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No New Museum, encontrei TO IMAGINE IS TO ABSENT ONESELF(2025), de FRIEDA TORANZO JAEGER — quase um objeto ritual.
A artista usa o formato de tríptico, inspirado nos altares católicos, mas no lugar de santos aparecem ferramentas — pintadas, bordadas e com brilho — organizadas como ícones que aproximam trabalho, corpo e desejo.
A obra vai além da pintura: com telas articuladas, dobradiças e materiais decorativos, se aproxima da escultura.
Misturando referências diversas, ela propõe um “vandalismo semiótico”, tensionando códigos já conhecidos — inclusive o carro, símbolo de poder masculino, aqui atravessado por elementos delicados.
Aqui, vale uma observação: muitas dessas obras funcionam como “caixas de ferramentas” que se abrem e fecham — como se o futuro pudesse ser montado.
___________
@newmuseum
@priupit
@jemima.awad
#FlaviaTronca
#FriedaToranzoJaeger
#NewMuseum
#ArteContemporânea
#ArteLatinoAmericana
No New Museum, encontrei TO IMAGINE IS TO ABSENT ONESELF(2025), de FRIEDA TORANZO JAEGER — quase um objeto ritual.
A artista usa o formato de tríptico, inspirado nos altares católicos, mas no lugar de santos aparecem ferramentas — pintadas, bordadas e com brilho — organizadas como ícones que aproximam trabalho, corpo e desejo.
A obra vai além da pintura: com telas articuladas, dobradiças e materiais decorativos, se aproxima da escultura.
Misturando referências diversas, ela propõe um “vandalismo semiótico”, tensionando códigos já conhecidos — inclusive o carro, símbolo de poder masculino, aqui atravessado por elementos delicados.
Aqui, vale uma observação: muitas dessas obras funcionam como “caixas de ferramentas” que se abrem e fecham — como se o futuro pudesse ser montado.
___________
@newmuseum
@priupit
@jemima.awad
#FlaviaTronca
#FriedaToranzoJaeger
#NewMuseum
#ArteContemporânea
#ArteLatinoAmericana
No New Museum, encontrei TO IMAGINE IS TO ABSENT ONESELF(2025), de FRIEDA TORANZO JAEGER — quase um objeto ritual.
A artista usa o formato de tríptico, inspirado nos altares católicos, mas no lugar de santos aparecem ferramentas — pintadas, bordadas e com brilho — organizadas como ícones que aproximam trabalho, corpo e desejo.
A obra vai além da pintura: com telas articuladas, dobradiças e materiais decorativos, se aproxima da escultura.
Misturando referências diversas, ela propõe um “vandalismo semiótico”, tensionando códigos já conhecidos — inclusive o carro, símbolo de poder masculino, aqui atravessado por elementos delicados.
Aqui, vale uma observação: muitas dessas obras funcionam como “caixas de ferramentas” que se abrem e fecham — como se o futuro pudesse ser montado.
___________
@newmuseum
@priupit
@jemima.awad
#FlaviaTronca
#FriedaToranzoJaeger
#NewMuseum
#ArteContemporânea
#ArteLatinoAmericana
No New Museum, encontrei TO IMAGINE IS TO ABSENT ONESELF(2025), de FRIEDA TORANZO JAEGER — quase um objeto ritual.
A artista usa o formato de tríptico, inspirado nos altares católicos, mas no lugar de santos aparecem ferramentas — pintadas, bordadas e com brilho — organizadas como ícones que aproximam trabalho, corpo e desejo.
A obra vai além da pintura: com telas articuladas, dobradiças e materiais decorativos, se aproxima da escultura.
Misturando referências diversas, ela propõe um “vandalismo semiótico”, tensionando códigos já conhecidos — inclusive o carro, símbolo de poder masculino, aqui atravessado por elementos delicados.
Aqui, vale uma observação: muitas dessas obras funcionam como “caixas de ferramentas” que se abrem e fecham — como se o futuro pudesse ser montado.
___________
@newmuseum
@priupit
@jemima.awad
#FlaviaTronca
#FriedaToranzoJaeger
#NewMuseum
#ArteContemporânea
#ArteLatinoAmericana
No New Museum, encontrei TO IMAGINE IS TO ABSENT ONESELF(2025), de FRIEDA TORANZO JAEGER — quase um objeto ritual.
A artista usa o formato de tríptico, inspirado nos altares católicos, mas no lugar de santos aparecem ferramentas — pintadas, bordadas e com brilho — organizadas como ícones que aproximam trabalho, corpo e desejo.
A obra vai além da pintura: com telas articuladas, dobradiças e materiais decorativos, se aproxima da escultura.
