Salva Storie Instagram

📏 Pendant sa résidence, @raphaelzarka souhaite se familiariser avec l’œuvre de l’artiste moderniste japonais Masakazu Horiuti et effectuer des recherches sur l’usage de la géométrie dans l’art japonais, dans la perspective d’une exposition en duo avec Horiuti au @kyotocitykyoceramuseum
prévue en 2027. À travers la figure de cet artiste , il aspire à interroger les usages japonais de la perspective parallèle (axonométrie), qui ignore l’usage du point de fuite, au contraire de la perspective centrale utilisée pour la représentation des espaces géométriques en Occident depuis la Renaissance. L’utilisation de la perspective parallèle pose des problèmes de composition particuliers que les peintres japonais ont expérimentés depuis des siècles.

📅 En résidence jusqu'à fin juillet 2026 !

**

📏 ヴィラ九条山滞在中、ラファエル・ザルカは日本のモダニズムを担った芸術家、堀内正和の作品を研究し、日本のアート分野における幾何学の応用について探求します。2027年京セラ美術館にて、堀内との共同展開催という形で発表される予定です。堀内の彫刻作品を通してラファエル・ザルカが追求するのは、日本における遠近法である並行投影（アクソノメトリック―三次元の立体を平面に描く技法）というテーマ。欧米では、ルネッサンス時代より幾何学的空間に使われる遠近法は中心投影でした。それに反し、日本の絵画では、平行線が永遠に交わらない消失点のない遠近法が使用されていました。ただ、この遠近法を用いるとある種の構図的問題が生じます。日本の絵画にも数世紀に渡ってその影響が見られました。

📅7月末まで滞在予定！

**

📏 Raphaël Zarka intends to use his residency to familiarise himself with the work of Japanese modernist artist Masakazu Horiuti and conduct research into the use of geometry in Japanese art, prior to a joint exhibition with Horiuti which the KYOCERA Museum of Art in Kyoto is planning for 2027. Through Horiuti, Zarka wishes to examine Japanese uses of parallel perspective (axonometry), in which there is no vanishing point, unlike western representations of geometric spaces used since the Renaissance, that have been governed by the rules of a central perspective. The use of parallel perspective raises compositional challenges which Japanese artists have experimented with for hundreds of years.

📅 In residence until the end of July 2026 !

--
@villa_kujoyama @if_officiel @institut_tokyo @fondationbettencourtschueller
#villakujoyama #institutfrancais #institutfrancaisjapon #fondationbettencourtschueller #ヴィラ九条山 #アンスティチュ・フランセ #ベタンクールシュエーラー財団

📏 Pendant sa résidence, @raphaelzarka souhaite se familiariser avec l’œuvre de l’artiste moderniste japonais Masakazu Horiuti et effectuer des recherches sur l’usage de la géométrie dans l’art japonais, dans la perspective d’une exposition en duo avec Horiuti au @kyotocitykyoceramuseum
prévue en 2027. À travers la figure de cet artiste , il aspire à interroger les usages japonais de la perspective parallèle (axonométrie), qui ignore l’usage du point de fuite, au contraire de la perspective centrale utilisée pour la représentation des espaces géométriques en Occident depuis la Renaissance. L’utilisation de la perspective parallèle pose des problèmes de composition particuliers que les peintres japonais ont expérimentés depuis des siècles.

📅 En résidence jusqu'à fin juillet 2026 !

**

📏 ヴィラ九条山滞在中、ラファエル・ザルカは日本のモダニズムを担った芸術家、堀内正和の作品を研究し、日本のアート分野における幾何学の応用について探求します。2027年京セラ美術館にて、堀内との共同展開催という形で発表される予定です。堀内の彫刻作品を通してラファエル・ザルカが追求するのは、日本における遠近法である並行投影（アクソノメトリック―三次元の立体を平面に描く技法）というテーマ。欧米では、ルネッサンス時代より幾何学的空間に使われる遠近法は中心投影でした。それに反し、日本の絵画では、平行線が永遠に交わらない消失点のない遠近法が使用されていました。ただ、この遠近法を用いるとある種の構図的問題が生じます。日本の絵画にも数世紀に渡ってその影響が見られました。

📅7月末まで滞在予定！

**

📏 Raphaël Zarka intends to use his residency to familiarise himself with the work of Japanese modernist artist Masakazu Horiuti and conduct research into the use of geometry in Japanese art, prior to a joint exhibition with Horiuti which the KYOCERA Museum of Art in Kyoto is planning for 2027. Through Horiuti, Zarka wishes to examine Japanese uses of parallel perspective (axonometry), in which there is no vanishing point, unlike western representations of geometric spaces used since the Renaissance, that have been governed by the rules of a central perspective. The use of parallel perspective raises compositional challenges which Japanese artists have experimented with for hundreds of years.

