans Neurosis return after over a decade since their last album with a new lineup joined by long time friend and comrade, Aaron Turner (of Sumac, Old Man Gloom etc fame) bringing rejuvenation to the outfit now in its 4th decade. Continually finding interesting and almost brightly-hued ways to subtly expand their palette as ever their latest points towards even more new avenues for this group to explore in their next phase.

Our download of the week is from Luke Slater under his Planetary Assault Systems, ten years since he last dropped an LP on Ostgut Ton, and things have gotten a lot heavier since Arc Angel’s melodic mysteries. Landing on solid ground with Planetary People with industrial rhythms verging on claustrophobic, anxiously drumming on your skull with a kit of power tool percussion fiercely rooted to the dancefloor.

Enjoy!

During one of the recording sessions for Speedy J’ s album 'Walkman' in the STOOR Lab, members of the extended STOOR visual family were improvising alongside the music in real time. For this filmed studio performance for Bleep, Karl Klomp attached three lo-fi micro cameras to Jochem’s cap, capturing the session directly from his perspective while building the track live on the instruments. Off camera, the hardware is running through a generative effects patch reacting to the performance in real time. What you see and hear is taken from one of those AV jams. Rather than a recreation of an existing track, this video captures the actual moment the piece is taking shape.

Order Speedy J's new album Walkman now on Bleep.com

Just Announced:
Overmono - Pure Devotion
@xlrecordings

bleep.com/release/593495

+ Blue marbled vinyl
+ Bleep exclusive slipmat

Sharing a name with the beloved series of live events they launched in 2024, Pure Devotion is @Overmono's most ambitious project to date. It’s the sound of beautiful imperfections, machine malfunctions and happy accidents, harnessed by the unflinching confidence that Overmono - aka brothers Tom and Ed Russell - have gained through years at the vanguard of underground electronic music, and subsequent breakthrough as one of the defining dance music acts of the decade.

Our Record of the Month for May is from Seefeel with Sol.Hz on @warprecords.

bleep.com/seefeel-solhz

Returning in 2026 with their first full-length album in fifteen years, Sol.Hz, translates literally as sun+electricity, as good a summary as any of the alchemical blend their music represents. In many ways, the slow arc of their discography represents a gradual distillation, a purifying of the core elements that their tracks are constructed from.

@seefeel.signals

Our Record of the Month for May is from Seefeel with Sol.Hz on @warprecords.

bleep.com/seefeel-solhz

Returning in 2026 with their first full-length album in fifteen years, Sol.Hz, translates literally as sun+electricity, as good a summary as any of the alchemical blend their music represents. In many ways, the slow arc of their discography represents a gradual distillation, a purifying of the core elements that their tracks are constructed from.

@seefeel.signals

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Our Record of the Month for May is from Seefeel, returning with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

POMPEII // UTILITY unites Earl Sweatshirt and MIKE, two kindred spirit rappers from opposite coasts within SURF GANG’s world-building genius. Structured as a true double album — MIKE on one side, Earl on the other — POMPEII // UTILITY unfolds through a rotating cast of side quests and characters from within its shared creative ecosystem.

Shinichi Atobe has come a long way from his fabled Chain Reaction debut in 2001; a quarter of a century later he releases the first full length album on his very own Plastic & Sounds label, with much of that time spent honing his craft in silence, powered by a constant drive to make music that results in Silent Way.

Rival Consoles’ mastery over synthesis, articulation, and conceptual electronics brings something uniquely intense to a soundtrack, and his score for Build A Rocket Boy’s narrative-driven game MindsEye, available again as a limited RSD 2026 pressing.

Our download of the week is from Fire-Toolz, the primary studio project of the prolific Angel Marcloid, is a cloud of colourful tags that you can catch like items in a video game if you listen well: cybergrind, metalcore, emo, screamo, glitch, grindcore, prog, IDM, New Age, post-vaporwave, noise, smooth jazz fusion, avant-garde, etc. But on Lavender Networks, Angel's artistic freedom defies all definitions and labels, by melting them into something wholly hers.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Our Record of the Month for May is from Seefeel, returning with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

POMPEII // UTILITY unites Earl Sweatshirt and MIKE, two kindred spirit rappers from opposite coasts within SURF GANG’s world-building genius. Structured as a true double album — MIKE on one side, Earl on the other — POMPEII // UTILITY unfolds through a rotating cast of side quests and characters from within its shared creative ecosystem.