Misturando referências diversas, ela propõe um “vandalismo semiótico”, tensionando códigos já conhecidos — inclusive o carro, símbolo de poder masculino, aqui atravessado por elementos delicados.
Aqui, vale uma observação: muitas dessas obras funcionam como “caixas de ferramentas” que se abrem e fecham — como se o futuro pudesse ser montado.
___________
@newmuseum
@priupit
@jemima.awad
#FlaviaTronca
#FriedaToranzoJaeger
#NewMuseum
#ArteContemporânea
#ArteLatinoAmericana
No New Museum, encontrei TO IMAGINE IS TO ABSENT ONESELF(2025), de FRIEDA TORANZO JAEGER — quase um objeto ritual.
A artista usa o formato de tríptico, inspirado nos altares católicos, mas no lugar de santos aparecem ferramentas — pintadas, bordadas e com brilho — organizadas como ícones que aproximam trabalho, corpo e desejo.
A obra vai além da pintura: com telas articuladas, dobradiças e materiais decorativos, se aproxima da escultura.
Misturando referências diversas, ela propõe um “vandalismo semiótico”, tensionando códigos já conhecidos — inclusive o carro, símbolo de poder masculino, aqui atravessado por elementos delicados.
Aqui, vale uma observação: muitas dessas obras funcionam como “caixas de ferramentas” que se abrem e fecham — como se o futuro pudesse ser montado.
___________
@newmuseum
@priupit
@jemima.awad
#FlaviaTronca
#FriedaToranzoJaeger
#NewMuseum
#ArteContemporânea
#ArteLatinoAmericana
No New Museum, encontrei TO IMAGINE IS TO ABSENT ONESELF(2025), de FRIEDA TORANZO JAEGER — quase um objeto ritual.
A artista usa o formato de tríptico, inspirado nos altares católicos, mas no lugar de santos aparecem ferramentas — pintadas, bordadas e com brilho — organizadas como ícones que aproximam trabalho, corpo e desejo.
A obra vai além da pintura: com telas articuladas, dobradiças e materiais decorativos, se aproxima da escultura.
Misturando referências diversas, ela propõe um “vandalismo semiótico”, tensionando códigos já conhecidos — inclusive o carro, símbolo de poder masculino, aqui atravessado por elementos delicados.
Aqui, vale uma observação: muitas dessas obras funcionam como “caixas de ferramentas” que se abrem e fecham — como se o futuro pudesse ser montado.
___________
@newmuseum
@priupit
@jemima.awad
#FlaviaTronca
#FriedaToranzoJaeger
#NewMuseum
#ArteContemporânea
#ArteLatinoAmericana
No New Museum, encontrei TO IMAGINE IS TO ABSENT ONESELF(2025), de FRIEDA TORANZO JAEGER — quase um objeto ritual.
A artista usa o formato de tríptico, inspirado nos altares católicos, mas no lugar de santos aparecem ferramentas — pintadas, bordadas e com brilho — organizadas como ícones que aproximam trabalho, corpo e desejo.
A obra vai além da pintura: com telas articuladas, dobradiças e materiais decorativos, se aproxima da escultura.
Misturando referências diversas, ela propõe um “vandalismo semiótico”, tensionando códigos já conhecidos — inclusive o carro, símbolo de poder masculino, aqui atravessado por elementos delicados.
Aqui, vale uma observação: muitas dessas obras funcionam como “caixas de ferramentas” que se abrem e fecham — como se o futuro pudesse ser montado.
___________
@newmuseum
@priupit
@jemima.awad
#FlaviaTronca
#FriedaToranzoJaeger
#NewMuseum
#ArteContemporânea
#ArteLatinoAmericana
No New Museum, encontrei TO IMAGINE IS TO ABSENT ONESELF(2025), de FRIEDA TORANZO JAEGER — quase um objeto ritual.
A artista usa o formato de tríptico, inspirado nos altares católicos, mas no lugar de santos aparecem ferramentas — pintadas, bordadas e com brilho — organizadas como ícones que aproximam trabalho, corpo e desejo.
A obra vai além da pintura: com telas articuladas, dobradiças e materiais decorativos, se aproxima da escultura.
Misturando referências diversas, ela propõe um “vandalismo semiótico”, tensionando códigos já conhecidos — inclusive o carro, símbolo de poder masculino, aqui atravessado por elementos delicados.
Aqui, vale uma observação: muitas dessas obras funcionam como “caixas de ferramentas” que se abrem e fecham — como se o futuro pudesse ser montado.
