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cmptrstdnts
Computer Students™
Audio Documentation
Chevreuil mark their long-awaited return today with the release of Stadium, a bold new double album arriving after a 20-year hiatus.
I. Stadium
II. Chevreuil
III. Sicut superius, sic inferius; sicut inferius, sic superius
IV. Sola dosis facit venenum
V. Et sic in infinitum
VI. Flectere si nequeo superos, Acheronta movebo
VII. Visita interiorae terrae rectificando invenies occultum lapidem
VIII. Visibilia ex invisibilibus
IX. Operis processio multum naturae placet.
X. Chevreuil
Chevreuil mark their long-awaited return today with the release of Stadium, a bold new double album arriving after a 20-year hiatus.
I. Stadium
II. Chevreuil
III. Sicut superius, sic inferius; sicut inferius, sic superius
IV. Sola dosis facit venenum
V. Et sic in infinitum
VI. Flectere si nequeo superos, Acheronta movebo
VII. Visita interiorae terrae rectificando invenies occultum lapidem
VIII. Visibilia ex invisibilibus
IX. Operis processio multum naturae placet.
X. Chevreuil
Chevreuil mark their long-awaited return today with the release of Stadium, a bold new double album arriving after a 20-year hiatus.
I. Stadium
II. Chevreuil
III. Sicut superius, sic inferius; sicut inferius, sic superius
IV. Sola dosis facit venenum
V. Et sic in infinitum
VI. Flectere si nequeo superos, Acheronta movebo
VII. Visita interiorae terrae rectificando invenies occultum lapidem
VIII. Visibilia ex invisibilibus
IX. Operis processio multum naturae placet.
X. Chevreuil
Chevreuil mark their long-awaited return today with the release of Stadium, a bold new double album arriving after a 20-year hiatus.
I. Stadium
II. Chevreuil
III. Sicut superius, sic inferius; sicut inferius, sic superius
IV. Sola dosis facit venenum
V. Et sic in infinitum
VI. Flectere si nequeo superos, Acheronta movebo
VII. Visita interiorae terrae rectificando invenies occultum lapidem
VIII. Visibilia ex invisibilibus
IX. Operis processio multum naturae placet.
X. Chevreuil
Chevreuil mark their long-awaited return today with the release of Stadium, a bold new double album arriving after a 20-year hiatus.
I. Stadium
II. Chevreuil
III. Sicut superius, sic inferius; sicut inferius, sic superius
IV. Sola dosis facit venenum
V. Et sic in infinitum
VI. Flectere si nequeo superos, Acheronta movebo
VII. Visita interiorae terrae rectificando invenies occultum lapidem
VIII. Visibilia ex invisibilibus
IX. Operis processio multum naturae placet.
X. Chevreuil
Chevreuil mark their long-awaited return today with the release of Stadium, a bold new double album arriving after a 20-year hiatus.
I. Stadium
II. Chevreuil
III. Sicut superius, sic inferius; sicut inferius, sic superius
IV. Sola dosis facit venenum
V. Et sic in infinitum
VI. Flectere si nequeo superos, Acheronta movebo
VII. Visita interiorae terrae rectificando invenies occultum lapidem
VIII. Visibilia ex invisibilibus
IX. Operis processio multum naturae placet.
X. Chevreuil
Chevreuil mark their long-awaited return today with the release of Stadium, a bold new double album arriving after a 20-year hiatus.
I. Stadium
II. Chevreuil
III. Sicut superius, sic inferius; sicut inferius, sic superius
IV. Sola dosis facit venenum
V. Et sic in infinitum
VI. Flectere si nequeo superos, Acheronta movebo
VII. Visita interiorae terrae rectificando invenies occultum lapidem
VIII. Visibilia ex invisibilibus
IX. Operis processio multum naturae placet.
X. Chevreuil
Chevreuil mark their long-awaited return today with the release of Stadium, a bold new double album arriving after a 20-year hiatus.
I. Stadium
II. Chevreuil
III. Sicut superius, sic inferius; sicut inferius, sic superius
IV. Sola dosis facit venenum
V. Et sic in infinitum
VI. Flectere si nequeo superos, Acheronta movebo
VII. Visita interiorae terrae rectificando invenies occultum lapidem
VIII. Visibilia ex invisibilibus
IX. Operis processio multum naturae placet.
X. Chevreuil
Chevreuil mark their long-awaited return today with the release of Stadium, a bold new double album arriving after a 20-year hiatus.
I. Stadium
II. Chevreuil
III. Sicut superius, sic inferius; sicut inferius, sic superius
IV. Sola dosis facit venenum
V. Et sic in infinitum
VI. Flectere si nequeo superos, Acheronta movebo
VII. Visita interiorae terrae rectificando invenies occultum lapidem
VIII. Visibilia ex invisibilibus
IX. Operis processio multum naturae placet.
X. Chevreuil
Chevreuil mark their long-awaited return today with the release of Stadium, a bold new double album arriving after a 20-year hiatus.
I. Stadium
II. Chevreuil
III. Sicut superius, sic inferius; sicut inferius, sic superius
IV. Sola dosis facit venenum
V. Et sic in infinitum
VI. Flectere si nequeo superos, Acheronta movebo
VII. Visita interiorae terrae rectificando invenies occultum lapidem
VIII. Visibilia ex invisibilibus
IX. Operis processio multum naturae placet.
X. Chevreuil
Chevreuil release “Ordrus,” third single from their comeback double album Stadium to be released on April 24, 2026. After a 20-year hiatus, the band re-emerged on February 18, 2026 with “Tartarus,” the first glimpse of Stadium, followed by “Plexus” on March 11. Now, “Ordrus” arrives as a compact yet intense piece—driven by heavy, martial drums that give way to swirling, fragmented guitar textures. Operating both as a standalone interlude and a connective passage, the track acts as a brief, haiku-like moment that channels the album’s ongoing movement and transformation. [Preorder Stadium via the link in bio.]
Chevreuil release “Ordrus,” third single from their comeback double album Stadium to be released on April 24, 2026. After a 20-year hiatus, the band re-emerged on February 18, 2026 with “Tartarus,” the first glimpse of Stadium, followed by “Plexus” on March 11. Now, “Ordrus” arrives as a compact yet intense piece—driven by heavy, martial drums that give way to swirling, fragmented guitar textures. Operating both as a standalone interlude and a connective passage, the track acts as a brief, haiku-like moment that channels the album’s ongoing movement and transformation. [Preorder Stadium via the link in bio.]
