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A new stamp for the Dutch Postal Service @postnl. The brief was bicycling. We ended up cutting real sized stamps out of bicycle parts and placed them on a stamp. A stamp on a stamp so to say. Bicycle stamps.

A new stamp for the Dutch Postal Service @postnl. The brief was bicycling. We ended up cutting real sized stamps out of bicycle parts and placed them on a stamp. A stamp on a stamp so to say. Bicycle stamps.

A new stamp for the Dutch Postal Service @postnl. The brief was bicycling. We ended up cutting real sized stamps out of bicycle parts and placed them on a stamp. A stamp on a stamp so to say. Bicycle stamps.

A new stamp for the Dutch Postal Service @postnl. The brief was bicycling. We ended up cutting real sized stamps out of bicycle parts and placed them on a stamp. A stamp on a stamp so to say. Bicycle stamps.

A new stamp for the Dutch Postal Service @postnl. The brief was bicycling. We ended up cutting real sized stamps out of bicycle parts and placed them on a stamp. A stamp on a stamp so to say. Bicycle stamps.

A new stamp for the Dutch Postal Service @postnl. The brief was bicycling. We ended up cutting real sized stamps out of bicycle parts and placed them on a stamp. A stamp on a stamp so to say. Bicycle stamps.

Inspired by @ecco ‘s #CozmoSlide, we created 'Directive Furniture', a series of seating elements for The North American Pavilion exhibition @friezeofficial Starting outside, a bench of 6 modular pieces offer a range of different ways to sit, talk and relax. ⁠Inside, portable stools provide visitors the option of lingering in front of an artwork in comfort. The reception desk is transformed in the same language, morphing to fit its purpose to accommodate a laptop, a pen and a stack of flyers.⁠

Agency @random_studio
Concept & Creative Direction
@studiosanderplug @seb_price
Animation/Sculpting @lucas_de_ruiter
Producers @lawrence_daykin @raxhaelshort
Build @souvenirscenicstudios
Photography @jasperfry
Thanks @tiwa_select

Inspired by @ecco ‘s #CozmoSlide, we created 'Directive Furniture', a series of seating elements for The North American Pavilion exhibition @friezeofficial Starting outside, a bench of 6 modular pieces offer a range of different ways to sit, talk and relax. ⁠Inside, portable stools provide visitors the option of lingering in front of an artwork in comfort. The reception desk is transformed in the same language, morphing to fit its purpose to accommodate a laptop, a pen and a stack of flyers.⁠

Agency @random_studio
Concept & Creative Direction
@studiosanderplug @seb_price
Animation/Sculpting @lucas_de_ruiter
Producers @lawrence_daykin @raxhaelshort
Build @souvenirscenicstudios
Photography @jasperfry
Thanks @tiwa_select

Inspired by @ecco ‘s #CozmoSlide, we created 'Directive Furniture', a series of seating elements for The North American Pavilion exhibition @friezeofficial Starting outside, a bench of 6 modular pieces offer a range of different ways to sit, talk and relax. ⁠Inside, portable stools provide visitors the option of lingering in front of an artwork in comfort. The reception desk is transformed in the same language, morphing to fit its purpose to accommodate a laptop, a pen and a stack of flyers.⁠

Agency @random_studio
Concept & Creative Direction
@studiosanderplug @seb_price
Animation/Sculpting @lucas_de_ruiter
Producers @lawrence_daykin @raxhaelshort
Build @souvenirscenicstudios
Photography @jasperfry
Thanks @tiwa_select

Inspired by @ecco ‘s #CozmoSlide, we created 'Directive Furniture', a series of seating elements for The North American Pavilion exhibition @friezeofficial Starting outside, a bench of 6 modular pieces offer a range of different ways to sit, talk and relax. ⁠Inside, portable stools provide visitors the option of lingering in front of an artwork in comfort. The reception desk is transformed in the same language, morphing to fit its purpose to accommodate a laptop, a pen and a stack of flyers.⁠

Agency @random_studio
Concept & Creative Direction
@studiosanderplug @seb_price
Animation/Sculpting @lucas_de_ruiter
Producers @lawrence_daykin @raxhaelshort
Build @souvenirscenicstudios
Photography @jasperfry
Thanks @tiwa_select

Inspired by @ecco ‘s #CozmoSlide, we created 'Directive Furniture', a series of seating elements for The North American Pavilion exhibition @friezeofficial Starting outside, a bench of 6 modular pieces offer a range of different ways to sit, talk and relax. ⁠Inside, portable stools provide visitors the option of lingering in front of an artwork in comfort. The reception desk is transformed in the same language, morphing to fit its purpose to accommodate a laptop, a pen and a stack of flyers.⁠

Agency @random_studio
Concept & Creative Direction
@studiosanderplug @seb_price
Animation/Sculpting @lucas_de_ruiter
Producers @lawrence_daykin @raxhaelshort
Build @souvenirscenicstudios
Photography @jasperfry
Thanks @tiwa_select

