인스타그램 스토리 저장
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alysmorrison
Alys Morrison
We have the last FOUR remaining copies of Alys Morrison’s Dust, Dirt from Onsite Works here at @peckham24photo’s A Bigger Book Fair.
Dust, Dirt from On Site Works comprises a black and white photo essay with selected plates in full colour. An excerpt from Morrison’s broad and ongoing body of work on the development of Camden’s Agar Grove Estate, it documents the site’s shifting character and its tension with the natural environment, as grass lawns are mowed only to be obliterated by rubble days later.
The redevelopment of the Agar Grove Estate is Camden Council’s largest ever regeneration project, involving the demolition of eight blocks built as social housing in 1966, and the construction of 500 new homes at market rates and shared ownership. The phased “decanting” of residents began in 2012 with the entire project set to span over 15 years of demolition, construction and refurbishment. Living on the 3rd floor of the last remaining block from the original Modernist development, photographer Alys Morrison has documented the demolition from her living room window with an urgency bordering on obsession. Her observations, using HD video, medium format photography and her iPhone, are regularly transmitted through Instagram, creating a record of and for a community living at the front line of neighbourhood regeneration, on a long-term building site where whole buildings and ancient trees disappear in a matter of hours. When the estate’s towering plane tree is unceremoniously felled, it is as though Morrison has lost a corroborating eyewitness.
Each edition includes an original 3 x 5” colour print. Only £5! We’re here all weekend xx
We have the last FOUR remaining copies of Alys Morrison’s Dust, Dirt from Onsite Works here at @peckham24photo’s A Bigger Book Fair.
Dust, Dirt from On Site Works comprises a black and white photo essay with selected plates in full colour. An excerpt from Morrison’s broad and ongoing body of work on the development of Camden’s Agar Grove Estate, it documents the site’s shifting character and its tension with the natural environment, as grass lawns are mowed only to be obliterated by rubble days later.
The redevelopment of the Agar Grove Estate is Camden Council’s largest ever regeneration project, involving the demolition of eight blocks built as social housing in 1966, and the construction of 500 new homes at market rates and shared ownership. The phased “decanting” of residents began in 2012 with the entire project set to span over 15 years of demolition, construction and refurbishment. Living on the 3rd floor of the last remaining block from the original Modernist development, photographer Alys Morrison has documented the demolition from her living room window with an urgency bordering on obsession. Her observations, using HD video, medium format photography and her iPhone, are regularly transmitted through Instagram, creating a record of and for a community living at the front line of neighbourhood regeneration, on a long-term building site where whole buildings and ancient trees disappear in a matter of hours. When the estate’s towering plane tree is unceremoniously felled, it is as though Morrison has lost a corroborating eyewitness.
Each edition includes an original 3 x 5” colour print. Only £5! We’re here all weekend xx
We have the last FOUR remaining copies of Alys Morrison’s Dust, Dirt from Onsite Works here at @peckham24photo’s A Bigger Book Fair.
Dust, Dirt from On Site Works comprises a black and white photo essay with selected plates in full colour. An excerpt from Morrison’s broad and ongoing body of work on the development of Camden’s Agar Grove Estate, it documents the site’s shifting character and its tension with the natural environment, as grass lawns are mowed only to be obliterated by rubble days later.
The redevelopment of the Agar Grove Estate is Camden Council’s largest ever regeneration project, involving the demolition of eight blocks built as social housing in 1966, and the construction of 500 new homes at market rates and shared ownership. The phased “decanting” of residents began in 2012 with the entire project set to span over 15 years of demolition, construction and refurbishment. Living on the 3rd floor of the last remaining block from the original Modernist development, photographer Alys Morrison has documented the demolition from her living room window with an urgency bordering on obsession. Her observations, using HD video, medium format photography and her iPhone, are regularly transmitted through Instagram, creating a record of and for a community living at the front line of neighbourhood regeneration, on a long-term building site where whole buildings and ancient trees disappear in a matter of hours. When the estate’s towering plane tree is unceremoniously felled, it is as though Morrison has lost a corroborating eyewitness.
Each edition includes an original 3 x 5” colour print. Only £5! We’re here all weekend xx
We have the last FOUR remaining copies of Alys Morrison’s Dust, Dirt from Onsite Works here at @peckham24photo’s A Bigger Book Fair.
Dust, Dirt from On Site Works comprises a black and white photo essay with selected plates in full colour. An excerpt from Morrison’s broad and ongoing body of work on the development of Camden’s Agar Grove Estate, it documents the site’s shifting character and its tension with the natural environment, as grass lawns are mowed only to be obliterated by rubble days later.