Shinichi Atobe has come a long way from his fabled Chain Reaction debut in 2001; a quarter of a century later he releases the first full length album on his very own Plastic & Sounds label, with much of that time spent honing his craft in silence, powered by a constant drive to make music that results in Silent Way.

Rival Consoles’ mastery over synthesis, articulation, and conceptual electronics brings something uniquely intense to a soundtrack, and his score for Build A Rocket Boy’s narrative-driven game MindsEye, available again as a limited RSD 2026 pressing.

Our download of the week is from Fire-Toolz, the primary studio project of the prolific Angel Marcloid, is a cloud of colourful tags that you can catch like items in a video game if you listen well: cybergrind, metalcore, emo, screamo, glitch, grindcore, prog, IDM, New Age, post-vaporwave, noise, smooth jazz fusion, avant-garde, etc. But on Lavender Networks, Angel's artistic freedom defies all definitions and labels, by melting them into something wholly hers.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Our Record of the Month for May is from Seefeel, returning with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

POMPEII // UTILITY unites Earl Sweatshirt and MIKE, two kindred spirit rappers from opposite coasts within SURF GANG’s world-building genius. Structured as a true double album — MIKE on one side, Earl on the other — POMPEII // UTILITY unfolds through a rotating cast of side quests and characters from within its shared creative ecosystem.

Shinichi Atobe has come a long way from his fabled Chain Reaction debut in 2001; a quarter of a century later he releases the first full length album on his very own Plastic & Sounds label, with much of that time spent honing his craft in silence, powered by a constant drive to make music that results in Silent Way.

Rival Consoles’ mastery over synthesis, articulation, and conceptual electronics brings something uniquely intense to a soundtrack, and his score for Build A Rocket Boy’s narrative-driven game MindsEye, available again as a limited RSD 2026 pressing.

Our download of the week is from Fire-Toolz, the primary studio project of the prolific Angel Marcloid, is a cloud of colourful tags that you can catch like items in a video game if you listen well: cybergrind, metalcore, emo, screamo, glitch, grindcore, prog, IDM, New Age, post-vaporwave, noise, smooth jazz fusion, avant-garde, etc. But on Lavender Networks, Angel's artistic freedom defies all definitions and labels, by melting them into something wholly hers.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Our Record of the Month for May is from Seefeel, returning with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

POMPEII // UTILITY unites Earl Sweatshirt and MIKE, two kindred spirit rappers from opposite coasts within SURF GANG’s world-building genius. Structured as a true double album — MIKE on one side, Earl on the other — POMPEII // UTILITY unfolds through a rotating cast of side quests and characters from within its shared creative ecosystem.

Shinichi Atobe has come a long way from his fabled Chain Reaction debut in 2001; a quarter of a century later he releases the first full length album on his very own Plastic & Sounds label, with much of that time spent honing his craft in silence, powered by a constant drive to make music that results in Silent Way.

Rival Consoles’ mastery over synthesis, articulation, and conceptual electronics brings something uniquely intense to a soundtrack, and his score for Build A Rocket Boy’s narrative-driven game MindsEye, available again as a limited RSD 2026 pressing.

Our download of the week is from Fire-Toolz, the primary studio project of the prolific Angel Marcloid, is a cloud of colourful tags that you can catch like items in a video game if you listen well: cybergrind, metalcore, emo, screamo, glitch, grindcore, prog, IDM, New Age, post-vaporwave, noise, smooth jazz fusion, avant-garde, etc. But on Lavender Networks, Angel's artistic freedom defies all definitions and labels, by melting them into something wholly hers.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Our Record of the Month for May is from Seefeel, returning with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

POMPEII // UTILITY unites Earl Sweatshirt and MIKE, two kindred spirit rappers from opposite coasts within SURF GANG’s world-building genius. Structured as a true double album — MIKE on one side, Earl on the other — POMPEII // UTILITY unfolds through a rotating cast of side quests and characters from within its shared creative ecosystem.

Shinichi Atobe has come a long way from his fabled Chain Reaction debut in 2001; a quarter of a century later he releases the first full length album on his very own Plastic & Sounds label, with much of that time spent honing his craft in silence, powered by a constant drive to make music that results in Silent Way.

Rival Consoles’ mastery over synthesis, articulation, and conceptual electronics brings something uniquely intense to a soundtrack, and his score for Build A Rocket Boy’s narrative-driven game MindsEye, available again as a limited RSD 2026 pressing.

