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AnOther Magazine
A modern eye on fashion, culture and ideas. Read on anothermag.com ↙️
After graduating from the Art Center College of Design in Pasadena, California, September 1964, photographer @gideonlewin travelled to New York to interview for a job with Richard Avedon, who was born on this day in 1923. He arrived at 110 East 58th Street with a leatherbound portfolio in hand and took the elevator up to the fourth floor. Just as he was about to enter Avedon’s studio, the famed model Wilhelmina breezed out. “I knew I was in the right place,” Lewin tells AnOther.
That auspicious encounter marked the start of a 16-year partnership poignantly chronicled in the book Avedon – Behind the Scenes 1964-1980, a lavish monograph featuring intimate stories and behind-the-scenes photographs from some of the best moments in Avedon’s career. Whether photographing legends like Sophia Loren, Audrey Hepburn, Cher, Veruschka, or Twiggy, Lewin paints a revealing portrait of Avedon, the artist and the man.
At the link in bio, Lewin shares his memories of what it was like to work side-by-side with one of the greatest photographers of the 20th century 📲
📸 Avedon – Behind the Scenes 1964-1980. From Avedon by Gideon Lewin, published by powerHouse Books
#RichardAvedon
After graduating from the Art Center College of Design in Pasadena, California, September 1964, photographer @gideonlewin travelled to New York to interview for a job with Richard Avedon, who was born on this day in 1923. He arrived at 110 East 58th Street with a leatherbound portfolio in hand and took the elevator up to the fourth floor. Just as he was about to enter Avedon’s studio, the famed model Wilhelmina breezed out. “I knew I was in the right place,” Lewin tells AnOther.
That auspicious encounter marked the start of a 16-year partnership poignantly chronicled in the book Avedon – Behind the Scenes 1964-1980, a lavish monograph featuring intimate stories and behind-the-scenes photographs from some of the best moments in Avedon’s career. Whether photographing legends like Sophia Loren, Audrey Hepburn, Cher, Veruschka, or Twiggy, Lewin paints a revealing portrait of Avedon, the artist and the man.
At the link in bio, Lewin shares his memories of what it was like to work side-by-side with one of the greatest photographers of the 20th century 📲
📸 Avedon – Behind the Scenes 1964-1980. From Avedon by Gideon Lewin, published by powerHouse Books
#RichardAvedon
After graduating from the Art Center College of Design in Pasadena, California, September 1964, photographer @gideonlewin travelled to New York to interview for a job with Richard Avedon, who was born on this day in 1923. He arrived at 110 East 58th Street with a leatherbound portfolio in hand and took the elevator up to the fourth floor. Just as he was about to enter Avedon’s studio, the famed model Wilhelmina breezed out. “I knew I was in the right place,” Lewin tells AnOther.
That auspicious encounter marked the start of a 16-year partnership poignantly chronicled in the book Avedon – Behind the Scenes 1964-1980, a lavish monograph featuring intimate stories and behind-the-scenes photographs from some of the best moments in Avedon’s career. Whether photographing legends like Sophia Loren, Audrey Hepburn, Cher, Veruschka, or Twiggy, Lewin paints a revealing portrait of Avedon, the artist and the man.
At the link in bio, Lewin shares his memories of what it was like to work side-by-side with one of the greatest photographers of the 20th century 📲
📸 Avedon – Behind the Scenes 1964-1980. From Avedon by Gideon Lewin, published by powerHouse Books
#RichardAvedon
After graduating from the Art Center College of Design in Pasadena, California, September 1964, photographer @gideonlewin travelled to New York to interview for a job with Richard Avedon, who was born on this day in 1923. He arrived at 110 East 58th Street with a leatherbound portfolio in hand and took the elevator up to the fourth floor. Just as he was about to enter Avedon’s studio, the famed model Wilhelmina breezed out. “I knew I was in the right place,” Lewin tells AnOther.
That auspicious encounter marked the start of a 16-year partnership poignantly chronicled in the book Avedon – Behind the Scenes 1964-1980, a lavish monograph featuring intimate stories and behind-the-scenes photographs from some of the best moments in Avedon’s career. Whether photographing legends like Sophia Loren, Audrey Hepburn, Cher, Veruschka, or Twiggy, Lewin paints a revealing portrait of Avedon, the artist and the man.
At the link in bio, Lewin shares his memories of what it was like to work side-by-side with one of the greatest photographers of the 20th century 📲
📸 Avedon – Behind the Scenes 1964-1980. From Avedon by Gideon Lewin, published by powerHouse Books
#RichardAvedon
After graduating from the Art Center College of Design in Pasadena, California, September 1964, photographer @gideonlewin travelled to New York to interview for a job with Richard Avedon, who was born on this day in 1923. He arrived at 110 East 58th Street with a leatherbound portfolio in hand and took the elevator up to the fourth floor. Just as he was about to enter Avedon’s studio, the famed model Wilhelmina breezed out. “I knew I was in the right place,” Lewin tells AnOther.
