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fahacs
FAHACS
School of Fine Art, History of Art and Cultural Studies at the University of Leeds
Pitch: Fine Art Festival of Art 2026
📅 29 April to 22 May
📍 On campus & across Leeds
Our 2nd year Fine Art students are showcasing their work through a series of projects & exhibitions in a range of venues on campus & across Leeds.
Under the theme of ‘pitch’, the students have come together as thematic groups or as individuals to present their collective concerns, ideas or media in many different public contexts including restaurants, computer departments, pubs, churchyards & mobile sheds.
All spaces, indoors or out, are being considered as possible venues and the opportunity to pitch their work to a diverse range of audience.
pitch: Fine Art Festival of Art 2026 is part of Situation Leeds Festival, happening across May & June 2026, celebrating contemporary art in the public realm. @situation_leeds is supported by @yvanetwork & @hydeparkbookclub
Free, all welcome!
Index of exhibitions:
Flea Circus
29 April to 6 May @northlightleeds
7 to 16 May @northbarart
Women and Identity
29 April to 22 May, 10am-5pm @groundedandco.leeds
Memories of Meanwood
1 to 18 May @pyramid_arts
食飯 (sik faan)
1 May, 5-11pm at MAgic Wok, Bradford
The Shed
2 & 3 May, Dagmar Wood
5 & 6 May @leftbankleeds
9 & 10 May, St Michaels Church, Headingley
Beyond the Surface
4 May, 12-2pm @hydeparkbookclub
Σ(in)+compass
4 to 8 May (online)
Bygones
5 to 8 May, Maurice Keyworth building @universityofleeds
Elsewhere
5 & 6 May, 10am-4pm @slung_low
Where Connection Moves Us
5 May, 11am-2.30pm @hydeparkbookclub
I Eat Therefore I Am
5 to 22 May (online archive project)
Pinch Punch
5 to 22 May, Sir William Henry Bragg Building @universityofleeds
DND: Interactive Conquest
6 May, 6-9pm, Common Ground @leedsuniunion
Movement
7 to 14 May @northlightleeds
Counterculture
8 May, 3pm-midnight @theprimrosepubleeds
Leave Me Tender
8 May, 6-8pm @chunkbakeryuk
Life could be beautiful if you let it
9 May, 2-7.30pm @headingleyheart
RAW: The Visceral and Vulnerable
9 May, 1-6pm @chapelfortynine
Traces of Form
9 May, 4-8pm @assembly_leeds
Artificial Ecologies
Invitation only
*Follow link in bio to events pages for full info about each exhibition & the artists*
SAVE THE DATES 💥
Taking place in the School of Fine Art, History of Art and Cultural Studies, this year’s BA Fine Art Degree Show – HOLD – launches with a private view on Thursday 11 June, 5.30 to 8pm.
Open to the public daily from 12 to 21 June 2026, 10am to 6pm.
If you would like to join us for the private view with refreshments from @kirkstallbrewery , please RSVP to fincomms@leeds.ac.uk or DM @fahacs
AccessAble guide to the building is available at: https://www.accessable.co.uk/university-of-leeds/access-guides/fine-art
🖌️: @ashtonbolton_designs
Exhibition: Refigured – County Hall London 2026
Fernanda Cortes – Casting & Ceramics Technician at the University of Leeds – has been selected to exhibit in Refigured @countyhallpottery (12 May to 21 June).
Part of @londoncraftweek Refigured: Embodiment in Contemporary Ceramics brings together four artists working with the human form in clay:
@fer.corte
@clairecurneen
@jessicaharrisonstudio
@john_rainey_
The exhibition looks at how the body has been shaped, represented and understood over time, and how these traditions can be re-read today. Familiar forms are questioned rather than preserved, revealing tension, fragility and new meaning beneath decorative surfaces.
Working across earthenware, stoneware and porcelain, the exhibition explores themes of identity, gender, power and collective memory. The ceramic body emerges as both intimate and unstable, shaped by history yet open to change.
Fernanda will present new sculptural works inspired by mythology, using hybrid human–animal figures to reflect on transformation, fragility and identity.