📅 In residence until the end of July 2026 !

--
@villa_kujoyama @if_officiel @institut_tokyo @fondationbettencourtschueller
#villakujoyama #institutfrancais #institutfrancaisjapon #fondationbettencourtschueller #ヴィラ九条山 #アンスティチュ・フランセ #ベタンクールシュエーラー財団

📏 Pendant sa résidence, @raphaelzarka souhaite se familiariser avec l’œuvre de l’artiste moderniste japonais Masakazu Horiuti et effectuer des recherches sur l’usage de la géométrie dans l’art japonais, dans la perspective d’une exposition en duo avec Horiuti au @kyotocitykyoceramuseum
prévue en 2027. À travers la figure de cet artiste , il aspire à interroger les usages japonais de la perspective parallèle (axonométrie), qui ignore l’usage du point de fuite, au contraire de la perspective centrale utilisée pour la représentation des espaces géométriques en Occident depuis la Renaissance. L’utilisation de la perspective parallèle pose des problèmes de composition particuliers que les peintres japonais ont expérimentés depuis des siècles.

📅 En résidence jusqu'à fin juillet 2026 !

**

📏 ヴィラ九条山滞在中、ラファエル・ザルカは日本のモダニズムを担った芸術家、堀内正和の作品を研究し、日本のアート分野における幾何学の応用について探求します。2027年京セラ美術館にて、堀内との共同展開催という形で発表される予定です。堀内の彫刻作品を通してラファエル・ザルカが追求するのは、日本における遠近法である並行投影（アクソノメトリック―三次元の立体を平面に描く技法）というテーマ。欧米では、ルネッサンス時代より幾何学的空間に使われる遠近法は中心投影でした。それに反し、日本の絵画では、平行線が永遠に交わらない消失点のない遠近法が使用されていました。ただ、この遠近法を用いるとある種の構図的問題が生じます。日本の絵画にも数世紀に渡ってその影響が見られました。

📅7月末まで滞在予定！

**

📏 Raphaël Zarka intends to use his residency to familiarise himself with the work of Japanese modernist artist Masakazu Horiuti and conduct research into the use of geometry in Japanese art, prior to a joint exhibition with Horiuti which the KYOCERA Museum of Art in Kyoto is planning for 2027. Through Horiuti, Zarka wishes to examine Japanese uses of parallel perspective (axonometry), in which there is no vanishing point, unlike western representations of geometric spaces used since the Renaissance, that have been governed by the rules of a central perspective. The use of parallel perspective raises compositional challenges which Japanese artists have experimented with for hundreds of years.

📅 In residence until the end of July 2026 !

--
@villa_kujoyama @if_officiel @institut_tokyo @fondationbettencourtschueller
#villakujoyama #institutfrancais #institutfrancaisjapon #fondationbettencourtschueller #ヴィラ九条山 #アンスティチュ・フランセ #ベタンクールシュエーラー財団

📏 Pendant sa résidence, @raphaelzarka souhaite se familiariser avec l’œuvre de l’artiste moderniste japonais Masakazu Horiuti et effectuer des recherches sur l’usage de la géométrie dans l’art japonais, dans la perspective d’une exposition en duo avec Horiuti au @kyotocitykyoceramuseum
prévue en 2027. À travers la figure de cet artiste , il aspire à interroger les usages japonais de la perspective parallèle (axonométrie), qui ignore l’usage du point de fuite, au contraire de la perspective centrale utilisée pour la représentation des espaces géométriques en Occident depuis la Renaissance. L’utilisation de la perspective parallèle pose des problèmes de composition particuliers que les peintres japonais ont expérimentés depuis des siècles.

📅 En résidence jusqu'à fin juillet 2026 !