Chevreuil release “Ordrus,” third single from their comeback double album Stadium to be released on April 24, 2026. After a 20-year hiatus, the band re-emerged on February 18, 2026 with “Tartarus,” the first glimpse of Stadium, followed by “Plexus” on March 11. Now, “Ordrus” arrives as a compact yet intense piece—driven by heavy, martial drums that give way to swirling, fragmented guitar textures. Operating both as a standalone interlude and a connective passage, the track acts as a brief, haiku-like moment that channels the album’s ongoing movement and transformation. [Preorder Stadium via the link in bio.]
Chevreuil release “Ordrus,” third single from their comeback double album Stadium to be released on April 24, 2026. After a 20-year hiatus, the band re-emerged on February 18, 2026 with “Tartarus,” the first glimpse of Stadium, followed by “Plexus” on March 11. Now, “Ordrus” arrives as a compact yet intense piece—driven by heavy, martial drums that give way to swirling, fragmented guitar textures. Operating both as a standalone interlude and a connective passage, the track acts as a brief, haiku-like moment that channels the album’s ongoing movement and transformation. [Preorder Stadium via the link in bio.]
Chevreuil release “Plexus,” second single from their upcoming double album Stadium to be released on April 24, 2026.
Following a two-decade break, Chevreuil made their comeback on February 18, 2026, with “Tartarus,” the lead single from Stadium.
Today, the duo unveil “Plexus,” a single that adopts a heavier, minimalistic rock architecture that expands upon the innovations introduced in the previous track. The guitar — reconfigured and operating as a hybrid electro-acoustic engine capable of electronic timbres — underscores Chevreuil’s metamorphosis into a new kind of sonic organism. Guided by precise, minimalist drumming, the direct and powerful track highlights the rock-driven side of an album that is otherwise remarkably diverse.
[To preorder Stadium, check out our links in bio]
Chevreuil release “Plexus,” second single from their upcoming double album Stadium to be released on April 24, 2026.
Following a two-decade break, Chevreuil made their comeback on February 18, 2026, with “Tartarus,” the lead single from Stadium.
Today, the duo unveil “Plexus,” a single that adopts a heavier, minimalistic rock architecture that expands upon the innovations introduced in the previous track. The guitar — reconfigured and operating as a hybrid electro-acoustic engine capable of electronic timbres — underscores Chevreuil’s metamorphosis into a new kind of sonic organism. Guided by precise, minimalist drumming, the direct and powerful track highlights the rock-driven side of an album that is otherwise remarkably diverse.
[To preorder Stadium, check out our links in bio]
Chevreuil release “Plexus,” second single from their upcoming double album Stadium to be released on April 24, 2026.
Following a two-decade break, Chevreuil made their comeback on February 18, 2026, with “Tartarus,” the lead single from Stadium.
Today, the duo unveil “Plexus,” a single that adopts a heavier, minimalistic rock architecture that expands upon the innovations introduced in the previous track. The guitar — reconfigured and operating as a hybrid electro-acoustic engine capable of electronic timbres — underscores Chevreuil’s metamorphosis into a new kind of sonic organism. Guided by precise, minimalist drumming, the direct and powerful track highlights the rock-driven side of an album that is otherwise remarkably diverse.
[To preorder Stadium, check out our links in bio]
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
——— Preorder now Stadium by Chevreuil in Limited, Deluxe and Standard edition as well as Compact Disc, cassette and digitally + Stream and watch the music video for first single “Tartarus.” [links in bio]
Chevreuil is the French rock duo of Julien F. and Tony C. They formed in 1998 and from the beginning, they approached the idea of a band as a performative art installation — a self-contained, sculptural device for sound, space, and motion rather than a conventional rock ensemble. Julien and Tony, respectively, in their parlance, play “magnetic drums” and “magnetic guitar,” an analogy for their livewire, one-on-one chemistry, where the music seems to fall together by way of natural forces.
Chevreuil built its music around reduction, repetition, and architecture. Tony’s guitar runs through four amplifiers arranged around Julien’s drum kit, creating a quadraphonic field that surrounds the players. The result is both physical and spatial — a minimalist engine of rhythm and resonance that behaves as much like an installation as a band.
After a 20-year hiatus, Chevreuil returns with Stadium, their most esoteric album to date. Recorded in France in January 2025. Stadium preserves the essential conditions of their earlier work—live recording, four-amp immersion—while introducing new elements that expand the duo’s sonic vocabulary. Central to this evolution is a reconfigured guitar, functioning as a hybrid electro-acoustic engine capable of generating electronic timbres without compromising the project’s self-contained design.
Conceptually, the album draws on the music of the spheres, magnetism, radioactivity, barometric oscillations, astrometry and magic, using these ideas as lenses for exploring vibration and transformation. Each side of the double LP contains four pieces, forming parallel sequences that can be heard as two separate albums or a single continuum.
In the Earth Again, our collaborative album with Hayden Pedigo, is out today.
Working with Hayden was one of the most joyful creative experiences we’ve ever been a part of and we couldn’t be more ready for people to finally hear it in its entirety.
Check it out. Let us know what you think.
In the Earth Again, our collaborative album with Hayden Pedigo, is out today.
Working with Hayden was one of the most joyful creative experiences we’ve ever been a part of and we couldn’t be more ready for people to finally hear it in its entirety.
Check it out. Let us know what you think.
Chat Rats and Hayden-Headz: Reminder that In the Earth Again comes out this FRIDAY. A true Halloween miracle!
This is the last week you can preorder a copy from the Computer Students website - so jump on it if you want to get in early!
Per the big dawgs over at @cmptrstdnts : “All digital and physical versions of the album are at a 10% discount, and vinyl orders will receive a rare promotional photo print as well. Preorders end on October 30 at 11:59pm ET.”
Hit the link in our bio
People have been getting their copies already and the feedback we’ve received so far has been incredibly kind.
Both Hayden and us are separately on the road doing our thing - come to a show and say hi!
In the meantime, enjoy this pic of us standing in front of the tiki bar where we concocted the very idea for this record.
Chat Rats and Hayden-Headz: Reminder that In the Earth Again comes out this FRIDAY. A true Halloween miracle!
This is the last week you can preorder a copy from the Computer Students website - so jump on it if you want to get in early!