Our download of the week is from Fire-Toolz, the primary studio project of the prolific Angel Marcloid, is a cloud of colourful tags that you can catch like items in a video game if you listen well: cybergrind, metalcore, emo, screamo, glitch, grindcore, prog, IDM, New Age, post-vaporwave, noise, smooth jazz fusion, avant-garde, etc. But on Lavender Networks, Angel's artistic freedom defies all definitions and labels, by melting them into something wholly hers.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Our Record of the Month for May is from Seefeel, returning with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

POMPEII // UTILITY unites Earl Sweatshirt and MIKE, two kindred spirit rappers from opposite coasts within SURF GANG’s world-building genius. Structured as a true double album — MIKE on one side, Earl on the other — POMPEII // UTILITY unfolds through a rotating cast of side quests and characters from within its shared creative ecosystem.

Shinichi Atobe has come a long way from his fabled Chain Reaction debut in 2001; a quarter of a century later he releases the first full length album on his very own Plastic & Sounds label, with much of that time spent honing his craft in silence, powered by a constant drive to make music that results in Silent Way.

Rival Consoles’ mastery over synthesis, articulation, and conceptual electronics brings something uniquely intense to a soundtrack, and his score for Build A Rocket Boy’s narrative-driven game MindsEye, available again as a limited RSD 2026 pressing.

Our download of the week is from Fire-Toolz, the primary studio project of the prolific Angel Marcloid, is a cloud of colourful tags that you can catch like items in a video game if you listen well: cybergrind, metalcore, emo, screamo, glitch, grindcore, prog, IDM, New Age, post-vaporwave, noise, smooth jazz fusion, avant-garde, etc. But on Lavender Networks, Angel's artistic freedom defies all definitions and labels, by melting them into something wholly hers.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Our Record of the Month for May is from Seefeel, returning with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

POMPEII // UTILITY unites Earl Sweatshirt and MIKE, two kindred spirit rappers from opposite coasts within SURF GANG’s world-building genius. Structured as a true double album — MIKE on one side, Earl on the other — POMPEII // UTILITY unfolds through a rotating cast of side quests and characters from within its shared creative ecosystem.

Shinichi Atobe has come a long way from his fabled Chain Reaction debut in 2001; a quarter of a century later he releases the first full length album on his very own Plastic & Sounds label, with much of that time spent honing his craft in silence, powered by a constant drive to make music that results in Silent Way.

Rival Consoles’ mastery over synthesis, articulation, and conceptual electronics brings something uniquely intense to a soundtrack, and his score for Build A Rocket Boy’s narrative-driven game MindsEye, available again as a limited RSD 2026 pressing.

Our download of the week is from Fire-Toolz, the primary studio project of the prolific Angel Marcloid, is a cloud of colourful tags that you can catch like items in a video game if you listen well: cybergrind, metalcore, emo, screamo, glitch, grindcore, prog, IDM, New Age, post-vaporwave, noise, smooth jazz fusion, avant-garde, etc. But on Lavender Networks, Angel's artistic freedom defies all definitions and labels, by melting them into something wholly hers.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Our Record of the Month for May is from Seefeel, returning with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

POMPEII // UTILITY unites Earl Sweatshirt and MIKE, two kindred spirit rappers from opposite coasts within SURF GANG’s world-building genius. Structured as a true double album — MIKE on one side, Earl on the other — POMPEII // UTILITY unfolds through a rotating cast of side quests and characters from within its shared creative ecosystem.

Shinichi Atobe has come a long way from his fabled Chain Reaction debut in 2001; a quarter of a century later he releases the first full length album on his very own Plastic & Sounds label, with much of that time spent honing his craft in silence, powered by a constant drive to make music that results in Silent Way.

Rival Consoles’ mastery over synthesis, articulation, and conceptual electronics brings something uniquely intense to a soundtrack, and his score for Build A Rocket Boy’s narrative-driven game MindsEye, available again as a limited RSD 2026 pressing.

Our download of the week is from Fire-Toolz, the primary studio project of the prolific Angel Marcloid, is a cloud of colourful tags that you can catch like items in a video game if you listen well: cybergrind, metalcore, emo, screamo, glitch, grindcore, prog, IDM, New Age, post-vaporwave, noise, smooth jazz fusion, avant-garde, etc. But on Lavender Networks, Angel's artistic freedom defies all definitions and labels, by melting them into something wholly hers.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Our Record of the Month for May is from Seefeel, returning with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

POMPEII // UTILITY unites Earl Sweatshirt and MIKE, two kindred spirit rappers from opposite coasts within SURF GANG’s world-building genius. Structured as a true double album — MIKE on one side, Earl on the other — POMPEII // UTILITY unfolds through a rotating cast of side quests and characters from within its shared creative ecosystem.