That auspicious encounter marked the start of a 16-year partnership poignantly chronicled in the book Avedon – Behind the Scenes 1964-1980, a lavish monograph featuring intimate stories and behind-the-scenes photographs from some of the best moments in Avedon’s career. Whether photographing legends like Sophia Loren, Audrey Hepburn, Cher, Veruschka, or Twiggy, Lewin paints a revealing portrait of Avedon, the artist and the man.
At the link in bio, Lewin shares his memories of what it was like to work side-by-side with one of the greatest photographers of the 20th century 📲
📸 Avedon – Behind the Scenes 1964-1980. From Avedon by Gideon Lewin, published by powerHouse Books
#RichardAvedon
After graduating from the Art Center College of Design in Pasadena, California, September 1964, photographer @gideonlewin travelled to New York to interview for a job with Richard Avedon, who was born on this day in 1923. He arrived at 110 East 58th Street with a leatherbound portfolio in hand and took the elevator up to the fourth floor. Just as he was about to enter Avedon’s studio, the famed model Wilhelmina breezed out. “I knew I was in the right place,” Lewin tells AnOther.
That auspicious encounter marked the start of a 16-year partnership poignantly chronicled in the book Avedon – Behind the Scenes 1964-1980, a lavish monograph featuring intimate stories and behind-the-scenes photographs from some of the best moments in Avedon’s career. Whether photographing legends like Sophia Loren, Audrey Hepburn, Cher, Veruschka, or Twiggy, Lewin paints a revealing portrait of Avedon, the artist and the man.
At the link in bio, Lewin shares his memories of what it was like to work side-by-side with one of the greatest photographers of the 20th century 📲
📸 Avedon – Behind the Scenes 1964-1980. From Avedon by Gideon Lewin, published by powerHouse Books
#RichardAvedon
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
The @loewefoundation Craft Prize has landed in Singapore for its latest edition, naming Korean ceramicist @jongjinpark_ceramics its winner. As an exhibition of the finalists’ works opens, we present some of the most fascinating works.
More than 5,100 submissions arrived from 133 countries and regions for the 2026 edition in Singapore, though only 30 finalists made the cut, selected by a panel of jurors that, this year, includes @jackmccollough and @lazro for the first time. “The deliberation process was really difficult,” says McCollough. “There were some heated discussions, but we’re super happy with the final result.”
Read more at the link in bio 📲
📸 Courtesy of @loewefoundation
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
On Tuesday evening, we celebrated 25 years of AnOther Magazine with a special one-off conversation featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford. Hosted by Dazed’s executive editor @jacksunnucks in the opulent rouge @selfridges cinema and bar, the exclusive talk dove into the magazine’s longstanding history at the forefront of fashion and culture – from recollections and reflections to never told before stories and behind-the-scenes anecdotes, high and low.
📸by @bettyoxlademartin
Happy birthday @sofiacoppola. The filmmaker turns 55 today.
From The Virgin Suicides’ clan of sisters suffocating in Seventies suburbia to The Bling Ring’s underparented teens on a celebrity-burgling spree, Sofia Coppola conjures the rich texture of girlhood caught in flux like no one else. For the Autumn/Winter 2023 issue of AnOther Magazine, Coppola spoke to Cindy Sherman about her Priscilla Presley biopic, her early life on the set of Apocalypse Now, and more. Revisit the conversation at the link in bio 📲
Photography by #BibiBorthwick
Styling by @katieshillingford
Sofia Coppola in conversation with @cindysherman, introduced by #HannahLack
Editor-in-chief @susannahfrankel
Art direction by @sj_todd_
Hair by @odilegilbert_official
Make-up by @sandrinecanobock
Casting by @gkldprojects
Set design by @christianfeltham
Production by @zoe__tomlinson and @faragoprojects
Fashion @chanelofficial
#SofiaCoppola
Happy birthday @sofiacoppola. The filmmaker turns 55 today.
From The Virgin Suicides’ clan of sisters suffocating in Seventies suburbia to The Bling Ring’s underparented teens on a celebrity-burgling spree, Sofia Coppola conjures the rich texture of girlhood caught in flux like no one else. For the Autumn/Winter 2023 issue of AnOther Magazine, Coppola spoke to Cindy Sherman about her Priscilla Presley biopic, her early life on the set of Apocalypse Now, and more. Revisit the conversation at the link in bio 📲
Photography by #BibiBorthwick
Styling by @katieshillingford
Sofia Coppola in conversation with @cindysherman, introduced by #HannahLack
Editor-in-chief @susannahfrankel
Art direction by @sj_todd_
Hair by @odilegilbert_official
Make-up by @sandrinecanobock
Casting by @gkldprojects
Set design by @christianfeltham
Production by @zoe__tomlinson and @faragoprojects
Fashion @chanelofficial
#SofiaCoppola
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
Since graduating from Central Saint Martins in 2001, @henrikvibskov has become known for his expansive, often theatrical universes – collections that spider into environments, where garments live inside odd scenography, immersive soundscapes, with a distinct sense of humour.
