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A @coldarchive_agency Production: “When Anti Isn’t Really Anti” Editorial
Growing up, we all aspire to be what inspires us. For kids on the street, that influential identity is often the Roadman. It’s cool to see other kids doing whatever they want, saying whatever they want to say, and taking whatever they want to take. There’s a certain appeal for all of us to really not care much, especially while we’re young.
Even though a Roadman may do whatever they want and act as big as they can, when challenged with an act of kindness, it becomes immoral if ignored. Even these groups find themselves helping those in need. It’s an interesting concept and a factual behavior from all of us, no matter who we are and how different we may look on the outside. There isn’t much that separates us when it comes to helping those truly in need. This project is primarily focused on real-life events of the phenomenon that’s rare but real.
Photography by @lewisjamesuntitled
Creative Direction By @lewisjamesuntitled
Production By @purpleqin
Models Involved: @lukebenjamin_uk @fredum_94 @post_birth_archive
A @coldarchive_agency Production: “When Anti Isn’t Really Anti” Editorial
Growing up, we all aspire to be what inspires us. For kids on the street, that influential identity is often the Roadman. It’s cool to see other kids doing whatever they want, saying whatever they want to say, and taking whatever they want to take. There’s a certain appeal for all of us to really not care much, especially while we’re young.
Even though a Roadman may do whatever they want and act as big as they can, when challenged with an act of kindness, it becomes immoral if ignored. Even these groups find themselves helping those in need. It’s an interesting concept and a factual behavior from all of us, no matter who we are and how different we may look on the outside. There isn’t much that separates us when it comes to helping those truly in need. This project is primarily focused on real-life events of the phenomenon that’s rare but real.
Photography by @lewisjamesuntitled
Creative Direction By @lewisjamesuntitled
Production By @purpleqin
Models Involved: @lukebenjamin_uk @fredum_94 @post_birth_archive
A @coldarchive_agency Production: “When Anti Isn’t Really Anti” Editorial
Growing up, we all aspire to be what inspires us. For kids on the street, that influential identity is often the Roadman. It’s cool to see other kids doing whatever they want, saying whatever they want to say, and taking whatever they want to take. There’s a certain appeal for all of us to really not care much, especially while we’re young.
Even though a Roadman may do whatever they want and act as big as they can, when challenged with an act of kindness, it becomes immoral if ignored. Even these groups find themselves helping those in need. It’s an interesting concept and a factual behavior from all of us, no matter who we are and how different we may look on the outside. There isn’t much that separates us when it comes to helping those truly in need. This project is primarily focused on real-life events of the phenomenon that’s rare but real.
Photography by @lewisjamesuntitled
Creative Direction By @lewisjamesuntitled
Production By @purpleqin
Models Involved: @lukebenjamin_uk @fredum_94 @post_birth_archive
A @coldarchive_agency Production: “When Anti Isn’t Really Anti” Editorial
Growing up, we all aspire to be what inspires us. For kids on the street, that influential identity is often the Roadman. It’s cool to see other kids doing whatever they want, saying whatever they want to say, and taking whatever they want to take. There’s a certain appeal for all of us to really not care much, especially while we’re young.
Even though a Roadman may do whatever they want and act as big as they can, when challenged with an act of kindness, it becomes immoral if ignored. Even these groups find themselves helping those in need. It’s an interesting concept and a factual behavior from all of us, no matter who we are and how different we may look on the outside. There isn’t much that separates us when it comes to helping those truly in need. This project is primarily focused on real-life events of the phenomenon that’s rare but real.
Photography by @lewisjamesuntitled
Creative Direction By @lewisjamesuntitled
Production By @purpleqin
Models Involved: @lukebenjamin_uk @fredum_94 @post_birth_archive
BADDIES ON THE RUN: A @coldarchive_agency Editorial
A project that emphasises on the growing trend of baddie culture and girls not giving a damn a doing exactly how they please which as we whole was very much different many years ago
Huge Thanks and appreciation to all the CA Team:
@lewisjamesuntitled
@purpleqin
@vladakrukovskaua
@fredum_94
@gully_threads
@sashaareyouok
@don_tanita
BADDIES ON THE RUN: A @coldarchive_agency Editorial
A project that emphasises on the growing trend of baddie culture and girls not giving a damn a doing exactly how they please which as we whole was very much different many years ago
Huge Thanks and appreciation to all the CA Team:
@lewisjamesuntitled
@purpleqin
@vladakrukovskaua
@fredum_94
@gully_threads
@sashaareyouok
@don_tanita
BADDIES ON THE RUN: A @coldarchive_agency Editorial
A project that emphasises on the growing trend of baddie culture and girls not giving a damn a doing exactly how they please which as we whole was very much different many years ago
Huge Thanks and appreciation to all the CA Team:
@lewisjamesuntitled
@purpleqin
@vladakrukovskaua
@fredum_94
@gully_threads
@sashaareyouok
@don_tanita
BADDIES ON THE RUN: A @coldarchive_agency Editorial
A project that emphasises on the growing trend of baddie culture and girls not giving a damn a doing exactly how they please which as we whole was very much different many years ago
Huge Thanks and appreciation to all the CA Team:
@lewisjamesuntitled
@purpleqin
@vladakrukovskaua
@fredum_94
@gully_threads
@sashaareyouok
@don_tanita
BADDIES ON THE RUN: A @coldarchive_agency Editorial
A project that emphasises on the growing trend of baddie culture and girls not giving a damn a doing exactly how they please which as we whole was very much different many years ago
Huge Thanks and appreciation to all the CA Team:
@lewisjamesuntitled
@purpleqin
@vladakrukovskaua
@fredum_94
@gully_threads
@sashaareyouok
@don_tanita
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Born in 1998 on the outskirts of a post-communist city in Poland, he grew up around communities shaped by their own rules and value systems. He managed to stay out of most trouble thanks to his grandfather — a sailor who became his earliest and strongest influence. Growing up around a tattooed figure naturally led him toward tattooing at a time when it was still far from conventional.