___________
@newmuseum
@priupit
@jemima.awad
#FlaviaTronca
#FriedaToranzoJaeger
#NewMuseum
#ArteContemporânea
#ArteLatinoAmericana
No New Museum, encontrei TO IMAGINE IS TO ABSENT ONESELF(2025), de FRIEDA TORANZO JAEGER — quase um objeto ritual.
A artista usa o formato de tríptico, inspirado nos altares católicos, mas no lugar de santos aparecem ferramentas — pintadas, bordadas e com brilho — organizadas como ícones que aproximam trabalho, corpo e desejo.
A obra vai além da pintura: com telas articuladas, dobradiças e materiais decorativos, se aproxima da escultura.
Misturando referências diversas, ela propõe um “vandalismo semiótico”, tensionando códigos já conhecidos — inclusive o carro, símbolo de poder masculino, aqui atravessado por elementos delicados.
Aqui, vale uma observação: muitas dessas obras funcionam como “caixas de ferramentas” que se abrem e fecham — como se o futuro pudesse ser montado.
___________
@newmuseum
@priupit
@jemima.awad
#FlaviaTronca
#FriedaToranzoJaeger
#NewMuseum
#ArteContemporânea
#ArteLatinoAmericana
Some Pics of the solo show "Visions" by Frieda Toranzo Jaeger at Fondazione Bonollo.
The curator Elisa Carollo will be present on the final day of the exhibition, May 9, for a walkthrough and questions.
@priupit
@elisartgal
Photo by @giovannicanova_visual
#fondazionebonollo #friedatoranzojaeger #annettebarcelo #installationview
Some Pics of the solo show "Visions" by Frieda Toranzo Jaeger at Fondazione Bonollo.
The curator Elisa Carollo will be present on the final day of the exhibition, May 9, for a walkthrough and questions.
@priupit
@elisartgal
Photo by @giovannicanova_visual
#fondazionebonollo #friedatoranzojaeger #annettebarcelo #installationview
Some Pics of the solo show "Visions" by Frieda Toranzo Jaeger at Fondazione Bonollo.
The curator Elisa Carollo will be present on the final day of the exhibition, May 9, for a walkthrough and questions.
@priupit
@elisartgal
Photo by @giovannicanova_visual
#fondazionebonollo #friedatoranzojaeger #annettebarcelo #installationview
Some Pics of the solo show "Visions" by Frieda Toranzo Jaeger at Fondazione Bonollo.
The curator Elisa Carollo will be present on the final day of the exhibition, May 9, for a walkthrough and questions.
@priupit
@elisartgal
Photo by @giovannicanova_visual
#fondazionebonollo #friedatoranzojaeger #annettebarcelo #installationview
Some Pics of the solo show "Visions" by Frieda Toranzo Jaeger at Fondazione Bonollo.
The curator Elisa Carollo will be present on the final day of the exhibition, May 9, for a walkthrough and questions.
@priupit
@elisartgal
Photo by @giovannicanova_visual
#fondazionebonollo #friedatoranzojaeger #annettebarcelo #installationview
Some Pics of the solo show "Visions" by Frieda Toranzo Jaeger at Fondazione Bonollo.
The curator Elisa Carollo will be present on the final day of the exhibition, May 9, for a walkthrough and questions.
@priupit
@elisartgal
Photo by @giovannicanova_visual
#fondazionebonollo #friedatoranzojaeger #annettebarcelo #installationview
Some Pics of the solo show "Visions" by Frieda Toranzo Jaeger at Fondazione Bonollo.
The curator Elisa Carollo will be present on the final day of the exhibition, May 9, for a walkthrough and questions.
@priupit
@elisartgal
Photo by @giovannicanova_visual
#fondazionebonollo #friedatoranzojaeger #annettebarcelo #installationview
Some Pics of the solo show "Visions" by Frieda Toranzo Jaeger at Fondazione Bonollo.
The curator Elisa Carollo will be present on the final day of the exhibition, May 9, for a walkthrough and questions.
@priupit
@elisartgal
Photo by @giovannicanova_visual
#fondazionebonollo #friedatoranzojaeger #annettebarcelo #installationview
𝙐𝙉𝙄𝙏𝙔 𝙄𝙎 𝙈𝙊𝙑𝙀𝙈𝙀𝙉𝙏
Currently on view at Longtermhandstand.
Curated by Peter Bencze
Ultramarine once carried the weight of both wealth and devotion. In altarpieces, it marked not just color, but belief. These works remained closed in everyday time and opened only on special occasions, transforming attention into ritual.
Today, exhibitions echo this gesture. Galleries become spaces where artworks gather meaning, invite projection, and create temporary systems of belief. Not salvation, but connection. Not certainty, but movement.
