インスタグラム ストーリー保存

Step in to the wilderness in the AMBUSH® FRINGE NYLON ANORAK

Now available at our WORKSHOPS.

AMBUSH® SCARF PRINT SHORT SLEEVE SHIRT and SCARF PRINT SWIM SHORTS

Summer uniform. Easy, light, ready for wherever the day goes.
Now available at our WORKSHOP

Speed up and feel the wind in MOTO SWEAT JACKET, CRUSHED DENIM PANTS & STUDDED TOP

Now available at our WORKSHOPS.

Speed up and feel the wind in MOTO SWEAT JACKET, CRUSHED DENIM PANTS & STUDDED TOP

Now available at our WORKSHOPS.

Deep blue humming beneath the lights, quiet but alive.
Fabric that drapes and moves with intention, catching the air.

照明の下で深い青がかすかに響き、静かに息づく。
意志を宿したように揺らめく生地が、空気をとらえる。

AMBUSH®︎ SS26 LOOK 17:

DENIM PATRCH WORK BERET
HALTER JERSEY DRESS
BEADS JERSEY DRESS
MESH SOCKS 2

Deep blue humming beneath the lights, quiet but alive.
Fabric that drapes and moves with intention, catching the air.

照明の下で深い青がかすかに響き、静かに息づく。
意志を宿したように揺らめく生地が、空気をとらえる。

AMBUSH®︎ SS26 LOOK 17:

DENIM PATRCH WORK BERET
HALTER JERSEY DRESS
BEADS JERSEY DRESS
MESH SOCKS 2

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑰𝑵 𝑭𝑶𝑪𝑼𝑺
Ether, Isolation, and the Brutality of Becoming.

All About Lily Chou-Chou (2001), directed by Shunji Iwai (岩井 俊二), is a film that plunges into the emotional and psychological terrain of adolescence with a narrative that fractures and loops, much like memory itself with a stylistic choice that mirrors the way young people experience time and trauma.

At the center of the film’s world is Lily Chou-Chou, a fictional pop singer whose ethereal music becomes a refuge for a group of young teenagers navigating isolation, bullying, and identity crisis. Her songs act as a kind of spiritual anchor the characters call “the Ether,” an almost mystical space where they feel connected, understood, and free from the bleakness of their everyday lives.

Lily Chou-Chou uses the Ether to explore how alienated youth build communities online. In the film, internet forums and anonymous identities let these teens show facets of themselves they can’t in person, but the cruelty and confusion of growing up are not glossed over. Violence, bullying, and betrayal permeate the classmates’ lives, as vivid evidence of a generation grasping for meaning in a world that often feels indifferent and harsh.

Visually and emotionally, All About Lily Chou-Chou positions youth as a lived landscape filled with contradictions: hope and despair, connection and isolation, music as salvation but also as escape. Deciding to capture the experience of growing up, as a tangled, often painful currents that define it.

💡 This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑰𝑵 𝑭𝑶𝑪𝑼𝑺
Ether, Isolation, and the Brutality of Becoming.

All About Lily Chou-Chou (2001), directed by Shunji Iwai (岩井 俊二), is a film that plunges into the emotional and psychological terrain of adolescence with a narrative that fractures and loops, much like memory itself with a stylistic choice that mirrors the way young people experience time and trauma.

At the center of the film’s world is Lily Chou-Chou, a fictional pop singer whose ethereal music becomes a refuge for a group of young teenagers navigating isolation, bullying, and identity crisis. Her songs act as a kind of spiritual anchor the characters call “the Ether,” an almost mystical space where they feel connected, understood, and free from the bleakness of their everyday lives.

Lily Chou-Chou uses the Ether to explore how alienated youth build communities online. In the film, internet forums and anonymous identities let these teens show facets of themselves they can’t in person, but the cruelty and confusion of growing up are not glossed over. Violence, bullying, and betrayal permeate the classmates’ lives, as vivid evidence of a generation grasping for meaning in a world that often feels indifferent and harsh.