Fernanda will be giving an artist talk on 14 May to invited guests.
A curator talk and closing party will take place on 21 June.
Find out more about the exhibition @countyhallpottery and @londoncraftweek
*About Fernanda Cortes*
@fer.corte is a Mexican artist based in the UK, where she has developed her creative practice over the past nine years. She joined the School of Fine Art, History of Art and Cultural Studies @universityofleeds as a Casting and Ceramics Technician in 2024.
Her work combines sculpture and storytelling, using anthropomorphic forms to examine vulnerability, resilience and dehumanisation. Short stories accompany her sculptures, adding narrative depth to each piece.
Images:
Fernanda Cortes
Pulso, 2026
Hand sculpted stoneware with glazes and lustre.
Wall installation
Fernanda Cortes
Voliamo sotto la pioggia, 2026
Hand sculpted stoneware with blue and metallic glazes and lustre.
Wall installation
#contemporaryceramics #ceramicsculpture #ceramicart #ceramicartist
#handbuiltceramics #stoneware #porcelain #sculptureinclay
#conceptualceramics #installationart
#londoncraftweek #universityofleeds
Exhibition: Refigured – County Hall London 2026
Fernanda Cortes – Casting & Ceramics Technician at the University of Leeds – has been selected to exhibit in Refigured @countyhallpottery (12 May to 21 June).
Part of @londoncraftweek Refigured: Embodiment in Contemporary Ceramics brings together four artists working with the human form in clay:
@fer.corte
@clairecurneen
@jessicaharrisonstudio
@john_rainey_
The exhibition looks at how the body has been shaped, represented and understood over time, and how these traditions can be re-read today. Familiar forms are questioned rather than preserved, revealing tension, fragility and new meaning beneath decorative surfaces.
Working across earthenware, stoneware and porcelain, the exhibition explores themes of identity, gender, power and collective memory. The ceramic body emerges as both intimate and unstable, shaped by history yet open to change.
Fernanda will present new sculptural works inspired by mythology, using hybrid human–animal figures to reflect on transformation, fragility and identity.
Fernanda will be giving an artist talk on 14 May to invited guests.
A curator talk and closing party will take place on 21 June.
Find out more about the exhibition @countyhallpottery and @londoncraftweek
*About Fernanda Cortes*
@fer.corte is a Mexican artist based in the UK, where she has developed her creative practice over the past nine years. She joined the School of Fine Art, History of Art and Cultural Studies @universityofleeds as a Casting and Ceramics Technician in 2024.
Her work combines sculpture and storytelling, using anthropomorphic forms to examine vulnerability, resilience and dehumanisation. Short stories accompany her sculptures, adding narrative depth to each piece.
Images:
Fernanda Cortes
Pulso, 2026
Hand sculpted stoneware with glazes and lustre.
Wall installation
Fernanda Cortes
Voliamo sotto la pioggia, 2026
Hand sculpted stoneware with blue and metallic glazes and lustre.
Wall installation
#contemporaryceramics #ceramicsculpture #ceramicart #ceramicartist
#handbuiltceramics #stoneware #porcelain #sculptureinclay
#conceptualceramics #installationart
#londoncraftweek #universityofleeds
MEET THE ARTISTS.
@izzycheynejones
@brere.tonella
@flujo.ealain
@verityfleurart
@danielbrocklesbysart
@ellaydavis_art
@melmakezstuff
@eartjami
@skolnickstudio
@lilymccord.arts
@jakejacobs_art
@sumilove4u
@miasyl_art
@l3vy.charlotte
@scarlettekart
@aplum_art
@louiewejies
@tayne.ashwell
@livismith.art
@louise_porrittart
@daisy_k_art
@elisepalmerart
@lottiesmith.art
@paigereubenart
@jessicaroseart
@albrowneart
@m.cattanach_
@vvtpstudios
@zuzannag.art
@simi.s_art
@megbristol__
@tiaaa5x.x
@matiphillips
@ shanklin.art
🖌️: @ashtonbolton_designs
From demolition waste to a sustainable surface.