Shinichi Atobe has come a long way from his fabled Chain Reaction debut in 2001; a quarter of a century later he releases the first full length album on his very own Plastic & Sounds label, with much of that time spent honing his craft in silence, powered by a constant drive to make music that results in Silent Way.

Rival Consoles’ mastery over synthesis, articulation, and conceptual electronics brings something uniquely intense to a soundtrack, and his score for Build A Rocket Boy’s narrative-driven game MindsEye, available again as a limited RSD 2026 pressing.

Our download of the week is from Fire-Toolz, the primary studio project of the prolific Angel Marcloid, is a cloud of colourful tags that you can catch like items in a video game if you listen well: cybergrind, metalcore, emo, screamo, glitch, grindcore, prog, IDM, New Age, post-vaporwave, noise, smooth jazz fusion, avant-garde, etc. But on Lavender Networks, Angel's artistic freedom defies all definitions and labels, by melting them into something wholly hers.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Infamously the first artist signed to Warp that used guitars, Seefeel return with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

Continuing the Seefeel connection they also feature on Foundry, the new album from
DJ/producer/chef Yu Su. Crafted from material she developed for a special live set at 2025’s MUTEK festival, balancing the skyward thrust of her high-energy DJ sets with the rich and placid sound design of classic ambient and dub techno.

Entire lifetimes of events have occurred in the short two years since KNEECAP’s last album Fine Art was released, and no matter what challenges came their way, the band have distilled their unfaltering stance into a new vision for Irish hardcore on FENIAN.

Our download of the week is from Four Tet with his bubbling 2020’s dancefloor slowburner ‘Baby’ and 2009’s ‘Love Cry’ translated with further glitchy vocal cuts and murmuring low end by Tony Romera and RamonPang.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Infamously the first artist signed to Warp that used guitars, Seefeel return with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

Continuing the Seefeel connection they also feature on Foundry, the new album from
DJ/producer/chef Yu Su. Crafted from material she developed for a special live set at 2025’s MUTEK festival, balancing the skyward thrust of her high-energy DJ sets with the rich and placid sound design of classic ambient and dub techno.

Entire lifetimes of events have occurred in the short two years since KNEECAP’s last album Fine Art was released, and no matter what challenges came their way, the band have distilled their unfaltering stance into a new vision for Irish hardcore on FENIAN.

Our download of the week is from Four Tet with his bubbling 2020’s dancefloor slowburner ‘Baby’ and 2009’s ‘Love Cry’ translated with further glitchy vocal cuts and murmuring low end by Tony Romera and RamonPang.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Infamously the first artist signed to Warp that used guitars, Seefeel return with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

Continuing the Seefeel connection they also feature on Foundry, the new album from
DJ/producer/chef Yu Su. Crafted from material she developed for a special live set at 2025’s MUTEK festival, balancing the skyward thrust of her high-energy DJ sets with the rich and placid sound design of classic ambient and dub techno.

Entire lifetimes of events have occurred in the short two years since KNEECAP’s last album Fine Art was released, and no matter what challenges came their way, the band have distilled their unfaltering stance into a new vision for Irish hardcore on FENIAN.

Our download of the week is from Four Tet with his bubbling 2020’s dancefloor slowburner ‘Baby’ and 2009’s ‘Love Cry’ translated with further glitchy vocal cuts and murmuring low end by Tony Romera and RamonPang.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Infamously the first artist signed to Warp that used guitars, Seefeel return with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

Continuing the Seefeel connection they also feature on Foundry, the new album from
DJ/producer/chef Yu Su. Crafted from material she developed for a special live set at 2025’s MUTEK festival, balancing the skyward thrust of her high-energy DJ sets with the rich and placid sound design of classic ambient and dub techno.

Entire lifetimes of events have occurred in the short two years since KNEECAP’s last album Fine Art was released, and no matter what challenges came their way, the band have distilled their unfaltering stance into a new vision for Irish hardcore on FENIAN.

Our download of the week is from Four Tet with his bubbling 2020’s dancefloor slowburner ‘Baby’ and 2009’s ‘Love Cry’ translated with further glitchy vocal cuts and murmuring low end by Tony Romera and RamonPang.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Infamously the first artist signed to Warp that used guitars, Seefeel return with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

Continuing the Seefeel connection they also feature on Foundry, the new album from
DJ/producer/chef Yu Su. Crafted from material she developed for a special live set at 2025’s MUTEK festival, balancing the skyward thrust of her high-energy DJ sets with the rich and placid sound design of classic ambient and dub techno.

