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Dennis Lin Studio
Toronto - Taiwan
Dennis Lin「Waiting. Still.」は先週幕を閉じました。ご来場いただいた皆さまに心より感謝申し上げます。
Waiting. Still. by Dennis Lin closed last week. Thank you to everyone who visited and spent time with the work.
撮影: 永禮 賢
Photo by Satoshi Nagare
Dennis Lin「Waiting. Still.」は先週幕を閉じました。ご来場いただいた皆さまに心より感謝申し上げます。
Waiting. Still. by Dennis Lin closed last week. Thank you to everyone who visited and spent time with the work.
撮影: 永禮 賢
Photo by Satoshi Nagare
Dennis Lin「Waiting. Still.」は先週幕を閉じました。ご来場いただいた皆さまに心より感謝申し上げます。
Waiting. Still. by Dennis Lin closed last week. Thank you to everyone who visited and spent time with the work.
撮影: 永禮 賢
Photo by Satoshi Nagare
𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 2026
Salvaged paper, aluminum
𝘞𝘢𝘪𝘵𝘪𝘯𝘨. 𝘚𝘵𝘪𝘭𝘭.
YUKIKOMIZUTANI
April 10th - May 15th.
今週の Curator’s Pick
— 断片のリズム
形は、集まることで空間になります。
切り取られた輪郭、宙に漂う線と重さ—それぞれは断片でありながら、寄り集まることで不思議な調和を生んでいます。
青い地に浮かぶ花、色と輪郭がわずかに離れた花、炭と羽根が糸の上で呼吸するような形。
どの作品も、形と形のあいだに余白を持たせながら構成されています。
ただ探すのではなく、
“出会う”ためのキュレーション。
▶ プロフィールリンクより
「Rhythm of Fragments」をご覧ください。
┈┈┈┈┈┈┈┈┈┈
𝐂𝐮𝐫𝐚𝐭𝐨𝐫’𝐬 𝐏𝐢𝐜𝐤
— This Week: 𝐑𝐡𝐲𝐭𝐡𝐦 𝐨𝐟 𝐅𝐫𝐚𝐠𝐦𝐞𝐧𝐭𝐬
Forms become space by coming together.
Silhouettes cut from their surroundings, lines and weights adrift in the air—each one a fragment, yet gathered together they produce a strange harmony.
Flowers floating on a field of blue, flowers where color and outline fall slightly apart, forms that seem to breathe on threads of charcoal and feather.
Each work is composed with space held between one form and the next.
→ Discover “Rhythm of Fragments” via the link in our profile.
— Curator’s Note —
Selected works:
• Dennis Lin — Untitled
• 大嶋 直哉 — Picture Arrangement / Poppy
• 大嶋 直哉 — Floating Garden
• ヤクモタロウ — The Rude Flower
• Dennis Lin — Untitled
Courtesy of:
四季彩舎｜SHIKISAISHA GALLERY
YUKIKOMIZUTANI
┈┈┈┈┈┈┈┈┈┈
#CuratorsPick
#ContemporaryArt
#AbstractArt
#JapaneseArt
#MixedMediaArt
今週の Curator’s Pick
— 断片のリズム
形は、集まることで空間になります。
切り取られた輪郭、宙に漂う線と重さ—それぞれは断片でありながら、寄り集まることで不思議な調和を生んでいます。
青い地に浮かぶ花、色と輪郭がわずかに離れた花、炭と羽根が糸の上で呼吸するような形。
どの作品も、形と形のあいだに余白を持たせながら構成されています。
ただ探すのではなく、
“出会う”ためのキュレーション。
▶ プロフィールリンクより
「Rhythm of Fragments」をご覧ください。
┈┈┈┈┈┈┈┈┈┈
𝐂𝐮𝐫𝐚𝐭𝐨𝐫’𝐬 𝐏𝐢𝐜𝐤
— This Week: 𝐑𝐡𝐲𝐭𝐡𝐦 𝐨𝐟 𝐅𝐫𝐚𝐠𝐦𝐞𝐧𝐭𝐬
Forms become space by coming together.
Silhouettes cut from their surroundings, lines and weights adrift in the air—each one a fragment, yet gathered together they produce a strange harmony.
Flowers floating on a field of blue, flowers where color and outline fall slightly apart, forms that seem to breathe on threads of charcoal and feather.
Each work is composed with space held between one form and the next.
→ Discover “Rhythm of Fragments” via the link in our profile.