Next month, Friday 5 June,we are hosting the ‘Material Response: shaping sustainable practices from clay and waste’ Symposium, concluding a six-week co-research programme directed by Chris Crawford and the Material Cognition Research Group at the University of Leeds, led by academics Moyra Derby (@moyraderby_projects) and Will Rea (@willrea1965), and funded by Ignite 2026 (@unileedsculture).
They've been investigating how recycled clay derived from construction waste can be used to craft less extractive ways of making both in ceramics and earthen building techniques.
The day brings together policy makers, engineers, and artists to pull back the curtain on cross-disciplinary collaboration. We will also be hosting a research in progress exhibition featuring work by selected speakers, students and other collaborators.
Full speaker list arriving soon, book now via Eventbrite.
Pottery in Leeds South Bank
@FAHACS
@unileedsculture
@_c_crawford
@glaze_gram
@moyraderby_projects
@willrea1965
@fer.corte
@___livingwell
From demolition waste to a sustainable surface.
Next month, Friday 5 June,we are hosting the ‘Material Response: shaping sustainable practices from clay and waste’ Symposium, concluding a six-week co-research programme directed by Chris Crawford and the Material Cognition Research Group at the University of Leeds, led by academics Moyra Derby (@moyraderby_projects) and Will Rea (@willrea1965), and funded by Ignite 2026 (@unileedsculture).
They've been investigating how recycled clay derived from construction waste can be used to craft less extractive ways of making both in ceramics and earthen building techniques.
The day brings together policy makers, engineers, and artists to pull back the curtain on cross-disciplinary collaboration. We will also be hosting a research in progress exhibition featuring work by selected speakers, students and other collaborators.
Full speaker list arriving soon, book now via Eventbrite.
Pottery in Leeds South Bank
@FAHACS
@unileedsculture
@_c_crawford
@glaze_gram
@moyraderby_projects
@willrea1965
@fer.corte
@___livingwell
From demolition waste to a sustainable surface.
Next month, Friday 5 June,we are hosting the ‘Material Response: shaping sustainable practices from clay and waste’ Symposium, concluding a six-week co-research programme directed by Chris Crawford and the Material Cognition Research Group at the University of Leeds, led by academics Moyra Derby (@moyraderby_projects) and Will Rea (@willrea1965), and funded by Ignite 2026 (@unileedsculture).
They've been investigating how recycled clay derived from construction waste can be used to craft less extractive ways of making both in ceramics and earthen building techniques.
The day brings together policy makers, engineers, and artists to pull back the curtain on cross-disciplinary collaboration. We will also be hosting a research in progress exhibition featuring work by selected speakers, students and other collaborators.
Full speaker list arriving soon, book now via Eventbrite.
Pottery in Leeds South Bank
@FAHACS
@unileedsculture
@_c_crawford
@glaze_gram
@moyraderby_projects
@willrea1965
@fer.corte
@___livingwell
From demolition waste to a sustainable surface.
Next month, Friday 5 June,we are hosting the ‘Material Response: shaping sustainable practices from clay and waste’ Symposium, concluding a six-week co-research programme directed by Chris Crawford and the Material Cognition Research Group at the University of Leeds, led by academics Moyra Derby (@moyraderby_projects) and Will Rea (@willrea1965), and funded by Ignite 2026 (@unileedsculture).
They've been investigating how recycled clay derived from construction waste can be used to craft less extractive ways of making both in ceramics and earthen building techniques.
The day brings together policy makers, engineers, and artists to pull back the curtain on cross-disciplinary collaboration. We will also be hosting a research in progress exhibition featuring work by selected speakers, students and other collaborators.
Full speaker list arriving soon, book now via Eventbrite.
Pottery in Leeds South Bank
@FAHACS
@unileedsculture
@_c_crawford
@glaze_gram
@moyraderby_projects
@willrea1965
@fer.corte
@___livingwell
From demolition waste to a sustainable surface.