**

📏 ヴィラ九条山滞在中、ラファエル・ザルカは日本のモダニズムを担った芸術家、堀内正和の作品を研究し、日本のアート分野における幾何学の応用について探求します。2027年京セラ美術館にて、堀内との共同展開催という形で発表される予定です。堀内の彫刻作品を通してラファエル・ザルカが追求するのは、日本における遠近法である並行投影（アクソノメトリック―三次元の立体を平面に描く技法）というテーマ。欧米では、ルネッサンス時代より幾何学的空間に使われる遠近法は中心投影でした。それに反し、日本の絵画では、平行線が永遠に交わらない消失点のない遠近法が使用されていました。ただ、この遠近法を用いるとある種の構図的問題が生じます。日本の絵画にも数世紀に渡ってその影響が見られました。

📅7月末まで滞在予定！

**

📏 Raphaël Zarka intends to use his residency to familiarise himself with the work of Japanese modernist artist Masakazu Horiuti and conduct research into the use of geometry in Japanese art, prior to a joint exhibition with Horiuti which the KYOCERA Museum of Art in Kyoto is planning for 2027. Through Horiuti, Zarka wishes to examine Japanese uses of parallel perspective (axonometry), in which there is no vanishing point, unlike western representations of geometric spaces used since the Renaissance, that have been governed by the rules of a central perspective. The use of parallel perspective raises compositional challenges which Japanese artists have experimented with for hundreds of years.

📅 In residence until the end of July 2026 !

--
@villa_kujoyama @if_officiel @institut_tokyo @fondationbettencourtschueller
#villakujoyama #institutfrancais #institutfrancaisjapon #fondationbettencourtschueller #ヴィラ九条山 #アンスティチュ・フランセ #ベタンクールシュエーラー財団

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

Turn of the year in Florence and Prato with hose specialist @hippolytehentgen

1,2 : Filippo Lippi, Prato
3,4,5 : Donatello, Prato Cathedral
6 : Nero di Bicci, Accademia
7,8 : Lo Scheggia (Masaccio’s brother I was told), Accademia
9, 10: Fra Angelico, Palazzo Strozzi
11 : Filippo Lippi, Palazzo Strozzi
12,13 : Lorenzo Monaco, Accademia
14 : Andrea del Sarto, Chiostro del Scalzo
15 : Franciabigio, Chiostro del Scalzo
16 : Fra Angelico, Palazzo Strozzi
17 : Gentile de Fabriano, Palazzo Strozzi
18 : Cosimo Rosselli, Accademia
19 : Cosimo Rosselli, Santissima Annunziata (anticipated portrait of a young me as a hooded Franciscan skater)
20 : Filippo Lippi, Prato (📷 @hippolytehentgen )

: SHOWING AT THEMA - RAPHAËL ZARKA

THEMA 2025
PARIS, 22–26 OCTOBER
PALAIS BRONGNIART
__

: SHOWING AT THEMA - RAPHAËL ZARKA

THEMA 2025
PARIS, 22–26 OCTOBER
PALAIS BRONGNIART
__

: SHOWING AT THEMA - RAPHAËL ZARKA

THEMA 2025
PARIS, 22–26 OCTOBER
PALAIS BRONGNIART
__

: SHOWING AT THEMA - RAPHAËL ZARKA

THEMA 2025
PARIS, 22–26 OCTOBER
PALAIS BRONGNIART
__

: SHOWING AT THEMA - RAPHAËL ZARKA

THEMA 2025
PARIS, 22–26 OCTOBER
PALAIS BRONGNIART
__

: SHOWING AT THEMA - RAPHAËL ZARKA

Raphaël Zarka (b. 1977, Montpellier) develops a sculptural practice investigating the migration of geometric forms across disciplines, epochs, and contexts. A graduate of the École des Beaux-Arts in Paris and former Villa Medici resident (2010-2011), he draws upon sources from Galilean mechanics to crystallographic models, tracing how learned forms persist through popular usage. His work—encompassing sculpture, photography, video, and publication: constructs rigorous dialogues between mathematical inquiry, art history, and material culture.

Central to his methodology is the concept of the « instrumental sculpture, » designed for active use, particularly in skateboarding practice. Projects like « Topographie anecdotée du skateboard » (2008) and « Cycloïde Piazza » (Centre Pompidou, 2024) evidence his interest in skateboarding as a relational model for artistic production. By rendering geometric abstractions practicable, Zarka creates sculptural propositions that function as sites of embodied knowledge and lived experience.

Photo : Nacása & Partners Inc. / Fondation d’entreprise Hermès
©️ ADAGP, Paris - 2025

THEMA 2025
PARIS, 22–26 OCTOBER
PALAIS BRONGNIART
__

Back to the Gnomonic Woods after a summer break dedicated to my PhD on polyhedral sundial as a pre-modern form of geometric abstraction.
Merci @phbetto pour son aide précieuse.

