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ISSUE 10 - Edges of Becoming / Cover 3 of 3

Ronan Bouroullec, photographed by @lee__whittaker.

For @ronanbouroullec, an object’s life begins when it leaves the studio — designed to enter other lives, to modify the atmosphere of a room, to become someone’s everyday life. From his Paris studio, he sits with @alisalarsen on decades of work and the thread that connects one direction to the next.


Pre-order Issue 10 via the link in bio. Available in stores worldwide May 14!

ISSUE 10 - Edges of Becoming / Cover 2 of 3

Erwin Wurm, photographed by @byjuhi.

From his studio in Limberg, @erwinwurm returns to the question of what sculpture is — in conversation with @mona.heinlein, Wurrm speaks on duration, deformation, how a body in motion becomes sculpture in a moment. 

Pre-order Issue 10 via the link in bio. Available in stores worldwide May 14!

ISSUE 10 - Edges of Becoming / Cover 1 of 3

Maurizio Cattelan, photographed by @robertrieger.

In this issue, @mauriziocattelan takes us through Milan, its open squares, narrow alleys, and the spaces in between. He reflects with Travis Diehl on staying unpredictable and why ambivalence drives an artist’s life.

Pre-order Issue 10 via the link in bio. Available in stores worldwide May 14!

”Sometimes the most radical move is to be quieter, or harder to read.“ - Maurizio Cattelan

Featured in conversation with writer Travis Diehl (@prismofreality), @mauriziocattelan shares on moving through life with wit and ambivalence, speaking on discomfort, contradiction, and the fear of becoming predictable. He describes ambivalence not as a flaw, but as “the engine.”

Read the full conversation in Issue 10.

📷: @robertrieger, a day spent with Cattelan in Milan.

”Sometimes the most radical move is to be quieter, or harder to read.“ - Maurizio Cattelan

Featured in conversation with writer Travis Diehl (@prismofreality), @mauriziocattelan shares on moving through life with wit and ambivalence, speaking on discomfort, contradiction, and the fear of becoming predictable. He describes ambivalence not as a flaw, but as “the engine.”

Read the full conversation in Issue 10.

📷: @robertrieger, a day spent with Cattelan in Milan.

”Sometimes the most radical move is to be quieter, or harder to read.“ - Maurizio Cattelan

Featured in conversation with writer Travis Diehl (@prismofreality), @mauriziocattelan shares on moving through life with wit and ambivalence, speaking on discomfort, contradiction, and the fear of becoming predictable. He describes ambivalence not as a flaw, but as “the engine.”

Read the full conversation in Issue 10.

📷: @robertrieger, a day spent with Cattelan in Milan.

”Sometimes the most radical move is to be quieter, or harder to read.“ - Maurizio Cattelan

Featured in conversation with writer Travis Diehl (@prismofreality), @mauriziocattelan shares on moving through life with wit and ambivalence, speaking on discomfort, contradiction, and the fear of becoming predictable. He describes ambivalence not as a flaw, but as “the engine.”

Read the full conversation in Issue 10.

📷: @robertrieger, a day spent with Cattelan in Milan.

”Sometimes the most radical move is to be quieter, or harder to read.“ - Maurizio Cattelan

Featured in conversation with writer Travis Diehl (@prismofreality), @mauriziocattelan shares on moving through life with wit and ambivalence, speaking on discomfort, contradiction, and the fear of becoming predictable. He describes ambivalence not as a flaw, but as “the engine.”

Read the full conversation in Issue 10.

📷: @robertrieger, a day spent with Cattelan in Milan.

”Sometimes the most radical move is to be quieter, or harder to read.“ - Maurizio Cattelan

Featured in conversation with writer Travis Diehl (@prismofreality), @mauriziocattelan shares on moving through life with wit and ambivalence, speaking on discomfort, contradiction, and the fear of becoming predictable. He describes ambivalence not as a flaw, but as “the engine.”

Read the full conversation in Issue 10.

📷: @robertrieger, a day spent with Cattelan in Milan.

Plus Magazine ISSUE 10 OUT NOW!

Our tenth anniversary issue explores the theme of Edges of Becoming.

From studio visits to conversations with contributors across cities and around the world, this issue looks at how ideas develop, how uncertainty becomes part of the process, and how a creative practice evolves through the decisions, challenges, and defining moments that shape it.

Available now on via the link in bio and at selected stockists worldwide.