In Paris for a panel on craftsmanship at the Maison du Danemark, the Danish designer is, as ever, sliding between disciplines and ideas – clothing, installation, music and performance. His latest collection, Frog Carry Frog, began with the sighting of a fire-belly frog and expanded into a meditation on shared weight, collective labour and the unseen systems that sustain life. A typically Vibskovian starting point: unexpected, textured and bubbling with surreal possibility. If the designer’s immense creative practice transcends any tidy classification, it’s simply human nature to him.
The designer meets @mad.e.leiner in Paris to answer 20 questions: on frogs, fabrics, foot massages – and the importance of keeping things a little bit complicated. Read the interview at the link in bio 📲
📸 Courtesy of the designer
1. Henrik Vibskov. Photography by Louis Poulsen
2. Henrik Vibskov Autumn/Winter 2026. Photography by James Cochrane
As the daughter of the model and singer Karen Elson and musician and record label co-founder Jack White, @scarbarbar grew up in Nashville ensconced in a home life that was “beautifully atypical”. There was noise and there was chaos. There were demanding travel schedules. There was a house full of instruments and a studio in the garden.
“My little brother and I would wave goodbye as my dad loaded gear onto a tour bus or as my mom caught a last-minute plane to Milan. Despite that, there was a surprising sense of normalcy,” the 19-year-old tells @rose_dodd. At the link in bio, Scarlett White tells is why she has always been interested in human behaviour and how it influences making music 📲
This story is taken from the Spring/Summer 2026 issue of AnOther Magazine.
Photography by @mark_peckmezian
#ScarlettWhite
As the daughter of the model and singer Karen Elson and musician and record label co-founder Jack White, @scarbarbar grew up in Nashville ensconced in a home life that was “beautifully atypical”. There was noise and there was chaos. There were demanding travel schedules. There was a house full of instruments and a studio in the garden.
“My little brother and I would wave goodbye as my dad loaded gear onto a tour bus or as my mom caught a last-minute plane to Milan. Despite that, there was a surprising sense of normalcy,” the 19-year-old tells @rose_dodd. At the link in bio, Scarlett White tells is why she has always been interested in human behaviour and how it influences making music 📲
This story is taken from the Spring/Summer 2026 issue of AnOther Magazine.
Photography by @mark_peckmezian
#ScarlettWhite
As the daughter of the model and singer Karen Elson and musician and record label co-founder Jack White, @scarbarbar grew up in Nashville ensconced in a home life that was “beautifully atypical”. There was noise and there was chaos. There were demanding travel schedules. There was a house full of instruments and a studio in the garden.
“My little brother and I would wave goodbye as my dad loaded gear onto a tour bus or as my mom caught a last-minute plane to Milan. Despite that, there was a surprising sense of normalcy,” the 19-year-old tells @rose_dodd. At the link in bio, Scarlett White tells is why she has always been interested in human behaviour and how it influences making music 📲
This story is taken from the Spring/Summer 2026 issue of AnOther Magazine.
Photography by @mark_peckmezian
#ScarlettWhite
Happy birthday Miuccia Prada. The designer turns 77 years old today.
Born in 1949, Miuccia Prada grew up in Milan, where she studied political science and was active in the feminist group Unione Donne Italiane. After studying mime at the Piccolo Teatro, she joined the family business in the mid-70s and met Patrizio Bertelli in 1978. Together, they launched Prada’s nylon backpack in 1984, followed by womenswear in 1988 and Miu Miu in 1993.
For our Autumn/Winter 2021 issue alongside an interview with Susannah Frankel, the designer, for the first time, pulled from the Miu Miu archive to dress a cast of powerfully individual young people, who were photographed by Jamie Hawkesworth and styled by Katie Shillingford. Revisit the story at the link in bio 📲
Photography by @jamie.hawkesworth
Styling by @katieshillingford
#MiucciaPrada interviewed by @susannahfrankel
Creative direction by @marcascoli
Hair by @paolosoffiatti
Make-up by @lucianochiarello
Casting by @julialangecasting
Casting of Anita by Florinda Martucciello, Sara Casana and Mara Veneziano
Happy birthday Miuccia Prada. The designer turns 77 years old today.
Born in 1949, Miuccia Prada grew up in Milan, where she studied political science and was active in the feminist group Unione Donne Italiane. After studying mime at the Piccolo Teatro, she joined the family business in the mid-70s and met Patrizio Bertelli in 1978. Together, they launched Prada’s nylon backpack in 1984, followed by womenswear in 1988 and Miu Miu in 1993.
For our Autumn/Winter 2021 issue alongside an interview with Susannah Frankel, the designer, for the first time, pulled from the Miu Miu archive to dress a cast of powerfully individual young people, who were photographed by Jamie Hawkesworth and styled by Katie Shillingford. Revisit the story at the link in bio 📲
Photography by @jamie.hawkesworth
Styling by @katieshillingford
#MiucciaPrada interviewed by @susannahfrankel
Creative direction by @marcascoli
Hair by @paolosoffiatti
Make-up by @lucianochiarello
Casting by @julialangecasting
Casting of Anita by Florinda Martucciello, Sara Casana and Mara Veneziano
Happy birthday Miuccia Prada. The designer turns 77 years old today.
