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Our poster for Sunday’s Children + our selection letter because I forgot to add it to the selection announcement post, even though I asked my subletter to search around the apartment for it, take a photo and send it to me. Thanks Tristan!

Our premiere is scheduled for May 20th, 2.30pm at the Buñuel Theatre at @festivaldecannes.

SUNDAY’S CHILDREN

Written, Directed & Edited By: @urghreub

Starring: @maximilianisaacs & @bluhunt
Featuring: @kristiana.priscantelli, @lorentzen_christian, Jingle & Jangle

Produced By: @devawn, @saraboutorabi, @urghreub
Director of Photography: @mad.mel_

Sound Design: @david_doubtfire_sound
Colorist: @elieakoka
VFX Artist: @mykolashurin

Casting Director: @violettetrottercasting
Production Designer: @brian_goodwin
Gaffer: @jackpatterson
Assistant Director: @raha.amirfazli
Camera Assistants: @sir_j.matos, @roxymoskowitz_, @mari_isonline, @sophieseyd
Sound Mixer: Robin Zeijlon & @liyacht
Costume Designer: @saraboutorabi
Special Effects Make-Up: @taraatefi
Art Department: @ejrsoft, Jamie Kiernan O’Brien, @abdullahshahid, @sophiaabrams
VFX Supervisor: @mykolashurin
Intimacy Coordinator: @kristinavalentine.ic
Production Assistants: @olivia.sharp.diaz, Fernando Zapata, @jeremy_suh
ADR Recordists: @luxas.ac & @riel.lewis
Stills Photographer: @bedj

Worldwide sales by @lightsonfilm

Produced with financial support from the Black Family Prize & Clive Davis Award.

Our poster for Sunday’s Children + our selection letter because I forgot to add it to the selection announcement post, even though I asked my subletter to search around the apartment for it, take a photo and send it to me. Thanks Tristan!

Our premiere is scheduled for May 20th, 2.30pm at the Buñuel Theatre at @festivaldecannes.

SUNDAY’S CHILDREN

Written, Directed & Edited By: @urghreub

Starring: @maximilianisaacs & @bluhunt
Featuring: @kristiana.priscantelli, @lorentzen_christian, Jingle & Jangle

Produced By: @devawn, @saraboutorabi, @urghreub
Director of Photography: @mad.mel_

Sound Design: @david_doubtfire_sound
Colorist: @elieakoka
VFX Artist: @mykolashurin

Casting Director: @violettetrottercasting
Production Designer: @brian_goodwin
Gaffer: @jackpatterson
Assistant Director: @raha.amirfazli
Camera Assistants: @sir_j.matos, @roxymoskowitz_, @mari_isonline, @sophieseyd
Sound Mixer: Robin Zeijlon & @liyacht
Costume Designer: @saraboutorabi
Special Effects Make-Up: @taraatefi
Art Department: @ejrsoft, Jamie Kiernan O’Brien, @abdullahshahid, @sophiaabrams
VFX Supervisor: @mykolashurin
Intimacy Coordinator: @kristinavalentine.ic
Production Assistants: @olivia.sharp.diaz, Fernando Zapata, @jeremy_suh
ADR Recordists: @luxas.ac & @riel.lewis
Stills Photographer: @bedj

Worldwide sales by @lightsonfilm

Produced with financial support from the Black Family Prize & Clive Davis Award.

We shot @brother.shortfilm last October in one of the most stunning places on earth - Santa Fe, New Mexico and I’m very excited to finally share a sneak peek as we launch our campaign for our final completion funds.

Visit our website - BROTHERSHORTFILM.com to learn more about the film and see how you can support us. Spoiler alert - we’re selling merch.

We shot @brother.shortfilm last October in one of the most stunning places on earth - Santa Fe, New Mexico and I’m very excited to finally share a sneak peek as we launch our campaign for our final completion funds.

Visit our website - BROTHERSHORTFILM.com to learn more about the film and see how you can support us. Spoiler alert - we’re selling merch.

We shot @brother.shortfilm last October in one of the most stunning places on earth - Santa Fe, New Mexico and I’m very excited to finally share a sneak peek as we launch our campaign for our final completion funds.

Visit our website - BROTHERSHORTFILM.com to learn more about the film and see how you can support us. Spoiler alert - we’re selling merch.

We shot @brother.shortfilm last October in one of the most stunning places on earth - Santa Fe, New Mexico and I’m very excited to finally share a sneak peek as we launch our campaign for our final completion funds.

Visit our website - BROTHERSHORTFILM.com to learn more about the film and see how you can support us. Spoiler alert - we’re selling merch.

We shot @brother.shortfilm last October in one of the most stunning places on earth - Santa Fe, New Mexico and I’m very excited to finally share a sneak peek as we launch our campaign for our final completion funds.

Visit our website - BROTHERSHORTFILM.com to learn more about the film and see how you can support us. Spoiler alert - we’re selling merch.

We shot @brother.shortfilm last October in one of the most stunning places on earth - Santa Fe, New Mexico and I’m very excited to finally share a sneak peek as we launch our campaign for our final completion funds.

Visit our website - BROTHERSHORTFILM.com to learn more about the film and see how you can support us. Spoiler alert - we’re selling merch.

Apply at the link in bio.

Email whyismotherdead@gmail.com with any questions.

Further details:

Each collaborating filmmaker will be credited as director and be responsible for the production and first assembly of their section of the documentary, guided and supported by co-director Reuben Hamlyn and producer Devin Carey. A stipend will be provided to cover expenses.

This outlines the base concept for the project, but discussions with the co-directing filmmakers will take place to further develop the project.

The first assembly of their scene must be completed in Adobe Premiere Pro and delivered with all footage taken during production of the section. These sections will then be edited together by Reuben in consultation with the other co-directing filmmakers.

There is no guarantee that your section will be included in the final film, but any decision to omit a whole section will be discussed with the co-directing filmmakers.