— Curator’s Note —
Selected works:
• Dennis Lin — Untitled
• 大嶋 直哉 — Picture Arrangement / Poppy
• 大嶋 直哉 — Floating Garden
• ヤクモタロウ — The Rude Flower
• Dennis Lin — Untitled
Courtesy of:
四季彩舎｜SHIKISAISHA GALLERY
YUKIKOMIZUTANI
┈┈┈┈┈┈┈┈┈┈
#CuratorsPick
#ContemporaryArt
#AbstractArt
#JapaneseArt
#MixedMediaArt
今週の Curator’s Pick
— 断片のリズム
形は、集まることで空間になります。
切り取られた輪郭、宙に漂う線と重さ—それぞれは断片でありながら、寄り集まることで不思議な調和を生んでいます。
青い地に浮かぶ花、色と輪郭がわずかに離れた花、炭と羽根が糸の上で呼吸するような形。
どの作品も、形と形のあいだに余白を持たせながら構成されています。
ただ探すのではなく、
“出会う”ためのキュレーション。
▶ プロフィールリンクより
「Rhythm of Fragments」をご覧ください。
┈┈┈┈┈┈┈┈┈┈
𝐂𝐮𝐫𝐚𝐭𝐨𝐫’𝐬 𝐏𝐢𝐜𝐤
— This Week: 𝐑𝐡𝐲𝐭𝐡𝐦 𝐨𝐟 𝐅𝐫𝐚𝐠𝐦𝐞𝐧𝐭𝐬
Forms become space by coming together.
Silhouettes cut from their surroundings, lines and weights adrift in the air—each one a fragment, yet gathered together they produce a strange harmony.
Flowers floating on a field of blue, flowers where color and outline fall slightly apart, forms that seem to breathe on threads of charcoal and feather.
Each work is composed with space held between one form and the next.
→ Discover “Rhythm of Fragments” via the link in our profile.
— Curator’s Note —
Selected works:
• Dennis Lin — Untitled
• 大嶋 直哉 — Picture Arrangement / Poppy
• 大嶋 直哉 — Floating Garden
• ヤクモタロウ — The Rude Flower
• Dennis Lin — Untitled
Courtesy of:
四季彩舎｜SHIKISAISHA GALLERY
YUKIKOMIZUTANI
┈┈┈┈┈┈┈┈┈┈
#CuratorsPick
#ContemporaryArt
#AbstractArt
#JapaneseArt
#MixedMediaArt
今週の Curator’s Pick
— 断片のリズム
形は、集まることで空間になります。
切り取られた輪郭、宙に漂う線と重さ—それぞれは断片でありながら、寄り集まることで不思議な調和を生んでいます。
青い地に浮かぶ花、色と輪郭がわずかに離れた花、炭と羽根が糸の上で呼吸するような形。
どの作品も、形と形のあいだに余白を持たせながら構成されています。
ただ探すのではなく、
“出会う”ためのキュレーション。
▶ プロフィールリンクより
「Rhythm of Fragments」をご覧ください。
┈┈┈┈┈┈┈┈┈┈
𝐂𝐮𝐫𝐚𝐭𝐨𝐫’𝐬 𝐏𝐢𝐜𝐤
— This Week: 𝐑𝐡𝐲𝐭𝐡𝐦 𝐨𝐟 𝐅𝐫𝐚𝐠𝐦𝐞𝐧𝐭𝐬
Forms become space by coming together.
Silhouettes cut from their surroundings, lines and weights adrift in the air—each one a fragment, yet gathered together they produce a strange harmony.
Flowers floating on a field of blue, flowers where color and outline fall slightly apart, forms that seem to breathe on threads of charcoal and feather.
Each work is composed with space held between one form and the next.
→ Discover “Rhythm of Fragments” via the link in our profile.
— Curator’s Note —
Selected works:
• Dennis Lin — Untitled
• 大嶋 直哉 — Picture Arrangement / Poppy
• 大嶋 直哉 — Floating Garden
• ヤクモタロウ — The Rude Flower
• Dennis Lin — Untitled
Courtesy of:
四季彩舎｜SHIKISAISHA GALLERY
YUKIKOMIZUTANI
┈┈┈┈┈┈┈┈┈┈
#CuratorsPick
#ContemporaryArt
#AbstractArt
#JapaneseArt
#MixedMediaArt
今週の Curator’s Pick
— 断片のリズム
形は、集まることで空間になります。
切り取られた輪郭、宙に漂う線と重さ—それぞれは断片でありながら、寄り集まることで不思議な調和を生んでいます。
青い地に浮かぶ花、色と輪郭がわずかに離れた花、炭と羽根が糸の上で呼吸するような形。
どの作品も、形と形のあいだに余白を持たせながら構成されています。
ただ探すのではなく、
“出会う”ためのキュレーション。
▶ プロフィールリンクより
「Rhythm of Fragments」をご覧ください。
┈┈┈┈┈┈┈┈┈┈
𝐂𝐮𝐫𝐚𝐭𝐨𝐫’𝐬 𝐏𝐢𝐜𝐤
— This Week: 𝐑𝐡𝐲𝐭𝐡𝐦 𝐨𝐟 𝐅𝐫𝐚𝐠𝐦𝐞𝐧𝐭𝐬
Forms become space by coming together.