Next month, Friday 5 June,we are hosting the ‘Material Response: shaping sustainable practices from clay and waste’ Symposium, concluding a six-week co-research programme directed by Chris Crawford and the Material Cognition Research Group at the University of Leeds, led by academics Moyra Derby (@moyraderby_projects) and Will Rea (@willrea1965), and funded by Ignite 2026 (@unileedsculture).
They've been investigating how recycled clay derived from construction waste can be used to craft less extractive ways of making both in ceramics and earthen building techniques.
The day brings together policy makers, engineers, and artists to pull back the curtain on cross-disciplinary collaboration. We will also be hosting a research in progress exhibition featuring work by selected speakers, students and other collaborators.
Full speaker list arriving soon, book now via Eventbrite.
Pottery in Leeds South Bank
@FAHACS
@unileedsculture
@_c_crawford
@glaze_gram
@moyraderby_projects
@willrea1965
@fer.corte
@___livingwell
From demolition waste to a sustainable surface.
Next month, Friday 5 June,we are hosting the ‘Material Response: shaping sustainable practices from clay and waste’ Symposium, concluding a six-week co-research programme directed by Chris Crawford and the Material Cognition Research Group at the University of Leeds, led by academics Moyra Derby (@moyraderby_projects) and Will Rea (@willrea1965), and funded by Ignite 2026 (@unileedsculture).
They've been investigating how recycled clay derived from construction waste can be used to craft less extractive ways of making both in ceramics and earthen building techniques.
The day brings together policy makers, engineers, and artists to pull back the curtain on cross-disciplinary collaboration. We will also be hosting a research in progress exhibition featuring work by selected speakers, students and other collaborators.
Full speaker list arriving soon, book now via Eventbrite.
Pottery in Leeds South Bank
@FAHACS
@unileedsculture
@_c_crawford
@glaze_gram
@moyraderby_projects
@willrea1965
@fer.corte
@___livingwell
From demolition waste to a sustainable surface.
Next month, Friday 5 June,we are hosting the ‘Material Response: shaping sustainable practices from clay and waste’ Symposium, concluding a six-week co-research programme directed by Chris Crawford and the Material Cognition Research Group at the University of Leeds, led by academics Moyra Derby (@moyraderby_projects) and Will Rea (@willrea1965), and funded by Ignite 2026 (@unileedsculture).
They've been investigating how recycled clay derived from construction waste can be used to craft less extractive ways of making both in ceramics and earthen building techniques.
The day brings together policy makers, engineers, and artists to pull back the curtain on cross-disciplinary collaboration. We will also be hosting a research in progress exhibition featuring work by selected speakers, students and other collaborators.
Full speaker list arriving soon, book now via Eventbrite.
Pottery in Leeds South Bank
@FAHACS
@unileedsculture
@_c_crawford
@glaze_gram
@moyraderby_projects
@willrea1965
@fer.corte
@___livingwell
From demolition waste to a sustainable surface.
Next month, Friday 5 June,we are hosting the ‘Material Response: shaping sustainable practices from clay and waste’ Symposium, concluding a six-week co-research programme directed by Chris Crawford and the Material Cognition Research Group at the University of Leeds, led by academics Moyra Derby (@moyraderby_projects) and Will Rea (@willrea1965), and funded by Ignite 2026 (@unileedsculture).
They've been investigating how recycled clay derived from construction waste can be used to craft less extractive ways of making both in ceramics and earthen building techniques.
The day brings together policy makers, engineers, and artists to pull back the curtain on cross-disciplinary collaboration. We will also be hosting a research in progress exhibition featuring work by selected speakers, students and other collaborators.
Full speaker list arriving soon, book now via Eventbrite.
Pottery in Leeds South Bank
@FAHACS
@unileedsculture
@_c_crawford
@glaze_gram
@moyraderby_projects
@willrea1965
@fer.corte
@___livingwell
From demolition waste to a sustainable surface.
Next month, Friday 5 June,we are hosting the ‘Material Response: shaping sustainable practices from clay and waste’ Symposium, concluding a six-week co-research programme directed by Chris Crawford and the Material Cognition Research Group at the University of Leeds, led by academics Moyra Derby (@moyraderby_projects) and Will Rea (@willrea1965), and funded by Ignite 2026 (@unileedsculture).