Entire lifetimes of events have occurred in the short two years since KNEECAP’s last album Fine Art was released, and no matter what challenges came their way, the band have distilled their unfaltering stance into a new vision for Irish hardcore on FENIAN.

Our download of the week is from Four Tet with his bubbling 2020’s dancefloor slowburner ‘Baby’ and 2009’s ‘Love Cry’ translated with further glitchy vocal cuts and murmuring low end by Tony Romera and RamonPang.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Infamously the first artist signed to Warp that used guitars, Seefeel return with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

Continuing the Seefeel connection they also feature on Foundry, the new album from
DJ/producer/chef Yu Su. Crafted from material she developed for a special live set at 2025’s MUTEK festival, balancing the skyward thrust of her high-energy DJ sets with the rich and placid sound design of classic ambient and dub techno.

Entire lifetimes of events have occurred in the short two years since KNEECAP’s last album Fine Art was released, and no matter what challenges came their way, the band have distilled their unfaltering stance into a new vision for Irish hardcore on FENIAN.

Our download of the week is from Four Tet with his bubbling 2020’s dancefloor slowburner ‘Baby’ and 2009’s ‘Love Cry’ translated with further glitchy vocal cuts and murmuring low end by Tony Romera and RamonPang.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Infamously the first artist signed to Warp that used guitars, Seefeel return with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

Continuing the Seefeel connection they also feature on Foundry, the new album from
DJ/producer/chef Yu Su. Crafted from material she developed for a special live set at 2025’s MUTEK festival, balancing the skyward thrust of her high-energy DJ sets with the rich and placid sound design of classic ambient and dub techno.

Entire lifetimes of events have occurred in the short two years since KNEECAP’s last album Fine Art was released, and no matter what challenges came their way, the band have distilled their unfaltering stance into a new vision for Irish hardcore on FENIAN.

Our download of the week is from Four Tet with his bubbling 2020’s dancefloor slowburner ‘Baby’ and 2009’s ‘Love Cry’ translated with further glitchy vocal cuts and murmuring low end by Tony Romera and RamonPang.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Infamously the first artist signed to Warp that used guitars, Seefeel return with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

Continuing the Seefeel connection they also feature on Foundry, the new album from
DJ/producer/chef Yu Su. Crafted from material she developed for a special live set at 2025’s MUTEK festival, balancing the skyward thrust of her high-energy DJ sets with the rich and placid sound design of classic ambient and dub techno.

Entire lifetimes of events have occurred in the short two years since KNEECAP’s last album Fine Art was released, and no matter what challenges came their way, the band have distilled their unfaltering stance into a new vision for Irish hardcore on FENIAN.

Our download of the week is from Four Tet with his bubbling 2020’s dancefloor slowburner ‘Baby’ and 2009’s ‘Love Cry’ translated with further glitchy vocal cuts and murmuring low end by Tony Romera and RamonPang.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Infamously the first artist signed to Warp that used guitars, Seefeel return with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

Continuing the Seefeel connection they also feature on Foundry, the new album from
DJ/producer/chef Yu Su. Crafted from material she developed for a special live set at 2025’s MUTEK festival, balancing the skyward thrust of her high-energy DJ sets with the rich and placid sound design of classic ambient and dub techno.

Entire lifetimes of events have occurred in the short two years since KNEECAP’s last album Fine Art was released, and no matter what challenges came their way, the band have distilled their unfaltering stance into a new vision for Irish hardcore on FENIAN.

Our download of the week is from Four Tet with his bubbling 2020’s dancefloor slowburner ‘Baby’ and 2009’s ‘Love Cry’ translated with further glitchy vocal cuts and murmuring low end by Tony Romera and RamonPang.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/weekly-roundup

Infamously the first artist signed to Warp that used guitars, Seefeel return with their first full-length album in fifteen years – Sol.Hz - a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

Continuing the Seefeel connection they also feature on Foundry, the new album from
DJ/producer/chef Yu Su. Crafted from material she developed for a special live set at 2025’s MUTEK festival, balancing the skyward thrust of her high-energy DJ sets with the rich and placid sound design of classic ambient and dub techno.

Entire lifetimes of events have occurred in the short two years since KNEECAP’s last album Fine Art was released, and no matter what challenges came their way, the band have distilled their unfaltering stance into a new vision for Irish hardcore on FENIAN.

Our download of the week is from Four Tet with his bubbling 2020’s dancefloor slowburner ‘Baby’ and 2009’s ‘Love Cry’ translated with further glitchy vocal cuts and murmuring low end by Tony Romera and RamonPang.