Inspired by @ecco ‘s #CozmoSlide, we created 'Directive Furniture', a series of seating elements for The North American Pavilion exhibition @friezeofficial Starting outside, a bench of 6 modular pieces offer a range of different ways to sit, talk and relax. ⁠Inside, portable stools provide visitors the option of lingering in front of an artwork in comfort. The reception desk is transformed in the same language, morphing to fit its purpose to accommodate a laptop, a pen and a stack of flyers.⁠

Agency @random_studio
Concept & Creative Direction
@studiosanderplug @seb_price
Animation/Sculpting @lucas_de_ruiter
Producers @lawrence_daykin @raxhaelshort
Build @souvenirscenicstudios
Photography @jasperfry
Thanks @tiwa_select

Inspired by @ecco ‘s #CozmoSlide, we created 'Directive Furniture', a series of seating elements for The North American Pavilion exhibition @friezeofficial Starting outside, a bench of 6 modular pieces offer a range of different ways to sit, talk and relax. ⁠Inside, portable stools provide visitors the option of lingering in front of an artwork in comfort. The reception desk is transformed in the same language, morphing to fit its purpose to accommodate a laptop, a pen and a stack of flyers.⁠

Agency @random_studio
Concept & Creative Direction
@studiosanderplug @seb_price
Animation/Sculpting @lucas_de_ruiter
Producers @lawrence_daykin @raxhaelshort
Build @souvenirscenicstudios
Photography @jasperfry
Thanks @tiwa_select

The upcycled Le Pliage® Re-play collection by @longchamp. Cardboard rolls with leftover fabric made into a puppet dance installation showcasing the collection.

Creative Director @chelsea.steiger @fredfaridla
Model @anouk_n_k
Styling @thomas_vermeer
Art @elsjedebruijn & @dirktolman
Hair @ingvanhemert
Make-up @mascha_meyer

#LongchampLePliage

The residency of ... Sander Plug (NL)

Sander Plug’s work is intriguingly suggestive. He developed a vase, for instance, with the standard diameter of tape roles, so you can slide various roles over a vertical tube. The piece marries DIY and customisation with a sensitivity for the colour and texture of humble materials. It’s also quite phallic. Another work is based on honeycomb garlands that, you know, expand and contract. Made from different types of clay to form a colour gradient, the garland might celebrate progression, but the transformation from paper to ceramics complicates matters. Although any double entendres were unintended, Plug’s original proposal to create casts from glory holes did point in a certain direction. The casts themselves are dark, impenetrable objects that seem to embody the inescapable gravity of desire — as well as its design and commodification. All works share this capacity to generate myriad meanings well beyond easy libidinous associations — without ever disowning them either.

Plug’s glory holes series started with casting the negative space of in situ glory holes in silicon rubber. These then became the positives from which he made three-part plaster moulds, into which he slip-cast and press-moulded. The final pieces were press-moulded with Terra Niga (black) clay and finished with a black terra sigillata. His tape vase series employed 3D-printed porcelain in combination with small batches of hand-wedged colour clay that were high-fired for watertightness. Plug’s garlands were slab built from various clay mixtures arranged in gradients. With his Lidl receipts he tried many processes on top of slip-cast porcelain, including 3D printed stamps in combination with pigment washes and decal (transfers). Beyond all this, he built upon his practice of wheelthrowing and made further experiments with slip-casting and press-moulding sculptural/design objects.

Website: www.studiosanderplug.com
@studiosanderplug

The residency of ... Sander Plug (NL)

Sander Plug’s work is intriguingly suggestive. He developed a vase, for instance, with the standard diameter of tape roles, so you can slide various roles over a vertical tube. The piece marries DIY and customisation with a sensitivity for the colour and texture of humble materials. It’s also quite phallic. Another work is based on honeycomb garlands that, you know, expand and contract. Made from different types of clay to form a colour gradient, the garland might celebrate progression, but the transformation from paper to ceramics complicates matters. Although any double entendres were unintended, Plug’s original proposal to create casts from glory holes did point in a certain direction. The casts themselves are dark, impenetrable objects that seem to embody the inescapable gravity of desire — as well as its design and commodification. All works share this capacity to generate myriad meanings well beyond easy libidinous associations — without ever disowning them either.

Plug’s glory holes series started with casting the negative space of in situ glory holes in silicon rubber. These then became the positives from which he made three-part plaster moulds, into which he slip-cast and press-moulded. The final pieces were press-moulded with Terra Niga (black) clay and finished with a black terra sigillata. His tape vase series employed 3D-printed porcelain in combination with small batches of hand-wedged colour clay that were high-fired for watertightness. Plug’s garlands were slab built from various clay mixtures arranged in gradients. With his Lidl receipts he tried many processes on top of slip-cast porcelain, including 3D printed stamps in combination with pigment washes and decal (transfers). Beyond all this, he built upon his practice of wheelthrowing and made further experiments with slip-casting and press-moulding sculptural/design objects.