Reuben Hamlyn Bio

Reuben Hamlyn is an Emmy & BIFA-nominated NYC-based writer/director & editor from London. His feature debut, ANOTHER BODY (2023) premiered at SXSW and was awarded the Special Jury Prize. Supported by Sundance’s Catalyst Lab, Impact Partners, and the International Documentary Association’s Enterprise Grant, the film released theatrically in the US (Utopia), UK (Modern Films, BBC Storyville), France, Germany (Arte/ZDF) and in other territories before receiving an Emmy nomination in ‘Best Directing-Documentary’ and two British Independent Film Award nominations. Reuben’s short fiction film, ROGER (2019), commissioned by the BFI and BBC Arts, aired on BBCFour, and won multiple awards. His most recent short, BITTER WEEDS (2024) was shortlisted for the student Academy Award. As an editor, his work has been selected to premiere at Venice and San Sebastian film festivals and been showcased at the Doha Film Institute’s QUMRA 2025.

Apply at the link in bio.

Email whyismotherdead@gmail.com with any questions.

Further details:

Each collaborating filmmaker will be credited as director and be responsible for the production and first assembly of their section of the documentary, guided and supported by co-director Reuben Hamlyn and producer Devin Carey. A stipend will be provided to cover expenses.

This outlines the base concept for the project, but discussions with the co-directing filmmakers will take place to further develop the project.

The first assembly of their scene must be completed in Adobe Premiere Pro and delivered with all footage taken during production of the section. These sections will then be edited together by Reuben in consultation with the other co-directing filmmakers.

There is no guarantee that your section will be included in the final film, but any decision to omit a whole section will be discussed with the co-directing filmmakers.

Reuben Hamlyn Bio

Reuben Hamlyn is an Emmy & BIFA-nominated NYC-based writer/director & editor from London. His feature debut, ANOTHER BODY (2023) premiered at SXSW and was awarded the Special Jury Prize. Supported by Sundance’s Catalyst Lab, Impact Partners, and the International Documentary Association’s Enterprise Grant, the film released theatrically in the US (Utopia), UK (Modern Films, BBC Storyville), France, Germany (Arte/ZDF) and in other territories before receiving an Emmy nomination in ‘Best Directing-Documentary’ and two British Independent Film Award nominations. Reuben’s short fiction film, ROGER (2019), commissioned by the BFI and BBC Arts, aired on BBCFour, and won multiple awards. His most recent short, BITTER WEEDS (2024) was shortlisted for the student Academy Award. As an editor, his work has been selected to premiere at Venice and San Sebastian film festivals and been showcased at the Doha Film Institute’s QUMRA 2025.

Apply at the link in bio.

Email whyismotherdead@gmail.com with any questions.

Further details:

Each collaborating filmmaker will be credited as director and be responsible for the production and first assembly of their section of the documentary, guided and supported by co-director Reuben Hamlyn and producer Devin Carey. A stipend will be provided to cover expenses.

This outlines the base concept for the project, but discussions with the co-directing filmmakers will take place to further develop the project.

The first assembly of their scene must be completed in Adobe Premiere Pro and delivered with all footage taken during production of the section. These sections will then be edited together by Reuben in consultation with the other co-directing filmmakers.

There is no guarantee that your section will be included in the final film, but any decision to omit a whole section will be discussed with the co-directing filmmakers.

Reuben Hamlyn Bio

Reuben Hamlyn is an Emmy & BIFA-nominated NYC-based writer/director & editor from London. His feature debut, ANOTHER BODY (2023) premiered at SXSW and was awarded the Special Jury Prize. Supported by Sundance’s Catalyst Lab, Impact Partners, and the International Documentary Association’s Enterprise Grant, the film released theatrically in the US (Utopia), UK (Modern Films, BBC Storyville), France, Germany (Arte/ZDF) and in other territories before receiving an Emmy nomination in ‘Best Directing-Documentary’ and two British Independent Film Award nominations. Reuben’s short fiction film, ROGER (2019), commissioned by the BFI and BBC Arts, aired on BBCFour, and won multiple awards. His most recent short, BITTER WEEDS (2024) was shortlisted for the student Academy Award. As an editor, his work has been selected to premiere at Venice and San Sebastian film festivals and been showcased at the Doha Film Institute’s QUMRA 2025.

Apply at the link in bio.

Email whyismotherdead@gmail.com with any questions.

Further details:

Each collaborating filmmaker will be credited as director and be responsible for the production and first assembly of their section of the documentary, guided and supported by co-director Reuben Hamlyn and producer Devin Carey. A stipend will be provided to cover expenses.

This outlines the base concept for the project, but discussions with the co-directing filmmakers will take place to further develop the project.

The first assembly of their scene must be completed in Adobe Premiere Pro and delivered with all footage taken during production of the section. These sections will then be edited together by Reuben in consultation with the other co-directing filmmakers.

There is no guarantee that your section will be included in the final film, but any decision to omit a whole section will be discussed with the co-directing filmmakers.

Reuben Hamlyn Bio

Reuben Hamlyn is an Emmy & BIFA-nominated NYC-based writer/director & editor from London. His feature debut, ANOTHER BODY (2023) premiered at SXSW and was awarded the Special Jury Prize. Supported by Sundance’s Catalyst Lab, Impact Partners, and the International Documentary Association’s Enterprise Grant, the film released theatrically in the US (Utopia), UK (Modern Films, BBC Storyville), France, Germany (Arte/ZDF) and in other territories before receiving an Emmy nomination in ‘Best Directing-Documentary’ and two British Independent Film Award nominations. Reuben’s short fiction film, ROGER (2019), commissioned by the BFI and BBC Arts, aired on BBCFour, and won multiple awards. His most recent short, BITTER WEEDS (2024) was shortlisted for the student Academy Award. As an editor, his work has been selected to premiere at Venice and San Sebastian film festivals and been showcased at the Doha Film Institute’s QUMRA 2025.

Apply at the link in bio.

Email whyismotherdead@gmail.com with any questions.

Further details:

Each collaborating filmmaker will be credited as director and be responsible for the production and first assembly of their section of the documentary, guided and supported by co-director Reuben Hamlyn and producer Devin Carey. A stipend will be provided to cover expenses.