Visually and emotionally, All About Lily Chou-Chou positions youth as a lived landscape filled with contradictions: hope and despair, connection and isolation, music as salvation but also as escape. Deciding to capture the experience of growing up, as a tangled, often painful currents that define it.

💡 This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑰𝑵 𝑭𝑶𝑪𝑼𝑺
Ether, Isolation, and the Brutality of Becoming.

All About Lily Chou-Chou (2001), directed by Shunji Iwai (岩井 俊二), is a film that plunges into the emotional and psychological terrain of adolescence with a narrative that fractures and loops, much like memory itself with a stylistic choice that mirrors the way young people experience time and trauma.

At the center of the film’s world is Lily Chou-Chou, a fictional pop singer whose ethereal music becomes a refuge for a group of young teenagers navigating isolation, bullying, and identity crisis. Her songs act as a kind of spiritual anchor the characters call “the Ether,” an almost mystical space where they feel connected, understood, and free from the bleakness of their everyday lives.

Lily Chou-Chou uses the Ether to explore how alienated youth build communities online. In the film, internet forums and anonymous identities let these teens show facets of themselves they can’t in person, but the cruelty and confusion of growing up are not glossed over. Violence, bullying, and betrayal permeate the classmates’ lives, as vivid evidence of a generation grasping for meaning in a world that often feels indifferent and harsh.

Visually and emotionally, All About Lily Chou-Chou positions youth as a lived landscape filled with contradictions: hope and despair, connection and isolation, music as salvation but also as escape. Deciding to capture the experience of growing up, as a tangled, often painful currents that define it.

💡 This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑰𝑵 𝑭𝑶𝑪𝑼𝑺
Ether, Isolation, and the Brutality of Becoming.

All About Lily Chou-Chou (2001), directed by Shunji Iwai (岩井 俊二), is a film that plunges into the emotional and psychological terrain of adolescence with a narrative that fractures and loops, much like memory itself with a stylistic choice that mirrors the way young people experience time and trauma.

At the center of the film’s world is Lily Chou-Chou, a fictional pop singer whose ethereal music becomes a refuge for a group of young teenagers navigating isolation, bullying, and identity crisis. Her songs act as a kind of spiritual anchor the characters call “the Ether,” an almost mystical space where they feel connected, understood, and free from the bleakness of their everyday lives.

Lily Chou-Chou uses the Ether to explore how alienated youth build communities online. In the film, internet forums and anonymous identities let these teens show facets of themselves they can’t in person, but the cruelty and confusion of growing up are not glossed over. Violence, bullying, and betrayal permeate the classmates’ lives, as vivid evidence of a generation grasping for meaning in a world that often feels indifferent and harsh.

Visually and emotionally, All About Lily Chou-Chou positions youth as a lived landscape filled with contradictions: hope and despair, connection and isolation, music as salvation but also as escape. Deciding to capture the experience of growing up, as a tangled, often painful currents that define it.

💡 This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑰𝑵 𝑭𝑶𝑪𝑼𝑺
Ether, Isolation, and the Brutality of Becoming.

All About Lily Chou-Chou (2001), directed by Shunji Iwai (岩井 俊二), is a film that plunges into the emotional and psychological terrain of adolescence with a narrative that fractures and loops, much like memory itself with a stylistic choice that mirrors the way young people experience time and trauma.

At the center of the film’s world is Lily Chou-Chou, a fictional pop singer whose ethereal music becomes a refuge for a group of young teenagers navigating isolation, bullying, and identity crisis. Her songs act as a kind of spiritual anchor the characters call “the Ether,” an almost mystical space where they feel connected, understood, and free from the bleakness of their everyday lives.