They've been investigating how recycled clay derived from construction waste can be used to craft less extractive ways of making both in ceramics and earthen building techniques.
The day brings together policy makers, engineers, and artists to pull back the curtain on cross-disciplinary collaboration. We will also be hosting a research in progress exhibition featuring work by selected speakers, students and other collaborators.
Full speaker list arriving soon, book now via Eventbrite.
Pottery in Leeds South Bank
@FAHACS
@unileedsculture
@_c_crawford
@glaze_gram
@moyraderby_projects
@willrea1965
@fer.corte
@___livingwell
From demolition waste to a sustainable surface.
Next month, Friday 5 June,we are hosting the ‘Material Response: shaping sustainable practices from clay and waste’ Symposium, concluding a six-week co-research programme directed by Chris Crawford and the Material Cognition Research Group at the University of Leeds, led by academics Moyra Derby (@moyraderby_projects) and Will Rea (@willrea1965), and funded by Ignite 2026 (@unileedsculture).
They've been investigating how recycled clay derived from construction waste can be used to craft less extractive ways of making both in ceramics and earthen building techniques.
The day brings together policy makers, engineers, and artists to pull back the curtain on cross-disciplinary collaboration. We will also be hosting a research in progress exhibition featuring work by selected speakers, students and other collaborators.
Full speaker list arriving soon, book now via Eventbrite.
Pottery in Leeds South Bank
@FAHACS
@unileedsculture
@_c_crawford
@glaze_gram
@moyraderby_projects
@willrea1965
@fer.corte
@___livingwell
Introducing HOLD.
HOLD brings together 34 undergraduate Fine Art students graduating from the University of Leeds this summer.
Over the past couple of years, our communal studios have held us and our work together. Side-by-side, we have developed distinct practices that explore a huge range of materials, issues, mediums, ideas and feelings.
Now the same studio spaces offer our work to welcome a wider audience as we take our turn to present the annual degree show. HOLD embraces the shared studio as a place and a way for making connections – amongst ourselves, between us and all the artists who have studied here before, and now with an audience.
Throughout our studies, we have explored and experimented. There have been successes and failures. Most importantly, there has been determination; a devotion to making and thinking, with each artist taking different directions.
HOLD demonstrates this same commitment. It presents a range of mediums from painting to installation, printmaking to video, and is accompanied by a programme of related engagement events running onsite and online.
The studios have now become galleries, and each one defends our desire for the intermingling of forms, mediums and subject matter. We have refused to create false separations and hope a spirit of staying together in our differences rings loud.
Through this, we want HOLD to open a chance for everyone to find the time and space to connect with us and our work, whether quickly or slowly, impulsively or contemplatively, alone or together.
✍️: @louiewejies
🖌️: @ashtonbolton_designs
Counterculture | Exhibition
📅 Friday 8 May, 3pm to midnight
📍 @theprimrosepubleeds
280 Meanwood Road
Leeds LS7 2HZ
This exhibition presents work by second year fine art students from the University of Leeds.
A group of artists gather to present a collection of art inspired by their interpretations and experiences of countercultural music, fashion and ideology through a range of media.
Together their work considers how community-building and the formation of neo-tribes through various subcultural groups is more important than ever in an increasingly disconnected society.
* Artists *
Evie Stokoe @stinky_steppa
Oscar Brown @oscarbr0wn
Tobias Lowther
Amy Frankland @amyfrankland_
Lucy Crav
Julia Pluta @juliapluta__
Travis Lloyd @travisualart
* More information *
Counterculture is one of a number of level 2 student exhibitions and projects taking place across Leeds this April and May as part of pitch: Fine Art Festival of Art 2026.