Per the big dawgs over at @cmptrstdnts : “All digital and physical versions of the album are at a 10% discount, and vinyl orders will receive a rare promotional photo print as well. Preorders end on October 30 at 11:59pm ET.”
Hit the link in our bio
People have been getting their copies already and the feedback we’ve received so far has been incredibly kind.
Both Hayden and us are separately on the road doing our thing - come to a show and say hi!
In the meantime, enjoy this pic of us standing in front of the tiki bar where we concocted the very idea for this record.
Chat Rats and Hayden-Headz: Reminder that In the Earth Again comes out this FRIDAY. A true Halloween miracle!
This is the last week you can preorder a copy from the Computer Students website - so jump on it if you want to get in early!
Per the big dawgs over at @cmptrstdnts : “All digital and physical versions of the album are at a 10% discount, and vinyl orders will receive a rare promotional photo print as well. Preorders end on October 30 at 11:59pm ET.”
Hit the link in our bio
People have been getting their copies already and the feedback we’ve received so far has been incredibly kind.
Both Hayden and us are separately on the road doing our thing - come to a show and say hi!
In the meantime, enjoy this pic of us standing in front of the tiki bar where we concocted the very idea for this record.
NEW SINGLE OUT TODAY!
Check out the track, Demon Time, from “In the Earth Again”, the collaborative full-length album from Hayden Pedigo and Chat Pile out everywhere Oct. 31.
You can also check out the music video made by Stin (me) if you’re the visual type - it’s linked in our bio.
Speaking of links in bios - new editions of the record are now available via @theflenser alongside the psychotically plush editions from @cmptrstdnts - secure a copy of your choosing today.
It’s been very tricky picking singles for ya’ll as this album is truly meant to be heard as a whole piece. That said, we love this song and we hope you will too!
We can’t thank you all enough for all the kind words and enthusiasm so far from all the Chat Rats and Hayden Headz out there. It means the world to us!
NEW SINGLE OUT TODAY!
Check out the track, Demon Time, from “In the Earth Again”, the collaborative full-length album from Hayden Pedigo and Chat Pile out everywhere Oct. 31.
You can also check out the music video made by Stin (me) if you’re the visual type - it’s linked in our bio.
Speaking of links in bios - new editions of the record are now available via @theflenser alongside the psychotically plush editions from @cmptrstdnts - secure a copy of your choosing today.
It’s been very tricky picking singles for ya’ll as this album is truly meant to be heard as a whole piece. That said, we love this song and we hope you will too!
We can’t thank you all enough for all the kind words and enthusiasm so far from all the Chat Rats and Hayden Headz out there. It means the world to us!
NEW SINGLE OUT TODAY!
Check out the track, Demon Time, from “In the Earth Again”, the collaborative full-length album from Hayden Pedigo and Chat Pile out everywhere Oct. 31.
You can also check out the music video made by Stin (me) if you’re the visual type - it’s linked in our bio.
Speaking of links in bios - new editions of the record are now available via @theflenser alongside the psychotically plush editions from @cmptrstdnts - secure a copy of your choosing today.
It’s been very tricky picking singles for ya’ll as this album is truly meant to be heard as a whole piece. That said, we love this song and we hope you will too!
We can’t thank you all enough for all the kind words and enthusiasm so far from all the Chat Rats and Hayden Headz out there. It means the world to us!
——— Requiescat Record by New Brutalism is out today!
The three-track release — “088,” “087” and “089,” in keeping with the bands’ strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and subsequently mastered by Bob Weston in 2025. It is out today, September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl.
Out of partly sound, partly aesthetic, mainly a thirst to build, @newbrutalism_ performs on aluminum instruments built by the band members. Check them out here @obstructures
We are thrilled to release this phenomenal-sounding, unconventionally structured record.
——— Requiescat Record by New Brutalism is out today!
The three-track release — “088,” “087” and “089,” in keeping with the bands’ strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and subsequently mastered by Bob Weston in 2025. It is out today, September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl.
Out of partly sound, partly aesthetic, mainly a thirst to build, @newbrutalism_ performs on aluminum instruments built by the band members. Check them out here @obstructures
We are thrilled to release this phenomenal-sounding, unconventionally structured record.
——— Requiescat Record by New Brutalism is out today!
The three-track release — “088,” “087” and “089,” in keeping with the bands’ strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and subsequently mastered by Bob Weston in 2025. It is out today, September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl.
Out of partly sound, partly aesthetic, mainly a thirst to build, @newbrutalism_ performs on aluminum instruments built by the band members. Check them out here @obstructures
We are thrilled to release this phenomenal-sounding, unconventionally structured record.
——— Requiescat Record by New Brutalism is out today!
The three-track release — “088,” “087” and “089,” in keeping with the bands’ strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and subsequently mastered by Bob Weston in 2025. It is out today, September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl.
Out of partly sound, partly aesthetic, mainly a thirst to build, @newbrutalism_ performs on aluminum instruments built by the band members. Check them out here @obstructures
We are thrilled to release this phenomenal-sounding, unconventionally structured record.
——— Requiescat Record by New Brutalism is out today!
The three-track release — “088,” “087” and “089,” in keeping with the bands’ strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and subsequently mastered by Bob Weston in 2025. It is out today, September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl.
Out of partly sound, partly aesthetic, mainly a thirst to build, @newbrutalism_ performs on aluminum instruments built by the band members. Check them out here @obstructures
We are thrilled to release this phenomenal-sounding, unconventionally structured record.
——— Requiescat Record by New Brutalism is out today!
The three-track release — “088,” “087” and “089,” in keeping with the bands’ strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and subsequently mastered by Bob Weston in 2025. It is out today, September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl.
Out of partly sound, partly aesthetic, mainly a thirst to build, @newbrutalism_ performs on aluminum instruments built by the band members. Check them out here @obstructures
We are thrilled to release this phenomenal-sounding, unconventionally structured record.
——— Requiescat Record by New Brutalism is out today!
The three-track release — “088,” “087” and “089,” in keeping with the bands’ strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and subsequently mastered by Bob Weston in 2025. It is out today, September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl.
Out of partly sound, partly aesthetic, mainly a thirst to build, @newbrutalism_ performs on aluminum instruments built by the band members. Check them out here @obstructures
We are thrilled to release this phenomenal-sounding, unconventionally structured record.
——— Requiescat Record by New Brutalism is out today!
The three-track release — “088,” “087” and “089,” in keeping with the bands’ strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and subsequently mastered by Bob Weston in 2025. It is out today, September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl.