Lily Chou-Chou uses the Ether to explore how alienated youth build communities online. In the film, internet forums and anonymous identities let these teens show facets of themselves they can’t in person, but the cruelty and confusion of growing up are not glossed over. Violence, bullying, and betrayal permeate the classmates’ lives, as vivid evidence of a generation grasping for meaning in a world that often feels indifferent and harsh.

Visually and emotionally, All About Lily Chou-Chou positions youth as a lived landscape filled with contradictions: hope and despair, connection and isolation, music as salvation but also as escape. Deciding to capture the experience of growing up, as a tangled, often painful currents that define it.

💡 This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑰𝑵 𝑭𝑶𝑪𝑼𝑺
Ether, Isolation, and the Brutality of Becoming.

All About Lily Chou-Chou (2001), directed by Shunji Iwai (岩井 俊二), is a film that plunges into the emotional and psychological terrain of adolescence with a narrative that fractures and loops, much like memory itself with a stylistic choice that mirrors the way young people experience time and trauma.

At the center of the film’s world is Lily Chou-Chou, a fictional pop singer whose ethereal music becomes a refuge for a group of young teenagers navigating isolation, bullying, and identity crisis. Her songs act as a kind of spiritual anchor the characters call “the Ether,” an almost mystical space where they feel connected, understood, and free from the bleakness of their everyday lives.

Lily Chou-Chou uses the Ether to explore how alienated youth build communities online. In the film, internet forums and anonymous identities let these teens show facets of themselves they can’t in person, but the cruelty and confusion of growing up are not glossed over. Violence, bullying, and betrayal permeate the classmates’ lives, as vivid evidence of a generation grasping for meaning in a world that often feels indifferent and harsh.

Visually and emotionally, All About Lily Chou-Chou positions youth as a lived landscape filled with contradictions: hope and despair, connection and isolation, music as salvation but also as escape. Deciding to capture the experience of growing up, as a tangled, often painful currents that define it.

💡 This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑰𝑵 𝑭𝑶𝑪𝑼𝑺
Ether, Isolation, and the Brutality of Becoming.

All About Lily Chou-Chou (2001), directed by Shunji Iwai (岩井 俊二), is a film that plunges into the emotional and psychological terrain of adolescence with a narrative that fractures and loops, much like memory itself with a stylistic choice that mirrors the way young people experience time and trauma.

At the center of the film’s world is Lily Chou-Chou, a fictional pop singer whose ethereal music becomes a refuge for a group of young teenagers navigating isolation, bullying, and identity crisis. Her songs act as a kind of spiritual anchor the characters call “the Ether,” an almost mystical space where they feel connected, understood, and free from the bleakness of their everyday lives.

Lily Chou-Chou uses the Ether to explore how alienated youth build communities online. In the film, internet forums and anonymous identities let these teens show facets of themselves they can’t in person, but the cruelty and confusion of growing up are not glossed over. Violence, bullying, and betrayal permeate the classmates’ lives, as vivid evidence of a generation grasping for meaning in a world that often feels indifferent and harsh.

Visually and emotionally, All About Lily Chou-Chou positions youth as a lived landscape filled with contradictions: hope and despair, connection and isolation, music as salvation but also as escape. Deciding to capture the experience of growing up, as a tangled, often painful currents that define it.

💡 This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑰𝑵 𝑭𝑶𝑪𝑼𝑺
Ether, Isolation, and the Brutality of Becoming.

All About Lily Chou-Chou (2001), directed by Shunji Iwai (岩井 俊二), is a film that plunges into the emotional and psychological terrain of adolescence with a narrative that fractures and loops, much like memory itself with a stylistic choice that mirrors the way young people experience time and trauma.

At the center of the film’s world is Lily Chou-Chou, a fictional pop singer whose ethereal music becomes a refuge for a group of young teenagers navigating isolation, bullying, and identity crisis. Her songs act as a kind of spiritual anchor the characters call “the Ether,” an almost mystical space where they feel connected, understood, and free from the bleakness of their everyday lives.