This outlines the base concept for the project, but discussions with the co-directing filmmakers will take place to further develop the project.

The first assembly of their scene must be completed in Adobe Premiere Pro and delivered with all footage taken during production of the section. These sections will then be edited together by Reuben in consultation with the other co-directing filmmakers.

There is no guarantee that your section will be included in the final film, but any decision to omit a whole section will be discussed with the co-directing filmmakers.

Reuben Hamlyn Bio

Reuben Hamlyn is an Emmy & BIFA-nominated NYC-based writer/director & editor from London. His feature debut, ANOTHER BODY (2023) premiered at SXSW and was awarded the Special Jury Prize. Supported by Sundance’s Catalyst Lab, Impact Partners, and the International Documentary Association’s Enterprise Grant, the film released theatrically in the US (Utopia), UK (Modern Films, BBC Storyville), France, Germany (Arte/ZDF) and in other territories before receiving an Emmy nomination in ‘Best Directing-Documentary’ and two British Independent Film Award nominations. Reuben’s short fiction film, ROGER (2019), commissioned by the BFI and BBC Arts, aired on BBCFour, and won multiple awards. His most recent short, BITTER WEEDS (2024) was shortlisted for the student Academy Award. As an editor, his work has been selected to premiere at Venice and San Sebastian film festivals and been showcased at the Doha Film Institute’s QUMRA 2025.

Apply at the link in bio.

Email whyismotherdead@gmail.com with any questions.

Further details:

Each collaborating filmmaker will be credited as director and be responsible for the production and first assembly of their section of the documentary, guided and supported by co-director Reuben Hamlyn and producer Devin Carey. A stipend will be provided to cover expenses.

This outlines the base concept for the project, but discussions with the co-directing filmmakers will take place to further develop the project.

The first assembly of their scene must be completed in Adobe Premiere Pro and delivered with all footage taken during production of the section. These sections will then be edited together by Reuben in consultation with the other co-directing filmmakers.

There is no guarantee that your section will be included in the final film, but any decision to omit a whole section will be discussed with the co-directing filmmakers.

Reuben Hamlyn Bio

Reuben Hamlyn is an Emmy & BIFA-nominated NYC-based writer/director & editor from London. His feature debut, ANOTHER BODY (2023) premiered at SXSW and was awarded the Special Jury Prize. Supported by Sundance’s Catalyst Lab, Impact Partners, and the International Documentary Association’s Enterprise Grant, the film released theatrically in the US (Utopia), UK (Modern Films, BBC Storyville), France, Germany (Arte/ZDF) and in other territories before receiving an Emmy nomination in ‘Best Directing-Documentary’ and two British Independent Film Award nominations. Reuben’s short fiction film, ROGER (2019), commissioned by the BFI and BBC Arts, aired on BBCFour, and won multiple awards. His most recent short, BITTER WEEDS (2024) was shortlisted for the student Academy Award. As an editor, his work has been selected to premiere at Venice and San Sebastian film festivals and been showcased at the Doha Film Institute’s QUMRA 2025.

Apply at the link in bio.

Email whyismotherdead@gmail.com with any questions.

Further details:

Each collaborating filmmaker will be credited as director and be responsible for the production and first assembly of their section of the documentary, guided and supported by co-director Reuben Hamlyn and producer Devin Carey. A stipend will be provided to cover expenses.

This outlines the base concept for the project, but discussions with the co-directing filmmakers will take place to further develop the project.

The first assembly of their scene must be completed in Adobe Premiere Pro and delivered with all footage taken during production of the section. These sections will then be edited together by Reuben in consultation with the other co-directing filmmakers.

There is no guarantee that your section will be included in the final film, but any decision to omit a whole section will be discussed with the co-directing filmmakers.

Reuben Hamlyn Bio

Reuben Hamlyn is an Emmy & BIFA-nominated NYC-based writer/director & editor from London. His feature debut, ANOTHER BODY (2023) premiered at SXSW and was awarded the Special Jury Prize. Supported by Sundance’s Catalyst Lab, Impact Partners, and the International Documentary Association’s Enterprise Grant, the film released theatrically in the US (Utopia), UK (Modern Films, BBC Storyville), France, Germany (Arte/ZDF) and in other territories before receiving an Emmy nomination in ‘Best Directing-Documentary’ and two British Independent Film Award nominations. Reuben’s short fiction film, ROGER (2019), commissioned by the BFI and BBC Arts, aired on BBCFour, and won multiple awards. His most recent short, BITTER WEEDS (2024) was shortlisted for the student Academy Award. As an editor, his work has been selected to premiere at Venice and San Sebastian film festivals and been showcased at the Doha Film Institute’s QUMRA 2025.

Apply at the link in bio.

Email whyismotherdead@gmail.com with any questions.

Further details:

Each collaborating filmmaker will be credited as director and be responsible for the production and first assembly of their section of the documentary, guided and supported by co-director Reuben Hamlyn and producer Devin Carey. A stipend will be provided to cover expenses.

This outlines the base concept for the project, but discussions with the co-directing filmmakers will take place to further develop the project.

The first assembly of their scene must be completed in Adobe Premiere Pro and delivered with all footage taken during production of the section. These sections will then be edited together by Reuben in consultation with the other co-directing filmmakers.

There is no guarantee that your section will be included in the final film, but any decision to omit a whole section will be discussed with the co-directing filmmakers.

Reuben Hamlyn Bio

Reuben Hamlyn is an Emmy & BIFA-nominated NYC-based writer/director & editor from London. His feature debut, ANOTHER BODY (2023) premiered at SXSW and was awarded the Special Jury Prize. Supported by Sundance’s Catalyst Lab, Impact Partners, and the International Documentary Association’s Enterprise Grant, the film released theatrically in the US (Utopia), UK (Modern Films, BBC Storyville), France, Germany (Arte/ZDF) and in other territories before receiving an Emmy nomination in ‘Best Directing-Documentary’ and two British Independent Film Award nominations. Reuben’s short fiction film, ROGER (2019), commissioned by the BFI and BBC Arts, aired on BBCFour, and won multiple awards. His most recent short, BITTER WEEDS (2024) was shortlisted for the student Academy Award. As an editor, his work has been selected to premiere at Venice and San Sebastian film festivals and been showcased at the Doha Film Institute’s QUMRA 2025.