Website: www.studiosanderplug.com
@studiosanderplug

The residency of ... Sander Plug (NL)

Sander Plug’s work is intriguingly suggestive. He developed a vase, for instance, with the standard diameter of tape roles, so you can slide various roles over a vertical tube. The piece marries DIY and customisation with a sensitivity for the colour and texture of humble materials. It’s also quite phallic. Another work is based on honeycomb garlands that, you know, expand and contract. Made from different types of clay to form a colour gradient, the garland might celebrate progression, but the transformation from paper to ceramics complicates matters. Although any double entendres were unintended, Plug’s original proposal to create casts from glory holes did point in a certain direction. The casts themselves are dark, impenetrable objects that seem to embody the inescapable gravity of desire — as well as its design and commodification. All works share this capacity to generate myriad meanings well beyond easy libidinous associations — without ever disowning them either.

Plug’s glory holes series started with casting the negative space of in situ glory holes in silicon rubber. These then became the positives from which he made three-part plaster moulds, into which he slip-cast and press-moulded. The final pieces were press-moulded with Terra Niga (black) clay and finished with a black terra sigillata. His tape vase series employed 3D-printed porcelain in combination with small batches of hand-wedged colour clay that were high-fired for watertightness. Plug’s garlands were slab built from various clay mixtures arranged in gradients. With his Lidl receipts he tried many processes on top of slip-cast porcelain, including 3D printed stamps in combination with pigment washes and decal (transfers). Beyond all this, he built upon his practice of wheelthrowing and made further experiments with slip-casting and press-moulding sculptural/design objects.

Website: www.studiosanderplug.com
@studiosanderplug

The residency of ... Sander Plug (NL)

Sander Plug’s work is intriguingly suggestive. He developed a vase, for instance, with the standard diameter of tape roles, so you can slide various roles over a vertical tube. The piece marries DIY and customisation with a sensitivity for the colour and texture of humble materials. It’s also quite phallic. Another work is based on honeycomb garlands that, you know, expand and contract. Made from different types of clay to form a colour gradient, the garland might celebrate progression, but the transformation from paper to ceramics complicates matters. Although any double entendres were unintended, Plug’s original proposal to create casts from glory holes did point in a certain direction. The casts themselves are dark, impenetrable objects that seem to embody the inescapable gravity of desire — as well as its design and commodification. All works share this capacity to generate myriad meanings well beyond easy libidinous associations — without ever disowning them either.

Plug’s glory holes series started with casting the negative space of in situ glory holes in silicon rubber. These then became the positives from which he made three-part plaster moulds, into which he slip-cast and press-moulded. The final pieces were press-moulded with Terra Niga (black) clay and finished with a black terra sigillata. His tape vase series employed 3D-printed porcelain in combination with small batches of hand-wedged colour clay that were high-fired for watertightness. Plug’s garlands were slab built from various clay mixtures arranged in gradients. With his Lidl receipts he tried many processes on top of slip-cast porcelain, including 3D printed stamps in combination with pigment washes and decal (transfers). Beyond all this, he built upon his practice of wheelthrowing and made further experiments with slip-casting and press-moulding sculptural/design objects.

Website: www.studiosanderplug.com
@studiosanderplug

The residency of ... Sander Plug (NL)

Sander Plug’s work is intriguingly suggestive. He developed a vase, for instance, with the standard diameter of tape roles, so you can slide various roles over a vertical tube. The piece marries DIY and customisation with a sensitivity for the colour and texture of humble materials. It’s also quite phallic. Another work is based on honeycomb garlands that, you know, expand and contract. Made from different types of clay to form a colour gradient, the garland might celebrate progression, but the transformation from paper to ceramics complicates matters. Although any double entendres were unintended, Plug’s original proposal to create casts from glory holes did point in a certain direction. The casts themselves are dark, impenetrable objects that seem to embody the inescapable gravity of desire — as well as its design and commodification. All works share this capacity to generate myriad meanings well beyond easy libidinous associations — without ever disowning them either.

Plug’s glory holes series started with casting the negative space of in situ glory holes in silicon rubber. These then became the positives from which he made three-part plaster moulds, into which he slip-cast and press-moulded. The final pieces were press-moulded with Terra Niga (black) clay and finished with a black terra sigillata. His tape vase series employed 3D-printed porcelain in combination with small batches of hand-wedged colour clay that were high-fired for watertightness. Plug’s garlands were slab built from various clay mixtures arranged in gradients. With his Lidl receipts he tried many processes on top of slip-cast porcelain, including 3D printed stamps in combination with pigment washes and decal (transfers). Beyond all this, he built upon his practice of wheelthrowing and made further experiments with slip-casting and press-moulding sculptural/design objects.

Website: www.studiosanderplug.com
@studiosanderplug

The residency of ... Sander Plug (NL)

Sander Plug’s work is intriguingly suggestive. He developed a vase, for instance, with the standard diameter of tape roles, so you can slide various roles over a vertical tube. The piece marries DIY and customisation with a sensitivity for the colour and texture of humble materials. It’s also quite phallic. Another work is based on honeycomb garlands that, you know, expand and contract. Made from different types of clay to form a colour gradient, the garland might celebrate progression, but the transformation from paper to ceramics complicates matters. Although any double entendres were unintended, Plug’s original proposal to create casts from glory holes did point in a certain direction. The casts themselves are dark, impenetrable objects that seem to embody the inescapable gravity of desire — as well as its design and commodification. All works share this capacity to generate myriad meanings well beyond easy libidinous associations — without ever disowning them either.