UNITY IS MOVEMENT brings together János Brückner, Mamali Shafahi and Domenico Gutknecht, Frieda Toranzo Jaeger, Áron Lőrincz, Tincuta Marin, and Kata Tranker around the form of the winged altarpiece, reimagined through contemporary practices.
Across painting, sculpture, and mosaic, the works unfold as structures that both conceal and reveal. Personal mythologies, speculative beliefs, and shared attention emerge through the act of opening.
In uncertain times, unity is not fixed. It is something we produce together through looking and being present.
Frieda Toranzo Jaeger
Unity Is Movement
2025
oil on canvas, embroidery, rhinestone applications
35 x 30 x 6 cm / 35 x 60 x 4 cm
About Frieda Toranzo Jaeger
Frieda Toranzo Jaeger is a Mexico City based artist whose work expands painting into the sculptural, incorporating embroidery and layered materials. Her practice explores power, technology, and representations of masculinity within contemporary visual culture.
She has exhibited internationally, including at MoMA PS1, Modern Art Oxford, and the Baltimore Museum of Art, and her work is held in major collections such as the Hammer Museum and Museo Jumex.
Pic 1,3 courtesy of the artist, Trautwein Herleth, Berlin and Longtermhandstand
Pic 2 Áron Weber courtesy of the artist and Longtermhandstand
#friedatoranzojaeger #longtermhandstand
#contemporarypainting #budapest
𝙐𝙉𝙄𝙏𝙔 𝙄𝙎 𝙈𝙊𝙑𝙀𝙈𝙀𝙉𝙏
Currently on view at Longtermhandstand.
Curated by Peter Bencze
Ultramarine once carried the weight of both wealth and devotion. In altarpieces, it marked not just color, but belief. These works remained closed in everyday time and opened only on special occasions, transforming attention into ritual.
Today, exhibitions echo this gesture. Galleries become spaces where artworks gather meaning, invite projection, and create temporary systems of belief. Not salvation, but connection. Not certainty, but movement.
UNITY IS MOVEMENT brings together János Brückner, Mamali Shafahi and Domenico Gutknecht, Frieda Toranzo Jaeger, Áron Lőrincz, Tincuta Marin, and Kata Tranker around the form of the winged altarpiece, reimagined through contemporary practices.
Across painting, sculpture, and mosaic, the works unfold as structures that both conceal and reveal. Personal mythologies, speculative beliefs, and shared attention emerge through the act of opening.
In uncertain times, unity is not fixed. It is something we produce together through looking and being present.
Frieda Toranzo Jaeger
Unity Is Movement
2025
oil on canvas, embroidery, rhinestone applications
35 x 30 x 6 cm / 35 x 60 x 4 cm
About Frieda Toranzo Jaeger
Frieda Toranzo Jaeger is a Mexico City based artist whose work expands painting into the sculptural, incorporating embroidery and layered materials. Her practice explores power, technology, and representations of masculinity within contemporary visual culture.
She has exhibited internationally, including at MoMA PS1, Modern Art Oxford, and the Baltimore Museum of Art, and her work is held in major collections such as the Hammer Museum and Museo Jumex.
Pic 1,3 courtesy of the artist, Trautwein Herleth, Berlin and Longtermhandstand
Pic 2 Áron Weber courtesy of the artist and Longtermhandstand
#friedatoranzojaeger #longtermhandstand
#contemporarypainting #budapest
𝙐𝙉𝙄𝙏𝙔 𝙄𝙎 𝙈𝙊𝙑𝙀𝙈𝙀𝙉𝙏
Currently on view at Longtermhandstand.
Curated by Peter Bencze
Ultramarine once carried the weight of both wealth and devotion. In altarpieces, it marked not just color, but belief. These works remained closed in everyday time and opened only on special occasions, transforming attention into ritual.
Today, exhibitions echo this gesture. Galleries become spaces where artworks gather meaning, invite projection, and create temporary systems of belief. Not salvation, but connection. Not certainty, but movement.
UNITY IS MOVEMENT brings together János Brückner, Mamali Shafahi and Domenico Gutknecht, Frieda Toranzo Jaeger, Áron Lőrincz, Tincuta Marin, and Kata Tranker around the form of the winged altarpiece, reimagined through contemporary practices.
Across painting, sculpture, and mosaic, the works unfold as structures that both conceal and reveal. Personal mythologies, speculative beliefs, and shared attention emerge through the act of opening.
In uncertain times, unity is not fixed. It is something we produce together through looking and being present.
Frieda Toranzo Jaeger
Unity Is Movement
2025
oil on canvas, embroidery, rhinestone applications
35 x 30 x 6 cm / 35 x 60 x 4 cm
About Frieda Toranzo Jaeger
Frieda Toranzo Jaeger is a Mexico City based artist whose work expands painting into the sculptural, incorporating embroidery and layered materials. Her practice explores power, technology, and representations of masculinity within contemporary visual culture.