Apply at the link in bio.

Email whyismotherdead@gmail.com with any questions.

Further details:

Each collaborating filmmaker will be credited as director and be responsible for the production and first assembly of their section of the documentary, guided and supported by co-director Reuben Hamlyn and producer Devin Carey. A stipend will be provided to cover expenses.

This outlines the base concept for the project, but discussions with the co-directing filmmakers will take place to further develop the project.

The first assembly of their scene must be completed in Adobe Premiere Pro and delivered with all footage taken during production of the section. These sections will then be edited together by Reuben in consultation with the other co-directing filmmakers.

There is no guarantee that your section will be included in the final film, but any decision to omit a whole section will be discussed with the co-directing filmmakers.

Reuben Hamlyn Bio

Reuben Hamlyn is an Emmy & BIFA-nominated NYC-based writer/director & editor from London. His feature debut, ANOTHER BODY (2023) premiered at SXSW and was awarded the Special Jury Prize. Supported by Sundance’s Catalyst Lab, Impact Partners, and the International Documentary Association’s Enterprise Grant, the film released theatrically in the US (Utopia), UK (Modern Films, BBC Storyville), France, Germany (Arte/ZDF) and in other territories before receiving an Emmy nomination in ‘Best Directing-Documentary’ and two British Independent Film Award nominations. Reuben’s short fiction film, ROGER (2019), commissioned by the BFI and BBC Arts, aired on BBCFour, and won multiple awards. His most recent short, BITTER WEEDS (2024) was shortlisted for the student Academy Award. As an editor, his work has been selected to premiere at Venice and San Sebastian film festivals and been showcased at the Doha Film Institute’s QUMRA 2025.

Apply at the link in bio.

Email whyismotherdead@gmail.com with any questions.

Further details:

Each collaborating filmmaker will be credited as director and be responsible for the production and first assembly of their section of the documentary, guided and supported by co-director Reuben Hamlyn and producer Devin Carey. A stipend will be provided to cover expenses.

This outlines the base concept for the project, but discussions with the co-directing filmmakers will take place to further develop the project.

The first assembly of their scene must be completed in Adobe Premiere Pro and delivered with all footage taken during production of the section. These sections will then be edited together by Reuben in consultation with the other co-directing filmmakers.

There is no guarantee that your section will be included in the final film, but any decision to omit a whole section will be discussed with the co-directing filmmakers.

Reuben Hamlyn Bio

Reuben Hamlyn is an Emmy & BIFA-nominated NYC-based writer/director & editor from London. His feature debut, ANOTHER BODY (2023) premiered at SXSW and was awarded the Special Jury Prize. Supported by Sundance’s Catalyst Lab, Impact Partners, and the International Documentary Association’s Enterprise Grant, the film released theatrically in the US (Utopia), UK (Modern Films, BBC Storyville), France, Germany (Arte/ZDF) and in other territories before receiving an Emmy nomination in ‘Best Directing-Documentary’ and two British Independent Film Award nominations. Reuben’s short fiction film, ROGER (2019), commissioned by the BFI and BBC Arts, aired on BBCFour, and won multiple awards. His most recent short, BITTER WEEDS (2024) was shortlisted for the student Academy Award. As an editor, his work has been selected to premiere at Venice and San Sebastian film festivals and been showcased at the Doha Film Institute’s QUMRA 2025.

Apply at the link in bio.

Email whyismotherdead@gmail.com with any questions.

Further details:

Each collaborating filmmaker will be credited as director and be responsible for the production and first assembly of their section of the documentary, guided and supported by co-director Reuben Hamlyn and producer Devin Carey. A stipend will be provided to cover expenses.

This outlines the base concept for the project, but discussions with the co-directing filmmakers will take place to further develop the project.

The first assembly of their scene must be completed in Adobe Premiere Pro and delivered with all footage taken during production of the section. These sections will then be edited together by Reuben in consultation with the other co-directing filmmakers.

There is no guarantee that your section will be included in the final film, but any decision to omit a whole section will be discussed with the co-directing filmmakers.

Reuben Hamlyn Bio

Reuben Hamlyn is an Emmy & BIFA-nominated NYC-based writer/director & editor from London. His feature debut, ANOTHER BODY (2023) premiered at SXSW and was awarded the Special Jury Prize. Supported by Sundance’s Catalyst Lab, Impact Partners, and the International Documentary Association’s Enterprise Grant, the film released theatrically in the US (Utopia), UK (Modern Films, BBC Storyville), France, Germany (Arte/ZDF) and in other territories before receiving an Emmy nomination in ‘Best Directing-Documentary’ and two British Independent Film Award nominations. Reuben’s short fiction film, ROGER (2019), commissioned by the BFI and BBC Arts, aired on BBCFour, and won multiple awards. His most recent short, BITTER WEEDS (2024) was shortlisted for the student Academy Award. As an editor, his work has been selected to premiere at Venice and San Sebastian film festivals and been showcased at the Doha Film Institute’s QUMRA 2025.

✨𝗪𝗢𝗥𝗟𝗗 𝗣𝗥𝗘𝗠𝗜𝗘𝗥𝗘✨

The World Premiere of 𝗦𝗨𝗡𝗗𝗔𝗬’𝗦 𝗖𝗛𝗜𝗟𝗗𝗥𝗘𝗡 by @urghreub at La Cinef - @festivaldecannes 2026 is scheduled for today !

⏰ MAY 20 | 2:30 PM | SALLE BUÑUEL

Don’t miss it 😉

𝗦𝘁𝗮𝘆 𝗛𝘂𝗻𝗴𝗿𝘆 𝗙𝗼𝗿 𝗤𝘂𝗮𝗹𝗶𝘁𝘆 𝗖𝗶𝗻𝗲𝗺𝗮 💪
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#LightsOn #lightsonfilm #sundayschildrenfilm #cinemadedemain #LaCinef

And finally our trailer for SUNDAY’S CHILDREN.

