Will Arbery
🎀

happy birthday yi, here’s to yi, her name means the beautiful thing far away, but day after day she brings that beauty close

happy birthday yi, here’s to yi, her name means the beautiful thing far away, but day after day she brings that beauty close

happy birthday yi, here’s to yi, her name means the beautiful thing far away, but day after day she brings that beauty close

yi forever. happy birthday to the queen chaos muppet. the texas hammer. the love of my life. raise your hand if you love yi.

yi forever. happy birthday to the queen chaos muppet. the texas hammer. the love of my life. raise your hand if you love yi.

yi forever. happy birthday to the queen chaos muppet. the texas hammer. the love of my life. raise your hand if you love yi.

yi forever. happy birthday to the queen chaos muppet. the texas hammer. the love of my life. raise your hand if you love yi.

yi forever. happy birthday to the queen chaos muppet. the texas hammer. the love of my life. raise your hand if you love yi.

yi forever. happy birthday to the queen chaos muppet. the texas hammer. the love of my life. raise your hand if you love yi.

yi forever. happy birthday to the queen chaos muppet. the texas hammer. the love of my life. raise your hand if you love yi.

yi forever. happy birthday to the queen chaos muppet. the texas hammer. the love of my life. raise your hand if you love yi.

yi forever. happy birthday to the queen chaos muppet. the texas hammer. the love of my life. raise your hand if you love yi.

yi forever. happy birthday to the queen chaos muppet. the texas hammer. the love of my life. raise your hand if you love yi.

david lynch forever. he believed that we’re all one, which i think is why his work feels intensely (almost indecently) personal to so many of us. if you love his work, i believe it’s because you let him go fishing for the big fish in *your* unconscious, in your dreams and fears. we went fishing together. we looked at the moon together. let’s keep fishing. stand up for dreams. for deep darkness and splendor. don’t give up. live the art life. just keep building it.

david lynch forever. he believed that we’re all one, which i think is why his work feels intensely (almost indecently) personal to so many of us. if you love his work, i believe it’s because you let him go fishing for the big fish in *your* unconscious, in your dreams and fears. we went fishing together. we looked at the moon together. let’s keep fishing. stand up for dreams. for deep darkness and splendor. don’t give up. live the art life. just keep building it.

david lynch forever. he believed that we’re all one, which i think is why his work feels intensely (almost indecently) personal to so many of us. if you love his work, i believe it’s because you let him go fishing for the big fish in *your* unconscious, in your dreams and fears. we went fishing together. we looked at the moon together. let’s keep fishing. stand up for dreams. for deep darkness and splendor. don’t give up. live the art life. just keep building it.

david lynch forever. he believed that we’re all one, which i think is why his work feels intensely (almost indecently) personal to so many of us. if you love his work, i believe it’s because you let him go fishing for the big fish in *your* unconscious, in your dreams and fears. we went fishing together. we looked at the moon together. let’s keep fishing. stand up for dreams. for deep darkness and splendor. don’t give up. live the art life. just keep building it.

david lynch forever. he believed that we’re all one, which i think is why his work feels intensely (almost indecently) personal to so many of us. if you love his work, i believe it’s because you let him go fishing for the big fish in *your* unconscious, in your dreams and fears. we went fishing together. we looked at the moon together. let’s keep fishing. stand up for dreams. for deep darkness and splendor. don’t give up. live the art life. just keep building it.

david lynch forever. he believed that we’re all one, which i think is why his work feels intensely (almost indecently) personal to so many of us. if you love his work, i believe it’s because you let him go fishing for the big fish in *your* unconscious, in your dreams and fears. we went fishing together. we looked at the moon together. let’s keep fishing. stand up for dreams. for deep darkness and splendor. don’t give up. live the art life. just keep building it.

david lynch forever. he believed that we’re all one, which i think is why his work feels intensely (almost indecently) personal to so many of us. if you love his work, i believe it’s because you let him go fishing for the big fish in *your* unconscious, in your dreams and fears. we went fishing together. we looked at the moon together. let’s keep fishing. stand up for dreams. for deep darkness and splendor. don’t give up. live the art life. just keep building it.