Out of partly sound, partly aesthetic, mainly a thirst to build, @newbrutalism_ performs on aluminum instruments built by the band members. Check them out here @obstructures
We are thrilled to release this phenomenal-sounding, unconventionally structured record.
Watch the video for Radioactive Dreams beautifully directed by @rileystearns (link in bio).
The track is from our (our being Chat Pile and Hayden Pedigo's) upcoming album, In the Earth Again, available Oct. 31 via @cmptrstdnts - preorder a copy of the record now over at their website (or, once again thru the link in our bio).
Thanks to everyone for the absolutely OVERWHELMING feedback from the announcement yesterday. Love that the Chat Rats and Pedigo-heads are so open minded to all of us exploring new territory. Ya'll are the best.
And of course HUGE thanks to Riley and his team for lending their talents, time and care into making this amazing work of art. We're honored to be able to work together and have them bring our song to life in such a way.
Starring - Ryan Simpkins
Directed by - Riley Stearns
Produced by - Riley Stearns, Cierra Sterling
Edited by - Thomas Grabinski
Colorist - Yaniv Parsay
Cinematographer - Riley Stearns
B-Camera Operator - Thomas Grabinski
Production Company - Hobbyist Pictures
Special thanks - Michael Ragen, Dallas Sterling
Chat Pile and Hayden Pedigo - In the Earth Again
Out October 31, 2025 through Computer Students.
Preorder your copy over at cmptrstdnts.com (more info on the different editions below and link in bio).
Check out first the single, “Radioactive Dreams” by watching the video directed by @rileystearns (link in bio) or streaming the track on your platform of choice.
We’re absolutely dying for ya’ll to hear this deeply personal record, which came together unexpectedly and in person this past winter in our humble OKC home studio. While a departure from each of our collective traditional sounds, we think these 11 tracks of dust-laden rock will connect with those of you out there feeling a sense of collective real-time loss about the world.
Cover painting by @malcolm_byers
Gatefold painting by @illogicalcomics
Recorded and mixed by Chat Pile and Hayden Pedigo
Mastered by Magnus Lindberg
Here’s some additional info regarding the pressings available from Computer Students:
—— Limited Edition: Oxblood LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging [Oxblood print] alongside a massive double-sided poster.
—— Deluxe Edition: Black LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-2 aluminum packaging [Black print] alongside a massive double-sided poster.
—— Standard Edition: Black, Silver or Gold LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish.
— Sleevepac CD with matte finish and double-sided foldable booklet.
— Cassette tape with standard J-card cover, welded gold shell and clear liberty case.
— MP3 and M4A digital files for download as well as streaming on all platforms.
Chat Pile and Hayden Pedigo - In the Earth Again
Out October 31, 2025 through Computer Students.
Preorder your copy over at cmptrstdnts.com (more info on the different editions below and link in bio).
Check out first the single, “Radioactive Dreams” by watching the video directed by @rileystearns (link in bio) or streaming the track on your platform of choice.
We’re absolutely dying for ya’ll to hear this deeply personal record, which came together unexpectedly and in person this past winter in our humble OKC home studio. While a departure from each of our collective traditional sounds, we think these 11 tracks of dust-laden rock will connect with those of you out there feeling a sense of collective real-time loss about the world.
Cover painting by @malcolm_byers
Gatefold painting by @illogicalcomics
Recorded and mixed by Chat Pile and Hayden Pedigo
Mastered by Magnus Lindberg
Here’s some additional info regarding the pressings available from Computer Students:
—— Limited Edition: Oxblood LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging [Oxblood print] alongside a massive double-sided poster.
—— Deluxe Edition: Black LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-2 aluminum packaging [Black print] alongside a massive double-sided poster.
—— Standard Edition: Black, Silver or Gold LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish.
— Sleevepac CD with matte finish and double-sided foldable booklet.
— Cassette tape with standard J-card cover, welded gold shell and clear liberty case.
— MP3 and M4A digital files for download as well as streaming on all platforms.
Chat Pile and Hayden Pedigo - In the Earth Again
Out October 31, 2025 through Computer Students.
Preorder your copy over at cmptrstdnts.com (more info on the different editions below and link in bio).
Check out first the single, “Radioactive Dreams” by watching the video directed by @rileystearns (link in bio) or streaming the track on your platform of choice.
We’re absolutely dying for ya’ll to hear this deeply personal record, which came together unexpectedly and in person this past winter in our humble OKC home studio. While a departure from each of our collective traditional sounds, we think these 11 tracks of dust-laden rock will connect with those of you out there feeling a sense of collective real-time loss about the world.
Cover painting by @malcolm_byers
Gatefold painting by @illogicalcomics
Recorded and mixed by Chat Pile and Hayden Pedigo
Mastered by Magnus Lindberg
Here’s some additional info regarding the pressings available from Computer Students:
—— Limited Edition: Oxblood LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging [Oxblood print] alongside a massive double-sided poster.
—— Deluxe Edition: Black LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-2 aluminum packaging [Black print] alongside a massive double-sided poster.
—— Standard Edition: Black, Silver or Gold LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish.
— Sleevepac CD with matte finish and double-sided foldable booklet.
— Cassette tape with standard J-card cover, welded gold shell and clear liberty case.
— MP3 and M4A digital files for download as well as streaming on all platforms.
Chat Pile and Hayden Pedigo - In the Earth Again
Out October 31, 2025 through Computer Students.
Preorder your copy over at cmptrstdnts.com (more info on the different editions below and link in bio).
Check out first the single, “Radioactive Dreams” by watching the video directed by @rileystearns (link in bio) or streaming the track on your platform of choice.
We’re absolutely dying for ya’ll to hear this deeply personal record, which came together unexpectedly and in person this past winter in our humble OKC home studio. While a departure from each of our collective traditional sounds, we think these 11 tracks of dust-laden rock will connect with those of you out there feeling a sense of collective real-time loss about the world.
Cover painting by @malcolm_byers
Gatefold painting by @illogicalcomics
Recorded and mixed by Chat Pile and Hayden Pedigo
Mastered by Magnus Lindberg
Here’s some additional info regarding the pressings available from Computer Students:
—— Limited Edition: Oxblood LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging [Oxblood print] alongside a massive double-sided poster.
—— Deluxe Edition: Black LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-2 aluminum packaging [Black print] alongside a massive double-sided poster.
—— Standard Edition: Black, Silver or Gold LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish.