#gnomonicwoods
#gnomonicsculpture
#sundial
#polyhedralsundial
@esamcaench

Back to the Gnomonic Woods after a summer break dedicated to my PhD on polyhedral sundial as a pre-modern form of geometric abstraction.
Merci @phbetto pour son aide précieuse.

#gnomonicwoods
#gnomonicsculpture
#sundial
#polyhedralsundial
@esamcaench

Last days of my solo show @lucianabritogaleria
All photos by Édouard Fraipont 🌞
Except the last one and the video by Arnold Pasquier 🙏
Many more thanks to all who made that project possible @lucibrito @_adrianocasanova @projetofidalga @sandracinto_oficial @ateliealbanoafonso
And to everyone I met during my amazing two weeks in São Paulo! See you soon.

Last days of my solo show @lucianabritogaleria
All photos by Édouard Fraipont 🌞
Except the last one and the video by Arnold Pasquier 🙏
Many more thanks to all who made that project possible @lucibrito @_adrianocasanova @projetofidalga @sandracinto_oficial @ateliealbanoafonso
And to everyone I met during my amazing two weeks in São Paulo! See you soon.

Last days of my solo show @lucianabritogaleria
All photos by Édouard Fraipont 🌞
Except the last one and the video by Arnold Pasquier 🙏
Many more thanks to all who made that project possible @lucibrito @_adrianocasanova @projetofidalga @sandracinto_oficial @ateliealbanoafonso
And to everyone I met during my amazing two weeks in São Paulo! See you soon.

Last days of my solo show @lucianabritogaleria
All photos by Édouard Fraipont 🌞
Except the last one and the video by Arnold Pasquier 🙏
Many more thanks to all who made that project possible @lucibrito @_adrianocasanova @projetofidalga @sandracinto_oficial @ateliealbanoafonso
And to everyone I met during my amazing two weeks in São Paulo! See you soon.

Last days of my solo show @lucianabritogaleria
All photos by Édouard Fraipont 🌞
Except the last one and the video by Arnold Pasquier 🙏
Many more thanks to all who made that project possible @lucibrito @_adrianocasanova @projetofidalga @sandracinto_oficial @ateliealbanoafonso
And to everyone I met during my amazing two weeks in São Paulo! See you soon.

Last days of my solo show @lucianabritogaleria
All photos by Édouard Fraipont 🌞
Except the last one and the video by Arnold Pasquier 🙏
Many more thanks to all who made that project possible @lucibrito @_adrianocasanova @projetofidalga @sandracinto_oficial @ateliealbanoafonso
And to everyone I met during my amazing two weeks in São Paulo! See you soon.

Last days of my solo show @lucianabritogaleria
All photos by Édouard Fraipont 🌞
Except the last one and the video by Arnold Pasquier 🙏
Many more thanks to all who made that project possible @lucibrito @_adrianocasanova @projetofidalga @sandracinto_oficial @ateliealbanoafonso
And to everyone I met during my amazing two weeks in São Paulo! See you soon.

Last days of my solo show @lucianabritogaleria
All photos by Édouard Fraipont 🌞
Except the last one and the video by Arnold Pasquier 🙏
Many more thanks to all who made that project possible @lucibrito @_adrianocasanova @projetofidalga @sandracinto_oficial @ateliealbanoafonso
And to everyone I met during my amazing two weeks in São Paulo! See you soon.

Last days of my solo show @lucianabritogaleria
All photos by Édouard Fraipont 🌞
Except the last one and the video by Arnold Pasquier 🙏
Many more thanks to all who made that project possible @lucibrito @_adrianocasanova @projetofidalga @sandracinto_oficial @ateliealbanoafonso
And to everyone I met during my amazing two weeks in São Paulo! See you soon.

Last days of my solo show @lucianabritogaleria
All photos by Édouard Fraipont 🌞
Except the last one and the video by Arnold Pasquier 🙏
Many more thanks to all who made that project possible @lucibrito @_adrianocasanova @projetofidalga @sandracinto_oficial @ateliealbanoafonso
And to everyone I met during my amazing two weeks in São Paulo! See you soon.

