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ORANGE CUBE
For the Love of it all
Art Basel appoints Wassan Al-Khudhairi as Artistic Director for the 2027 edition of Art Basel Qatar.
The Iraqi curator and former Founding Director of Mathaf: Arab Museum of Modern Art will lead the fair’s next chapter under the curatorial theme between / بين - a framework exploring the “in-between” as a space for connection, fluidity, and exchange.
Returning to Doha from January 28–30, 2027, Art Basel Qatar continues to position itself as a major platform connecting the MENASA region with the global art world.
Image: courtesy of Art Basel
Gio Ponti Objects.
A world where geometry softens into elegance. Gio Ponti understood that objects could hold personality; playful, architectural, and impossibly light all at once. Through Molteni&C’s presentation, these works feel less like furniture and more like fragments of a cinematic interior language.
Photography by Aaron Tilley
Creative Direction by Elisa Ossino Studio
Courtesy of Molteni&C
Read the story in Art Club Vol 1.
Gio Ponti Objects.
A world where geometry softens into elegance. Gio Ponti understood that objects could hold personality; playful, architectural, and impossibly light all at once. Through Molteni&C’s presentation, these works feel less like furniture and more like fragments of a cinematic interior language.
Photography by Aaron Tilley
Creative Direction by Elisa Ossino Studio
Courtesy of Molteni&C
Read the story in Art Club Vol 1.
Gio Ponti Objects.
A world where geometry softens into elegance. Gio Ponti understood that objects could hold personality; playful, architectural, and impossibly light all at once. Through Molteni&C’s presentation, these works feel less like furniture and more like fragments of a cinematic interior language.
Photography by Aaron Tilley
Creative Direction by Elisa Ossino Studio
Courtesy of Molteni&C
Read the story in Art Club Vol 1.
Gio Ponti Objects.
A world where geometry softens into elegance. Gio Ponti understood that objects could hold personality; playful, architectural, and impossibly light all at once. Through Molteni&C’s presentation, these works feel less like furniture and more like fragments of a cinematic interior language.
Photography by Aaron Tilley
Creative Direction by Elisa Ossino Studio
Courtesy of Molteni&C
Read the story in Art Club Vol 1.
Gio Ponti Objects.
A world where geometry softens into elegance. Gio Ponti understood that objects could hold personality; playful, architectural, and impossibly light all at once. Through Molteni&C’s presentation, these works feel less like furniture and more like fragments of a cinematic interior language.
Photography by Aaron Tilley
Creative Direction by Elisa Ossino Studio
Courtesy of Molteni&C
Read the story in Art Club Vol 1.
Gio Ponti Objects.
A world where geometry softens into elegance. Gio Ponti understood that objects could hold personality; playful, architectural, and impossibly light all at once. Through Molteni&C’s presentation, these works feel less like furniture and more like fragments of a cinematic interior language.
Photography by Aaron Tilley
Creative Direction by Elisa Ossino Studio
Courtesy of Molteni&C
Read the story in Art Club Vol 1.
Gio Ponti Objects.
A world where geometry softens into elegance. Gio Ponti understood that objects could hold personality; playful, architectural, and impossibly light all at once. Through Molteni&C’s presentation, these works feel less like furniture and more like fragments of a cinematic interior language.
Photography by Aaron Tilley
Creative Direction by Elisa Ossino Studio
Courtesy of Molteni&C
Read the story in Art Club Vol 1.
Gio Ponti Objects.
A world where geometry softens into elegance. Gio Ponti understood that objects could hold personality; playful, architectural, and impossibly light all at once. Through Molteni&C’s presentation, these works feel less like furniture and more like fragments of a cinematic interior language.
Photography by Aaron Tilley
Creative Direction by Elisa Ossino Studio
Courtesy of Molteni&C
Read the story in Art Club Vol 1.
Gio Ponti Objects.
A world where geometry softens into elegance. Gio Ponti understood that objects could hold personality; playful, architectural, and impossibly light all at once. Through Molteni&C’s presentation, these works feel less like furniture and more like fragments of a cinematic interior language.
Photography by Aaron Tilley
Creative Direction by Elisa Ossino Studio
Courtesy of Molteni&C
Read the story in Art Club Vol 1.
Gio Ponti Objects.
A world where geometry softens into elegance. Gio Ponti understood that objects could hold personality; playful, architectural, and impossibly light all at once. Through Molteni&C’s presentation, these works feel less like furniture and more like fragments of a cinematic interior language.
Photography by Aaron Tilley
Creative Direction by Elisa Ossino Studio
Courtesy of Molteni&C
Read the story in Art Club Vol 1.
A project for Art Club volume 1.
Timeless Portraits by Macks Studios.
Styling: @dunwnt2bmi
A project for Art Club volume 1.
Timeless Portraits by Macks Studios.
Styling: @dunwnt2bmi
A project for Art Club volume 1.
Timeless Portraits by Macks Studios.
Styling: @dunwnt2bmi
A project for Art Club volume 1.
Timeless Portraits by Macks Studios.
Styling: @dunwnt2bmi
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
The first edition of ART CLUB is officially out in the world.
A publication about mastery deserves a room full of people obsessed with what they make. Thank you for giving us that energy.
Presented alongside @thekoifoundation & @_macks_art
Art Club Vol. 1 is here.
220 pages of thought, image, and intention; built with artists, shaped by conversation, carried by everyone who moved this forward.
Out now at www.orangecube.org
Love to our contributors, partners, and all the forces behind the work.
#orangecube #artclub #artbaselqatar
A whole new world, printed and in motion.
ART CLUB — Volume 1
Official launch. One night only.
May 3rd, 2026
226 Bank St
5–9PM
Come step inside the pages.
A whole new world, printed and in motion.
ART CLUB — Volume 1
Official launch. One night only.
May 3rd, 2026
226 Bank St
5–9PM
Come step inside the pages.
A whole new world, printed and in motion.
ART CLUB — Volume 1
Official launch. One night only.
May 3rd, 2026
226 Bank St
5–9PM
Come step inside the pages.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
Inside Kyoto, the image becomes architecture.
From KYOTOGRAPHIE 2026; where memory, fashion, politics, and light move through temples, galleries, and quiet rooms like a second city layered over the first.
From Anton Corbijn’s stillness to Daido Moriyama’s grain, from Thandiwe Muriu’s coded color to Pieter Hugo’s confrontation; each space holds its own rhythm, its own temperature.
This is what it feels like when photography leaves the frame and enters the world.
All images courtesy of KYOTOGRAPHIE.
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