— Sleevepac CD with matte finish and double-sided foldable booklet.
— Cassette tape with standard J-card cover, welded gold shell and clear liberty case.
— MP3 and M4A digital files for download as well as streaming on all platforms.
Chat Pile and Hayden Pedigo - In the Earth Again
Out October 31, 2025 through Computer Students.
Preorder your copy over at cmptrstdnts.com (more info on the different editions below and link in bio).
Check out first the single, “Radioactive Dreams” by watching the video directed by @rileystearns (link in bio) or streaming the track on your platform of choice.
We’re absolutely dying for ya’ll to hear this deeply personal record, which came together unexpectedly and in person this past winter in our humble OKC home studio. While a departure from each of our collective traditional sounds, we think these 11 tracks of dust-laden rock will connect with those of you out there feeling a sense of collective real-time loss about the world.
Cover painting by @malcolm_byers
Gatefold painting by @illogicalcomics
Recorded and mixed by Chat Pile and Hayden Pedigo
Mastered by Magnus Lindberg
Here’s some additional info regarding the pressings available from Computer Students:
—— Limited Edition: Oxblood LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging [Oxblood print] alongside a massive double-sided poster.
—— Deluxe Edition: Black LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-2 aluminum packaging [Black print] alongside a massive double-sided poster.
—— Standard Edition: Black, Silver or Gold LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish.
— Sleevepac CD with matte finish and double-sided foldable booklet.
— Cassette tape with standard J-card cover, welded gold shell and clear liberty case.
— MP3 and M4A digital files for download as well as streaming on all platforms.
Chat Pile and Hayden Pedigo - In the Earth Again
Out October 31, 2025 through Computer Students.
Preorder your copy over at cmptrstdnts.com (more info on the different editions below and link in bio).
Check out first the single, “Radioactive Dreams” by watching the video directed by @rileystearns (link in bio) or streaming the track on your platform of choice.
We’re absolutely dying for ya’ll to hear this deeply personal record, which came together unexpectedly and in person this past winter in our humble OKC home studio. While a departure from each of our collective traditional sounds, we think these 11 tracks of dust-laden rock will connect with those of you out there feeling a sense of collective real-time loss about the world.
Cover painting by @malcolm_byers
Gatefold painting by @illogicalcomics
Recorded and mixed by Chat Pile and Hayden Pedigo
Mastered by Magnus Lindberg
Here’s some additional info regarding the pressings available from Computer Students:
—— Limited Edition: Oxblood LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging [Oxblood print] alongside a massive double-sided poster.
—— Deluxe Edition: Black LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-2 aluminum packaging [Black print] alongside a massive double-sided poster.
—— Standard Edition: Black, Silver or Gold LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish.
— Sleevepac CD with matte finish and double-sided foldable booklet.
— Cassette tape with standard J-card cover, welded gold shell and clear liberty case.
— MP3 and M4A digital files for download as well as streaming on all platforms.
Chat Pile and Hayden Pedigo - In the Earth Again
Out October 31, 2025 through Computer Students.
Preorder your copy over at cmptrstdnts.com (more info on the different editions below and link in bio).
Check out first the single, “Radioactive Dreams” by watching the video directed by @rileystearns (link in bio) or streaming the track on your platform of choice.
We’re absolutely dying for ya’ll to hear this deeply personal record, which came together unexpectedly and in person this past winter in our humble OKC home studio. While a departure from each of our collective traditional sounds, we think these 11 tracks of dust-laden rock will connect with those of you out there feeling a sense of collective real-time loss about the world.
Cover painting by @malcolm_byers
Gatefold painting by @illogicalcomics
Recorded and mixed by Chat Pile and Hayden Pedigo
Mastered by Magnus Lindberg
Here’s some additional info regarding the pressings available from Computer Students:
—— Limited Edition: Oxblood LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging [Oxblood print] alongside a massive double-sided poster.
—— Deluxe Edition: Black LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-2 aluminum packaging [Black print] alongside a massive double-sided poster.
—— Standard Edition: Black, Silver or Gold LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish.
— Sleevepac CD with matte finish and double-sided foldable booklet.
— Cassette tape with standard J-card cover, welded gold shell and clear liberty case.
— MP3 and M4A digital files for download as well as streaming on all platforms.
Chat Pile and Hayden Pedigo - In the Earth Again
Out October 31, 2025 through Computer Students.
Preorder your copy over at cmptrstdnts.com (more info on the different editions below and link in bio).
Check out first the single, “Radioactive Dreams” by watching the video directed by @rileystearns (link in bio) or streaming the track on your platform of choice.
We’re absolutely dying for ya’ll to hear this deeply personal record, which came together unexpectedly and in person this past winter in our humble OKC home studio. While a departure from each of our collective traditional sounds, we think these 11 tracks of dust-laden rock will connect with those of you out there feeling a sense of collective real-time loss about the world.
Cover painting by @malcolm_byers
Gatefold painting by @illogicalcomics
Recorded and mixed by Chat Pile and Hayden Pedigo
Mastered by Magnus Lindberg
Here’s some additional info regarding the pressings available from Computer Students:
—— Limited Edition: Oxblood LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging [Oxblood print] alongside a massive double-sided poster.
—— Deluxe Edition: Black LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-2 aluminum packaging [Black print] alongside a massive double-sided poster.
—— Standard Edition: Black, Silver or Gold LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish.
— Sleevepac CD with matte finish and double-sided foldable booklet.
— Cassette tape with standard J-card cover, welded gold shell and clear liberty case.
— MP3 and M4A digital files for download as well as streaming on all platforms.
Chat Pile and Hayden Pedigo - In the Earth Again
Out October 31, 2025 through Computer Students.
Preorder your copy over at cmptrstdnts.com (more info on the different editions below and link in bio).
Check out first the single, “Radioactive Dreams” by watching the video directed by @rileystearns (link in bio) or streaming the track on your platform of choice.
We’re absolutely dying for ya’ll to hear this deeply personal record, which came together unexpectedly and in person this past winter in our humble OKC home studio. While a departure from each of our collective traditional sounds, we think these 11 tracks of dust-laden rock will connect with those of you out there feeling a sense of collective real-time loss about the world.
Cover painting by @malcolm_byers
Gatefold painting by @illogicalcomics
Recorded and mixed by Chat Pile and Hayden Pedigo
Mastered by Magnus Lindberg
Here’s some additional info regarding the pressings available from Computer Students:
—— Limited Edition: Oxblood LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging [Oxblood print] alongside a massive double-sided poster.