She has exhibited internationally, including at MoMA PS1, Modern Art Oxford, and the Baltimore Museum of Art, and her work is held in major collections such as the Hammer Museum and Museo Jumex.
Pic 1,3 courtesy of the artist, Trautwein Herleth, Berlin and Longtermhandstand
Pic 2 Áron Weber courtesy of the artist and Longtermhandstand
#friedatoranzojaeger #longtermhandstand
#contemporarypainting #budapest
Per chi non fosse ancora venuto, le mostre personali “Visioni” di Frieda Toranzo Jaeger e “Melamphta” di Annette Barcelo, sono ancora in corso fino al 9 Maggio!
Vi aspettiamo!
#fondazionebonollo #friedatoranzojaeger #annettebarcelo #contemporaryart #thiene
Just hoping we can free the world from American imperialism and Israeli Zionism the world is on fire, and I hope and fight and art feels like it will never rise to the urgencies of the present. And here a post I wanted to make about this book that I am in because it takes more and more to create, in a world that is consumed by billionaires thirst for annihilation.
Just hoping we can free the world from American imperialism and Israeli Zionism the world is on fire, and I hope and fight and art feels like it will never rise to the urgencies of the present. And here a post I wanted to make about this book that I am in because it takes more and more to create, in a world that is consumed by billionaires thirst for annihilation.
Just hoping we can free the world from American imperialism and Israeli Zionism the world is on fire, and I hope and fight and art feels like it will never rise to the urgencies of the present. And here a post I wanted to make about this book that I am in because it takes more and more to create, in a world that is consumed by billionaires thirst for annihilation.
Alcune foto della visita guidata di sabato 21 marzo.
Ringraziamo tutti i partecipanti e @diemartarosa per aver reso possibile questo evento.
Vi aspettiamo in fondazione!
#contemporaryartwork #contemporaryartfoundation #friedatoranzojaeger #annettebarcelo_artist #contemporaryarttour
Alcune foto della visita guidata di sabato 21 marzo.
Ringraziamo tutti i partecipanti e @diemartarosa per aver reso possibile questo evento.
Vi aspettiamo in fondazione!
#contemporaryartwork #contemporaryartfoundation #friedatoranzojaeger #annettebarcelo_artist #contemporaryarttour
Alcune foto della visita guidata di sabato 21 marzo.
Ringraziamo tutti i partecipanti e @diemartarosa per aver reso possibile questo evento.
Vi aspettiamo in fondazione!
#contemporaryartwork #contemporaryartfoundation #friedatoranzojaeger #annettebarcelo_artist #contemporaryarttour
Alcune foto della visita guidata di sabato 21 marzo.
Ringraziamo tutti i partecipanti e @diemartarosa per aver reso possibile questo evento.
Vi aspettiamo in fondazione!
#contemporaryartwork #contemporaryartfoundation #friedatoranzojaeger #annettebarcelo_artist #contemporaryarttour
Alcune foto della visita guidata di sabato 21 marzo.
Ringraziamo tutti i partecipanti e @diemartarosa per aver reso possibile questo evento.
Vi aspettiamo in fondazione!
#contemporaryartwork #contemporaryartfoundation #friedatoranzojaeger #annettebarcelo_artist #contemporaryarttour
Alcune foto della visita guidata di sabato 21 marzo.
Ringraziamo tutti i partecipanti e @diemartarosa per aver reso possibile questo evento.
Vi aspettiamo in fondazione!
#contemporaryartwork #contemporaryartfoundation #friedatoranzojaeger #annettebarcelo_artist #contemporaryarttour
Alcune foto della visita guidata di sabato 21 marzo.
Ringraziamo tutti i partecipanti e @diemartarosa per aver reso possibile questo evento.
Vi aspettiamo in fondazione!
#contemporaryartwork #contemporaryartfoundation #friedatoranzojaeger #annettebarcelo_artist #contemporaryarttour
Alcune foto della visita guidata di sabato 21 marzo.
Ringraziamo tutti i partecipanti e @diemartarosa per aver reso possibile questo evento.
Vi aspettiamo in fondazione!
#contemporaryartwork #contemporaryartfoundation #friedatoranzojaeger #annettebarcelo_artist #contemporaryarttour
Alcune foto della visita guidata di sabato 21 marzo.
Ringraziamo tutti i partecipanti e @diemartarosa per aver reso possibile questo evento.
Vi aspettiamo in fondazione!
#contemporaryartwork #contemporaryartfoundation #friedatoranzojaeger #annettebarcelo_artist #contemporaryarttour
Alcune foto della visita guidata di sabato 21 marzo.