@larrybellstudio
Oliver Bell
@ronanbouroullec
@mauriziocattelan
@oxinyio
Elizabeth Dee
Adrienne Edwards
@pamevelyn
Annie Gawlak
Arne Glimcher
@antonygormley420
Ruba Katrib
@sangwo0
@tinakimgallery
@alicjakwade
@daikei_mills
@nengiomuku
Deborah Royer
@lelabofragrances
@katieryankatieryan
@charlotte_sitb
@balboste_paris
@erwinwurm

📷: @alejandro_ramoroz
Special thanks: @federico.stefanovich

Plus Magazine ISSUE 10 OUT NOW!

Our tenth anniversary issue explores the theme of Edges of Becoming.

From studio visits to conversations with contributors across cities and around the world, this issue looks at how ideas develop, how uncertainty becomes part of the process, and how a creative practice evolves through the decisions, challenges, and defining moments that shape it.

Available now on via the link in bio and at selected stockists worldwide.

@larrybellstudio
Oliver Bell
@ronanbouroullec
@mauriziocattelan
@oxinyio
Elizabeth Dee
Adrienne Edwards
@pamevelyn
Annie Gawlak
Arne Glimcher
@antonygormley420
Ruba Katrib
@sangwo0
@tinakimgallery
@alicjakwade
@daikei_mills
@nengiomuku
Deborah Royer
@lelabofragrances
@katieryankatieryan
@charlotte_sitb
@balboste_paris
@erwinwurm

📷: @alejandro_ramoroz
Special thanks: @federico.stefanovich

Plus Magazine ISSUE 10 OUT NOW!

Our tenth anniversary issue explores the theme of Edges of Becoming.

From studio visits to conversations with contributors across cities and around the world, this issue looks at how ideas develop, how uncertainty becomes part of the process, and how a creative practice evolves through the decisions, challenges, and defining moments that shape it.

Available now on via the link in bio and at selected stockists worldwide.

@larrybellstudio
Oliver Bell
@ronanbouroullec
@mauriziocattelan
@oxinyio
Elizabeth Dee
Adrienne Edwards
@pamevelyn
Annie Gawlak
Arne Glimcher
@antonygormley420
Ruba Katrib
@sangwo0
@tinakimgallery
@alicjakwade
@daikei_mills
@nengiomuku
Deborah Royer
@lelabofragrances
@katieryankatieryan
@charlotte_sitb
@balboste_paris
@erwinwurm

📷: @alejandro_ramoroz
Special thanks: @federico.stefanovich

Plus Magazine ISSUE 10 OUT NOW!

Our tenth anniversary issue explores the theme of Edges of Becoming.

From studio visits to conversations with contributors across cities and around the world, this issue looks at how ideas develop, how uncertainty becomes part of the process, and how a creative practice evolves through the decisions, challenges, and defining moments that shape it.

Available now on via the link in bio and at selected stockists worldwide.

@larrybellstudio
Oliver Bell
@ronanbouroullec
@mauriziocattelan
@oxinyio
Elizabeth Dee
Adrienne Edwards
@pamevelyn
Annie Gawlak
Arne Glimcher
@antonygormley420
Ruba Katrib
@sangwo0
@tinakimgallery
@alicjakwade
@daikei_mills
@nengiomuku
Deborah Royer
@lelabofragrances
@katieryankatieryan
@charlotte_sitb
@balboste_paris
@erwinwurm

📷: @alejandro_ramoroz
Special thanks: @federico.stefanovich

Issue 10, Edges of Becoming — out soon!

From studio visits to conversations, across cities and around the world, this issue brings ideas into focus, what it means to work through uncertainty, and how a practice continues to develop.

We are excited to share the contributors of Issue 10 and the voices shaping its pages.

𝗘𝗱𝗶𝘁𝗼𝗿-𝗶𝗻-𝗖𝗵𝗶𝗲𝗳: Subin Anderson (@_soobs_)
𝗖𝗿𝗲𝗮𝘁𝗶𝘃𝗲 𝗗𝗶𝗿𝗲𝗰𝘁𝗼𝗿: Jae Kim (@kimmmmjae)
𝗚𝗿𝗮𝗽𝗵𝗶𝗰 𝗗𝗲𝘀𝗶𝗴𝗻: Kiyeol Kim (@kimgiyeol) & Workbüro Studio (@workburo)
𝗖𝗼𝗽𝘆 𝗘𝗱𝗶𝘁𝗼𝗿: Diana Isabel Colón (@diaisaco)