pitch: Fine Art Festival of Art 2026 is also part of Situation Leeds Festival, happening across May and June 2026, celebrating contemporary art in the public realm. @situation_leeds is supported by @yvanetwork and @hydeparkbookclub
* Follow link in bio to our events pages for full info about Counterculture and all other exhibitions & projects in this series *
📷 Poster by Counterculture
#exhibition #artexhibition #leeds #fineartleeds #artleeds #bafineart #festivalofart2026 #festivalofart #fineartfestivalofart #pitch2026 #art #fahacs #universityofleeds #Counterculture #EvieStokoe #OscarBrown #TobiasLowther #AmyFrankland #LucyCrav #JuliaPluta #TravisLloyd
FRESH! | Level 1 exhibition and Open Studios
📅 Thursday 7 May, 4-6pm
📍 Project Space and level 2 studios
School of Fine Art, History of Art and Cultural Studies
University Road
University of Leeds
Leeds LS2 9JT
All welcome!
Please join us for FRESH! – this year's Fine Art Level 1 Project Space exhibition and open studios.
Level 1 artists on the BA Fine Art, BA Fine Art with Contemporary Cultural Theory and BA Fine Art with History of Art courses @universityofleeds will show new work and work in progress that has emerged through the studio research groups they formed this semester.
On the ground floor in Project Space, there will be a single work by each artist.
Upstairs on the second floor, the Level 1 studios will be open.
These emerging artists have been developing artworks and material methods that responsive to the cultural complexities that art is navigating today, brought together by interests in:
• the social role of the artist
• the capacity of figuration and portraiture today
• new ideas concerning nature
• material experiments in form, colour and pattern
• addressing the body, identity and femininity
*Follow the link in our bio to our events pages for full details about the exhibition and open studios*
#exhibition #openstudios #ProjectSpace #UniversityOfLeeds #fineartleeds #fineart #leeds #BAFineArt #BAFineArtWithHistoryOfArt
#BAFineArtWithContemporaryCulturalTheory
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Lunar Mirror, 2026
documentation of my site-specific installation in @fahacs, photos in order from sunrise to sunset. the work is no longer on show, but i’m hoping to reinstall in the winter to explore how the seasonal tilt of the Earth changes how the shadows appear ☀️
Details from the last few days of ‘Words Worth Watching’ exhibition curated by Chris Taylor, Simon Lewandowski and myself at The Project Space @fahacs, celebrating @wild_pansy_press and the work of @wpp_writersroom.
Been such a pleasure to be surrounded by so many artists books, to meet new people and discuss independent publishing practices and why we write and work with printed matter. Thinking tangibility, tactility and intimacy, as well as the challenges and longevity of small presses, how we archive and the questions of physical and digital storage, and how might such projects respond to societal-financial shifts over time.
Thank you all who presented work, read, joined our workshops and talk, and to @emily_fielding and @joannajowett for leading on the workshops ~ so many cherished moments.
Details from the last few days of ‘Words Worth Watching’ exhibition curated by Chris Taylor, Simon Lewandowski and myself at The Project Space @fahacs, celebrating @wild_pansy_press and the work of @wpp_writersroom.
Been such a pleasure to be surrounded by so many artists books, to meet new people and discuss independent publishing practices and why we write and work with printed matter. Thinking tangibility, tactility and intimacy, as well as the challenges and longevity of small presses, how we archive and the questions of physical and digital storage, and how might such projects respond to societal-financial shifts over time.
Thank you all who presented work, read, joined our workshops and talk, and to @emily_fielding and @joannajowett for leading on the workshops ~ so many cherished moments.
Details from the last few days of ‘Words Worth Watching’ exhibition curated by Chris Taylor, Simon Lewandowski and myself at The Project Space @fahacs, celebrating @wild_pansy_press and the work of @wpp_writersroom.
Been such a pleasure to be surrounded by so many artists books, to meet new people and discuss independent publishing practices and why we write and work with printed matter. Thinking tangibility, tactility and intimacy, as well as the challenges and longevity of small presses, how we archive and the questions of physical and digital storage, and how might such projects respond to societal-financial shifts over time.
Thank you all who presented work, read, joined our workshops and talk, and to @emily_fielding and @joannajowett for leading on the workshops ~ so many cherished moments.
Details from the last few days of ‘Words Worth Watching’ exhibition curated by Chris Taylor, Simon Lewandowski and myself at The Project Space @fahacs, celebrating @wild_pansy_press and the work of @wpp_writersroom.