Ringraziamo tutti i partecipanti e @diemartarosa per aver reso possibile questo evento.
Vi aspettiamo in fondazione!
#contemporaryartwork #contemporaryartfoundation #friedatoranzojaeger #annettebarcelo_artist #contemporaryarttour
Frieda Toranzo Jaeger is featured in New Humans: Memories of the Future, opening March 21.
“New Humans: Memories of the Future will inaugurate the New Museum’s expanded building with an exploration of artists’ enduring preoccupation with what it means to be human in the face of sweeping technological changes. New Humans will trace a diagonal history of the twentieth and twenty-first centuries through the work of more than 150 international artists, writers, scientists, architects, and filmmakers, highlighting key moments when dramatic technological and social changes spurred new conceptions of humanity and new visions for its possible futures.”
See To Imagine Is to Absent Oneself (2025) by Frieda Toranzo Jaeger at the New Museum, opening March 21.
#FriedaToranzoJaeger #NewMuseum
Pictured: Portrait of artist. Photo: Melissa Lunar.
Frieda Toranzo Jaeger, To Imagine Is to Absent Oneself, 2025, Oil on canvas, hand embroidery, rhinestone applications, Open: 27 1/2 x 40 x 1 in (70 x 100 x 2.5 cm), Closed: 27 1/2 x 20 x 2 in (70 x 50 x 5 cm). Collection of Mehreen Malik.
Frieda Toranzo Jaeger is featured in New Humans: Memories of the Future, opening March 21.
“New Humans: Memories of the Future will inaugurate the New Museum’s expanded building with an exploration of artists’ enduring preoccupation with what it means to be human in the face of sweeping technological changes. New Humans will trace a diagonal history of the twentieth and twenty-first centuries through the work of more than 150 international artists, writers, scientists, architects, and filmmakers, highlighting key moments when dramatic technological and social changes spurred new conceptions of humanity and new visions for its possible futures.”
See To Imagine Is to Absent Oneself (2025) by Frieda Toranzo Jaeger at the New Museum, opening March 21.
#FriedaToranzoJaeger #NewMuseum
Pictured: Portrait of artist. Photo: Melissa Lunar.
Frieda Toranzo Jaeger, To Imagine Is to Absent Oneself, 2025, Oil on canvas, hand embroidery, rhinestone applications, Open: 27 1/2 x 40 x 1 in (70 x 100 x 2.5 cm), Closed: 27 1/2 x 20 x 2 in (70 x 50 x 5 cm). Collection of Mehreen Malik.
Annunciamo la prossima visita guidata della Fondazione Bonollo che si terrà sabato 21 marzo alle ore 17:30 in Via dell’ Eva 1 Thiene (Vicenza).
La dott.ssa Marta Rosa ci guiderà negli spazi della Fondazione, presentando le mostre in corso: “Visioni” di Frieda Toranzo Jaeger (curata da Elisa Carollo) e “Melamphta” di Annette Barcell (curatada Sara De Chiara), utilizzando riferimenti alla storia dell’arte del passato e del presente.
La visita é GRATUITA ma con numero massimo di 20 persone.
Per prenotare la visita contattateci via email o whatsapp:
Email: info@fondazionebonollo.com
Whatsapp: +39 348 4972940
Vi aspettiamo!
@diemartarosa
@priupit
@annettebarcelo_artist
@trautweinherleth
@consonniradziszewski
#contemporaryartfoundation #contempoaryartfoundation #contemporaryart #friedatoranzojaeger #annettebarcelo
Some pics of the opening of the two new shows:
“Visions” by Frieda Toranzo Jaeger (@priupit) curated by Elisa Carollo (@elisartgal) and “Melamptha” by Annette Barcelo (@annettebarcelo_artist) curated by Sara De Chiara.
Thanks to everyone for coming and supporting!
Photos: @giovannicanova_visual
#friedatoranzojaeger #annettebarcelo_artist #contemporaryartpainting #contemporaryartfoundation #contemporaryartopening
Some pics of the opening of the two new shows:
“Visions” by Frieda Toranzo Jaeger (@priupit) curated by Elisa Carollo (@elisartgal) and “Melamptha” by Annette Barcelo (@annettebarcelo_artist) curated by Sara De Chiara.
Thanks to everyone for coming and supporting!
Photos: @giovannicanova_visual
#friedatoranzojaeger #annettebarcelo_artist #contemporaryartpainting #contemporaryartfoundation #contemporaryartopening
Some pics of the opening of the two new shows:
“Visions” by Frieda Toranzo Jaeger (@priupit) curated by Elisa Carollo (@elisartgal) and “Melamptha” by Annette Barcelo (@annettebarcelo_artist) curated by Sara De Chiara.