Plug’s glory holes series started with casting the negative space of in situ glory holes in silicon rubber. These then became the positives from which he made three-part plaster moulds, into which he slip-cast and press-moulded. The final pieces were press-moulded with Terra Niga (black) clay and finished with a black terra sigillata. His tape vase series employed 3D-printed porcelain in combination with small batches of hand-wedged colour clay that were high-fired for watertightness. Plug’s garlands were slab built from various clay mixtures arranged in gradients. With his Lidl receipts he tried many processes on top of slip-cast porcelain, including 3D printed stamps in combination with pigment washes and decal (transfers). Beyond all this, he built upon his practice of wheelthrowing and made further experiments with slip-casting and press-moulding sculptural/design objects.

Website: www.studiosanderplug.com
@studiosanderplug

The residency of ... Sander Plug (NL)

Sander Plug’s work is intriguingly suggestive. He developed a vase, for instance, with the standard diameter of tape roles, so you can slide various roles over a vertical tube. The piece marries DIY and customisation with a sensitivity for the colour and texture of humble materials. It’s also quite phallic. Another work is based on honeycomb garlands that, you know, expand and contract. Made from different types of clay to form a colour gradient, the garland might celebrate progression, but the transformation from paper to ceramics complicates matters. Although any double entendres were unintended, Plug’s original proposal to create casts from glory holes did point in a certain direction. The casts themselves are dark, impenetrable objects that seem to embody the inescapable gravity of desire — as well as its design and commodification. All works share this capacity to generate myriad meanings well beyond easy libidinous associations — without ever disowning them either.

Plug’s glory holes series started with casting the negative space of in situ glory holes in silicon rubber. These then became the positives from which he made three-part plaster moulds, into which he slip-cast and press-moulded. The final pieces were press-moulded with Terra Niga (black) clay and finished with a black terra sigillata. His tape vase series employed 3D-printed porcelain in combination with small batches of hand-wedged colour clay that were high-fired for watertightness. Plug’s garlands were slab built from various clay mixtures arranged in gradients. With his Lidl receipts he tried many processes on top of slip-cast porcelain, including 3D printed stamps in combination with pigment washes and decal (transfers). Beyond all this, he built upon his practice of wheelthrowing and made further experiments with slip-casting and press-moulding sculptural/design objects.

Website: www.studiosanderplug.com
@studiosanderplug

The residency of ... Sander Plug (NL)

Sander Plug’s work is intriguingly suggestive. He developed a vase, for instance, with the standard diameter of tape roles, so you can slide various roles over a vertical tube. The piece marries DIY and customisation with a sensitivity for the colour and texture of humble materials. It’s also quite phallic. Another work is based on honeycomb garlands that, you know, expand and contract. Made from different types of clay to form a colour gradient, the garland might celebrate progression, but the transformation from paper to ceramics complicates matters. Although any double entendres were unintended, Plug’s original proposal to create casts from glory holes did point in a certain direction. The casts themselves are dark, impenetrable objects that seem to embody the inescapable gravity of desire — as well as its design and commodification. All works share this capacity to generate myriad meanings well beyond easy libidinous associations — without ever disowning them either.

Plug’s glory holes series started with casting the negative space of in situ glory holes in silicon rubber. These then became the positives from which he made three-part plaster moulds, into which he slip-cast and press-moulded. The final pieces were press-moulded with Terra Niga (black) clay and finished with a black terra sigillata. His tape vase series employed 3D-printed porcelain in combination with small batches of hand-wedged colour clay that were high-fired for watertightness. Plug’s garlands were slab built from various clay mixtures arranged in gradients. With his Lidl receipts he tried many processes on top of slip-cast porcelain, including 3D printed stamps in combination with pigment washes and decal (transfers). Beyond all this, he built upon his practice of wheelthrowing and made further experiments with slip-casting and press-moulding sculptural/design objects.

Website: www.studiosanderplug.com
@studiosanderplug

The residency of ... Sander Plug (NL)

Sander Plug’s work is intriguingly suggestive. He developed a vase, for instance, with the standard diameter of tape roles, so you can slide various roles over a vertical tube. The piece marries DIY and customisation with a sensitivity for the colour and texture of humble materials. It’s also quite phallic. Another work is based on honeycomb garlands that, you know, expand and contract. Made from different types of clay to form a colour gradient, the garland might celebrate progression, but the transformation from paper to ceramics complicates matters. Although any double entendres were unintended, Plug’s original proposal to create casts from glory holes did point in a certain direction. The casts themselves are dark, impenetrable objects that seem to embody the inescapable gravity of desire — as well as its design and commodification. All works share this capacity to generate myriad meanings well beyond easy libidinous associations — without ever disowning them either.