#EmExposição na Sala Modernista da Luciana Brito Galeria, “Gnomonic Woods”, a segunda mostra do artista francês Raphaël Zarka no Brasil. Na parede principal, o artista apresenta “Kratzer” (2025), uma pintura de parede pensada exclusivamente para a exposição. Pensada para representar a localização da cidade de São Paulo, a pintura traz linhas transversais que não apenas representam a latitude da cidade, como também fazem uma alusão aos ponteiros, que nos relógios de sol são chamados de gnomon, ou ponteiros de sombra. Já as tonalidades das cores pasteis remetem ao degradê das sombras, interrompidas por duas pinturas menores que retratam os relógios de sol, produzidas por machetaria, tinta e gesso.

#OnView at Modernis Room, at Luciana Brito Galeria, “Gnomonic Woods”, French artist Raphaël Zarka’s second exhibition in Brazil. On the main wall, the artist presents “Kratzer” (2025), a wall painting created exclusively for the show. Designed to represent the location of the city of São Paulo, the painting features transverse lines that not only represent the city’s latitude but also allude to the clock hands, which on sundials are called gnomons, or shadow hands. The pastel hues evoke the gradient of shadows, interrupted by two smaller paintings depicting the sundials, produced using machetes, paint, and plaster.

@raphaelzarka

Raphael Zarka
“Kratzer (São Paulo)”, 2025
acrílica sobre parede
acrylic on wall
256 x 372 cm / 100.78 x 146.45 in

Fotos [photos]: Edouard Fraipont.

#LucianaBritoGaleria
#RaphaëlZarka
#WallPainting
#Pinturadeparede
#ArteContemporânea
#ContemporaryArt

#EmExposição na Sala Modernista da Luciana Brito Galeria, “Gnomonic Woods”, a segunda mostra do artista francês Raphaël Zarka no Brasil. Na parede principal, o artista apresenta “Kratzer” (2025), uma pintura de parede pensada exclusivamente para a exposição. Pensada para representar a localização da cidade de São Paulo, a pintura traz linhas transversais que não apenas representam a latitude da cidade, como também fazem uma alusão aos ponteiros, que nos relógios de sol são chamados de gnomon, ou ponteiros de sombra. Já as tonalidades das cores pasteis remetem ao degradê das sombras, interrompidas por duas pinturas menores que retratam os relógios de sol, produzidas por machetaria, tinta e gesso.

#OnView at Modernis Room, at Luciana Brito Galeria, “Gnomonic Woods”, French artist Raphaël Zarka’s second exhibition in Brazil. On the main wall, the artist presents “Kratzer” (2025), a wall painting created exclusively for the show. Designed to represent the location of the city of São Paulo, the painting features transverse lines that not only represent the city’s latitude but also allude to the clock hands, which on sundials are called gnomons, or shadow hands. The pastel hues evoke the gradient of shadows, interrupted by two smaller paintings depicting the sundials, produced using machetes, paint, and plaster.

@raphaelzarka

Raphael Zarka
“Kratzer (São Paulo)”, 2025
acrílica sobre parede
acrylic on wall
256 x 372 cm / 100.78 x 146.45 in

Fotos [photos]: Edouard Fraipont.

#LucianaBritoGaleria
#RaphaëlZarka
#WallPainting
#Pinturadeparede
#ArteContemporânea
#ContemporaryArt

#EmExposição na Sala Modernista da Luciana Brito Galeria, “Gnomonic Woods”, a segunda mostra do artista francês Raphaël Zarka no Brasil. Na parede principal, o artista apresenta “Kratzer” (2025), uma pintura de parede pensada exclusivamente para a exposição. Pensada para representar a localização da cidade de São Paulo, a pintura traz linhas transversais que não apenas representam a latitude da cidade, como também fazem uma alusão aos ponteiros, que nos relógios de sol são chamados de gnomon, ou ponteiros de sombra. Já as tonalidades das cores pasteis remetem ao degradê das sombras, interrompidas por duas pinturas menores que retratam os relógios de sol, produzidas por machetaria, tinta e gesso.

#OnView at Modernis Room, at Luciana Brito Galeria, “Gnomonic Woods”, French artist Raphaël Zarka’s second exhibition in Brazil. On the main wall, the artist presents “Kratzer” (2025), a wall painting created exclusively for the show. Designed to represent the location of the city of São Paulo, the painting features transverse lines that not only represent the city’s latitude but also allude to the clock hands, which on sundials are called gnomons, or shadow hands. The pastel hues evoke the gradient of shadows, interrupted by two smaller paintings depicting the sundials, produced using machetes, paint, and plaster.

@raphaelzarka

Raphael Zarka
“Kratzer (São Paulo)”, 2025
acrílica sobre parede
acrylic on wall
256 x 372 cm / 100.78 x 146.45 in

Fotos [photos]: Edouard Fraipont.