Thanks to everyone for coming and supporting!
Photos: @giovannicanova_visual
#friedatoranzojaeger #annettebarcelo_artist #contemporaryartpainting #contemporaryartfoundation #contemporaryartopening
Some pics of the opening of the two new shows:
“Visions” by Frieda Toranzo Jaeger (@priupit) curated by Elisa Carollo (@elisartgal) and “Melamptha” by Annette Barcelo (@annettebarcelo_artist) curated by Sara De Chiara.
Thanks to everyone for coming and supporting!
Photos: @giovannicanova_visual
#friedatoranzojaeger #annettebarcelo_artist #contemporaryartpainting #contemporaryartfoundation #contemporaryartopening
Some pics of the opening of the two new shows:
“Visions” by Frieda Toranzo Jaeger (@priupit) curated by Elisa Carollo (@elisartgal) and “Melamptha” by Annette Barcelo (@annettebarcelo_artist) curated by Sara De Chiara.
Thanks to everyone for coming and supporting!
Photos: @giovannicanova_visual
#friedatoranzojaeger #annettebarcelo_artist #contemporaryartpainting #contemporaryartfoundation #contemporaryartopening
Some pics of the opening of the two new shows:
“Visions” by Frieda Toranzo Jaeger (@priupit) curated by Elisa Carollo (@elisartgal) and “Melamptha” by Annette Barcelo (@annettebarcelo_artist) curated by Sara De Chiara.
Thanks to everyone for coming and supporting!
Photos: @giovannicanova_visual
#friedatoranzojaeger #annettebarcelo_artist #contemporaryartpainting #contemporaryartfoundation #contemporaryartopening
Some pics of the opening of the two new shows:
“Visions” by Frieda Toranzo Jaeger (@priupit) curated by Elisa Carollo (@elisartgal) and “Melamptha” by Annette Barcelo (@annettebarcelo_artist) curated by Sara De Chiara.
Thanks to everyone for coming and supporting!
Photos: @giovannicanova_visual
#friedatoranzojaeger #annettebarcelo_artist #contemporaryartpainting #contemporaryartfoundation #contemporaryartopening
Some pics of the opening of the two new shows:
“Visions” by Frieda Toranzo Jaeger (@priupit) curated by Elisa Carollo (@elisartgal) and “Melamptha” by Annette Barcelo (@annettebarcelo_artist) curated by Sara De Chiara.
Thanks to everyone for coming and supporting!
Photos: @giovannicanova_visual
#friedatoranzojaeger #annettebarcelo_artist #contemporaryartpainting #contemporaryartfoundation #contemporaryartopening
Some pics of the opening of the two new shows:
“Visions” by Frieda Toranzo Jaeger (@priupit) curated by Elisa Carollo (@elisartgal) and “Melamptha” by Annette Barcelo (@annettebarcelo_artist) curated by Sara De Chiara.
Thanks to everyone for coming and supporting!
Photos: @giovannicanova_visual
#friedatoranzojaeger #annettebarcelo_artist #contemporaryartpainting #contemporaryartfoundation #contemporaryartopening
Some pics of the opening of the two new shows:
“Visions” by Frieda Toranzo Jaeger (@priupit) curated by Elisa Carollo (@elisartgal) and “Melamptha” by Annette Barcelo (@annettebarcelo_artist) curated by Sara De Chiara.
Thanks to everyone for coming and supporting!
Photos: @giovannicanova_visual
#friedatoranzojaeger #annettebarcelo_artist #contemporaryartpainting #contemporaryartfoundation #contemporaryartopening
We are pleased to invite you to the opening of the new exhibitions at the
Foundation Sandra and Giancarlo Bonollo for contemporary art.
On Saturday, February 21 2026, at 4:30 pm we will present two new solo exhibitions: Frieda Toranzo Jaeger, curated by Elisa Carollo, and Annette Barcelo, curated by Sara De Chiara, in the space of the former Chiesa delle Dimesse complex in Thiene (Vicenza), from Saturady, Februrary 21 to Saturday, May 9 , 2026.
@elisartgal
@priupit
@annettebarcelo_artist
@galeriamadragoa
@trautweinherleth
@consonniradziszewski
#contemporaryartist #contemporaryartfoundation #annettebarcelo #friedatoranzojaeger #contemporaryartpainter
We are pleased to invite you to the opening of the new exhibitions at the
Foundation Sandra and Giancarlo Bonollo for contemporary art.