Plug’s glory holes series started with casting the negative space of in situ glory holes in silicon rubber. These then became the positives from which he made three-part plaster moulds, into which he slip-cast and press-moulded. The final pieces were press-moulded with Terra Niga (black) clay and finished with a black terra sigillata. His tape vase series employed 3D-printed porcelain in combination with small batches of hand-wedged colour clay that were high-fired for watertightness. Plug’s garlands were slab built from various clay mixtures arranged in gradients. With his Lidl receipts he tried many processes on top of slip-cast porcelain, including 3D printed stamps in combination with pigment washes and decal (transfers). Beyond all this, he built upon his practice of wheelthrowing and made further experiments with slip-casting and press-moulding sculptural/design objects.

Website: www.studiosanderplug.com
@studiosanderplug

The residency of ... Sander Plug (NL)

Sander Plug’s work is intriguingly suggestive. He developed a vase, for instance, with the standard diameter of tape roles, so you can slide various roles over a vertical tube. The piece marries DIY and customisation with a sensitivity for the colour and texture of humble materials. It’s also quite phallic. Another work is based on honeycomb garlands that, you know, expand and contract. Made from different types of clay to form a colour gradient, the garland might celebrate progression, but the transformation from paper to ceramics complicates matters. Although any double entendres were unintended, Plug’s original proposal to create casts from glory holes did point in a certain direction. The casts themselves are dark, impenetrable objects that seem to embody the inescapable gravity of desire — as well as its design and commodification. All works share this capacity to generate myriad meanings well beyond easy libidinous associations — without ever disowning them either.

Plug’s glory holes series started with casting the negative space of in situ glory holes in silicon rubber. These then became the positives from which he made three-part plaster moulds, into which he slip-cast and press-moulded. The final pieces were press-moulded with Terra Niga (black) clay and finished with a black terra sigillata. His tape vase series employed 3D-printed porcelain in combination with small batches of hand-wedged colour clay that were high-fired for watertightness. Plug’s garlands were slab built from various clay mixtures arranged in gradients. With his Lidl receipts he tried many processes on top of slip-cast porcelain, including 3D printed stamps in combination with pigment washes and decal (transfers). Beyond all this, he built upon his practice of wheelthrowing and made further experiments with slip-casting and press-moulding sculptural/design objects.

Website: www.studiosanderplug.com
@studiosanderplug

Alex taking a self-portrait while Sander photographs Alex as he makes the self-portrait and Jouk photographs Sander as he photographs Alex making the self-portrait.

A photo series for an interview in Volkskrant Magazine with Alex Klaasen about his meta musical Stoornis of My Life about his brother on the autism spectrum.

Photography: Alex Klaasen, Sander Plug & Jouk Oosterhof
@Alexklaasen
@studiosanderplug
@joukoosterhof

Styling: Olivier Jehee @olivierjehee
@houseoforangeagency.amsterdam
Hair&Make-up: Mascha Meyer @mascha_meyer
@houseoforangeagency.amsterdam
Volkskrant magazine @volkskrantmagazine
Photo editor: Heike Gülker @heike.gulker
Post production: Jan Hibma @j_nhibm_

Alex:
Blazer & pants: Martan @martan.official
Shoes: Camper @camper

Sander:
Shirt & pants: COS @cosstores
Shoes: Camper @camper

@foto.formation @photoplayphoto

Alex taking a self-portrait while Sander photographs Alex as he makes the self-portrait and Jouk photographs Sander as he photographs Alex making the self-portrait.

A photo series for an interview in Volkskrant Magazine with Alex Klaasen about his meta musical Stoornis of My Life about his brother on the autism spectrum.

Photography: Alex Klaasen, Sander Plug & Jouk Oosterhof
@Alexklaasen
@studiosanderplug
@joukoosterhof

Styling: Olivier Jehee @olivierjehee
@houseoforangeagency.amsterdam
Hair&Make-up: Mascha Meyer @mascha_meyer
@houseoforangeagency.amsterdam
Volkskrant magazine @volkskrantmagazine
Photo editor: Heike Gülker @heike.gulker
Post production: Jan Hibma @j_nhibm_

Alex:
Blazer & pants: Martan @martan.official
Shoes: Camper @camper

Sander:
Shirt & pants: COS @cosstores
Shoes: Camper @camper

@foto.formation @photoplayphoto

Alex taking a self-portrait while Sander photographs Alex as he makes the self-portrait and Jouk photographs Sander as he photographs Alex making the self-portrait.

A photo series for an interview in Volkskrant Magazine with Alex Klaasen about his meta musical Stoornis of My Life about his brother on the autism spectrum.