Premiering at @festivaldecannes May 20th 2.30pm Salle Buñuel.

SUNDAY’S CHILDREN

Written, Directed & Edited By: @urghreub

Starring: @maximilianisaacs & @bluhunt
Featuring: @kristiana.priscantelli, @lorentzen_christian, Jingle & Jangle

Produced By: @devawn, @saraboutorabi, @urghreub
Director of Photography: @mad.mel_

Sound Design: @david_doubtfire_sound
Colorist: @elieakoka
VFX Artist: @mykolashurin

Casting Director: @violettetrottercasting
Production Designer: @brian_goodwin
Gaffer: @jackpatterson
Assistant Director: @raha.amirfazli
Camera Assistants: @sir_j.matos, @roxymoskowitz_, @mari_isonline, @sophieseyd
Sound Mixer: Robin Zeijlon & @liyacht
Costume Designer: @saraboutorabi
Special Effects Make-Up: @taraatefi
Art Department: @ejrsoft, Jamie Kiernan O’Brien, @abdullahshahid, @sophiaabrams
VFX Supervisor: @mykolashurin
Intimacy Coordinator: @kristinavalentine.ic
Production Assistants: @olivia.sharp.diaz, Fernando Zapata, @jeremy_suh
ADR Recordists: @luxas.ac & @riel.lewis
Stills Photographer: @bedj

Worldwide sales by @lightsonfilm

Produced with financial support from the Black Family Prize & Clive Davis Award.

Thank you to @britisharts & @bfi.network for supporting my attendance at Cannes.

Thank you to @cinemadedemain & @nyugradfilm

🎞 𝙎𝘾𝙍𝙀𝙀𝙉𝙄𝙉𝙂 𝙎𝘾𝙃𝙀𝘿𝙐𝙇𝙀 🎞

𝗦𝗨𝗡𝗗𝗔𝗬’𝗦 𝗖𝗛𝗜𝗟𝗗𝗥𝗘𝗡 by @urghreub
USA, 18’, 2026
𝘋𝘦𝘴𝘱𝘦𝘳𝘢𝘵𝘦 𝘵𝘰 𝘣𝘦𝘤𝘰𝘮𝘦 𝘢 𝘧𝘢𝘵𝘩𝘦𝘳, 𝘢 𝘮𝘢𝘯 𝘴𝘱𝘦𝘯𝘥𝘴 𝘢 𝘸𝘦𝘦𝘬𝘦𝘯𝘥 𝘧𝘢𝘭𝘭𝘪𝘯𝘨 𝘧𝘰𝘳 𝘢 𝘸𝘰𝘮𝘢𝘯 𝘸𝘩𝘰 𝘣𝘦𝘭𝘪𝘦𝘷𝘦𝘴 𝘎𝘰𝘥 𝘩𝘢𝘴 𝘸𝘢𝘳𝘯𝘦𝘥 𝘩𝘦𝘳 𝘯𝘦𝘷𝘦𝘳 𝘵𝘰 𝘩𝘢𝘷𝘦 𝘤𝘩𝘪𝘭𝘥𝘳𝘦𝘯.

🌎 𝗪𝗼𝗿𝗹𝗱 𝗣𝗿𝗲𝗺𝗶𝗲𝗿𝗲 at La Cinef - @festivaldecannes 2026

𝗦𝘁𝗮𝘆 𝗛𝘂𝗻𝗴𝗿𝘆 𝗙𝗼𝗿 𝗤𝘂𝗮𝗹𝗶𝘁𝘆 𝗖𝗶𝗻𝗲𝗺𝗮 💪
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#LightsOn #hungryforqualitycinema #sundayschildrenfilm #cinemadedemain #LaCinef

⚡️𝗟𝗜𝗡𝗘 𝗨𝗣 & 𝗪𝗢𝗥𝗟𝗗 𝗣𝗥𝗘𝗠𝗜𝗘𝗥𝗘 𝗔𝗡𝗡𝗢𝗨𝗡𝗖𝗘𝗠𝗘𝗡𝗧⚡️

#LightsOn is really happy to present a new #amazingfilm: 𝗦𝗨𝗡𝗗𝗔𝗬’𝗦 𝗖𝗛𝗜𝗟𝗗𝗥𝗘𝗡 by Reuben Hamlyn

𝗦𝘂𝗻𝗱𝗮𝘆’𝘀 𝗖𝗵𝗶𝗹𝗱𝗿𝗲𝗻 will have its World Premiere at La Cinef / @festivaldecannes 2026 ✨✨✨

⬇️ 𝗠𝗼𝗿𝗲 𝗜𝗻𝗳𝗼 ⬇️
𝗦𝗨𝗡𝗗𝗔𝗬’𝗦 𝗖𝗛𝗜𝗟𝗗𝗥𝗘𝗡 by Reuben Hamlyn
USA, 18’, 2026
𝘋𝘦𝘴𝘱𝘦𝘳𝘢𝘵𝘦 𝘵𝘰 𝘣𝘦𝘤𝘰𝘮𝘦 𝘢 𝘧𝘢𝘵𝘩𝘦𝘳, 𝘢 𝘮𝘢𝘯 𝘴𝘱𝘦𝘯𝘥𝘴 𝘢 𝘸𝘦𝘦𝘬𝘦𝘯𝘥 𝘧𝘢𝘭𝘭𝘪𝘯𝘨 𝘧𝘰𝘳 𝘢 𝘸𝘰𝘮𝘢𝘯 𝘸𝘩𝘰 𝘣𝘦𝘭𝘪𝘦𝘷𝘦𝘴 𝘎𝘰𝘥 𝘩𝘢𝘴 𝘸𝘢𝘳𝘯𝘦𝘥 𝘩𝘦𝘳 𝘯𝘦𝘷𝘦𝘳 𝘵𝘰 𝘩𝘢𝘷𝘦 𝘤𝘩𝘪𝘭𝘥𝘳𝘦𝘯.