On Saturday, February 21 2026, at 4:30 pm we will present two new solo exhibitions: Frieda Toranzo Jaeger, curated by Elisa Carollo, and Annette Barcelo, curated by Sara De Chiara, in the space of the former Chiesa delle Dimesse complex in Thiene (Vicenza), from Saturady, Februrary 21 to Saturday, May 9 , 2026.
@elisartgal
@priupit
@annettebarcelo_artist
@galeriamadragoa
@trautweinherleth
@consonniradziszewski
#contemporaryartist #contemporaryartfoundation #annettebarcelo #friedatoranzojaeger #contemporaryartpainter
Surrender to the Machine Abstraction a Form of Liberation (2025) by Frieda Toranzo Jaeger has been acquired by the San Antonio Museum of Art.
The artist is known for dissolving the boundaries between painting and sculpture, creating massive polyptychs that fuse Indigenous embroidery, Mexican muralism, and the religious architecture of Northern Renaissance altars. Her third-largest work to date, Surrender to the Machine Abstraction a Form of Liberation, turns this hybrid lens toward the machinery of modern efficiency and profit:
“The intersections of systems of production, political ideologies, and social values become manifest in this painting as a monumental crimson heart constructed of a network that evokes cogs and wires, rather than veins and arteries. The heart—which can connote love, passion, desire, and life itself—is pierced by a column in the gallery and appears to buckle under its own weight.”
Surrender to the Machine Abstraction a Form of Liberation will go on view in the museum this May.
#FriedaToranzoJaeger #SanAntonioMuseumofArt
Pictured: Frieda Toranzo Jaeger, Surrender to the Machine Abstraction a Form of Liberation, 2025, Oil on canvas, hand embroidery, and metal, 167 × 139 in. (424.2 × 353.1 cm), Installation view, Bortolami, New York. Photography by Guang Xu.
Surrender to the Machine Abstraction a Form of Liberation (2025) by Frieda Toranzo Jaeger has been acquired by the San Antonio Museum of Art.
The artist is known for dissolving the boundaries between painting and sculpture, creating massive polyptychs that fuse Indigenous embroidery, Mexican muralism, and the religious architecture of Northern Renaissance altars. Her third-largest work to date, Surrender to the Machine Abstraction a Form of Liberation, turns this hybrid lens toward the machinery of modern efficiency and profit:
“The intersections of systems of production, political ideologies, and social values become manifest in this painting as a monumental crimson heart constructed of a network that evokes cogs and wires, rather than veins and arteries. The heart—which can connote love, passion, desire, and life itself—is pierced by a column in the gallery and appears to buckle under its own weight.”
Surrender to the Machine Abstraction a Form of Liberation will go on view in the museum this May.
#FriedaToranzoJaeger #SanAntonioMuseumofArt
Pictured: Frieda Toranzo Jaeger, Surrender to the Machine Abstraction a Form of Liberation, 2025, Oil on canvas, hand embroidery, and metal, 167 × 139 in. (424.2 × 353.1 cm), Installation view, Bortolami, New York. Photography by Guang Xu.
Surrender to the Machine Abstraction a Form of Liberation (2025) by Frieda Toranzo Jaeger has been acquired by the San Antonio Museum of Art.
The artist is known for dissolving the boundaries between painting and sculpture, creating massive polyptychs that fuse Indigenous embroidery, Mexican muralism, and the religious architecture of Northern Renaissance altars. Her third-largest work to date, Surrender to the Machine Abstraction a Form of Liberation, turns this hybrid lens toward the machinery of modern efficiency and profit:
“The intersections of systems of production, political ideologies, and social values become manifest in this painting as a monumental crimson heart constructed of a network that evokes cogs and wires, rather than veins and arteries. The heart—which can connote love, passion, desire, and life itself—is pierced by a column in the gallery and appears to buckle under its own weight.”
Surrender to the Machine Abstraction a Form of Liberation will go on view in the museum this May.
#FriedaToranzoJaeger #SanAntonioMuseumofArt
Pictured: Frieda Toranzo Jaeger, Surrender to the Machine Abstraction a Form of Liberation, 2025, Oil on canvas, hand embroidery, and metal, 167 × 139 in. (424.2 × 353.1 cm), Installation view, Bortolami, New York. Photography by Guang Xu.
It was a great pleasure to talk with and visit the studio of Mexican artist Frieda Toranzo Jaeger [ @priupit ]. She reminds us that everything we do is political. A reflection on denialism, grief over loss, and the importance of the unifying forces of today’s society.
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Fue un enorme placer platicar y conocer el estudio de la artista mexicana Frieda Toranzo Jaeger. Ella nos recuerda que todo lo que hacemos es político. Una reflexión acerca del negacionismo, el duelo por la pérdida y la importancia actual de las fuerzas unificadoras.
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