david lynch forever. he believed that we’re all one, which i think is why his work feels intensely (almost indecently) personal to so many of us. if you love his work, i believe it’s because you let him go fishing for the big fish in *your* unconscious, in your dreams and fears. we went fishing together. we looked at the moon together. let’s keep fishing. stand up for dreams. for deep darkness and splendor. don’t give up. live the art life. just keep building it.

david lynch forever. he believed that we’re all one, which i think is why his work feels intensely (almost indecently) personal to so many of us. if you love his work, i believe it’s because you let him go fishing for the big fish in *your* unconscious, in your dreams and fears. we went fishing together. we looked at the moon together. let’s keep fishing. stand up for dreams. for deep darkness and splendor. don’t give up. live the art life. just keep building it.

david lynch forever. he believed that we’re all one, which i think is why his work feels intensely (almost indecently) personal to so many of us. if you love his work, i believe it’s because you let him go fishing for the big fish in *your* unconscious, in your dreams and fears. we went fishing together. we looked at the moon together. let’s keep fishing. stand up for dreams. for deep darkness and splendor. don’t give up. live the art life. just keep building it.

david lynch forever. he believed that we’re all one, which i think is why his work feels intensely (almost indecently) personal to so many of us. if you love his work, i believe it’s because you let him go fishing for the big fish in *your* unconscious, in your dreams and fears. we went fishing together. we looked at the moon together. let’s keep fishing. stand up for dreams. for deep darkness and splendor. don’t give up. live the art life. just keep building it.

david lynch forever. he believed that we’re all one, which i think is why his work feels intensely (almost indecently) personal to so many of us. if you love his work, i believe it’s because you let him go fishing for the big fish in *your* unconscious, in your dreams and fears. we went fishing together. we looked at the moon together. let’s keep fishing. stand up for dreams. for deep darkness and splendor. don’t give up. live the art life. just keep building it.

david lynch forever. he believed that we’re all one, which i think is why his work feels intensely (almost indecently) personal to so many of us. if you love his work, i believe it’s because you let him go fishing for the big fish in *your* unconscious, in your dreams and fears. we went fishing together. we looked at the moon together. let’s keep fishing. stand up for dreams. for deep darkness and splendor. don’t give up. live the art life. just keep building it.

last night we wrapped Sacrifice, a movie i wrote with @romaingavras, who directed the living hell out of it. i can’t wait for everyone to see it next year. we shot in bulgaria and greece and it was dusty and intense and hard and i loved every second. i love making things. i love people who make things. especially cool was that @yiyihuang was by my side the whole way, making her producing debut. she didn’t miss a single day on set — she crushed it. the cast and crew were all next level. i’ll have more to say soon. we did it. for the 🔥.

last night we wrapped Sacrifice, a movie i wrote with @romaingavras, who directed the living hell out of it. i can’t wait for everyone to see it next year. we shot in bulgaria and greece and it was dusty and intense and hard and i loved every second. i love making things. i love people who make things. especially cool was that @yiyihuang was by my side the whole way, making her producing debut. she didn’t miss a single day on set — she crushed it. the cast and crew were all next level. i’ll have more to say soon. we did it. for the 🔥.

last night we wrapped Sacrifice, a movie i wrote with @romaingavras, who directed the living hell out of it. i can’t wait for everyone to see it next year. we shot in bulgaria and greece and it was dusty and intense and hard and i loved every second. i love making things. i love people who make things. especially cool was that @yiyihuang was by my side the whole way, making her producing debut. she didn’t miss a single day on set — she crushed it. the cast and crew were all next level. i’ll have more to say soon. we did it. for the 🔥.

last night we wrapped Sacrifice, a movie i wrote with @romaingavras, who directed the living hell out of it. i can’t wait for everyone to see it next year. we shot in bulgaria and greece and it was dusty and intense and hard and i loved every second. i love making things. i love people who make things. especially cool was that @yiyihuang was by my side the whole way, making her producing debut. she didn’t miss a single day on set — she crushed it. the cast and crew were all next level. i’ll have more to say soon. we did it. for the 🔥.

