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studiolenca
Studio Lenca
Latino previously undocumented in the USA
From El Salvador 🇸🇻 currently UK 🇬🇧
In MoMA PS1’s Homeroom, @StudioLenca recently led “Rutas.” Lenca has historically facilitated “Rutas” painting workshops as spaces for displaced individuals to document their experiences moving through both land and feelings. In this iteration of “Rutas”, the artist collaborated with local teens from @glasswingi, each of whom contributed a painting narrating their unique story. Collectively, these works form an archive of displacement and resilience.
Presented as part of an exhibition by @laescuela.art, “Education as Resistance” foregrounds education as an artistic practice and a space for dialogue, reflection, and collective making.
Link in bio to plan your visit to experience this project, which underscores education as social practice. 👉 Admission is free for all!
🎵: a Marea / Circus Marcus by Independent Music Licensing Collective (IMLC), Free Music Archive, CC BY-NC-ND
Monuments, 2024, Paper, blankets and found materials, variable dimensions
Monuments, 2024, Paper, blankets and found materials, variable dimensions
Monuments, 2024, Paper, blankets and found materials, variable dimensions
Monuments, 2024, Paper, blankets and found materials, variable dimensions
Monuments, 2024, Paper, blankets and found materials, variable dimensions
Monuments, 2024, Paper, blankets and found materials, variable dimensions
The making of ‘Libertad’ 2025 at Counter Editions print studio. I love translating my paintings into different materials and processes
The making of ‘Libertad’ 2025 at Counter Editions print studio. I love translating my paintings into different materials and processes
The making of ‘Libertad’ 2025 at Counter Editions print studio. I love translating my paintings into different materials and processes
The making of ‘Libertad’ 2025 at Counter Editions print studio. I love translating my paintings into different materials and processes
The making of ‘Libertad’ 2025 at Counter Editions print studio. I love translating my paintings into different materials and processes
The making of ‘Libertad’ 2025 at Counter Editions print studio. I love translating my paintings into different materials and processes
The making of ‘Libertad’ 2025 at Counter Editions print studio. I love translating my paintings into different materials and processes
The making of ‘Libertad’ 2025 at Counter Editions print studio. I love translating my paintings into different materials and processes
The making of ‘Libertad’ 2025 at Counter Editions print studio. I love translating my paintings into different materials and processes
Dreamland (2024) Three mobile papier-mâché volcanoes.
Made in collaboration with young asylum seekers from Kent Refuge Action Network.
Dreamland (2024) Three mobile papier-mâché volcanoes.
Made in collaboration with young asylum seekers from Kent Refuge Action Network.
Dreamland (2024) Three mobile papier-mâché volcanoes.
Made in collaboration with young asylum seekers from Kent Refuge Action Network.
Dreamland (2024) Three mobile papier-mâché volcanoes.
Made in collaboration with young asylum seekers from Kent Refuge Action Network.
For the first time, my family in El Salvador got to see my paintings. The first pic is them at the exhibition (:
And over four days, 2,000 people came through. I didn’t expect that at all.
All the different parts of me aligned.
Thank you to everyone who made this possible.
For the first time, my family in El Salvador got to see my paintings. The first pic is them at the exhibition (:
And over four days, 2,000 people came through. I didn’t expect that at all.
All the different parts of me aligned.
Thank you to everyone who made this possible.
For the first time, my family in El Salvador got to see my paintings. The first pic is them at the exhibition (:
And over four days, 2,000 people came through. I didn’t expect that at all.
All the different parts of me aligned.
Thank you to everyone who made this possible.
For the first time, my family in El Salvador got to see my paintings. The first pic is them at the exhibition (:
And over four days, 2,000 people came through. I didn’t expect that at all.
All the different parts of me aligned.
Thank you to everyone who made this possible.
For the first time, my family in El Salvador got to see my paintings. The first pic is them at the exhibition (:
And over four days, 2,000 people came through. I didn’t expect that at all.
All the different parts of me aligned.
Thank you to everyone who made this possible.
For the first time, my family in El Salvador got to see my paintings. The first pic is them at the exhibition (:
And over four days, 2,000 people came through. I didn’t expect that at all.
All the different parts of me aligned.
Thank you to everyone who made this possible.
For the first time, my family in El Salvador got to see my paintings. The first pic is them at the exhibition (:
And over four days, 2,000 people came through. I didn’t expect that at all.
All the different parts of me aligned.
Thank you to everyone who made this possible.
For the first time, my family in El Salvador got to see my paintings. The first pic is them at the exhibition (:
And over four days, 2,000 people came through. I didn’t expect that at all.
All the different parts of me aligned.
Thank you to everyone who made this possible.
For the first time, my family in El Salvador got to see my paintings. The first pic is them at the exhibition (:
And over four days, 2,000 people came through. I didn’t expect that at all.
All the different parts of me aligned.
Thank you to everyone who made this possible.
For the first time, my family in El Salvador got to see my paintings. The first pic is them at the exhibition (:
And over four days, 2,000 people came through. I didn’t expect that at all.
All the different parts of me aligned.
Thank you to everyone who made this possible.
For the first time, my family in El Salvador got to see my paintings. The first pic is them at the exhibition (:
And over four days, 2,000 people came through. I didn’t expect that at all.
All the different parts of me aligned.
Thank you to everyone who made this possible.
For the first time, my family in El Salvador got to see my paintings. The first pic is them at the exhibition (:
And over four days, 2,000 people came through. I didn’t expect that at all.
All the different parts of me aligned.
Thank you to everyone who made this possible.
For the first time, my family in El Salvador got to see my paintings. The first pic is them at the exhibition (:
And over four days, 2,000 people came through. I didn’t expect that at all.
All the different parts of me aligned.
Thank you to everyone who made this possible.
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