𝗖𝗼𝗻𝘁𝗿𝗶𝗯𝘂𝘁𝗼𝗿𝘀:
Larry Bell (@larrybellstudio)
Oliver Bell
Ronan Bouroullec (@ronanbouroullec)
Maurizio Cattelan (@mauriziocattelan)
Xinyi Cheng (@oxinyio)
Elizabeth Dee (e.dee.art)
Adrienne Edwards (@whitneymuseum)
Pam Evelyn (@pamevelyn)
Annie Gawlak
Arne Glimcher (@pacegallery)
Antony Gormley (@antonygormley420)
Ruba Katrib (@momaps1)
Sang Woo Kim (@sangwo0)
Tina Kim (@tinakimgallery)
Alicja Kwade (@alicjakwade)
Keisuke Nakamura (@daikei_mills)
Nengi Omuku (@nengiomuku)
Deborah Royer (@lelabofragrances)
Kathleen Ryan (@katieryankatieryan)
Charlotte Sitbon (@balboste_paris)
Erwin Wurm (@erwinwurm )

𝗪𝗿𝗶𝘁𝗲𝗿𝘀 & 𝗣𝗵𝗼𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝗲𝗿𝘀 :
Bryony Dawson (@bryony_jean)
Travis Diehl
Dominic Eichler (@dominicveichler)
Salomé Gómez-Upegui (@salomegomezu)
Ramona Heinlein (@mona.heinlein)
Phin Jennings (@phinphinphinphi)
Alisa Larsen (@alisalarsen)
Elodie Saint-Louis (@aselodie)
Ludovic Balay (@ludovicbalay)
Edvinas Bruzas (@edvinasbruzas)
Franz Grünewald (@franzgruenewald)
Julius Hirtzberger (@byjuhi)
Jack Johnstone (@jackrjohnstone)
Youn Kim (@_younjungkim_)
Jacob Lillis (@jacoblillis)
Robert Rieger (@robertrieger)
Tea Sirbiladze (@tea.sirbiladze)
Joshua J. Sneade (@joshuajsneade)
Shana Trajanoska (@shanajade)
Lee Whittaker (@lee__whittaker)

Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.

Read the full conversation via link in bio.

📷 @kimmmmjae

Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.

Read the full conversation via link in bio.

📷 @kimmmmjae

Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.

Read the full conversation via link in bio.

📷 @kimmmmjae

Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.

Read the full conversation via link in bio.

📷 @kimmmmjae

Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.

Read the full conversation via link in bio.

📷 @kimmmmjae

Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.

Read the full conversation via link in bio.

📷 @kimmmmjae

Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.

Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.

Read the full conversation via link in bio.

📷 @kimmmmjae

Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.

Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.

Read the full conversation via link in bio.

📷 @kimmmmjae

Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.

Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.

Read the full conversation via link in bio.

📷 @kimmmmjae

Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.

Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.

Read the full conversation via link in bio.

📷 @kimmmmjae

Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.

Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.

Read the full conversation via link in bio.

📷 @kimmmmjae

Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.

Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.

Read the full conversation via link in bio.

📷 @kimmmmjae

Bi-Weekly Picks: Takeover

This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!

Join our newsletter via link in bio for the full guide  📧✨

Bi-Weekly Picks: Takeover

This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!

Join our newsletter via link in bio for the full guide  📧✨

Bi-Weekly Picks: Takeover

This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!

Join our newsletter via link in bio for the full guide  📧✨

Bi-Weekly Picks: Takeover

This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!

Join our newsletter via link in bio for the full guide  📧✨

Bi-Weekly Picks: Takeover

This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!

Join our newsletter via link in bio for the full guide  📧✨

Sunday☕️📚

A peek inside artist Danh Vo’s home for Issue 9. 🌿 It’s a mix of raw plywood, vintage details, and overgrown gardens that’s completely taken over. A radical rejection of the purely decorative.

📷 @robertrieger

A peek inside artist Danh Vo’s home for Issue 9. 🌿 It’s a mix of raw plywood, vintage details, and overgrown gardens that’s completely taken over. A radical rejection of the purely decorative.

📷 @robertrieger

A peek inside artist Danh Vo’s home for Issue 9. 🌿 It’s a mix of raw plywood, vintage details, and overgrown gardens that’s completely taken over. A radical rejection of the purely decorative.

📷 @robertrieger

A peek inside artist Danh Vo’s home for Issue 9. 🌿 It’s a mix of raw plywood, vintage details, and overgrown gardens that’s completely taken over. A radical rejection of the purely decorative.

📷 @robertrieger

A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”

Read the full conversation via link in bio.

📷 @_younjungkim_

A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”

Read the full conversation via link in bio.

📷 @_younjungkim_

A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”

Read the full conversation via link in bio.

📷 @_younjungkim_

A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”

Read the full conversation via link in bio.

📷 @_younjungkim_

A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”

Read the full conversation via link in bio.

📷 @_younjungkim_