𝗖𝗼𝗻𝗴𝗿𝗮𝘁𝘂𝗹𝗮𝘁𝗶𝗼𝗻𝘀 to Reuben and the whole Team 🎉 🎉 🎉

𝗦𝘁𝗮𝘆 𝗛𝘂𝗻𝗴𝗿𝘆 𝗙𝗼𝗿 𝗤𝘂𝗮𝗹𝗶𝘁𝘆 𝗖𝗶𝗻𝗲𝗺𝗮💪
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#sundayschildrenfilm #cinemadedemain #LaCinef

We’re going to freaking Cannes with SUNDAY’S CHILDREN. Beyond proud of director extraordinaire @urghreub and our phenomenal team.

I begged everyone I know in New York for a favor of some kind. You know who you are - and I love you with the entirety of my wicked heart!!!

Written, Directed & Edited By: @urghreub

Starring: @maximilianisaacs & @bluhunt
Featuring: @kristiana.priscantelli, @lorentzen_christian, Jingle & Jangle

Produced By: @devawn, @saraboutorabi 🙋🏽‍♀️, @urghreub
Director of Photography: @mad.mel_

Sound Design: @david_doubtfire_sound
Colorist: @elieakoka
Stills Photographer: @bedj

Casting Director: @violettetrottercasting
Production Designer: @brian_goodwin
Gaffer: @jackpatterson
Assistant Director: @raha.amirfazli
Camera Assistants: @sir_j.matos, @roxymoskowitz_, @mari_isonline, @sophieseyd
Sound Mixer: Robin Zebulon & @liyacht
Costume Designer: @Saraboutorabi 🙋🏽‍♀️
Special Effects Make-Up: @taraatefi
Art Department: @ejrsoft, Jamie Kiernan O’Brien, @abdullahshahid, @sophiaabrams
Intimacy Coordinator: @kristinavalentine.ic
Production Assistants: @olivia.sharp.diaz, Fernando Zapata, @jeremy_suh
ADR Recordists: @luxas.ac & @riel.lewis

We’re going to freaking Cannes with SUNDAY’S CHILDREN. Beyond proud of director extraordinaire @urghreub and our phenomenal team.

I begged everyone I know in New York for a favor of some kind. You know who you are - and I love you with the entirety of my wicked heart!!!

Written, Directed & Edited By: @urghreub

Starring: @maximilianisaacs & @bluhunt
Featuring: @kristiana.priscantelli, @lorentzen_christian, Jingle & Jangle

Produced By: @devawn, @saraboutorabi 🙋🏽‍♀️, @urghreub
Director of Photography: @mad.mel_

Sound Design: @david_doubtfire_sound
Colorist: @elieakoka
Stills Photographer: @bedj

Casting Director: @violettetrottercasting
Production Designer: @brian_goodwin
Gaffer: @jackpatterson
Assistant Director: @raha.amirfazli
Camera Assistants: @sir_j.matos, @roxymoskowitz_, @mari_isonline, @sophieseyd
Sound Mixer: Robin Zebulon & @liyacht
Costume Designer: @Saraboutorabi 🙋🏽‍♀️
Special Effects Make-Up: @taraatefi
Art Department: @ejrsoft, Jamie Kiernan O’Brien, @abdullahshahid, @sophiaabrams
Intimacy Coordinator: @kristinavalentine.ic
Production Assistants: @olivia.sharp.diaz, Fernando Zapata, @jeremy_suh
ADR Recordists: @luxas.ac & @riel.lewis

We’re going to freaking Cannes with SUNDAY’S CHILDREN. Beyond proud of director extraordinaire @urghreub and our phenomenal team.

I begged everyone I know in New York for a favor of some kind. You know who you are - and I love you with the entirety of my wicked heart!!!

Written, Directed & Edited By: @urghreub

Starring: @maximilianisaacs & @bluhunt
Featuring: @kristiana.priscantelli, @lorentzen_christian, Jingle & Jangle

Produced By: @devawn, @saraboutorabi 🙋🏽‍♀️, @urghreub
Director of Photography: @mad.mel_

Sound Design: @david_doubtfire_sound
Colorist: @elieakoka
Stills Photographer: @bedj

Casting Director: @violettetrottercasting
Production Designer: @brian_goodwin
Gaffer: @jackpatterson
Assistant Director: @raha.amirfazli
Camera Assistants: @sir_j.matos, @roxymoskowitz_, @mari_isonline, @sophieseyd
Sound Mixer: Robin Zebulon & @liyacht
Costume Designer: @Saraboutorabi 🙋🏽‍♀️
Special Effects Make-Up: @taraatefi
Art Department: @ejrsoft, Jamie Kiernan O’Brien, @abdullahshahid, @sophiaabrams
Intimacy Coordinator: @kristinavalentine.ic
Production Assistants: @olivia.sharp.diaz, Fernando Zapata, @jeremy_suh
ADR Recordists: @luxas.ac & @riel.lewis

We’re going to freaking Cannes with SUNDAY’S CHILDREN. Beyond proud of director extraordinaire @urghreub and our phenomenal team.

I begged everyone I know in New York for a favor of some kind. You know who you are - and I love you with the entirety of my wicked heart!!!

Written, Directed & Edited By: @urghreub

Starring: @maximilianisaacs & @bluhunt
Featuring: @kristiana.priscantelli, @lorentzen_christian, Jingle & Jangle

Produced By: @devawn, @saraboutorabi 🙋🏽‍♀️, @urghreub
Director of Photography: @mad.mel_

Sound Design: @david_doubtfire_sound
Colorist: @elieakoka
Stills Photographer: @bedj

Casting Director: @violettetrottercasting
Production Designer: @brian_goodwin
Gaffer: @jackpatterson
Assistant Director: @raha.amirfazli
Camera Assistants: @sir_j.matos, @roxymoskowitz_, @mari_isonline, @sophieseyd
Sound Mixer: Robin Zebulon & @liyacht
Costume Designer: @Saraboutorabi 🙋🏽‍♀️
Special Effects Make-Up: @taraatefi
Art Department: @ejrsoft, Jamie Kiernan O’Brien, @abdullahshahid, @sophiaabrams
Intimacy Coordinator: @kristinavalentine.ic
Production Assistants: @olivia.sharp.diaz, Fernando Zapata, @jeremy_suh
ADR Recordists: @luxas.ac & @riel.lewis

Simply over the moon to announce that Sunday’s Children will premiere at Cannes this May!!