Born in 1949, Miuccia Prada grew up in Milan, where she studied political science and was active in the feminist group Unione Donne Italiane. After studying mime at the Piccolo Teatro, she joined the family business in the mid-70s and met Patrizio Bertelli in 1978. Together, they launched Prada’s nylon backpack in 1984, followed by womenswear in 1988 and Miu Miu in 1993.
For our Autumn/Winter 2021 issue alongside an interview with Susannah Frankel, the designer, for the first time, pulled from the Miu Miu archive to dress a cast of powerfully individual young people, who were photographed by Jamie Hawkesworth and styled by Katie Shillingford. Revisit the story at the link in bio 📲
Photography by @jamie.hawkesworth
Styling by @katieshillingford
#MiucciaPrada interviewed by @susannahfrankel
Creative direction by @marcascoli
Hair by @paolosoffiatti
Make-up by @lucianochiarello
Casting by @julialangecasting
Casting of Anita by Florinda Martucciello, Sara Casana and Mara Veneziano
Happy birthday Miuccia Prada. The designer turns 77 years old today.
Born in 1949, Miuccia Prada grew up in Milan, where she studied political science and was active in the feminist group Unione Donne Italiane. After studying mime at the Piccolo Teatro, she joined the family business in the mid-70s and met Patrizio Bertelli in 1978. Together, they launched Prada’s nylon backpack in 1984, followed by womenswear in 1988 and Miu Miu in 1993.
For our Autumn/Winter 2021 issue alongside an interview with Susannah Frankel, the designer, for the first time, pulled from the Miu Miu archive to dress a cast of powerfully individual young people, who were photographed by Jamie Hawkesworth and styled by Katie Shillingford. Revisit the story at the link in bio 📲
Photography by @jamie.hawkesworth
Styling by @katieshillingford
#MiucciaPrada interviewed by @susannahfrankel
Creative direction by @marcascoli
Hair by @paolosoffiatti
Make-up by @lucianochiarello
Casting by @julialangecasting
Casting of Anita by Florinda Martucciello, Sara Casana and Mara Veneziano
Happy birthday Miuccia Prada. The designer turns 77 years old today.
Born in 1949, Miuccia Prada grew up in Milan, where she studied political science and was active in the feminist group Unione Donne Italiane. After studying mime at the Piccolo Teatro, she joined the family business in the mid-70s and met Patrizio Bertelli in 1978. Together, they launched Prada’s nylon backpack in 1984, followed by womenswear in 1988 and Miu Miu in 1993.
For our Autumn/Winter 2021 issue alongside an interview with Susannah Frankel, the designer, for the first time, pulled from the Miu Miu archive to dress a cast of powerfully individual young people, who were photographed by Jamie Hawkesworth and styled by Katie Shillingford. Revisit the story at the link in bio 📲
Photography by @jamie.hawkesworth
Styling by @katieshillingford
#MiucciaPrada interviewed by @susannahfrankel
Creative direction by @marcascoli
Hair by @paolosoffiatti
Make-up by @lucianochiarello
Casting by @julialangecasting
Casting of Anita by Florinda Martucciello, Sara Casana and Mara Veneziano
Happy birthday Miuccia Prada. The designer turns 77 years old today.
Born in 1949, Miuccia Prada grew up in Milan, where she studied political science and was active in the feminist group Unione Donne Italiane. After studying mime at the Piccolo Teatro, she joined the family business in the mid-70s and met Patrizio Bertelli in 1978. Together, they launched Prada’s nylon backpack in 1984, followed by womenswear in 1988 and Miu Miu in 1993.
For our Autumn/Winter 2021 issue alongside an interview with Susannah Frankel, the designer, for the first time, pulled from the Miu Miu archive to dress a cast of powerfully individual young people, who were photographed by Jamie Hawkesworth and styled by Katie Shillingford. Revisit the story at the link in bio 📲
Photography by @jamie.hawkesworth
Styling by @katieshillingford
#MiucciaPrada interviewed by @susannahfrankel
Creative direction by @marcascoli
Hair by @paolosoffiatti
Make-up by @lucianochiarello
Casting by @julialangecasting
Casting of Anita by Florinda Martucciello, Sara Casana and Mara Veneziano
Happy birthday Miuccia Prada. The designer turns 77 years old today.
Born in 1949, Miuccia Prada grew up in Milan, where she studied political science and was active in the feminist group Unione Donne Italiane. After studying mime at the Piccolo Teatro, she joined the family business in the mid-70s and met Patrizio Bertelli in 1978. Together, they launched Prada’s nylon backpack in 1984, followed by womenswear in 1988 and Miu Miu in 1993.
For our Autumn/Winter 2021 issue alongside an interview with Susannah Frankel, the designer, for the first time, pulled from the Miu Miu archive to dress a cast of powerfully individual young people, who were photographed by Jamie Hawkesworth and styled by Katie Shillingford. Revisit the story at the link in bio 📲
Photography by @jamie.hawkesworth
Styling by @katieshillingford
#MiucciaPrada interviewed by @susannahfrankel
Creative direction by @marcascoli
Hair by @paolosoffiatti
Make-up by @lucianochiarello
Casting by @julialangecasting
Casting of Anita by Florinda Martucciello, Sara Casana and Mara Veneziano
Happy birthday Miuccia Prada. The designer turns 77 years old today.