Been such a pleasure to be surrounded by so many artists books, to meet new people and discuss independent publishing practices and why we write and work with printed matter. Thinking tangibility, tactility and intimacy, as well as the challenges and longevity of small presses, how we archive and the questions of physical and digital storage, and how might such projects respond to societal-financial shifts over time.
Thank you all who presented work, read, joined our workshops and talk, and to @emily_fielding and @joannajowett for leading on the workshops ~ so many cherished moments.
Details from the last few days of ‘Words Worth Watching’ exhibition curated by Chris Taylor, Simon Lewandowski and myself at The Project Space @fahacs, celebrating @wild_pansy_press and the work of @wpp_writersroom.
Been such a pleasure to be surrounded by so many artists books, to meet new people and discuss independent publishing practices and why we write and work with printed matter. Thinking tangibility, tactility and intimacy, as well as the challenges and longevity of small presses, how we archive and the questions of physical and digital storage, and how might such projects respond to societal-financial shifts over time.
Thank you all who presented work, read, joined our workshops and talk, and to @emily_fielding and @joannajowett for leading on the workshops ~ so many cherished moments.
Details from the last few days of ‘Words Worth Watching’ exhibition curated by Chris Taylor, Simon Lewandowski and myself at The Project Space @fahacs, celebrating @wild_pansy_press and the work of @wpp_writersroom.
Been such a pleasure to be surrounded by so many artists books, to meet new people and discuss independent publishing practices and why we write and work with printed matter. Thinking tangibility, tactility and intimacy, as well as the challenges and longevity of small presses, how we archive and the questions of physical and digital storage, and how might such projects respond to societal-financial shifts over time.
Thank you all who presented work, read, joined our workshops and talk, and to @emily_fielding and @joannajowett for leading on the workshops ~ so many cherished moments.
Details from the last few days of ‘Words Worth Watching’ exhibition curated by Chris Taylor, Simon Lewandowski and myself at The Project Space @fahacs, celebrating @wild_pansy_press and the work of @wpp_writersroom.
Been such a pleasure to be surrounded by so many artists books, to meet new people and discuss independent publishing practices and why we write and work with printed matter. Thinking tangibility, tactility and intimacy, as well as the challenges and longevity of small presses, how we archive and the questions of physical and digital storage, and how might such projects respond to societal-financial shifts over time.
Thank you all who presented work, read, joined our workshops and talk, and to @emily_fielding and @joannajowett for leading on the workshops ~ so many cherished moments.
Details from the last few days of ‘Words Worth Watching’ exhibition curated by Chris Taylor, Simon Lewandowski and myself at The Project Space @fahacs, celebrating @wild_pansy_press and the work of @wpp_writersroom.
Been such a pleasure to be surrounded by so many artists books, to meet new people and discuss independent publishing practices and why we write and work with printed matter. Thinking tangibility, tactility and intimacy, as well as the challenges and longevity of small presses, how we archive and the questions of physical and digital storage, and how might such projects respond to societal-financial shifts over time.
Thank you all who presented work, read, joined our workshops and talk, and to @emily_fielding and @joannajowett for leading on the workshops ~ so many cherished moments.
Details from the last few days of ‘Words Worth Watching’ exhibition curated by Chris Taylor, Simon Lewandowski and myself at The Project Space @fahacs, celebrating @wild_pansy_press and the work of @wpp_writersroom.
Been such a pleasure to be surrounded by so many artists books, to meet new people and discuss independent publishing practices and why we write and work with printed matter. Thinking tangibility, tactility and intimacy, as well as the challenges and longevity of small presses, how we archive and the questions of physical and digital storage, and how might such projects respond to societal-financial shifts over time.
Thank you all who presented work, read, joined our workshops and talk, and to @emily_fielding and @joannajowett for leading on the workshops ~ so many cherished moments.
Details from the last few days of ‘Words Worth Watching’ exhibition curated by Chris Taylor, Simon Lewandowski and myself at The Project Space @fahacs, celebrating @wild_pansy_press and the work of @wpp_writersroom.