—— Deluxe Edition: Black LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-2 aluminum packaging [Black print] alongside a massive double-sided poster.
—— Standard Edition: Black, Silver or Gold LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish.
— Sleevepac CD with matte finish and double-sided foldable booklet.
— Cassette tape with standard J-card cover, welded gold shell and clear liberty case.
— MP3 and M4A digital files for download as well as streaming on all platforms.
Chat Pile and Hayden Pedigo - In the Earth Again
Out October 31, 2025 through Computer Students.
Preorder your copy over at cmptrstdnts.com (more info on the different editions below and link in bio).
Check out first the single, “Radioactive Dreams” by watching the video directed by @rileystearns (link in bio) or streaming the track on your platform of choice.
We’re absolutely dying for ya’ll to hear this deeply personal record, which came together unexpectedly and in person this past winter in our humble OKC home studio. While a departure from each of our collective traditional sounds, we think these 11 tracks of dust-laden rock will connect with those of you out there feeling a sense of collective real-time loss about the world.
Cover painting by @malcolm_byers
Gatefold painting by @illogicalcomics
Recorded and mixed by Chat Pile and Hayden Pedigo
Mastered by Magnus Lindberg
Here’s some additional info regarding the pressings available from Computer Students:
—— Limited Edition: Oxblood LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging [Oxblood print] alongside a massive double-sided poster.
—— Deluxe Edition: Black LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-2 aluminum packaging [Black print] alongside a massive double-sided poster.
—— Standard Edition: Black, Silver or Gold LP 180g HQ — Audiophile quality pressing, running at 33rpm, inside a 6mm spine gatefold cover with matte finish.
— Sleevepac CD with matte finish and double-sided foldable booklet.
— Cassette tape with standard J-card cover, welded gold shell and clear liberty case.
— MP3 and M4A digital files for download as well as streaming on all platforms.
——— Preorder now New Brutalism Requiescat Record in Deluxe and Standard edition as well as digitally.
New Brutalism is a minimal rock quartet formed in Knoxville, Tennessee, in 1998. The band comprises vocalist Shane Elliott, guitarist/vocalist Matt Hall, bassist/vocalist David Basford, and drummer Carey Balch.
The three-track release — “088,” “087” and “089,” in keeping with their strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and mastered by Bob Weston. It will arrive September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl — via Computer Students™.
Named after a defunct and often derided architectural movement, New Brutalism was born out of a shared musical vision between Hall and Balch, who first connected in 1996. For both, “less is more” became a guiding principle — channeled through an unwaveringly raw, direct, and honest approach to sound.
Out of partly sound, partly aesthetic, mainly a thirst to build, New Brutalism performs on aluminum instruments built by the band members. They chose the material because itʼs lighter than steel, more consistent than wood, and easy to machine. Above all, itʼs precise — and thereby, can produce precise music.
In 2021, New Brutalism entered Electrical Audio to record Requiescat Record. Named after a Latin term meaning a prayer for the repose of a dead person, Requiescat Record retroactively became a dedication to Albiniʼs memory.
Requiescat Record is offered in three forms:
—— Standard Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish.
—— Deluxe Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging alongside a Postcard and a Sticker.
—— MP3 and M4A digital files for download as well as streaming on all platforms.
——— Preorder now New Brutalism Requiescat Record in Deluxe and Standard edition as well as digitally.
New Brutalism is a minimal rock quartet formed in Knoxville, Tennessee, in 1998. The band comprises vocalist Shane Elliott, guitarist/vocalist Matt Hall, bassist/vocalist David Basford, and drummer Carey Balch.
The three-track release — “088,” “087” and “089,” in keeping with their strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and mastered by Bob Weston. It will arrive September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl — via Computer Students™.
Named after a defunct and often derided architectural movement, New Brutalism was born out of a shared musical vision between Hall and Balch, who first connected in 1996. For both, “less is more” became a guiding principle — channeled through an unwaveringly raw, direct, and honest approach to sound.
Out of partly sound, partly aesthetic, mainly a thirst to build, New Brutalism performs on aluminum instruments built by the band members. They chose the material because itʼs lighter than steel, more consistent than wood, and easy to machine. Above all, itʼs precise — and thereby, can produce precise music.
In 2021, New Brutalism entered Electrical Audio to record Requiescat Record. Named after a Latin term meaning a prayer for the repose of a dead person, Requiescat Record retroactively became a dedication to Albiniʼs memory.
Requiescat Record is offered in three forms:
—— Standard Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish.
—— Deluxe Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging alongside a Postcard and a Sticker.
—— MP3 and M4A digital files for download as well as streaming on all platforms.
——— Preorder now New Brutalism Requiescat Record in Deluxe and Standard edition as well as digitally.
New Brutalism is a minimal rock quartet formed in Knoxville, Tennessee, in 1998. The band comprises vocalist Shane Elliott, guitarist/vocalist Matt Hall, bassist/vocalist David Basford, and drummer Carey Balch.
The three-track release — “088,” “087” and “089,” in keeping with their strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and mastered by Bob Weston. It will arrive September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl — via Computer Students™.
Named after a defunct and often derided architectural movement, New Brutalism was born out of a shared musical vision between Hall and Balch, who first connected in 1996. For both, “less is more” became a guiding principle — channeled through an unwaveringly raw, direct, and honest approach to sound.
Out of partly sound, partly aesthetic, mainly a thirst to build, New Brutalism performs on aluminum instruments built by the band members. They chose the material because itʼs lighter than steel, more consistent than wood, and easy to machine. Above all, itʼs precise — and thereby, can produce precise music.
In 2021, New Brutalism entered Electrical Audio to record Requiescat Record. Named after a Latin term meaning a prayer for the repose of a dead person, Requiescat Record retroactively became a dedication to Albiniʼs memory.
Requiescat Record is offered in three forms:
—— Standard Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish.
—— Deluxe Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging alongside a Postcard and a Sticker.
—— MP3 and M4A digital files for download as well as streaming on all platforms.
——— Preorder now New Brutalism Requiescat Record in Deluxe and Standard edition as well as digitally.
New Brutalism is a minimal rock quartet formed in Knoxville, Tennessee, in 1998. The band comprises vocalist Shane Elliott, guitarist/vocalist Matt Hall, bassist/vocalist David Basford, and drummer Carey Balch.