Born in 1949, Miuccia Prada grew up in Milan, where she studied political science and was active in the feminist group Unione Donne Italiane. After studying mime at the Piccolo Teatro, she joined the family business in the mid-70s and met Patrizio Bertelli in 1978. Together, they launched Prada’s nylon backpack in 1984, followed by womenswear in 1988 and Miu Miu in 1993.
For our Autumn/Winter 2021 issue alongside an interview with Susannah Frankel, the designer, for the first time, pulled from the Miu Miu archive to dress a cast of powerfully individual young people, who were photographed by Jamie Hawkesworth and styled by Katie Shillingford. Revisit the story at the link in bio 📲
Photography by @jamie.hawkesworth
Styling by @katieshillingford
#MiucciaPrada interviewed by @susannahfrankel
Creative direction by @marcascoli
Hair by @paolosoffiatti
Make-up by @lucianochiarello
Casting by @julialangecasting
Casting of Anita by Florinda Martucciello, Sara Casana and Mara Veneziano
For almost three decades, Roe Ethridge has moved fluidly between fashion and fine art photography, shooting high-octane campaigns for brands including Balenciaga and staging conceptual exhibitions around the world.
His latest show and book, Rude in the Good Way, pushes his provocative visual experiments further, with Lindsay Lohan in a set-designed spoof of Miami, photographs of John Currin’s pornographic paintings from the early 2000s, and erotic portraits of Ethridge’s partner and collaborator, @falconshakleton. At the link in bio he speaks to fellow photographer @mark_peckmezian about the art of collaboration, with text by @violetc0nroy 📲
Taken from the Spring/Summer 2026 issue of AnOther Magazine.
Photography by @mark_peckmezian
For almost three decades, Roe Ethridge has moved fluidly between fashion and fine art photography, shooting high-octane campaigns for brands including Balenciaga and staging conceptual exhibitions around the world.
His latest show and book, Rude in the Good Way, pushes his provocative visual experiments further, with Lindsay Lohan in a set-designed spoof of Miami, photographs of John Currin’s pornographic paintings from the early 2000s, and erotic portraits of Ethridge’s partner and collaborator, @falconshakleton. At the link in bio he speaks to fellow photographer @mark_peckmezian about the art of collaboration, with text by @violetc0nroy 📲
Taken from the Spring/Summer 2026 issue of AnOther Magazine.
Photography by @mark_peckmezian
With new titles by Nicolas Winding Refn, Ryusuke Hamaguchi and Marie Kreutzer, here are the best films to look out for at Cannes.
Read @alex_j_denney's full list at the link in bio 📲
📸 (Film stills)
#Cannes #CannesFilmFestival
With new titles by Nicolas Winding Refn, Ryusuke Hamaguchi and Marie Kreutzer, here are the best films to look out for at Cannes.
Read @alex_j_denney's full list at the link in bio 📲
📸 (Film stills)
#Cannes #CannesFilmFestival
With new titles by Nicolas Winding Refn, Ryusuke Hamaguchi and Marie Kreutzer, here are the best films to look out for at Cannes.
Read @alex_j_denney's full list at the link in bio 📲
📸 (Film stills)
#Cannes #CannesFilmFestival
With new titles by Nicolas Winding Refn, Ryusuke Hamaguchi and Marie Kreutzer, here are the best films to look out for at Cannes.
Read @alex_j_denney's full list at the link in bio 📲
📸 (Film stills)
#Cannes #CannesFilmFestival
With new titles by Nicolas Winding Refn, Ryusuke Hamaguchi and Marie Kreutzer, here are the best films to look out for at Cannes.
Read @alex_j_denney's full list at the link in bio 📲
📸 (Film stills)
#Cannes #CannesFilmFestival
With new titles by Nicolas Winding Refn, Ryusuke Hamaguchi and Marie Kreutzer, here are the best films to look out for at Cannes.
Read @alex_j_denney's full list at the link in bio 📲
📸 (Film stills)
#Cannes #CannesFilmFestival
With new titles by Nicolas Winding Refn, Ryusuke Hamaguchi and Marie Kreutzer, here are the best films to look out for at Cannes.
Read @alex_j_denney's full list at the link in bio 📲
📸 (Film stills)
#Cannes #CannesFilmFestival
Tracing six decades of astounding prolificacy, @walterpfeiffer_official’s first large-scale presentation in Europe outside his native Switzerland makes no distinction between the personal and the commercial in its curation.
Where clothes do appear they rarely take centre stage. Often they are in the process of being removed, revealing the body beneath, or they are part of a witty visual joke. “Does it have to have clothes in it? Some, maybe … maybe a bikini?” Pfeiffer tells @indiabirgitta.