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/newsletters/weekly-roundup-24th-april-2026

When Ah! Kosmos and Hainbach first collaborated on 2023’s Blast of Sirens, their music was replete with infinite possibility, accessing a playground of gear where they could find the shape of their converging musical practices. Three years later, their voice as a duo is assured, and they zero in on a more contemplative, focussed mood with their second album Gentle Hum.
The Black Dog’s Loud Ambient 2 picks up directly from where Loud Ambient left off. After picking the drum machines back up, they returned to the colourfield ideas that shaped the first record. Rothko remained a key reference, alongside a strong recommendation to spend time with the work of Josef Albers.

Our download of the week is the Xkatedral Anthology Series III compilation, featuring previously unreleased works from Imprint Co-founders Kali Malone, Theodor Kentros, Daniel M Karlsson, Maria W Horn & Mats Erlandsson, as well as, Stephen O’Malley, Jessica Ekomane, and David Granström, exploring clarion-like horns evoking medieval battle rituals, brazen sci-fi synth glides, and devastating bass rushes as timbres fuse and gradually transform.

Our Bleep Mix this week is from Xylitol in celebration of Blumenfantasie, her second album on Planet Mu. “I feel as though 160BPM has become my natural territory & while I didn't want to stray too far from my comfort zone there's always an ever present desire to push against the boundary of expectations (including and maybe predominantly my own)” - Xylitol

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/newsletters/weekly-roundup-24th-april-2026

When Ah! Kosmos and Hainbach first collaborated on 2023’s Blast of Sirens, their music was replete with infinite possibility, accessing a playground of gear where they could find the shape of their converging musical practices. Three years later, their voice as a duo is assured, and they zero in on a more contemplative, focussed mood with their second album Gentle Hum.
The Black Dog’s Loud Ambient 2 picks up directly from where Loud Ambient left off. After picking the drum machines back up, they returned to the colourfield ideas that shaped the first record. Rothko remained a key reference, alongside a strong recommendation to spend time with the work of Josef Albers.

Our download of the week is the Xkatedral Anthology Series III compilation, featuring previously unreleased works from Imprint Co-founders Kali Malone, Theodor Kentros, Daniel M Karlsson, Maria W Horn & Mats Erlandsson, as well as, Stephen O’Malley, Jessica Ekomane, and David Granström, exploring clarion-like horns evoking medieval battle rituals, brazen sci-fi synth glides, and devastating bass rushes as timbres fuse and gradually transform.

Our Bleep Mix this week is from Xylitol in celebration of Blumenfantasie, her second album on Planet Mu. “I feel as though 160BPM has become my natural territory & while I didn't want to stray too far from my comfort zone there's always an ever present desire to push against the boundary of expectations (including and maybe predominantly my own)” - Xylitol

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/newsletters/weekly-roundup-24th-april-2026

When Ah! Kosmos and Hainbach first collaborated on 2023’s Blast of Sirens, their music was replete with infinite possibility, accessing a playground of gear where they could find the shape of their converging musical practices. Three years later, their voice as a duo is assured, and they zero in on a more contemplative, focussed mood with their second album Gentle Hum.
The Black Dog’s Loud Ambient 2 picks up directly from where Loud Ambient left off. After picking the drum machines back up, they returned to the colourfield ideas that shaped the first record. Rothko remained a key reference, alongside a strong recommendation to spend time with the work of Josef Albers.

Our download of the week is the Xkatedral Anthology Series III compilation, featuring previously unreleased works from Imprint Co-founders Kali Malone, Theodor Kentros, Daniel M Karlsson, Maria W Horn & Mats Erlandsson, as well as, Stephen O’Malley, Jessica Ekomane, and David Granström, exploring clarion-like horns evoking medieval battle rituals, brazen sci-fi synth glides, and devastating bass rushes as timbres fuse and gradually transform.

Our Bleep Mix this week is from Xylitol in celebration of Blumenfantasie, her second album on Planet Mu. “I feel as though 160BPM has become my natural territory & while I didn't want to stray too far from my comfort zone there's always an ever present desire to push against the boundary of expectations (including and maybe predominantly my own)” - Xylitol

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/newsletters/weekly-roundup-24th-april-2026

When Ah! Kosmos and Hainbach first collaborated on 2023’s Blast of Sirens, their music was replete with infinite possibility, accessing a playground of gear where they could find the shape of their converging musical practices. Three years later, their voice as a duo is assured, and they zero in on a more contemplative, focussed mood with their second album Gentle Hum.
The Black Dog’s Loud Ambient 2 picks up directly from where Loud Ambient left off. After picking the drum machines back up, they returned to the colourfield ideas that shaped the first record. Rothko remained a key reference, alongside a strong recommendation to spend time with the work of Josef Albers.