last night we wrapped Sacrifice, a movie i wrote with @romaingavras, who directed the living hell out of it. i can’t wait for everyone to see it next year. we shot in bulgaria and greece and it was dusty and intense and hard and i loved every second. i love making things. i love people who make things. especially cool was that @yiyihuang was by my side the whole way, making her producing debut. she didn’t miss a single day on set — she crushed it. the cast and crew were all next level. i’ll have more to say soon. we did it. for the 🔥.

last night we wrapped Sacrifice, a movie i wrote with @romaingavras, who directed the living hell out of it. i can’t wait for everyone to see it next year. we shot in bulgaria and greece and it was dusty and intense and hard and i loved every second. i love making things. i love people who make things. especially cool was that @yiyihuang was by my side the whole way, making her producing debut. she didn’t miss a single day on set — she crushed it. the cast and crew were all next level. i’ll have more to say soon. we did it. for the 🔥.

last night we wrapped Sacrifice, a movie i wrote with @romaingavras, who directed the living hell out of it. i can’t wait for everyone to see it next year. we shot in bulgaria and greece and it was dusty and intense and hard and i loved every second. i love making things. i love people who make things. especially cool was that @yiyihuang was by my side the whole way, making her producing debut. she didn’t miss a single day on set — she crushed it. the cast and crew were all next level. i’ll have more to say soon. we did it. for the 🔥.

last night we wrapped Sacrifice, a movie i wrote with @romaingavras, who directed the living hell out of it. i can’t wait for everyone to see it next year. we shot in bulgaria and greece and it was dusty and intense and hard and i loved every second. i love making things. i love people who make things. especially cool was that @yiyihuang was by my side the whole way, making her producing debut. she didn’t miss a single day on set — she crushed it. the cast and crew were all next level. i’ll have more to say soon. we did it. for the 🔥.

last night we wrapped Sacrifice, a movie i wrote with @romaingavras, who directed the living hell out of it. i can’t wait for everyone to see it next year. we shot in bulgaria and greece and it was dusty and intense and hard and i loved every second. i love making things. i love people who make things. especially cool was that @yiyihuang was by my side the whole way, making her producing debut. she didn’t miss a single day on set — she crushed it. the cast and crew were all next level. i’ll have more to say soon. we did it. for the 🔥.
last night we wrapped Sacrifice, a movie i wrote with @romaingavras, who directed the living hell out of it. i can’t wait for everyone to see it next year. we shot in bulgaria and greece and it was dusty and intense and hard and i loved every second. i love making things. i love people who make things. especially cool was that @yiyihuang was by my side the whole way, making her producing debut. she didn’t miss a single day on set — she crushed it. the cast and crew were all next level. i’ll have more to say soon. we did it. for the 🔥.

plays are people too.
los angeles! sept 8! tickets available through @dynastytypewriter

plays are people too.
los angeles! sept 8! tickets available through @dynastytypewriter

pretty huge couple of weeks for events
join us Monday, Aug 5 at 7PM to celebrate the publication of a double-volume of plays by @warbery, Corsicana / Evanston Salt Costs Climbing, at the @dallascontemporary • the playwright will be in conversation with his sister and the director of the Dallas Contemporary, @lucia.sim
Monday, July 30 at 5:30PM marks the start of a Cause-Minded Conversation Series co-presented by @communitiesfoundationoftexas and @deepvellum • We Are One City: Elevating the Story of Dallas
more info at deepvellum.com/events

pretty huge couple of weeks for events
join us Monday, Aug 5 at 7PM to celebrate the publication of a double-volume of plays by @warbery, Corsicana / Evanston Salt Costs Climbing, at the @dallascontemporary • the playwright will be in conversation with his sister and the director of the Dallas Contemporary, @lucia.sim
Monday, July 30 at 5:30PM marks the start of a Cause-Minded Conversation Series co-presented by @communitiesfoundationoftexas and @deepvellum • We Are One City: Elevating the Story of Dallas
more info at deepvellum.com/events