Photography: Alex Klaasen, Sander Plug & Jouk Oosterhof
@Alexklaasen
@studiosanderplug
@joukoosterhof

Styling: Olivier Jehee @olivierjehee
@houseoforangeagency.amsterdam
Hair&Make-up: Mascha Meyer @mascha_meyer
@houseoforangeagency.amsterdam
Volkskrant magazine @volkskrantmagazine
Photo editor: Heike Gülker @heike.gulker
Post production: Jan Hibma @j_nhibm_

Alex:
Blazer & pants: Martan @martan.official
Shoes: Camper @camper

Sander:
Shirt & pants: COS @cosstores
Shoes: Camper @camper

@foto.formation @photoplayphoto

Five covers for the Dutch financial newspaper @fdpersoonlijk, exploring different generations, visualized with a little help from Wilhelmina, Juliana, Frans, Beatrix, and Willem-Alexander.

Concept: Studio Sander Plug
Photography: @joukoosterhof
Styling: @thomas_vermeer
Assistent: @ravenanna.pho
Models:
Kenneth, Emma, Alexis, Paulien, Andre
Many thanks to @marjolijnvanbeeck

Five covers for the Dutch financial newspaper @fdpersoonlijk, exploring different generations, visualized with a little help from Wilhelmina, Juliana, Frans, Beatrix, and Willem-Alexander.

Concept: Studio Sander Plug
Photography: @joukoosterhof
Styling: @thomas_vermeer
Assistent: @ravenanna.pho
Models:
Kenneth, Emma, Alexis, Paulien, Andre
Many thanks to @marjolijnvanbeeck

Five covers for the Dutch financial newspaper @fdpersoonlijk, exploring different generations, visualized with a little help from Wilhelmina, Juliana, Frans, Beatrix, and Willem-Alexander.

Concept: Studio Sander Plug
Photography: @joukoosterhof
Styling: @thomas_vermeer
Assistent: @ravenanna.pho
Models:
Kenneth, Emma, Alexis, Paulien, Andre
Many thanks to @marjolijnvanbeeck

Five covers for the Dutch financial newspaper @fdpersoonlijk, exploring different generations, visualized with a little help from Wilhelmina, Juliana, Frans, Beatrix, and Willem-Alexander.

Concept: Studio Sander Plug
Photography: @joukoosterhof
Styling: @thomas_vermeer
Assistent: @ravenanna.pho
Models:
Kenneth, Emma, Alexis, Paulien, Andre
Many thanks to @marjolijnvanbeeck

Five covers for the Dutch financial newspaper @fdpersoonlijk, exploring different generations, visualized with a little help from Wilhelmina, Juliana, Frans, Beatrix, and Willem-Alexander.

Concept: Studio Sander Plug
Photography: @joukoosterhof
Styling: @thomas_vermeer
Assistent: @ravenanna.pho
Models:
Kenneth, Emma, Alexis, Paulien, Andre
Many thanks to @marjolijnvanbeeck

Five covers for the Dutch financial newspaper @fdpersoonlijk, exploring different generations, visualized with a little help from Wilhelmina, Juliana, Frans, Beatrix, and Willem-Alexander.

Concept: Studio Sander Plug
Photography: @joukoosterhof
Styling: @thomas_vermeer
Assistent: @ravenanna.pho
Models:
Kenneth, Emma, Alexis, Paulien, Andre
Many thanks to @marjolijnvanbeeck

Teaser for the SANDRO x Louise Bourgeois capsule collection. Window displays and Pop Up inspired by 3 textile works from the legendary artist, now live @galerieslafayette Haussmann in Paris.  

Team @random_studio: @studiosanderplug @roelwouters @alextintea @raxhaelshort @morganmaccari @reekarlb @emmanuel.gerber @himlaslott Matteo Pirolo
Art Direction: @sandroparis & @atelierfranckdurand

#SandroParis #SS25 #SANDROxLouiseBourgeois #kaleidoscope⁠

Teaser for the SANDRO x Louise Bourgeois capsule collection. Window displays and Pop Up inspired by 3 textile works from the legendary artist, now live @galerieslafayette Haussmann in Paris.  

Team @random_studio: @studiosanderplug @roelwouters @alextintea @raxhaelshort @morganmaccari @reekarlb @emmanuel.gerber @himlaslott Matteo Pirolo
Art Direction: @sandroparis & @atelierfranckdurand

#SandroParis #SS25 #SANDROxLouiseBourgeois #kaleidoscope⁠

Teaser for the SANDRO x Louise Bourgeois capsule collection. Window displays and Pop Up inspired by 3 textile works from the legendary artist, now live @galerieslafayette Haussmann in Paris.  

Team @random_studio: @studiosanderplug @roelwouters @alextintea @raxhaelshort @morganmaccari @reekarlb @emmanuel.gerber @himlaslott Matteo Pirolo
Art Direction: @sandroparis & @atelierfranckdurand

#SandroParis #SS25 #SANDROxLouiseBourgeois #kaleidoscope⁠

Teaser for the SANDRO x Louise Bourgeois capsule collection. Window displays and Pop Up inspired by 3 textile works from the legendary artist, now live @galerieslafayette Haussmann in Paris.  