Our download of the week is the Xkatedral Anthology Series III compilation, featuring previously unreleased works from Imprint Co-founders Kali Malone, Theodor Kentros, Daniel M Karlsson, Maria W Horn & Mats Erlandsson, as well as, Stephen O’Malley, Jessica Ekomane, and David Granström, exploring clarion-like horns evoking medieval battle rituals, brazen sci-fi synth glides, and devastating bass rushes as timbres fuse and gradually transform.

Our Bleep Mix this week is from Xylitol in celebration of Blumenfantasie, her second album on Planet Mu. “I feel as though 160BPM has become my natural territory & while I didn't want to stray too far from my comfort zone there's always an ever present desire to push against the boundary of expectations (including and maybe predominantly my own)” - Xylitol

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/newsletters/weekly-roundup-24th-april-2026

When Ah! Kosmos and Hainbach first collaborated on 2023’s Blast of Sirens, their music was replete with infinite possibility, accessing a playground of gear where they could find the shape of their converging musical practices. Three years later, their voice as a duo is assured, and they zero in on a more contemplative, focussed mood with their second album Gentle Hum.
The Black Dog’s Loud Ambient 2 picks up directly from where Loud Ambient left off. After picking the drum machines back up, they returned to the colourfield ideas that shaped the first record. Rothko remained a key reference, alongside a strong recommendation to spend time with the work of Josef Albers.

Our download of the week is the Xkatedral Anthology Series III compilation, featuring previously unreleased works from Imprint Co-founders Kali Malone, Theodor Kentros, Daniel M Karlsson, Maria W Horn & Mats Erlandsson, as well as, Stephen O’Malley, Jessica Ekomane, and David Granström, exploring clarion-like horns evoking medieval battle rituals, brazen sci-fi synth glides, and devastating bass rushes as timbres fuse and gradually transform.

Our Bleep Mix this week is from Xylitol in celebration of Blumenfantasie, her second album on Planet Mu. “I feel as though 160BPM has become my natural territory & while I didn't want to stray too far from my comfort zone there's always an ever present desire to push against the boundary of expectations (including and maybe predominantly my own)” - Xylitol

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/newsletters/weekly-roundup-24th-april-2026

When Ah! Kosmos and Hainbach first collaborated on 2023’s Blast of Sirens, their music was replete with infinite possibility, accessing a playground of gear where they could find the shape of their converging musical practices. Three years later, their voice as a duo is assured, and they zero in on a more contemplative, focussed mood with their second album Gentle Hum.
The Black Dog’s Loud Ambient 2 picks up directly from where Loud Ambient left off. After picking the drum machines back up, they returned to the colourfield ideas that shaped the first record. Rothko remained a key reference, alongside a strong recommendation to spend time with the work of Josef Albers.

Our download of the week is the Xkatedral Anthology Series III compilation, featuring previously unreleased works from Imprint Co-founders Kali Malone, Theodor Kentros, Daniel M Karlsson, Maria W Horn & Mats Erlandsson, as well as, Stephen O’Malley, Jessica Ekomane, and David Granström, exploring clarion-like horns evoking medieval battle rituals, brazen sci-fi synth glides, and devastating bass rushes as timbres fuse and gradually transform.

Our Bleep Mix this week is from Xylitol in celebration of Blumenfantasie, her second album on Planet Mu. “I feel as though 160BPM has become my natural territory & while I didn't want to stray too far from my comfort zone there's always an ever present desire to push against the boundary of expectations (including and maybe predominantly my own)” - Xylitol

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/newsletters/weekly-roundup-24th-april-2026

When Ah! Kosmos and Hainbach first collaborated on 2023’s Blast of Sirens, their music was replete with infinite possibility, accessing a playground of gear where they could find the shape of their converging musical practices. Three years later, their voice as a duo is assured, and they zero in on a more contemplative, focussed mood with their second album Gentle Hum.
The Black Dog’s Loud Ambient 2 picks up directly from where Loud Ambient left off. After picking the drum machines back up, they returned to the colourfield ideas that shaped the first record. Rothko remained a key reference, alongside a strong recommendation to spend time with the work of Josef Albers.