Read the interview at the link in bio 📲
📸 Walter Pfeiffer. In Good Company at @pinacotecaagnelli
1. Untitled, 2013 © Walter Pfeiffer / New Art Corps
2. Untitled, 2004 © Walter Pfeiffer. Galerie Gregor Staiger, Zurich / Milan
3. Untitled, 2006 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
4-5. Untitled, 1975 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
6. Untitled, 1984 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
7. Untitled, 2007 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
Tracing six decades of astounding prolificacy, @walterpfeiffer_official’s first large-scale presentation in Europe outside his native Switzerland makes no distinction between the personal and the commercial in its curation.
Where clothes do appear they rarely take centre stage. Often they are in the process of being removed, revealing the body beneath, or they are part of a witty visual joke. “Does it have to have clothes in it? Some, maybe … maybe a bikini?” Pfeiffer tells @indiabirgitta.
Read the interview at the link in bio 📲
📸 Walter Pfeiffer. In Good Company at @pinacotecaagnelli
1. Untitled, 2013 © Walter Pfeiffer / New Art Corps
2. Untitled, 2004 © Walter Pfeiffer. Galerie Gregor Staiger, Zurich / Milan
3. Untitled, 2006 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
4-5. Untitled, 1975 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
6. Untitled, 1984 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
7. Untitled, 2007 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
Tracing six decades of astounding prolificacy, @walterpfeiffer_official’s first large-scale presentation in Europe outside his native Switzerland makes no distinction between the personal and the commercial in its curation.
Where clothes do appear they rarely take centre stage. Often they are in the process of being removed, revealing the body beneath, or they are part of a witty visual joke. “Does it have to have clothes in it? Some, maybe … maybe a bikini?” Pfeiffer tells @indiabirgitta.
Read the interview at the link in bio 📲
📸 Walter Pfeiffer. In Good Company at @pinacotecaagnelli
1. Untitled, 2013 © Walter Pfeiffer / New Art Corps
2. Untitled, 2004 © Walter Pfeiffer. Galerie Gregor Staiger, Zurich / Milan
3. Untitled, 2006 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
4-5. Untitled, 1975 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
6. Untitled, 1984 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
7. Untitled, 2007 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
Tracing six decades of astounding prolificacy, @walterpfeiffer_official’s first large-scale presentation in Europe outside his native Switzerland makes no distinction between the personal and the commercial in its curation.
Where clothes do appear they rarely take centre stage. Often they are in the process of being removed, revealing the body beneath, or they are part of a witty visual joke. “Does it have to have clothes in it? Some, maybe … maybe a bikini?” Pfeiffer tells @indiabirgitta.
Read the interview at the link in bio 📲
📸 Walter Pfeiffer. In Good Company at @pinacotecaagnelli
1. Untitled, 2013 © Walter Pfeiffer / New Art Corps
2. Untitled, 2004 © Walter Pfeiffer. Galerie Gregor Staiger, Zurich / Milan
3. Untitled, 2006 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
4-5. Untitled, 1975 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
6. Untitled, 1984 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
7. Untitled, 2007 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
Tracing six decades of astounding prolificacy, @walterpfeiffer_official’s first large-scale presentation in Europe outside his native Switzerland makes no distinction between the personal and the commercial in its curation.
Where clothes do appear they rarely take centre stage. Often they are in the process of being removed, revealing the body beneath, or they are part of a witty visual joke. “Does it have to have clothes in it? Some, maybe … maybe a bikini?” Pfeiffer tells @indiabirgitta.
Read the interview at the link in bio 📲
📸 Walter Pfeiffer. In Good Company at @pinacotecaagnelli
1. Untitled, 2013 © Walter Pfeiffer / New Art Corps
2. Untitled, 2004 © Walter Pfeiffer. Galerie Gregor Staiger, Zurich / Milan
3. Untitled, 2006 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
4-5. Untitled, 1975 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
6. Untitled, 1984 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
7. Untitled, 2007 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
Tracing six decades of astounding prolificacy, @walterpfeiffer_official’s first large-scale presentation in Europe outside his native Switzerland makes no distinction between the personal and the commercial in its curation.
Where clothes do appear they rarely take centre stage. Often they are in the process of being removed, revealing the body beneath, or they are part of a witty visual joke. “Does it have to have clothes in it? Some, maybe … maybe a bikini?” Pfeiffer tells @indiabirgitta.
Read the interview at the link in bio 📲
📸 Walter Pfeiffer. In Good Company at @pinacotecaagnelli
1. Untitled, 2013 © Walter Pfeiffer / New Art Corps
2. Untitled, 2004 © Walter Pfeiffer. Galerie Gregor Staiger, Zurich / Milan
3. Untitled, 2006 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
4-5. Untitled, 1975 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
6. Untitled, 1984 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
7. Untitled, 2007 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
Tracing six decades of astounding prolificacy, @walterpfeiffer_official’s first large-scale presentation in Europe outside his native Switzerland makes no distinction between the personal and the commercial in its curation.
Where clothes do appear they rarely take centre stage. Often they are in the process of being removed, revealing the body beneath, or they are part of a witty visual joke. “Does it have to have clothes in it? Some, maybe … maybe a bikini?” Pfeiffer tells @indiabirgitta.