Team @random_studio: @studiosanderplug @roelwouters @alextintea @raxhaelshort @morganmaccari @reekarlb @emmanuel.gerber @himlaslott Matteo Pirolo
Art Direction: @sandroparis & @atelierfranckdurand

#SandroParis #SS25 #SANDROxLouiseBourgeois #kaleidoscope⁠

A shoutout to one of the most genius designers I know, @studiosanderplug , he designed and produced this ace idea to celebrate 25 years of @volkskrantmagazine

Garlands made from a selection of Volkskrant magazines spanning the past 25 years. Happy anniversary, @volkskrantmagazine!

Thanks @jaap.biemans @heike.gulker @agia.2.0

Garlands made from a selection of Volkskrant magazines spanning the past 25 years. Happy anniversary, @volkskrantmagazine!

Thanks @jaap.biemans @heike.gulker @agia.2.0

Garlands made from a selection of Volkskrant magazines spanning the past 25 years. Happy anniversary, @volkskrantmagazine!

Thanks @jaap.biemans @heike.gulker @agia.2.0

Garlands made from a selection of Volkskrant magazines spanning the past 25 years. Happy anniversary, @volkskrantmagazine!

Thanks @jaap.biemans @heike.gulker @agia.2.0

Garlands made from a selection of Volkskrant magazines spanning the past 25 years. Happy anniversary, @volkskrantmagazine!

Thanks @jaap.biemans @heike.gulker @agia.2.0

Garlands made from a selection of Volkskrant magazines spanning the past 25 years. Happy anniversary, @volkskrantmagazine!

Thanks @jaap.biemans @heike.gulker @agia.2.0

Garlands made from a selection of Volkskrant magazines spanning the past 25 years. Happy anniversary, @volkskrantmagazine!

Thanks @jaap.biemans @heike.gulker @agia.2.0

Garlands made from a selection of Volkskrant magazines spanning the past 25 years. Happy anniversary, @volkskrantmagazine!

Thanks @jaap.biemans @heike.gulker @agia.2.0

Update in our schedule! Sander Plug (@studiosanderplug) is a director, photographer, visual artist and designer known for his idea-driven approach, minimalistic aesthetics and composed visual language.

He studied industrial engineering at the TU Delft before attaining a Master in Fine Arts at the Sandberg Instituut in Amsterdam. Between 2007 and 2019, he was part of the artistic duo Lernert & Sander.

With his eponymous studio, Sander focuses on design beyond the 2D realm of photography and film. Whether creating a dining table for COS, desks for MacGuffin Magazine, a stamp for PostNL or a puppet dance installation for Longchamp, he merges his love for film and photography with the physical world.

Sadly, David Benski can’t make it to UBN this year. Sander’s talk replaces his slot on Saturday on the SooGood Stage.

#usbynight #ubn #soogood #design #festival #antwerp #sanderplug #studiosanderplug

Update in our schedule! Sander Plug (@studiosanderplug) is a director, photographer, visual artist and designer known for his idea-driven approach, minimalistic aesthetics and composed visual language.

He studied industrial engineering at the TU Delft before attaining a Master in Fine Arts at the Sandberg Instituut in Amsterdam. Between 2007 and 2019, he was part of the artistic duo Lernert & Sander.

With his eponymous studio, Sander focuses on design beyond the 2D realm of photography and film. Whether creating a dining table for COS, desks for MacGuffin Magazine, a stamp for PostNL or a puppet dance installation for Longchamp, he merges his love for film and photography with the physical world.

Sadly, David Benski can’t make it to UBN this year. Sander’s talk replaces his slot on Saturday on the SooGood Stage.

#usbynight #ubn #soogood #design #festival #antwerp #sanderplug #studiosanderplug

Update in our schedule! Sander Plug (@studiosanderplug) is a director, photographer, visual artist and designer known for his idea-driven approach, minimalistic aesthetics and composed visual language.

He studied industrial engineering at the TU Delft before attaining a Master in Fine Arts at the Sandberg Instituut in Amsterdam. Between 2007 and 2019, he was part of the artistic duo Lernert & Sander.

With his eponymous studio, Sander focuses on design beyond the 2D realm of photography and film. Whether creating a dining table for COS, desks for MacGuffin Magazine, a stamp for PostNL or a puppet dance installation for Longchamp, he merges his love for film and photography with the physical world.

Sadly, David Benski can’t make it to UBN this year. Sander’s talk replaces his slot on Saturday on the SooGood Stage.

#usbynight #ubn #soogood #design #festival #antwerp #sanderplug #studiosanderplug

Update in our schedule! Sander Plug (@studiosanderplug) is a director, photographer, visual artist and designer known for his idea-driven approach, minimalistic aesthetics and composed visual language.

He studied industrial engineering at the TU Delft before attaining a Master in Fine Arts at the Sandberg Instituut in Amsterdam. Between 2007 and 2019, he was part of the artistic duo Lernert & Sander.

With his eponymous studio, Sander focuses on design beyond the 2D realm of photography and film. Whether creating a dining table for COS, desks for MacGuffin Magazine, a stamp for PostNL or a puppet dance installation for Longchamp, he merges his love for film and photography with the physical world.