Our download of the week is the Xkatedral Anthology Series III compilation, featuring previously unreleased works from Imprint Co-founders Kali Malone, Theodor Kentros, Daniel M Karlsson, Maria W Horn & Mats Erlandsson, as well as, Stephen O’Malley, Jessica Ekomane, and David Granström, exploring clarion-like horns evoking medieval battle rituals, brazen sci-fi synth glides, and devastating bass rushes as timbres fuse and gradually transform.

Our Bleep Mix this week is from Xylitol in celebration of Blumenfantasie, her second album on Planet Mu. “I feel as though 160BPM has become my natural territory & while I didn't want to stray too far from my comfort zone there's always an ever present desire to push against the boundary of expectations (including and maybe predominantly my own)” - Xylitol

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/newsletters/weekly-roundup-24th-april-2026

When Ah! Kosmos and Hainbach first collaborated on 2023’s Blast of Sirens, their music was replete with infinite possibility, accessing a playground of gear where they could find the shape of their converging musical practices. Three years later, their voice as a duo is assured, and they zero in on a more contemplative, focussed mood with their second album Gentle Hum.
The Black Dog’s Loud Ambient 2 picks up directly from where Loud Ambient left off. After picking the drum machines back up, they returned to the colourfield ideas that shaped the first record. Rothko remained a key reference, alongside a strong recommendation to spend time with the work of Josef Albers.

Our download of the week is the Xkatedral Anthology Series III compilation, featuring previously unreleased works from Imprint Co-founders Kali Malone, Theodor Kentros, Daniel M Karlsson, Maria W Horn & Mats Erlandsson, as well as, Stephen O’Malley, Jessica Ekomane, and David Granström, exploring clarion-like horns evoking medieval battle rituals, brazen sci-fi synth glides, and devastating bass rushes as timbres fuse and gradually transform.

Our Bleep Mix this week is from Xylitol in celebration of Blumenfantasie, her second album on Planet Mu. “I feel as though 160BPM has become my natural territory & while I didn't want to stray too far from my comfort zone there's always an ever present desire to push against the boundary of expectations (including and maybe predominantly my own)” - Xylitol

Enjoy!

Welcome to the Bleep Weekly Roundup, our guide to the best new releases and warehouse arrivals.

bleep.com/newsletters/weekly-roundup-24th-april-2026

When Ah! Kosmos and Hainbach first collaborated on 2023’s Blast of Sirens, their music was replete with infinite possibility, accessing a playground of gear where they could find the shape of their converging musical practices. Three years later, their voice as a duo is assured, and they zero in on a more contemplative, focussed mood with their second album Gentle Hum.
The Black Dog’s Loud Ambient 2 picks up directly from where Loud Ambient left off. After picking the drum machines back up, they returned to the colourfield ideas that shaped the first record. Rothko remained a key reference, alongside a strong recommendation to spend time with the work of Josef Albers.

Our download of the week is the Xkatedral Anthology Series III compilation, featuring previously unreleased works from Imprint Co-founders Kali Malone, Theodor Kentros, Daniel M Karlsson, Maria W Horn & Mats Erlandsson, as well as, Stephen O’Malley, Jessica Ekomane, and David Granström, exploring clarion-like horns evoking medieval battle rituals, brazen sci-fi synth glides, and devastating bass rushes as timbres fuse and gradually transform.

Our Bleep Mix this week is from Xylitol in celebration of Blumenfantasie, her second album on Planet Mu. “I feel as though 160BPM has become my natural territory & while I didn't want to stray too far from my comfort zone there's always an ever present desire to push against the boundary of expectations (including and maybe predominantly my own)” - Xylitol

Enjoy!

I feel as though 160 BPM has become my natural territory and while I didn't want to stray too far from my comfort zone there's always an ever present desire to push against the boundary of expectations (including and maybe predominantly my own). The mix pulls together a few of the disparate threads that have fed me musically in recent years... - Xylitol

Listen: bleep.com/bleep-mix-317-Xylitol

Ten years since Armand Jakobsson debuted his DJ Seinfeld project, he’s come a long way from the edits that inspired its name. If This Is It is the album he’s been waiting to make all along, an emotively tinged tour through high quality club productions transmuting uncertainties into forward energy. The glinting detuned pianos of ‘U Can’t Come Home’ flow with buzzing synths and crisp, bustling hip hop inflected breaks, while anthemic brass colours the UK garage rhythms of ‘The Right’, ecstatically bouncing with trickling 00s trance pop synth details.

Available on transparent green vinyl with Bleep exclusive additional alternative artwork O-card sleeve over original gatefold sleeve

Pre-order now at Bleep.com