The three-track release — “088,” “087” and “089,” in keeping with their strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and mastered by Bob Weston. It will arrive September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl — via Computer Students™.
Named after a defunct and often derided architectural movement, New Brutalism was born out of a shared musical vision between Hall and Balch, who first connected in 1996. For both, “less is more” became a guiding principle — channeled through an unwaveringly raw, direct, and honest approach to sound.
Out of partly sound, partly aesthetic, mainly a thirst to build, New Brutalism performs on aluminum instruments built by the band members. They chose the material because itʼs lighter than steel, more consistent than wood, and easy to machine. Above all, itʼs precise — and thereby, can produce precise music.
In 2021, New Brutalism entered Electrical Audio to record Requiescat Record. Named after a Latin term meaning a prayer for the repose of a dead person, Requiescat Record retroactively became a dedication to Albiniʼs memory.
Requiescat Record is offered in three forms:
—— Standard Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish.
—— Deluxe Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging alongside a Postcard and a Sticker.
—— MP3 and M4A digital files for download as well as streaming on all platforms.
——— Preorder now New Brutalism Requiescat Record in Deluxe and Standard edition as well as digitally.
New Brutalism is a minimal rock quartet formed in Knoxville, Tennessee, in 1998. The band comprises vocalist Shane Elliott, guitarist/vocalist Matt Hall, bassist/vocalist David Basford, and drummer Carey Balch.
The three-track release — “088,” “087” and “089,” in keeping with their strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and mastered by Bob Weston. It will arrive September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl — via Computer Students™.
Named after a defunct and often derided architectural movement, New Brutalism was born out of a shared musical vision between Hall and Balch, who first connected in 1996. For both, “less is more” became a guiding principle — channeled through an unwaveringly raw, direct, and honest approach to sound.
Out of partly sound, partly aesthetic, mainly a thirst to build, New Brutalism performs on aluminum instruments built by the band members. They chose the material because itʼs lighter than steel, more consistent than wood, and easy to machine. Above all, itʼs precise — and thereby, can produce precise music.
In 2021, New Brutalism entered Electrical Audio to record Requiescat Record. Named after a Latin term meaning a prayer for the repose of a dead person, Requiescat Record retroactively became a dedication to Albiniʼs memory.
Requiescat Record is offered in three forms:
—— Standard Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish.
—— Deluxe Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging alongside a Postcard and a Sticker.
—— MP3 and M4A digital files for download as well as streaming on all platforms.
——— Preorder now New Brutalism Requiescat Record in Deluxe and Standard edition as well as digitally.
New Brutalism is a minimal rock quartet formed in Knoxville, Tennessee, in 1998. The band comprises vocalist Shane Elliott, guitarist/vocalist Matt Hall, bassist/vocalist David Basford, and drummer Carey Balch.
The three-track release — “088,” “087” and “089,” in keeping with their strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and mastered by Bob Weston. It will arrive September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl — via Computer Students™.
Named after a defunct and often derided architectural movement, New Brutalism was born out of a shared musical vision between Hall and Balch, who first connected in 1996. For both, “less is more” became a guiding principle — channeled through an unwaveringly raw, direct, and honest approach to sound.
Out of partly sound, partly aesthetic, mainly a thirst to build, New Brutalism performs on aluminum instruments built by the band members. They chose the material because itʼs lighter than steel, more consistent than wood, and easy to machine. Above all, itʼs precise — and thereby, can produce precise music.
In 2021, New Brutalism entered Electrical Audio to record Requiescat Record. Named after a Latin term meaning a prayer for the repose of a dead person, Requiescat Record retroactively became a dedication to Albiniʼs memory.
Requiescat Record is offered in three forms:
—— Standard Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish.
—— Deluxe Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging alongside a Postcard and a Sticker.
—— MP3 and M4A digital files for download as well as streaming on all platforms.
——— Preorder now New Brutalism Requiescat Record in Deluxe and Standard edition as well as digitally.
New Brutalism is a minimal rock quartet formed in Knoxville, Tennessee, in 1998. The band comprises vocalist Shane Elliott, guitarist/vocalist Matt Hall, bassist/vocalist David Basford, and drummer Carey Balch.
The three-track release — “088,” “087” and “089,” in keeping with their strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and mastered by Bob Weston. It will arrive September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl — via Computer Students™.
Named after a defunct and often derided architectural movement, New Brutalism was born out of a shared musical vision between Hall and Balch, who first connected in 1996. For both, “less is more” became a guiding principle — channeled through an unwaveringly raw, direct, and honest approach to sound.
Out of partly sound, partly aesthetic, mainly a thirst to build, New Brutalism performs on aluminum instruments built by the band members. They chose the material because itʼs lighter than steel, more consistent than wood, and easy to machine. Above all, itʼs precise — and thereby, can produce precise music.
In 2021, New Brutalism entered Electrical Audio to record Requiescat Record. Named after a Latin term meaning a prayer for the repose of a dead person, Requiescat Record retroactively became a dedication to Albiniʼs memory.
Requiescat Record is offered in three forms:
—— Standard Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish.
—— Deluxe Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging alongside a Postcard and a Sticker.
—— MP3 and M4A digital files for download as well as streaming on all platforms.
——— Preorder now New Brutalism Requiescat Record in Deluxe and Standard edition as well as digitally.
New Brutalism is a minimal rock quartet formed in Knoxville, Tennessee, in 1998. The band comprises vocalist Shane Elliott, guitarist/vocalist Matt Hall, bassist/vocalist David Basford, and drummer Carey Balch.
The three-track release — “088,” “087” and “089,” in keeping with their strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and mastered by Bob Weston. It will arrive September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl — via Computer Students™.
Named after a defunct and often derided architectural movement, New Brutalism was born out of a shared musical vision between Hall and Balch, who first connected in 1996. For both, “less is more” became a guiding principle — channeled through an unwaveringly raw, direct, and honest approach to sound.
Out of partly sound, partly aesthetic, mainly a thirst to build, New Brutalism performs on aluminum instruments built by the band members. They chose the material because itʼs lighter than steel, more consistent than wood, and easy to machine. Above all, itʼs precise — and thereby, can produce precise music.
In 2021, New Brutalism entered Electrical Audio to record Requiescat Record. Named after a Latin term meaning a prayer for the repose of a dead person, Requiescat Record retroactively became a dedication to Albiniʼs memory.
Requiescat Record is offered in three forms:
—— Standard Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish.