Lily Chou-Chou uses the Ether to explore how alienated youth build communities online. In the film, internet forums and anonymous identities let these teens show facets of themselves they can’t in person, but the cruelty and confusion of growing up are not glossed over. Violence, bullying, and betrayal permeate the classmates’ lives, as vivid evidence of a generation grasping for meaning in a world that often feels indifferent and harsh.

Visually and emotionally, All About Lily Chou-Chou positions youth as a lived landscape filled with contradictions: hope and despair, connection and isolation, music as salvation but also as escape. Deciding to capture the experience of growing up, as a tangled, often painful currents that define it.

💡 This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑰𝑵 𝑭𝑶𝑪𝑼𝑺
Ether, Isolation, and the Brutality of Becoming.

All About Lily Chou-Chou (2001), directed by Shunji Iwai (岩井 俊二), is a film that plunges into the emotional and psychological terrain of adolescence with a narrative that fractures and loops, much like memory itself with a stylistic choice that mirrors the way young people experience time and trauma.

At the center of the film’s world is Lily Chou-Chou, a fictional pop singer whose ethereal music becomes a refuge for a group of young teenagers navigating isolation, bullying, and identity crisis. Her songs act as a kind of spiritual anchor the characters call “the Ether,” an almost mystical space where they feel connected, understood, and free from the bleakness of their everyday lives.

Lily Chou-Chou uses the Ether to explore how alienated youth build communities online. In the film, internet forums and anonymous identities let these teens show facets of themselves they can’t in person, but the cruelty and confusion of growing up are not glossed over. Violence, bullying, and betrayal permeate the classmates’ lives, as vivid evidence of a generation grasping for meaning in a world that often feels indifferent and harsh.

Visually and emotionally, All About Lily Chou-Chou positions youth as a lived landscape filled with contradictions: hope and despair, connection and isolation, music as salvation but also as escape. Deciding to capture the experience of growing up, as a tangled, often painful currents that define it.

💡 This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑰𝑵 𝑭𝑶𝑪𝑼𝑺
Ether, Isolation, and the Brutality of Becoming.

All About Lily Chou-Chou (2001), directed by Shunji Iwai (岩井 俊二), is a film that plunges into the emotional and psychological terrain of adolescence with a narrative that fractures and loops, much like memory itself with a stylistic choice that mirrors the way young people experience time and trauma.

At the center of the film’s world is Lily Chou-Chou, a fictional pop singer whose ethereal music becomes a refuge for a group of young teenagers navigating isolation, bullying, and identity crisis. Her songs act as a kind of spiritual anchor the characters call “the Ether,” an almost mystical space where they feel connected, understood, and free from the bleakness of their everyday lives.

Lily Chou-Chou uses the Ether to explore how alienated youth build communities online. In the film, internet forums and anonymous identities let these teens show facets of themselves they can’t in person, but the cruelty and confusion of growing up are not glossed over. Violence, bullying, and betrayal permeate the classmates’ lives, as vivid evidence of a generation grasping for meaning in a world that often feels indifferent and harsh.

Visually and emotionally, All About Lily Chou-Chou positions youth as a lived landscape filled with contradictions: hope and despair, connection and isolation, music as salvation but also as escape. Deciding to capture the experience of growing up, as a tangled, often painful currents that define it.

💡 This content is for educational purposes

Blue like stadium lights, sharp against the night.
A jersey that moves like motion, with layering that catches every second.

スタジアムライトのように青く、夜に鋭く映える。
動きそのもののように流れる一着、重なりが一瞬ごとの光を捉える。

AMBUSH®︎ SS26 LOOK 19:

FOOTBALL JERSEY TOP
AMB 34 CHARM NECKLACE
CURSIVE A BELT
BAGGY DENIM PANTS
FACELESS WATCH BRACELET

Now available at our WORKSHOPS

Express yourself and bring out your inner spirit with our EMBROIDERED MULTICORD HOODIE and BAGGY DENIM PANTS now available at our WORKSHOPS

Express yourself and bring out your inner spirit with our EMBROIDERED MULTICORD HOODIE and BAGGY DENIM PANTS now available at our WORKSHOPS

Rimless minimal lenses, paired with barbell charm piercings and crystal hearts.
Catch the eye from every angle.