We shot this film in the middle of a New York heat wave that ended with a torrential downpour almost stranding us in New Jersey over night. And I wouldn’t have had it any other way. Endlessly grateful to everyone who helped along the way 💫✨⭐️

Written, Directed & Edited By: @urghreub

Starring: @maximilianisaacs & @bluhunt
Featuring: @kristiana.priscantelli, @lorentzen_christian, Jingle & Jangle

Produced By: @devawn, @saraboutorabi, @urghreub
Director of Photography: @mad.mel_

Sound Design: @david_doubtfire_sound
Colorist: @elieakoka
Stills Photographer: @bedj

Casting Director: @violettetrottercasting
Production Designer: @brian_goodwin
Gaffer: @jackpatterson
Assistant Director: @raha.amirfazli
Camera Assistants: @sir_j.matos, @roxymoskowitz_, @mari_isonline, @sophieseyd
Sound Mixer: Robin Zebulon & @liyacht
Costume Designer: @saraboutorabi
Special Effects Make-Up: @taraatefi
Art Department: @ejrsoft, Jamie Kiernan O’Brien, @abdullahshahid, @sophiaabrams
Intimacy Coordinator: @kristinavalentine.ic
Production Assistants: @olivia.sharp.diaz, Fernando Zapata, @jeremy_suh
ADR Recordists: @luxas.ac & @riel.lewis

Thank you to @cinemadedemain

Simply over the moon to announce that Sunday’s Children will premiere at Cannes this May!!

We shot this film in the middle of a New York heat wave that ended with a torrential downpour almost stranding us in New Jersey over night. And I wouldn’t have had it any other way. Endlessly grateful to everyone who helped along the way 💫✨⭐️

Written, Directed & Edited By: @urghreub

Starring: @maximilianisaacs & @bluhunt
Featuring: @kristiana.priscantelli, @lorentzen_christian, Jingle & Jangle

Produced By: @devawn, @saraboutorabi, @urghreub
Director of Photography: @mad.mel_

Sound Design: @david_doubtfire_sound
Colorist: @elieakoka
Stills Photographer: @bedj

Casting Director: @violettetrottercasting
Production Designer: @brian_goodwin
Gaffer: @jackpatterson
Assistant Director: @raha.amirfazli
Camera Assistants: @sir_j.matos, @roxymoskowitz_, @mari_isonline, @sophieseyd
Sound Mixer: Robin Zebulon & @liyacht
Costume Designer: @saraboutorabi
Special Effects Make-Up: @taraatefi
Art Department: @ejrsoft, Jamie Kiernan O’Brien, @abdullahshahid, @sophiaabrams
Intimacy Coordinator: @kristinavalentine.ic
Production Assistants: @olivia.sharp.diaz, Fernando Zapata, @jeremy_suh
ADR Recordists: @luxas.ac & @riel.lewis

Thank you to @cinemadedemain

Simply over the moon to announce that Sunday’s Children will premiere at Cannes this May!!

We shot this film in the middle of a New York heat wave that ended with a torrential downpour almost stranding us in New Jersey over night. And I wouldn’t have had it any other way. Endlessly grateful to everyone who helped along the way 💫✨⭐️

Written, Directed & Edited By: @urghreub

Starring: @maximilianisaacs & @bluhunt
Featuring: @kristiana.priscantelli, @lorentzen_christian, Jingle & Jangle

Produced By: @devawn, @saraboutorabi, @urghreub
Director of Photography: @mad.mel_

Sound Design: @david_doubtfire_sound
Colorist: @elieakoka
Stills Photographer: @bedj

Casting Director: @violettetrottercasting
Production Designer: @brian_goodwin
Gaffer: @jackpatterson
Assistant Director: @raha.amirfazli
Camera Assistants: @sir_j.matos, @roxymoskowitz_, @mari_isonline, @sophieseyd
Sound Mixer: Robin Zebulon & @liyacht
Costume Designer: @saraboutorabi
Special Effects Make-Up: @taraatefi
Art Department: @ejrsoft, Jamie Kiernan O’Brien, @abdullahshahid, @sophiaabrams
Intimacy Coordinator: @kristinavalentine.ic
Production Assistants: @olivia.sharp.diaz, Fernando Zapata, @jeremy_suh
ADR Recordists: @luxas.ac & @riel.lewis

Thank you to @cinemadedemain

Simply over the moon to announce that Sunday’s Children will premiere at Cannes this May!!

We shot this film in the middle of a New York heat wave that ended with a torrential downpour almost stranding us in New Jersey over night. And I wouldn’t have had it any other way. Endlessly grateful to everyone who helped along the way 💫✨⭐️

Written, Directed & Edited By: @urghreub

Starring: @maximilianisaacs & @bluhunt
Featuring: @kristiana.priscantelli, @lorentzen_christian, Jingle & Jangle

Produced By: @devawn, @saraboutorabi, @urghreub
Director of Photography: @mad.mel_

Sound Design: @david_doubtfire_sound
Colorist: @elieakoka
Stills Photographer: @bedj

Casting Director: @violettetrottercasting
Production Designer: @brian_goodwin
Gaffer: @jackpatterson
Assistant Director: @raha.amirfazli
Camera Assistants: @sir_j.matos, @roxymoskowitz_, @mari_isonline, @sophieseyd
Sound Mixer: Robin Zebulon & @liyacht
Costume Designer: @saraboutorabi
Special Effects Make-Up: @taraatefi
Art Department: @ejrsoft, Jamie Kiernan O’Brien, @abdullahshahid, @sophiaabrams
Intimacy Coordinator: @kristinavalentine.ic
Production Assistants: @olivia.sharp.diaz, Fernando Zapata, @jeremy_suh
ADR Recordists: @luxas.ac & @riel.lewis

Thank you to @cinemadedemain

Simply over the moon to announce that Sunday’s Children will premiere at Cannes this May!!