Silhouettes cut from their surroundings, lines and weights adrift in the air—each one a fragment, yet gathered together they produce a strange harmony.
Flowers floating on a field of blue, flowers where color and outline fall slightly apart, forms that seem to breathe on threads of charcoal and feather.
Each work is composed with space held between one form and the next.
→ Discover “Rhythm of Fragments” via the link in our profile.
— Curator’s Note —
Selected works:
• Dennis Lin — Untitled
• 大嶋 直哉 — Picture Arrangement / Poppy
• 大嶋 直哉 — Floating Garden
• ヤクモタロウ — The Rude Flower
• Dennis Lin — Untitled
Courtesy of:
四季彩舎｜SHIKISAISHA GALLERY
YUKIKOMIZUTANI
┈┈┈┈┈┈┈┈┈┈
#CuratorsPick
#ContemporaryArt
#AbstractArt
#JapaneseArt
#MixedMediaArt
The studio is looking for a highly capable fabrication assistant for part-time, in-person work. Seeking someone detail-oriented, technically skilled, self-directed, and confident working across a wide range of materials and fabrication processes.
Check the link in bio for more info and how to apply!
𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 2026
Fir beam, stone, Chinese silk
𝘞𝘢𝘪𝘵𝘪𝘯𝘨. 𝘚𝘵𝘪𝘭𝘭.
YUKIKOMIZUTANI
April 10th - May 15th.
𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 2026
Fir beam, stone, Chinese silk
𝘞𝘢𝘪𝘵𝘪𝘯𝘨. 𝘚𝘵𝘪𝘭𝘭.
YUKIKOMIZUTANI
April 10th - May 15th.
𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 2026
Fir beam, stone, Chinese silk
𝘞𝘢𝘪𝘵𝘪𝘯𝘨. 𝘚𝘵𝘪𝘭𝘭.
YUKIKOMIZUTANI
April 10th - May 15th.
𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 2026
Fir beam, stone, Chinese silk
𝘞𝘢𝘪𝘵𝘪𝘯𝘨. 𝘚𝘵𝘪𝘭𝘭.
YUKIKOMIZUTANI
April 10th - May 15th.
𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 2026
Salvaged paper, stone
𝘞𝘢𝘪𝘵𝘪𝘯𝘨. 𝘚𝘵𝘪𝘭𝘭.
YUKIKOMIZUTANI
April 10th - May 15th.
𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 2026
Salvaged paper, stone
𝘞𝘢𝘪𝘵𝘪𝘯𝘨. 𝘚𝘵𝘪𝘭𝘭.
YUKIKOMIZUTANI
April 10th - May 15th.
Through metal, stone, wood, incense, and found materials, Dennis Lin works with objects marked by time and transition. His pieces, ranging from suspended mobiles to large-scale reliefs, explore pattern, belonging, and the emotional resonance of place through techniques rooted in conservation and material nostalgia.
“This has always been in my vocabulary and nature: to look for opportunities whether it’s dumpster diving or actually creating relationships with manufacturers and suppliers to divert materials away from landfill”
Plot 6 welcomes Dennis Lin.
Through metal, stone, wood, incense, and found materials, Dennis Lin works with objects marked by time and transition. His pieces, ranging from suspended mobiles to large-scale reliefs, explore pattern, belonging, and the emotional resonance of place through techniques rooted in conservation and material nostalgia.
“This has always been in my vocabulary and nature: to look for opportunities whether it’s dumpster diving or actually creating relationships with manufacturers and suppliers to divert materials away from landfill”
Plot 6 welcomes Dennis Lin.
Through metal, stone, wood, incense, and found materials, Dennis Lin works with objects marked by time and transition. His pieces, ranging from suspended mobiles to large-scale reliefs, explore pattern, belonging, and the emotional resonance of place through techniques rooted in conservation and material nostalgia.
“This has always been in my vocabulary and nature: to look for opportunities whether it’s dumpster diving or actually creating relationships with manufacturers and suppliers to divert materials away from landfill”
Plot 6 welcomes Dennis Lin.
Through metal, stone, wood, incense, and found materials, Dennis Lin works with objects marked by time and transition. His pieces, ranging from suspended mobiles to large-scale reliefs, explore pattern, belonging, and the emotional resonance of place through techniques rooted in conservation and material nostalgia.
“This has always been in my vocabulary and nature: to look for opportunities whether it’s dumpster diving or actually creating relationships with manufacturers and suppliers to divert materials away from landfill”
Plot 6 welcomes Dennis Lin.
Through metal, stone, wood, incense, and found materials, Dennis Lin works with objects marked by time and transition. His pieces, ranging from suspended mobiles to large-scale reliefs, explore pattern, belonging, and the emotional resonance of place through techniques rooted in conservation and material nostalgia.