縁のないミニマルなレンズに、バーベルピアスチャームとクリスタルハートをピアス。
どの角度からも視線を引き寄せて。

Explore the unknown in PATCHWORK LEATHER BLOUSON & PANTS.

Now available at our WORKSHOPS.

Soft like dusk, drifting between light and shadow.
Wrapped in lines that turn the moment into something you can almost hold.

黄昏のように柔らかく、光と影のあいだを漂う。
その瞬間を、触れられそうなかたちへと変えるラインに包まれて。

AMBUSH®︎ SS26 LOOK 18:

LEOPARD FUR HAT
WOMENS LEATHER BOMBER JACKET
CROPPED SOCCER S/S KNIT
KNIT MINI SHORTS
OVAL CUT STONE NECKLACE

Soft like dusk, drifting between light and shadow.
Wrapped in lines that turn the moment into something you can almost hold.

黄昏のように柔らかく、光と影のあいだを漂う。
その瞬間を、触れられそうなかたちへと変えるラインに包まれて。

AMBUSH®︎ SS26 LOOK 18:

LEOPARD FUR HAT
WOMENS LEATHER BOMBER JACKET
CROPPED SOCCER S/S KNIT
KNIT MINI SHORTS
OVAL CUT STONE NECKLACE

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

𝗔𝗠𝗕𝗨𝗦𝗛 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 𝑭𝑰𝑬𝑳𝑫 𝑺𝑻𝑼𝑫𝒀
There’s something oddly intimate about how the future used to look.

Pulled from the deep archive of 50watts.com, these Curation of images drift through Japan’s 70s and 80s idea of the future. Scanned from an almost endless stash of books and catalogs, they capture a moment where thinking about space was a creative exercise about stretching imagination to the limits.

Filled with Chrome dreams, soft utopias, and analog visions of infinity all pressed onto paper, still humming decades later.

1.- Peter Sato, calendar, 1980

2.- Takashi Yamazaki cyber cycle 1985

3.- Shusei Nagaoka

4.- Naoki Yasuda, ca. 80s

5.- Sadao Naito, late 70s

6.- Kenkichi Sato, ca. 1979

7.- Tadanori Yokoo magazine cover, 1970

8.- Sumio Tsunoda, book jacket, early 80s

9.- Shigeo Okamoto, calendar, ca. 1981

10.- Hideo Yamashita, early 70s

11”.-Blood maintaining life by conveying various substances," illustration by Kazuho Itoh for "Newton," 80s

12.- Kazuo Haba, early 70s

13.- Tadanori Yokoo, early 70s

14.- Sadao Sato, 1983, original work

15.- Hisashi Saito, 1983, catalog illustration



Sourced From Isaac Blankensmith’s Space Futures Are.na Board
💡This content is for educational purposes

Blue like the sea, live in the spirit of the ocean.
With stripes that break the scenery into a painting.

海のように青く、その精神をまとう。
風景を絵画のように切り取るストライプとともに。

AMBUSH®︎ SS26 LOOK 18:

SOCCER S/S KNIT
CURSIVE A BELT
BAGGY DENIM PANTS
FACELESS WATCH BRACELET
SQUARE CUT STONE BRACELET

Blue like the sea, live in the spirit of the ocean.
With stripes that break the scenery into a painting.

海のように青く、その精神をまとう。
風景を絵画のように切り取るストライプとともに。

AMBUSH®︎ SS26 LOOK 18:

SOCCER S/S KNIT
CURSIVE A BELT
BAGGY DENIM PANTS
FACELESS WATCH BRACELET
SQUARE CUT STONE BRACELET