We shot this film in the middle of a New York heat wave that ended with a torrential downpour almost stranding us in New Jersey over night. And I wouldn’t have had it any other way. Endlessly grateful to everyone who helped along the way 💫✨⭐️

Written, Directed & Edited By: @urghreub

Starring: @maximilianisaacs & @bluhunt
Featuring: @kristiana.priscantelli, @lorentzen_christian, Jingle & Jangle

Produced By: @devawn, @saraboutorabi, @urghreub
Director of Photography: @mad.mel_

Sound Design: @david_doubtfire_sound
Colorist: @elieakoka
Stills Photographer: @bedj

Casting Director: @violettetrottercasting
Production Designer: @brian_goodwin
Gaffer: @jackpatterson
Assistant Director: @raha.amirfazli
Camera Assistants: @sir_j.matos, @roxymoskowitz_, @mari_isonline, @sophieseyd
Sound Mixer: Robin Zebulon & @liyacht
Costume Designer: @saraboutorabi
Special Effects Make-Up: @taraatefi
Art Department: @ejrsoft, Jamie Kiernan O’Brien, @abdullahshahid, @sophiaabrams
Intimacy Coordinator: @kristinavalentine.ic
Production Assistants: @olivia.sharp.diaz, Fernando Zapata, @jeremy_suh
ADR Recordists: @luxas.ac & @riel.lewis

Thank you to @cinemadedemain

Simply over the moon to announce that Sunday’s Children will premiere at Cannes this May!!

We shot this film in the middle of a New York heat wave that ended with a torrential downpour almost stranding us in New Jersey over night. And I wouldn’t have had it any other way. Endlessly grateful to everyone who helped along the way 💫✨⭐️

Written, Directed & Edited By: @urghreub

Starring: @maximilianisaacs & @bluhunt
Featuring: @kristiana.priscantelli, @lorentzen_christian, Jingle & Jangle

Produced By: @devawn, @saraboutorabi, @urghreub
Director of Photography: @mad.mel_

Sound Design: @david_doubtfire_sound
Colorist: @elieakoka
Stills Photographer: @bedj

Casting Director: @violettetrottercasting
Production Designer: @brian_goodwin
Gaffer: @jackpatterson
Assistant Director: @raha.amirfazli
Camera Assistants: @sir_j.matos, @roxymoskowitz_, @mari_isonline, @sophieseyd
Sound Mixer: Robin Zebulon & @liyacht
Costume Designer: @saraboutorabi
Special Effects Make-Up: @taraatefi
Art Department: @ejrsoft, Jamie Kiernan O’Brien, @abdullahshahid, @sophiaabrams
Intimacy Coordinator: @kristinavalentine.ic
Production Assistants: @olivia.sharp.diaz, Fernando Zapata, @jeremy_suh
ADR Recordists: @luxas.ac & @riel.lewis

Thank you to @cinemadedemain

Simply over the moon to announce that Sunday’s Children will premiere at Cannes this May!!

We shot this film in the middle of a New York heat wave that ended with a torrential downpour almost stranding us in New Jersey over night. And I wouldn’t have had it any other way. Endlessly grateful to everyone who helped along the way 💫✨⭐️

Written, Directed & Edited By: @urghreub

Starring: @maximilianisaacs & @bluhunt
Featuring: @kristiana.priscantelli, @lorentzen_christian, Jingle & Jangle

Produced By: @devawn, @saraboutorabi, @urghreub
Director of Photography: @mad.mel_

Sound Design: @david_doubtfire_sound
Colorist: @elieakoka
Stills Photographer: @bedj

Casting Director: @violettetrottercasting
Production Designer: @brian_goodwin
Gaffer: @jackpatterson
Assistant Director: @raha.amirfazli
Camera Assistants: @sir_j.matos, @roxymoskowitz_, @mari_isonline, @sophieseyd
Sound Mixer: Robin Zebulon & @liyacht
Costume Designer: @saraboutorabi
Special Effects Make-Up: @taraatefi
Art Department: @ejrsoft, Jamie Kiernan O’Brien, @abdullahshahid, @sophiaabrams
Intimacy Coordinator: @kristinavalentine.ic
Production Assistants: @olivia.sharp.diaz, Fernando Zapata, @jeremy_suh
ADR Recordists: @luxas.ac & @riel.lewis

Thank you to @cinemadedemain

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

@brother.shortfilm 💛🦕

One of my favourite shoot days at @nyugradfilm and an ⭐️ all time career highlight ⭐️ was shooting with a NM Barn Owl on @brother.shortfilm which Nichole McMinn procured from @santaferaptorcenter who care so deeply for their birds. 💛

We scouted Plaza Blanca with writer-director Cassidy Batiz, and Cinematographer Gianna Badiali to line up the ideal shot for the film’s climax which features Leche (milk in Italiano) our owl star! 🌟🦉

I also found some Citrine in the WILD which felt poetic on what was going to be my last film shoot of my MFA. 💛✨

We’re now raising funds to bring Brother to completion, it’s been such a journey for our mighty team so far, with help from so many along the way, including the Santa Fe Raptor Center and the Dar al Islam retreat center at the incredible geological site, Plaza Blanca, both of which generously donated their site, expertise and services to the project!🦉✨

Every contribution of any size helps immensely so if you’re able to donate any amount, we would so greatly appreciate it! 💛🦕

Check out our cutie perks 🧢! ✨🎬
See the 🔗 in bio: www.brothershortfilm.com

Summer so far

Summer so far

Summer so far

Summer so far

Summer so far

Summer so far

Summer so far

Summer so far

Summer so far

Perfect year. No notes.

Perfect year. No notes.

Perfect year. No notes.

Perfect year. No notes.

Perfect year. No notes.

Perfect year. No notes.

Perfect year. No notes.

Perfect year. No notes.

Perfect year. No notes.

Perfect year. No notes.