Sadly, David Benski can’t make it to UBN this year. Sander’s talk replaces his slot on Saturday on the SooGood Stage.

#usbynight #ubn #soogood #design #festival #antwerp #sanderplug #studiosanderplug

Update in our schedule! Sander Plug (@studiosanderplug) is a director, photographer, visual artist and designer known for his idea-driven approach, minimalistic aesthetics and composed visual language.

He studied industrial engineering at the TU Delft before attaining a Master in Fine Arts at the Sandberg Instituut in Amsterdam. Between 2007 and 2019, he was part of the artistic duo Lernert & Sander.

With his eponymous studio, Sander focuses on design beyond the 2D realm of photography and film. Whether creating a dining table for COS, desks for MacGuffin Magazine, a stamp for PostNL or a puppet dance installation for Longchamp, he merges his love for film and photography with the physical world.

Sadly, David Benski can’t make it to UBN this year. Sander’s talk replaces his slot on Saturday on the SooGood Stage.

#usbynight #ubn #soogood #design #festival #antwerp #sanderplug #studiosanderplug

Update in our schedule! Sander Plug (@studiosanderplug) is a director, photographer, visual artist and designer known for his idea-driven approach, minimalistic aesthetics and composed visual language.

He studied industrial engineering at the TU Delft before attaining a Master in Fine Arts at the Sandberg Instituut in Amsterdam. Between 2007 and 2019, he was part of the artistic duo Lernert & Sander.

With his eponymous studio, Sander focuses on design beyond the 2D realm of photography and film. Whether creating a dining table for COS, desks for MacGuffin Magazine, a stamp for PostNL or a puppet dance installation for Longchamp, he merges his love for film and photography with the physical world.

Sadly, David Benski can’t make it to UBN this year. Sander’s talk replaces his slot on Saturday on the SooGood Stage.

#usbynight #ubn #soogood #design #festival #antwerp #sanderplug #studiosanderplug

Update in our schedule! Sander Plug (@studiosanderplug) is a director, photographer, visual artist and designer known for his idea-driven approach, minimalistic aesthetics and composed visual language.

He studied industrial engineering at the TU Delft before attaining a Master in Fine Arts at the Sandberg Instituut in Amsterdam. Between 2007 and 2019, he was part of the artistic duo Lernert & Sander.

With his eponymous studio, Sander focuses on design beyond the 2D realm of photography and film. Whether creating a dining table for COS, desks for MacGuffin Magazine, a stamp for PostNL or a puppet dance installation for Longchamp, he merges his love for film and photography with the physical world.

Sadly, David Benski can’t make it to UBN this year. Sander’s talk replaces his slot on Saturday on the SooGood Stage.

#usbynight #ubn #soogood #design #festival #antwerp #sanderplug #studiosanderplug

Update in our schedule! Sander Plug (@studiosanderplug) is a director, photographer, visual artist and designer known for his idea-driven approach, minimalistic aesthetics and composed visual language.

He studied industrial engineering at the TU Delft before attaining a Master in Fine Arts at the Sandberg Instituut in Amsterdam. Between 2007 and 2019, he was part of the artistic duo Lernert & Sander.

With his eponymous studio, Sander focuses on design beyond the 2D realm of photography and film. Whether creating a dining table for COS, desks for MacGuffin Magazine, a stamp for PostNL or a puppet dance installation for Longchamp, he merges his love for film and photography with the physical world.

Sadly, David Benski can’t make it to UBN this year. Sander’s talk replaces his slot on Saturday on the SooGood Stage.

#usbynight #ubn #soogood #design #festival #antwerp #sanderplug #studiosanderplug

Push-up, High Heels and Leak Proof. HEMA underwear modelled by HEMA kitchenware.

Concept & Photography: @studiosanderplug x @mirkalaurasevera
Creative Direction: @iebelevandermeulen
Retouch: @dave__herr

Push-up, High Heels and Leak Proof. HEMA underwear modelled by HEMA kitchenware.

Concept & Photography: @studiosanderplug x @mirkalaurasevera
Creative Direction: @iebelevandermeulen
Retouch: @dave__herr

Push-up, High Heels and Leak Proof. HEMA underwear modelled by HEMA kitchenware.

Concept & Photography: @studiosanderplug x @mirkalaurasevera
Creative Direction: @iebelevandermeulen
Retouch: @dave__herr

We end this Men’s PFW with a golden oldie: a film on bespoke tailoring for the 2012 Handmade issue of Wallpaper*. We set the Italian tailors of Brioni the ultimate test of skill with a particularly exacting customer.

Concept & Direction: Lernert & Sander
Handmodels: Ashley Khoo, Jacques Drent
DOP: @ramadwork
Styling: Ferry van der Nat
Carpenter set: Egbert Steenwinkel
Editor: @derekvanegmond
Post production & sound: @ambassadors.studio
Executive Producer: Stephen Whelan (White Lodge)
All pieces by Brioni Master Tailors
Commissioned by Wallpaper*
Fashion Director @wallpapermag: Sébastien Clivaz

#pfw #handmade #mastertailor