Before committing fully to tattooing, he worked in a lathe shop and saved for his first professional tattoo machine setup. Tattooing from his family home later helped finance his studies in Graphic Communication Design. After graduating, he continued tattooing while largely bypassing the commercial tattoo boom in Poland. Regular travel to the United States to visit his American family also played an important role in shaping his perspective, exposing him to different tattoo scenes and cultural influences.
His work combines design thinking and a mix of raw and harsh reality inspirations with classic tattooing, using modern techniques and digital tools that add a contemporary edge. Sebastian’s @onlineipray developed as a platform where tattooing, design, and cultural influences intersect.
Cold Original Vol1
A little more of an upcoming @coldarchive_agency editorial that’s focused on really cool products from the past that has no content around them
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Fresh From The Archives
Our apologies for the inactivity of late. We’ve been figuring the best course of action to Instagrams latest update minimising curated pages and understanding what is original content.
For now we will continue under the impression of rare content with title on the image (unfortunately) should be classed as original content but let’s see as we still figuring it out
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
Emergin slavic lowlife trailer park upstate with chicano racing decals and exploring cultures w/ @onlineipray
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
“How to Stay Original?” - A visual editorial for @adidasoriginals China by @coldarchive_agency
The algorithm's all-seeing eye and your explore page are inescapable. In London, it’s to the point that there is a litany of articles, commentary, and meme pages documenting the homogeneity of its neighborhoods.
Cold Archive recently caught up with Gabi, JJ and Bruce, three Chinese creatives based in London, to see how they're bringing a distinctly Chinese sensibility to a global stage while resisting the flattening sameness they landed in.
We found in Gabriel’s and JJ’s work a novel approach that reframes originality as tracing the nodes of culture, thought, and creativity. It’s not about rejecting algorithms but moving in ways that spark originality, rather than reducing life to a language of signs. In Gabriel’s work, we see his grandmother in Chengdu, slow atmospheric footage where time, space, and subject melt into universality. JJ’s radio show, Asian Pepper, a Chinese perspective on global music, is similar in its approach. There is no fixed entry point, no instructions; instead, a distinct meaning emerges through the very act of listening.
The principles of their work also appear in their personal style. In a self-aware nod, they prefer adidas Originals. The SL 72 Pro, adizero Goukana, and F50 Megaride are all personal favorites.
Each shoe comes with an ever-evolving open-ended history. All of them have undergone years of reapplication and development to arrive where they are today. The SL 72 Pro is 50 years of design, worn without footnotes. The Goukana migrated from sprint track to LA bike culture before landing in London. The F50 was a football cleat that Yohji Yamamoto saw a second life in before most people did.
The whole point of originality these days isn’t a clean break from the current order, but re-evaluating, referencing, and seeing something totally new.
That’s how you stay original.
Director: @lewisjamesuntitled
Photographer: @hugo.dejonge
Production & Casting: @purpleqin
Stylist: @inside.tag
Gaffer: @j_gloser
Hair: @seminpvrk
Talent: @jeremiah_jim @gabrielchen_ @pinkremington870
Post production : @ruhvl @hikon.wav @frvrzz
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Enter Yuki’s World w/ @byuki_ttt
Yuki is a freehand tattoo artist, creating organic, ornamental, and gothic designs that flow with the body. Each piece is drawn directly onto the skin—an intuitive collaboration, shaped together with every client.
With Japanese and Indonesian roots and now based in London, her work reflects a meeting of cultures. Inspired by Asian art and Catholic imagery, her designs exist where East meets West—where contrast becomes harmony. Raised between Buddhism on her mother’s side and Catholicism on her father’s, she grew up surrounded by temples and churches, their symbolism quietly shaping her artistic language.
Yuki has been drawing since she was five, but tattooing was something she had to choose for herself. Though her family once opposed it, she followed the pull anyway at seventeen. What began as rebellion became purpose—and, over time, acceptance.
Coming Together Editorial By @coldarchive_agency
This project is an ongoing series that delves into the everyday activities of young individuals expressing themselves.
Thank you for to everyone involved:
@lewisjamesuntitled
@frvrzz
@purpleqin
@undrgrnd_noise
@extendedboundaries
@jonahhammond
@fredum_94
@gully_threads
@josephgleasure
@samutaro
More to come!!
Coming Together Editorial By @coldarchive_agency
This project is an ongoing series that delves into the everyday activities of young individuals expressing themselves.
Thank you for to everyone involved:
@lewisjamesuntitled
@frvrzz
@purpleqin
@undrgrnd_noise
@extendedboundaries
@jonahhammond
@fredum_94
@gully_threads
@josephgleasure
@samutaro
More to come!!
Coming Together Editorial By @coldarchive_agency
This project is an ongoing series that delves into the everyday activities of young individuals expressing themselves.
Thank you for to everyone involved:
@lewisjamesuntitled
@frvrzz
@purpleqin
@undrgrnd_noise
@extendedboundaries
@jonahhammond
@fredum_94
@gully_threads
@josephgleasure
@samutaro
More to come!!
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