Been such a pleasure to be surrounded by so many artists books, to meet new people and discuss independent publishing practices and why we write and work with printed matter. Thinking tangibility, tactility and intimacy, as well as the challenges and longevity of small presses, how we archive and the questions of physical and digital storage, and how might such projects respond to societal-financial shifts over time.
Thank you all who presented work, read, joined our workshops and talk, and to @emily_fielding and @joannajowett for leading on the workshops ~ so many cherished moments.
Details from the last few days of ‘Words Worth Watching’ exhibition curated by Chris Taylor, Simon Lewandowski and myself at The Project Space @fahacs, celebrating @wild_pansy_press and the work of @wpp_writersroom.
Been such a pleasure to be surrounded by so many artists books, to meet new people and discuss independent publishing practices and why we write and work with printed matter. Thinking tangibility, tactility and intimacy, as well as the challenges and longevity of small presses, how we archive and the questions of physical and digital storage, and how might such projects respond to societal-financial shifts over time.
Thank you all who presented work, read, joined our workshops and talk, and to @emily_fielding and @joannajowett for leading on the workshops ~ so many cherished moments.
Details from the last few days of ‘Words Worth Watching’ exhibition curated by Chris Taylor, Simon Lewandowski and myself at The Project Space @fahacs, celebrating @wild_pansy_press and the work of @wpp_writersroom.
Been such a pleasure to be surrounded by so many artists books, to meet new people and discuss independent publishing practices and why we write and work with printed matter. Thinking tangibility, tactility and intimacy, as well as the challenges and longevity of small presses, how we archive and the questions of physical and digital storage, and how might such projects respond to societal-financial shifts over time.
Thank you all who presented work, read, joined our workshops and talk, and to @emily_fielding and @joannajowett for leading on the workshops ~ so many cherished moments.
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
Thank you to all who attended our final day’s in conversation between @joannajowett of @copy_pages and Chris Taylor of @wild_pansy_press, as part of our show ‘Words Worth Watching’ at @fahacs. It was a wonderful informative discussion between them and the group around independent publishing, artists books and the community that can arise through printed matter, on how books hold conversation and space. Multidisciplinary forms that capture and interrogate projects, voices, moments.
A great end to the week in Leeds; it’s been a pleasure to meet so many new faces and be around all these practitioners!
Back to London now, but we will be returning!
스토리 세이브 - 스토리, 릴스, 사진, 비디오, 하이라이트, IGTV를 핸드폰에 저장할 수 있는 최고의 무료 도구.
스토리-세이브.com은 사용자들이 인스타그램에서 스토리, 사진, 비디오, IGTV 등을 직접 다운로드하고 저장할 수 있게 도와주는 직관적인 온라인 도구입니다. Story-Save를 사용하면 인스타그램에서 다양한 콘텐츠를 쉽게 다운로드하고 인터넷 없이도 편리하게 볼 수 있습니다. 인스타그램에서 흥미로운 내용을 발견하고 나중에 보기 위해 저장하고 싶을 때 이 도구가 완벽합니다. Story-Save를 사용하여 인스타그램의 소중한 순간을 놓치지 마세요!
우리의 장점:
회원가입 불필요
앱 다운로드 및 가입 없이, 웹에서 스토리를 저장하세요.
독점적인 고화질
저화질 콘텐츠는 이제 그만, 고해상도 스토리만 보존하세요.
모든 장치에서 접근 가능
모든 브라우저, 아이폰, 안드로이드에서 인스타그램 스토리를 다운로드하세요.
완전 무료 사용
전혀 비용 없이 스토리를 다운로드할 수 있습니다.
자주 묻는 질문
- 1. 인스타그램 스토리 다운로드 도구에 접속하세요.
- 2. 인스타그램 프로필의 사용자명을 제공된 필드에 입력하고 다운로드 버튼을 클릭하세요.
- 3. 현재 24시간 동안 사용 가능한 모든 스토리가 표시됩니다. 원하는 스토리를 선택하고 다운로드하세요.