The redevelopment of the Agar Grove Estate is Camden Council’s largest ever regeneration project, involving the demolition of eight blocks built as social housing in 1966, and the construction of 500 new homes at market rates and shared ownership. The phased “decanting” of residents began in 2012 with the entire project set to span over 15 years of demolition, construction and refurbishment. Living on the 3rd floor of the last remaining block from the original Modernist development, photographer Alys Morrison has documented the demolition from her living room window with an urgency bordering on obsession. Her observations, using HD video, medium format photography and her iPhone, are regularly transmitted through Instagram, creating a record of and for a community living at the front line of neighbourhood regeneration, on a long-term building site where whole buildings and ancient trees disappear in a matter of hours. When the estate’s towering plane tree is unceremoniously felled, it is as though Morrison has lost a corroborating eyewitness.
Each edition includes an original 3 x 5” colour print. Only £5! We’re here all weekend xx
The ancient Whitewebbs Woods looking beautiful. Photo by Alys Morrison. 🌳💚
#whitewebbspark #ancientwoodland #hornbeam #woodland #londonparks
Katharina: A Preliminary Report
The house exists, is/was for sale, is full of women who live within its walls. There are so many questions, it had to be photographed.
THANK YOU @ton.magazine 💚
Special thanks to @holdenitdown92 and @ellahalmari !!
Katharina: A Preliminary Report
The house exists, is/was for sale, is full of women who live within its walls. There are so many questions, it had to be photographed.
THANK YOU @ton.magazine 💚
Special thanks to @holdenitdown92 and @ellahalmari !!
Katharina: A Preliminary Report
The house exists, is/was for sale, is full of women who live within its walls. There are so many questions, it had to be photographed.
THANK YOU @ton.magazine 💚
Special thanks to @holdenitdown92 and @ellahalmari !!
Katharina: A Preliminary Report
The house exists, is/was for sale, is full of women who live within its walls. There are so many questions, it had to be photographed.
THANK YOU @ton.magazine 💚
Special thanks to @holdenitdown92 and @ellahalmari !!
Katharina: A Preliminary Report
The house exists, is/was for sale, is full of women who live within its walls. There are so many questions, it had to be photographed.
THANK YOU @ton.magazine 💚
Special thanks to @holdenitdown92 and @ellahalmari !!
Katharina: A Preliminary Report
The house exists, is/was for sale, is full of women who live within its walls. There are so many questions, it had to be photographed.
THANK YOU @ton.magazine 💚
Special thanks to @holdenitdown92 and @ellahalmari !!
Katharina: A Preliminary Report
The house exists, is/was for sale, is full of women who live within its walls. There are so many questions, it had to be photographed.
THANK YOU @ton.magazine 💚
Special thanks to @holdenitdown92 and @ellahalmari !!
Pictures for Paul Gorman’s piece on Crossbones Graveyard in Bermondsey for Ton Magazine
Magazine launch at Tenderbooks on Wednesday 10th July… come!
@_paul_gorman_
@crossbonesgraveyard
@ton.magazine
@tenderbooks
Thank you!! @billiemuraben @r0rygleeson @jermainegallacher @ton.magazine
Pictures for Paul Gorman’s piece on Crossbones Graveyard in Bermondsey for Ton Magazine
Magazine launch at Tenderbooks on Wednesday 10th July… come!
@_paul_gorman_
@crossbonesgraveyard
@ton.magazine
@tenderbooks
Thank you!! @billiemuraben @r0rygleeson @jermainegallacher @ton.magazine
Pictures for Paul Gorman’s piece on Crossbones Graveyard in Bermondsey for Ton Magazine
Magazine launch at Tenderbooks on Wednesday 10th July… come!
@_paul_gorman_
@crossbonesgraveyard
@ton.magazine
@tenderbooks
Thank you!! @billiemuraben @r0rygleeson @jermainegallacher @ton.magazine
Pictures for Paul Gorman’s piece on Crossbones Graveyard in Bermondsey for Ton Magazine
Magazine launch at Tenderbooks on Wednesday 10th July… come!
@_paul_gorman_
@crossbonesgraveyard
@ton.magazine
@tenderbooks
Thank you!! @billiemuraben @r0rygleeson @jermainegallacher @ton.magazine
Pictures for Paul Gorman’s piece on Crossbones Graveyard in Bermondsey for Ton Magazine
Magazine launch at Tenderbooks on Wednesday 10th July… come!
@_paul_gorman_
@crossbonesgraveyard
@ton.magazine
@tenderbooks
Thank you!! @billiemuraben @r0rygleeson @jermainegallacher @ton.magazine
Pictures for Paul Gorman’s piece on Crossbones Graveyard in Bermondsey for Ton Magazine
Magazine launch at Tenderbooks on Wednesday 10th July… come!
@_paul_gorman_
@crossbonesgraveyard
@ton.magazine
@tenderbooks
Thank you!! @billiemuraben @r0rygleeson @jermainegallacher @ton.magazine
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