#LucianaBritoGaleria
#RaphaëlZarka
#WallPainting
#Pinturadeparede
#ArteContemporânea
#ContemporaryArt

#EmExposição na Sala Modernista da Luciana Brito Galeria, “Gnomonic Woods”, a segunda mostra do artista francês Raphaël Zarka no Brasil. Na parede principal, o artista apresenta “Kratzer” (2025), uma pintura de parede pensada exclusivamente para a exposição. Pensada para representar a localização da cidade de São Paulo, a pintura traz linhas transversais que não apenas representam a latitude da cidade, como também fazem uma alusão aos ponteiros, que nos relógios de sol são chamados de gnomon, ou ponteiros de sombra. Já as tonalidades das cores pasteis remetem ao degradê das sombras, interrompidas por duas pinturas menores que retratam os relógios de sol, produzidas por machetaria, tinta e gesso.

#OnView at Modernis Room, at Luciana Brito Galeria, “Gnomonic Woods”, French artist Raphaël Zarka’s second exhibition in Brazil. On the main wall, the artist presents “Kratzer” (2025), a wall painting created exclusively for the show. Designed to represent the location of the city of São Paulo, the painting features transverse lines that not only represent the city’s latitude but also allude to the clock hands, which on sundials are called gnomons, or shadow hands. The pastel hues evoke the gradient of shadows, interrupted by two smaller paintings depicting the sundials, produced using machetes, paint, and plaster.

@raphaelzarka

Raphael Zarka
“Kratzer (São Paulo)”, 2025
acrílica sobre parede
acrylic on wall
256 x 372 cm / 100.78 x 146.45 in

Fotos [photos]: Edouard Fraipont.

#LucianaBritoGaleria
#RaphaëlZarka
#WallPainting
#Pinturadeparede
#ArteContemporânea
#ContemporaryArt

#AgoraOnline - O artista francês Raphaël Zarka apresenta sua segunda exposição na Luciana Brito Galeria - “Gnomonic Woods”. Neste vídeo, ele explica sobre sua pesquisa e a importância da geometria e os relógios de sol nos seus trabalhos, além de falar da relação do espaço da galeria, antiga residência projetada por Rino Levi, e a mostra.

#NowOnline - French artist Raphaël Zarka presents his second exhibition at Luciana Brito Galeria - “Gnomonic Woods”. In this video, he explains his research and the importance of geometry and sundials in his work, as well as the relationship between the gallery space, a former residence designed by Rino Levi, and the exhibition.

@raphaelzarka

Captação e edição: @senso________

#LucianaBritoGaleria
#RaphaelZarka
#AlexiaTala
#ArteContemporânea
#ContemporaryArt

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Promenade à travers l’incroyable exposition d’Hippolyte Hentgen @villaduparc_centredart à Annemasse. Je n’avais jamais eu l’occasion de voir autant de pièces d’autant de séries différentes produites ces 10 dernières années, beaucoup d’œuvres in situ, beaucoup de nouvelles productions sans parler de la façade du Centre d’Art.
Bravo Lina, bravo Gaëlle!!! ❤️❤️
Annemasse, c’est à 20 minutes de Genève en tram ou en train. Must See.
Commissariat : @garancechabert 👏🏽

@hippolytehentgen
@hippolyte_hentgen
@galeriebernardjordan

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Today was the opening of my second solo at Luciana Brito gallery in Sao Paolo, but my first in their space located in a modernist house by architect Rino Levi with gardens conceived by Levi and Brule Marx. I can’t tell you how happy I was to be back in SP after many years and to show in such a great gallery. I was also lucky enough to be staying at @projetofidalga , an amazing residency and exhibition program run by the ever generous and hyperactive Sandra Cinto and Albano Afonso. Thank you so much to everyone who made my stay incredible, in particular, and for very different reasons, Adriano Casanova and Silvia Gurfein.
I will miss São Paulo so much!
Better photos to come very soon.

Special thanks to @rafaxcarneiro and @joules_and_joules without whom the wall painting won’t have been the same and to Mauro who made a great job painting it.
And all the team @lucianabritogaleria and @projetofidalga

@lucianabritogaleria
@lucibrito
@projetofidalga
@sandracinto_oficial
@ateliealbanoafonso
@silviagurfein
@_adrianocasanova
#gnomonicwoods

Opening very very soon!
My solo show @lucianabritogaleria
In the « Modernist Room » of the gallery, located in an amazing house by architect Rino Levi with a garden by him and Brule Marx.