Read the interview at the link in bio 📲
📸 Walter Pfeiffer. In Good Company at @pinacotecaagnelli
1. Untitled, 2013 © Walter Pfeiffer / New Art Corps
2. Untitled, 2004 © Walter Pfeiffer. Galerie Gregor Staiger, Zurich / Milan
3. Untitled, 2006 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
4-5. Untitled, 1975 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
6. Untitled, 1984 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
7. Untitled, 2007 © Walter Pfeiffer. Courtesy the artist and Galerie Gregor Staiger, Zurich / Milan
Join us to celebrate 25 years of AnOther Magazine with a special in-conversation event at London’s @theofficialselfridges featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford.
Hosted by @dazed’s executive editor @jacksunnucks, the evening will look back on the magazine’s history, from defining fashion imagery and memorable shoots to the stories, people and ideas that have shaped its enduring place across fashion, art and culture.
Tuesday 12 May
Doors open 5pm�
In-conversation and Q&A, 5.30–6.30pm�
Drinks, 6.30–7.30pm
The Cinema at Selfridges
40 Duke St, London
W1U 1AT
Tickets are £20, with half-price tickets available via the Dazed Club app. Download the app at the link in bio 📲
Join us to celebrate 25 years of AnOther Magazine with a special in-conversation event at London’s @theofficialselfridges featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford.
Hosted by @dazed’s executive editor @jacksunnucks, the evening will look back on the magazine’s history, from defining fashion imagery and memorable shoots to the stories, people and ideas that have shaped its enduring place across fashion, art and culture.
Tuesday 12 May
Doors open 5pm�
In-conversation and Q&A, 5.30–6.30pm�
Drinks, 6.30–7.30pm
The Cinema at Selfridges
40 Duke St, London
W1U 1AT
Tickets are £20, with half-price tickets available via the Dazed Club app. Download the app at the link in bio 📲
Join us to celebrate 25 years of AnOther Magazine with a special in-conversation event at London’s @theofficialselfridges featuring editor-in-chief @susannahfrankel and fashion director @katieshillingford.
Hosted by @dazed’s executive editor @jacksunnucks, the evening will look back on the magazine’s history, from defining fashion imagery and memorable shoots to the stories, people and ideas that have shaped its enduring place across fashion, art and culture.
Tuesday 12 May
Doors open 5pm�
In-conversation and Q&A, 5.30–6.30pm�
Drinks, 6.30–7.30pm
The Cinema at Selfridges
40 Duke St, London
W1U 1AT
Tickets are £20, with half-price tickets available via the Dazed Club app. Download the app at the link in bio 📲
Few artists have probed the authorship, seduction and afterlife of circulated images as persistently as American conceptual artist Richard Prince.
At the @albertinamuseum in Vienna, a major exhibition brings together some 150 works, many never shown before. Focused on Prince’s photographic oeuvre from the 1970s to the present, it includes seminal series such as Fashion, Gangs and Cowboys, alongside sculpture, painting, collage and autobiographical imagery. Together, they broaden the view of Prince as a master of appropriation art in photography, dissecting the myths and media codes of American consumer culture.
“Prince analysed how photography transforms our perception of the world,” Dr Walter Moser, chief curator of photography at Albertina Museum tells @sayori_radda. Photographs do not simply reflect reality, but “shape identity, desire and the way we see the world.” In a culture of copied and circulated images, shaped by misinformation and visual manipulation, Prince’s question cuts sharply: “If the copy is the original, what does that make the original?”
Read more at the link in bio 📲
📸 Courtesy of Richard Prince Studio © #RichardPrince
1. Untitled (Cowboy), 1989
2. Untitled (Cowboy), 1999
3. Russell, from the series 'Entertainers', 1982
4. Untitled (Fashion), 1982-1984
5. Untitled (Upstate), 1995-1999
6. Untitled (Three Women Looking in the Same Direction), 1980
Few artists have probed the authorship, seduction and afterlife of circulated images as persistently as American conceptual artist Richard Prince.
At the @albertinamuseum in Vienna, a major exhibition brings together some 150 works, many never shown before. Focused on Prince’s photographic oeuvre from the 1970s to the present, it includes seminal series such as Fashion, Gangs and Cowboys, alongside sculpture, painting, collage and autobiographical imagery. Together, they broaden the view of Prince as a master of appropriation art in photography, dissecting the myths and media codes of American consumer culture.
“Prince analysed how photography transforms our perception of the world,” Dr Walter Moser, chief curator of photography at Albertina Museum tells @sayori_radda. Photographs do not simply reflect reality, but “shape identity, desire and the way we see the world.” In a culture of copied and circulated images, shaped by misinformation and visual manipulation, Prince’s question cuts sharply: “If the copy is the original, what does that make the original?”
Read more at the link in bio 📲
📸 Courtesy of Richard Prince Studio © #RichardPrince
1. Untitled (Cowboy), 1989
2. Untitled (Cowboy), 1999
3. Russell, from the series 'Entertainers', 1982
4. Untitled (Fashion), 1982-1984
5. Untitled (Upstate), 1995-1999
6. Untitled (Three Women Looking in the Same Direction), 1980
Few artists have probed the authorship, seduction and afterlife of circulated images as persistently as American conceptual artist Richard Prince.