pretty huge couple of weeks for events
join us Monday, Aug 5 at 7PM to celebrate the publication of a double-volume of plays by @warbery, Corsicana / Evanston Salt Costs Climbing, at the @dallascontemporary • the playwright will be in conversation with his sister and the director of the Dallas Contemporary, @lucia.sim
Monday, July 30 at 5:30PM marks the start of a Cause-Minded Conversation Series co-presented by @communitiesfoundationoftexas and @deepvellum • We Are One City: Elevating the Story of Dallas
more info at deepvellum.com/events

pretty huge couple of weeks for events
join us Monday, Aug 5 at 7PM to celebrate the publication of a double-volume of plays by @warbery, Corsicana / Evanston Salt Costs Climbing, at the @dallascontemporary • the playwright will be in conversation with his sister and the director of the Dallas Contemporary, @lucia.sim
Monday, July 30 at 5:30PM marks the start of a Cause-Minded Conversation Series co-presented by @communitiesfoundationoftexas and @deepvellum • We Are One City: Elevating the Story of Dallas
more info at deepvellum.com/events

pretty huge couple of weeks for events
join us Monday, Aug 5 at 7PM to celebrate the publication of a double-volume of plays by @warbery, Corsicana / Evanston Salt Costs Climbing, at the @dallascontemporary • the playwright will be in conversation with his sister and the director of the Dallas Contemporary, @lucia.sim
Monday, July 30 at 5:30PM marks the start of a Cause-Minded Conversation Series co-presented by @communitiesfoundationoftexas and @deepvellum • We Are One City: Elevating the Story of Dallas
more info at deepvellum.com/events

Artist @joshklinejoshkline and playwright and screenwriter @warbery both live, in a sense, in the future. For more than two decades, Kline’s work has looked unblinkingly ahead to the most daunting implications of 21st-century life, while Arbery’s Pulitzer Prize-nominated play, “Heroes of the Fourth Turning” (2019) presents the frighteningly realistic prospect of millenarian religious warfare in America.
Now, as we find ourselves both in the midst of rapidly unraveling political chaos and on the cusp of revolutionary technological change, the pair met to share their thoughts on the ramifications—both cultural and political—of the emerging artificial intelligence revolution.
🔗 Read their full conversation at the link in bio or in print in Ursula Issue 11, out now.
Josh Kline, Unemployment (2016), Installation view, Fondazione Sandretto Re Rebaudengo, Turin, Italy, 2016–17. Photo: Paolo Saglia. Courtesy the artist and @fondazionesandretto, Turin

three years. the best years. every day with yi feels like being given a whole new life. love you more than i can say, bob. (also yes we did get courthouse married in march. but also we’re doing another wedding next year in case you have deja vu next year. bye!)

three years. the best years. every day with yi feels like being given a whole new life. love you more than i can say, bob. (also yes we did get courthouse married in march. but also we’re doing another wedding next year in case you have deja vu next year. bye!)

three years. the best years. every day with yi feels like being given a whole new life. love you more than i can say, bob. (also yes we did get courthouse married in march. but also we’re doing another wedding next year in case you have deja vu next year. bye!)

three years. the best years. every day with yi feels like being given a whole new life. love you more than i can say, bob. (also yes we did get courthouse married in march. but also we’re doing another wedding next year in case you have deja vu next year. bye!)

three years. the best years. every day with yi feels like being given a whole new life. love you more than i can say, bob. (also yes we did get courthouse married in march. but also we’re doing another wedding next year in case you have deja vu next year. bye!)

three years. the best years. every day with yi feels like being given a whole new life. love you more than i can say, bob. (also yes we did get courthouse married in march. but also we’re doing another wedding next year in case you have deja vu next year. bye!)
three years. the best years. every day with yi feels like being given a whole new life. love you more than i can say, bob. (also yes we did get courthouse married in march. but also we’re doing another wedding next year in case you have deja vu next year. bye!)
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