—— Deluxe Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging alongside a Postcard and a Sticker.
—— MP3 and M4A digital files for download as well as streaming on all platforms.
——— Preorder now New Brutalism Requiescat Record in Deluxe and Standard edition as well as digitally.
New Brutalism is a minimal rock quartet formed in Knoxville, Tennessee, in 1998. The band comprises vocalist Shane Elliott, guitarist/vocalist Matt Hall, bassist/vocalist David Basford, and drummer Carey Balch.
The three-track release — “088,” “087” and “089,” in keeping with their strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and mastered by Bob Weston. It will arrive September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl — via Computer Students™.
Named after a defunct and often derided architectural movement, New Brutalism was born out of a shared musical vision between Hall and Balch, who first connected in 1996. For both, “less is more” became a guiding principle — channeled through an unwaveringly raw, direct, and honest approach to sound.
Out of partly sound, partly aesthetic, mainly a thirst to build, New Brutalism performs on aluminum instruments built by the band members. They chose the material because itʼs lighter than steel, more consistent than wood, and easy to machine. Above all, itʼs precise — and thereby, can produce precise music.
In 2021, New Brutalism entered Electrical Audio to record Requiescat Record. Named after a Latin term meaning a prayer for the repose of a dead person, Requiescat Record retroactively became a dedication to Albiniʼs memory.
Requiescat Record is offered in three forms:
—— Standard Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish.
—— Deluxe Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging alongside a Postcard and a Sticker.
—— MP3 and M4A digital files for download as well as streaming on all platforms.
——— Preorder now New Brutalism Requiescat Record in Deluxe and Standard edition as well as digitally.
New Brutalism is a minimal rock quartet formed in Knoxville, Tennessee, in 1998. The band comprises vocalist Shane Elliott, guitarist/vocalist Matt Hall, bassist/vocalist David Basford, and drummer Carey Balch.
The three-track release — “088,” “087” and “089,” in keeping with their strict numerical naming convention — was recorded in 2021 by the late, great Steve Albini at Electrical Audio, and mastered by Bob Weston. It will arrive September 12, 2025 with the same tracklist on both sides of 45rpm, 12-inch 180g HQ vinyl — via Computer Students™.
Named after a defunct and often derided architectural movement, New Brutalism was born out of a shared musical vision between Hall and Balch, who first connected in 1996. For both, “less is more” became a guiding principle — channeled through an unwaveringly raw, direct, and honest approach to sound.
Out of partly sound, partly aesthetic, mainly a thirst to build, New Brutalism performs on aluminum instruments built by the band members. They chose the material because itʼs lighter than steel, more consistent than wood, and easy to machine. Above all, itʼs precise — and thereby, can produce precise music.
In 2021, New Brutalism entered Electrical Audio to record Requiescat Record. Named after a Latin term meaning a prayer for the repose of a dead person, Requiescat Record retroactively became a dedication to Albiniʼs memory.
Requiescat Record is offered in three forms:
—— Standard Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish.
—— Deluxe Edition: EP 180g HQ — Audiophile quality pressing, running at 45rpm, inside a 6mm spine gatefold cover with matte finish housed in tactile Type-1 aluminum packaging alongside a Postcard and a Sticker.
—— MP3 and M4A digital files for download as well as streaming on all platforms.
——— TEN and Live at Tpo 2015 by @cmontigre are out today.
Drawing inspiration from a wide range of cultures and musical traditions, C’mon Tigre is a dynamic duo that develops its identity into a collective of musicians and artists from all over the world.
TEN, which stands for Tenth Edition Newness, is an expanded reissue of their iconic Self Titled debut album, which was initially published in 2015 through Africantape.
Today, it is being re-issued by Computer Students™ and the double LP is released concurrently with digital album Live at Tpo 2015, which documents the band’s first live show with nine musicians on stage.
TEN was mastered by Giovanni Versari in 2014 and cut for Computer Students™ by Kassian Troyer in Berlin, late 2024.
The album’s expansion features a slightly altered record cover in addition to a booklet with a number of writings and images showcasing the band’s artistic inventiveness at its peak.
TEN is available in three forms:
—— A deluxe edition: Double LP 180g HQ, Black — Audiophile quality pressing, running at 33rpm, inside a reversed, 6mm spine gatefold cover alongside a massive 12-page booklet packaged in a Type-2 aluminum sleeve, with white and black print.
—— 190 limited edition copies are available at a selection of shows this year as well as from the Computer Students™ website. They are packaged in a Type-1 aluminum sleeve, with red, blue, and black print and only a few copies are available from our site.
—— Digital files for download. [Downloads include full studio album as well as Live at Tpo 2015, compiling a total of 23 tracks and over two hours of music].
Live at Tpo 2015 is available only digitally through all platforms including Apple Music, Tidal and such. It is also included as free download with the purchase of TEN through the CS website.
——— TEN and Live at Tpo 2015 by @cmontigre are out today.
Drawing inspiration from a wide range of cultures and musical traditions, C’mon Tigre is a dynamic duo that develops its identity into a collective of musicians and artists from all over the world.
TEN, which stands for Tenth Edition Newness, is an expanded reissue of their iconic Self Titled debut album, which was initially published in 2015 through Africantape.
Today, it is being re-issued by Computer Students™ and the double LP is released concurrently with digital album Live at Tpo 2015, which documents the band’s first live show with nine musicians on stage.
TEN was mastered by Giovanni Versari in 2014 and cut for Computer Students™ by Kassian Troyer in Berlin, late 2024.
The album’s expansion features a slightly altered record cover in addition to a booklet with a number of writings and images showcasing the band’s artistic inventiveness at its peak.
TEN is available in three forms:
—— A deluxe edition: Double LP 180g HQ, Black — Audiophile quality pressing, running at 33rpm, inside a reversed, 6mm spine gatefold cover alongside a massive 12-page booklet packaged in a Type-2 aluminum sleeve, with white and black print.
—— 190 limited edition copies are available at a selection of shows this year as well as from the Computer Students™ website. They are packaged in a Type-1 aluminum sleeve, with red, blue, and black print and only a few copies are available from our site.
—— Digital files for download. [Downloads include full studio album as well as Live at Tpo 2015, compiling a total of 23 tracks and over two hours of music].
Live at Tpo 2015 is available only digitally through all platforms including Apple Music, Tidal and such. It is also included as free download with the purchase of TEN through the CS website.
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