“This has always been in my vocabulary and nature: to look for opportunities whether it’s dumpster diving or actually creating relationships with manufacturers and suppliers to divert materials away from landfill”
Plot 6 welcomes Dennis Lin.
Through metal, stone, wood, incense, and found materials, Dennis Lin works with objects marked by time and transition. His pieces, ranging from suspended mobiles to large-scale reliefs, explore pattern, belonging, and the emotional resonance of place through techniques rooted in conservation and material nostalgia.
“This has always been in my vocabulary and nature: to look for opportunities whether it’s dumpster diving or actually creating relationships with manufacturers and suppliers to divert materials away from landfill”
Plot 6 welcomes Dennis Lin.
Through metal, stone, wood, incense, and found materials, Dennis Lin works with objects marked by time and transition. His pieces, ranging from suspended mobiles to large-scale reliefs, explore pattern, belonging, and the emotional resonance of place through techniques rooted in conservation and material nostalgia.
“This has always been in my vocabulary and nature: to look for opportunities whether it’s dumpster diving or actually creating relationships with manufacturers and suppliers to divert materials away from landfill”
Plot 6 welcomes Dennis Lin.
Through metal, stone, wood, incense, and found materials, Dennis Lin works with objects marked by time and transition. His pieces, ranging from suspended mobiles to large-scale reliefs, explore pattern, belonging, and the emotional resonance of place through techniques rooted in conservation and material nostalgia.
“This has always been in my vocabulary and nature: to look for opportunities whether it’s dumpster diving or actually creating relationships with manufacturers and suppliers to divert materials away from landfill”
Plot 6 welcomes Dennis Lin.
Through metal, stone, wood, incense, and found materials, Dennis Lin works with objects marked by time and transition. His pieces, ranging from suspended mobiles to large-scale reliefs, explore pattern, belonging, and the emotional resonance of place through techniques rooted in conservation and material nostalgia.
“This has always been in my vocabulary and nature: to look for opportunities whether it’s dumpster diving or actually creating relationships with manufacturers and suppliers to divert materials away from landfill”
Plot 6 welcomes Dennis Lin.
Through metal, stone, wood, incense, and found materials, Dennis Lin works with objects marked by time and transition. His pieces, ranging from suspended mobiles to large-scale reliefs, explore pattern, belonging, and the emotional resonance of place through techniques rooted in conservation and material nostalgia.
“This has always been in my vocabulary and nature: to look for opportunities whether it’s dumpster diving or actually creating relationships with manufacturers and suppliers to divert materials away from landfill”
Plot 6 welcomes Dennis Lin.
Through metal, stone, wood, incense, and found materials, Dennis Lin works with objects marked by time and transition. His pieces, ranging from suspended mobiles to large-scale reliefs, explore pattern, belonging, and the emotional resonance of place through techniques rooted in conservation and material nostalgia.
“This has always been in my vocabulary and nature: to look for opportunities whether it’s dumpster diving or actually creating relationships with manufacturers and suppliers to divert materials away from landfill”
Plot 6 welcomes Dennis Lin.
𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 2026
Charcoal (varying grits), glass, hardware
𝘞𝘢𝘪𝘵𝘪𝘯𝘨. 𝘚𝘵𝘪𝘭𝘭.
YUKIKOMIZUTANI
April 10th - May 15th.
Photo Credit: Nagare Satoshi
𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 2026
Charcoal, glass, hardware
𝘞𝘢𝘪𝘵𝘪𝘯𝘨. 𝘚𝘵𝘪𝘭𝘭.
YUKIKOMIZUTANI
April 10th - May 15th.
Photo Credit: Nagare Satoshi
𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 2026
Charcoal, glass, hardware
𝘞𝘢𝘪𝘵𝘪𝘯𝘨. 𝘚𝘵𝘪𝘭𝘭.
YUKIKOMIZUTANI
April 10th - May 15th.
Photo Credit: Nagare Satoshi
𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 2026
Charcoal, glass, hardware
𝘞𝘢𝘪𝘵𝘪𝘯𝘨. 𝘚𝘵𝘪𝘭𝘭.
YUKIKOMIZUTANI
April 10th - May 15th.
Photo Credit: Nagare Satoshi
𝘞𝘢𝘪𝘵𝘪𝘯𝘨. 𝘚𝘵𝘪𝘭𝘭.
YUKIKOMIZUTANI
April 10th - May 15th.
Photo Credit: Nagare Satoshi
𝘞𝘢𝘪𝘵𝘪𝘯𝘨. 𝘚𝘵𝘪𝘭𝘭.
YUKIKOMIZUTANI
April 10th - May 15th.
Photo Credit: Nagare Satoshi
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