Thank you so much @projetofidalga for hosting me!
Like it says : I just can’t get enough!

I will have the pleasure to show my recent Gnomonic Woods, layered woodcuts monotypes… or xylographic paintings if feels more clear, along with new versions of Gnomonic Sculptures Intarsias plus a site specific 4 sided wall painting gnomonically ;) inclined on São Paulo’s latitude.

Thank you :
Luciana Brito @lucibrito
Adriano Casanova (missing you) @_adrianocasanova
Sandra Cinto @sandracinto_oficial
Albano Afonso @ateliealbanoafonso
The whole team of the gallery, Mauro, Juan and Pedro
And Somar for mounting the works on wooden panels.

#gnomonicabstraction
#gnomonicsculpture
#gnomonicwoods
#sundial
#rinolevi

Opening very very soon!
My solo show @lucianabritogaleria
In the « Modernist Room » of the gallery, located in an amazing house by architect Rino Levi with a garden by him and Brule Marx.

Thank you so much @projetofidalga for hosting me!
Like it says : I just can’t get enough!

I will have the pleasure to show my recent Gnomonic Woods, layered woodcuts monotypes… or xylographic paintings if feels more clear, along with new versions of Gnomonic Sculptures Intarsias plus a site specific 4 sided wall painting gnomonically ;) inclined on São Paulo’s latitude.

Thank you :
Luciana Brito @lucibrito
Adriano Casanova (missing you) @_adrianocasanova
Sandra Cinto @sandracinto_oficial
Albano Afonso @ateliealbanoafonso
The whole team of the gallery, Mauro, Juan and Pedro
And Somar for mounting the works on wooden panels.

#gnomonicabstraction
#gnomonicsculpture
#gnomonicwoods
#sundial
#rinolevi

Opening very very soon!
My solo show @lucianabritogaleria
In the « Modernist Room » of the gallery, located in an amazing house by architect Rino Levi with a garden by him and Brule Marx.

Thank you so much @projetofidalga for hosting me!
Like it says : I just can’t get enough!

I will have the pleasure to show my recent Gnomonic Woods, layered woodcuts monotypes… or xylographic paintings if feels more clear, along with new versions of Gnomonic Sculptures Intarsias plus a site specific 4 sided wall painting gnomonically ;) inclined on São Paulo’s latitude.

Thank you :
Luciana Brito @lucibrito
Adriano Casanova (missing you) @_adrianocasanova
Sandra Cinto @sandracinto_oficial
Albano Afonso @ateliealbanoafonso
The whole team of the gallery, Mauro, Juan and Pedro
And Somar for mounting the works on wooden panels.

#gnomonicabstraction
#gnomonicsculpture
#gnomonicwoods
#sundial
#rinolevi

Opening very very soon!
My solo show @lucianabritogaleria
In the « Modernist Room » of the gallery, located in an amazing house by architect Rino Levi with a garden by him and Brule Marx.

Thank you so much @projetofidalga for hosting me!
Like it says : I just can’t get enough!

I will have the pleasure to show my recent Gnomonic Woods, layered woodcuts monotypes… or xylographic paintings if feels more clear, along with new versions of Gnomonic Sculptures Intarsias plus a site specific 4 sided wall painting gnomonically ;) inclined on São Paulo’s latitude.

Thank you :
Luciana Brito @lucibrito
Adriano Casanova (missing you) @_adrianocasanova
Sandra Cinto @sandracinto_oficial
Albano Afonso @ateliealbanoafonso
The whole team of the gallery, Mauro, Juan and Pedro
And Somar for mounting the works on wooden panels.

#gnomonicabstraction
#gnomonicsculpture
#gnomonicwoods
#sundial
#rinolevi

Opening very very soon!
My solo show @lucianabritogaleria
In the « Modernist Room » of the gallery, located in an amazing house by architect Rino Levi with a garden by him and Brule Marx.

Thank you so much @projetofidalga for hosting me!
Like it says : I just can’t get enough!

I will have the pleasure to show my recent Gnomonic Woods, layered woodcuts monotypes… or xylographic paintings if feels more clear, along with new versions of Gnomonic Sculptures Intarsias plus a site specific 4 sided wall painting gnomonically ;) inclined on São Paulo’s latitude.