At the @albertinamuseum in Vienna, a major exhibition brings together some 150 works, many never shown before. Focused on Prince’s photographic oeuvre from the 1970s to the present, it includes seminal series such as Fashion, Gangs and Cowboys, alongside sculpture, painting, collage and autobiographical imagery. Together, they broaden the view of Prince as a master of appropriation art in photography, dissecting the myths and media codes of American consumer culture.
“Prince analysed how photography transforms our perception of the world,” Dr Walter Moser, chief curator of photography at Albertina Museum tells @sayori_radda. Photographs do not simply reflect reality, but “shape identity, desire and the way we see the world.” In a culture of copied and circulated images, shaped by misinformation and visual manipulation, Prince’s question cuts sharply: “If the copy is the original, what does that make the original?”
Read more at the link in bio 📲
📸 Courtesy of Richard Prince Studio © #RichardPrince
1. Untitled (Cowboy), 1989
2. Untitled (Cowboy), 1999
3. Russell, from the series 'Entertainers', 1982
4. Untitled (Fashion), 1982-1984
5. Untitled (Upstate), 1995-1999
6. Untitled (Three Women Looking in the Same Direction), 1980
Few artists have probed the authorship, seduction and afterlife of circulated images as persistently as American conceptual artist Richard Prince.
At the @albertinamuseum in Vienna, a major exhibition brings together some 150 works, many never shown before. Focused on Prince’s photographic oeuvre from the 1970s to the present, it includes seminal series such as Fashion, Gangs and Cowboys, alongside sculpture, painting, collage and autobiographical imagery. Together, they broaden the view of Prince as a master of appropriation art in photography, dissecting the myths and media codes of American consumer culture.
“Prince analysed how photography transforms our perception of the world,” Dr Walter Moser, chief curator of photography at Albertina Museum tells @sayori_radda. Photographs do not simply reflect reality, but “shape identity, desire and the way we see the world.” In a culture of copied and circulated images, shaped by misinformation and visual manipulation, Prince’s question cuts sharply: “If the copy is the original, what does that make the original?”
Read more at the link in bio 📲
📸 Courtesy of Richard Prince Studio © #RichardPrince
1. Untitled (Cowboy), 1989
2. Untitled (Cowboy), 1999
3. Russell, from the series 'Entertainers', 1982
4. Untitled (Fashion), 1982-1984
5. Untitled (Upstate), 1995-1999
6. Untitled (Three Women Looking in the Same Direction), 1980
Few artists have probed the authorship, seduction and afterlife of circulated images as persistently as American conceptual artist Richard Prince.
At the @albertinamuseum in Vienna, a major exhibition brings together some 150 works, many never shown before. Focused on Prince’s photographic oeuvre from the 1970s to the present, it includes seminal series such as Fashion, Gangs and Cowboys, alongside sculpture, painting, collage and autobiographical imagery. Together, they broaden the view of Prince as a master of appropriation art in photography, dissecting the myths and media codes of American consumer culture.
“Prince analysed how photography transforms our perception of the world,” Dr Walter Moser, chief curator of photography at Albertina Museum tells @sayori_radda. Photographs do not simply reflect reality, but “shape identity, desire and the way we see the world.” In a culture of copied and circulated images, shaped by misinformation and visual manipulation, Prince’s question cuts sharply: “If the copy is the original, what does that make the original?”
Read more at the link in bio 📲
📸 Courtesy of Richard Prince Studio © #RichardPrince
1. Untitled (Cowboy), 1989
2. Untitled (Cowboy), 1999
3. Russell, from the series 'Entertainers', 1982
4. Untitled (Fashion), 1982-1984
5. Untitled (Upstate), 1995-1999
6. Untitled (Three Women Looking in the Same Direction), 1980
Few artists have probed the authorship, seduction and afterlife of circulated images as persistently as American conceptual artist Richard Prince.
At the @albertinamuseum in Vienna, a major exhibition brings together some 150 works, many never shown before. Focused on Prince’s photographic oeuvre from the 1970s to the present, it includes seminal series such as Fashion, Gangs and Cowboys, alongside sculpture, painting, collage and autobiographical imagery. Together, they broaden the view of Prince as a master of appropriation art in photography, dissecting the myths and media codes of American consumer culture.
“Prince analysed how photography transforms our perception of the world,” Dr Walter Moser, chief curator of photography at Albertina Museum tells @sayori_radda. Photographs do not simply reflect reality, but “shape identity, desire and the way we see the world.” In a culture of copied and circulated images, shaped by misinformation and visual manipulation, Prince’s question cuts sharply: “If the copy is the original, what does that make the original?”
Read more at the link in bio 📲
📸 Courtesy of Richard Prince Studio © #RichardPrince
1. Untitled (Cowboy), 1989
2. Untitled (Cowboy), 1999
3. Russell, from the series 'Entertainers', 1982
4. Untitled (Fashion), 1982-1984
5. Untitled (Upstate), 1995-1999
6. Untitled (Three Women Looking in the Same Direction), 1980
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