Thank you :
Luciana Brito @lucibrito
Adriano Casanova (missing you) @_adrianocasanova
Sandra Cinto @sandracinto_oficial
Albano Afonso @ateliealbanoafonso
The whole team of the gallery, Mauro, Juan and Pedro
And Somar for mounting the works on wooden panels.

#gnomonicabstraction
#gnomonicsculpture
#gnomonicwoods
#sundial
#rinolevi

Com alegria anunciamos o artista francês Raphaël Zarka como residente do mês de junho. Esta é a segunda vez que ele participa da residência; a primeira foi em 2013.Raphaël Zarka pertence a uma geração de artistas que renovou as relações entre arte e conhecimento. Com umamaneira concreta e sensível de anexar áreas afins ou heterogêneas à arte, permanecendo, ainda assim, no campo da escultura. É bem conhecido o interesse do artista pelo skate, esporte ao qual ele dedicou diversas obras e três estudos eruditos. Parece claro que seu interesse pelo skate não se dá tanto como cultura, técnica ou tema, mas como um modelo relacional, econômico e ético — um registro específico de ação (e de inércia) aplicado ao conhecimento e à produção artística.No próximo sábado, dia 14 de junho, Raphaël inaugura a exposição “Gnomonic-Woods”, sua segunda individual na Galeria Luciana Brito. Se estiverem em São Paulo, vale a visita!

Pleased to announce the French artist Raphaël Zarka as the artist-in-residence for the month of June. This is his second time participating in the residency; the first was in 2013.Raphaël Zarka belongs to a generation of artists thatrenewed the relationship between art and knowledge. The artist’s interest in skateboarding is well known — a subject to which he has dedicated several works and three scholarly studies. It seems clear that his interest in skateboarding lies not so much in its culture, technique, or theme, but rather in it as a relational, economic, and ethical model — a specific register of action (and inertia) applied to knowledge and artistic production.On Saturday, June 14, Raphaël will open his solo exhibition “Gnomonic-Woods”, his second solo show at Galeria Luciana Brito.If you’re in São Paulo, it’s well worth a visit.
imagem 2: Cycloide Piazza, 2024 ( arquitetura Jean-Benoit Vétillard - Skatista: Oskar Rozemberg- foto: fred Mortagne.Raphael Zarka : Gnomonic-WoodsGaleria Luciana BritoAbertura 14/06
@raphaelzarka @lucianabritogaleria @sandracinto_oficial @ateliealbanoafonso @projetofidalga

Com alegria anunciamos o artista francês Raphaël Zarka como residente do mês de junho. Esta é a segunda vez que ele participa da residência; a primeira foi em 2013.Raphaël Zarka pertence a uma geração de artistas que renovou as relações entre arte e conhecimento. Com umamaneira concreta e sensível de anexar áreas afins ou heterogêneas à arte, permanecendo, ainda assim, no campo da escultura. É bem conhecido o interesse do artista pelo skate, esporte ao qual ele dedicou diversas obras e três estudos eruditos. Parece claro que seu interesse pelo skate não se dá tanto como cultura, técnica ou tema, mas como um modelo relacional, econômico e ético — um registro específico de ação (e de inércia) aplicado ao conhecimento e à produção artística.No próximo sábado, dia 14 de junho, Raphaël inaugura a exposição “Gnomonic-Woods”, sua segunda individual na Galeria Luciana Brito. Se estiverem em São Paulo, vale a visita!

Pleased to announce the French artist Raphaël Zarka as the artist-in-residence for the month of June. This is his second time participating in the residency; the first was in 2013.Raphaël Zarka belongs to a generation of artists thatrenewed the relationship between art and knowledge. The artist’s interest in skateboarding is well known — a subject to which he has dedicated several works and three scholarly studies. It seems clear that his interest in skateboarding lies not so much in its culture, technique, or theme, but rather in it as a relational, economic, and ethical model — a specific register of action (and inertia) applied to knowledge and artistic production.On Saturday, June 14, Raphaël will open his solo exhibition “Gnomonic-Woods”, his second solo show at Galeria Luciana Brito.If you’re in São Paulo, it’s well worth a visit.
imagem 2: Cycloide Piazza, 2024 ( arquitetura Jean-Benoit Vétillard - Skatista: Oskar Rozemberg- foto: fred Mortagne.Raphael Zarka : Gnomonic-WoodsGaleria Luciana BritoAbertura 14/06
@raphaelzarka @lucianabritogaleria @sandracinto_oficial @ateliealbanoafonso @projetofidalga