Salva Storie Instagram

「Ghost-cut」

一顆會發芽的聲響種子，在不同空間與不同人手中持續變貌。每一次播放都是一次再剪接。耳機裡、舞池中、陌生人手裡，它都有不同的呼吸方式。沒有固定版本，沒有終點——只有一隻遷徙的鬼，帶著你的一小部分，游向下一個房間、下一次剪接、下一段未來，如植物般無限生長。

ghost-cut is a seed that grows across spaces and through people. Every playback is a re-edit; every listener is an editor. It breathes differently in headphones, on dancefloors, in strangers’ hands. No fixed version, no end — just a migrating ghost, carrying a trace of you to the next room, the next cut, the next future, just like the plants growing indefinitely.

Available On Soundcloud And Bandcamp Now

Link In Bio

Produce, Mastering, Artwork and Mixing
By Madctrl

#idm #experimental

「Ephemeral 逝」

Ephemeral sculpts fractured beats, fading synth like ghosts, and field recordings into a piece that doesn't fight impermanence — it dances with it. Each crackle and cut is a quiet confession: some moments only matter because they vanish.

Available On Soundcloud And Bandcamp Now

Link In Bio

Produce, Mastering, Artwork and Mixing
By Madctrl

#idm #experimental

「Ephemeral 逝」

Ephemeral sculpts fractured beats, fading synth like ghosts, and field recordings into a piece that doesn't fight impermanence — it dances with it. Each crackle and cut is a quiet confession: some moments only matter because they vanish.

Available On Soundcloud And Bandcamp Now

Link In Bio

Produce, Mastering, Artwork and Mixing
By Madctrl

#idm #experimental

「ND3 瀕」

An oscilloscope tracing the collapse of sandcastles, sawtooth waves watering electromagnetic mandalas that never bloom, white noise conducting a continuous funeral for oblivion—without a body. Every drop is a meticulously calculated absence, every build-up heralds a subtler vanishing. What remains is not melody, but the vibrating edges of emptiness, the lingering facets of sound after its collapsed has settled in the air.

Available On Soundcloud And Bandcamp Now

Link In Bio

Produce, Mastering, Artwork and Mixing
By Madctrl

#idm #experimental

「Invisible, Visible」 Live

Available On SoundCloud Now

-Link In Bio-

Produce, Mastering, Artwork and Mixing
By Madctrl

—

[visible]

這場現場錄音不是再現，而是碎片的再生。〈Invisible, visible〉
在重慶大廈上被重新剪開——可見的是聲響、動作、失真的瞬間；
不可見的是縫隙、猶豫、被抹去的痕跡。

我們活在真假模糊的時代。訊息碎裂如取樣，
真相像被拉長的殘影。
但在這段錄音的留白之間，在節奏斷裂的豁口裡，
藏著一個邀請：
聽那些不在節拍上的聲音，信那些看不見的直覺。

現場沒有給出答案，只有碎片，只有你。
就算事實再難辨認，你都已經在聆聽的動作裡，
做出了自己的判斷。

可見的，未必是真。
不可見的，未必不存在。

—

碎片之間有真相，留白之中有立場。事實可能模糊，但你的判斷會發出聲音。

[Invisible]

This live recording is not a reproduction, but a regeneration of fragments. At Chungking Mansion, 〈invisible, visible〉 is cut open again — visible are the sounds, the movements, the moments of distortion; invisible are the gaps, the hesitations, the traces that have been erased.

We live in an age where the real and the fake blur. Messages shatter like samples; truth stretches like a smeared ghost trail. But in the silences between these fragments — in the fractures of the rhythm — lies an invitation: listen to what‘s off the beat, trust what you cannot see.

The live set gives no answers. Only fragments. Only you. Even when the facts are hard to read, the very act of listening is already your own judgment.

What is visible may not be real. What is invisible may not be absent.

—

Between fragments lie truths. Inside the rests, a stance. The facts may be blurred — but your judgment makes a sound.

2026.05.23 KAIWAI 界隈 Live Set

#idm #experimental

「Invisible, Visible」 Live

Available On SoundCloud Now

-Link In Bio-

Produce, Mastering, Artwork and Mixing
By Madctrl

—

[visible]

這場現場錄音不是再現，而是碎片的再生。〈Invisible, visible〉
在重慶大廈上被重新剪開——可見的是聲響、動作、失真的瞬間；
不可見的是縫隙、猶豫、被抹去的痕跡。

我們活在真假模糊的時代。訊息碎裂如取樣，
真相像被拉長的殘影。
但在這段錄音的留白之間，在節奏斷裂的豁口裡，
藏著一個邀請：
聽那些不在節拍上的聲音，信那些看不見的直覺。

現場沒有給出答案，只有碎片，只有你。
就算事實再難辨認，你都已經在聆聽的動作裡，
做出了自己的判斷。

可見的，未必是真。
不可見的，未必不存在。

—

碎片之間有真相，留白之中有立場。事實可能模糊，但你的判斷會發出聲音。

[Invisible]

This live recording is not a reproduction, but a regeneration of fragments. At Chungking Mansion, 〈invisible, visible〉 is cut open again — visible are the sounds, the movements, the moments of distortion; invisible are the gaps, the hesitations, the traces that have been erased.

We live in an age where the real and the fake blur. Messages shatter like samples; truth stretches like a smeared ghost trail. But in the silences between these fragments — in the fractures of the rhythm — lies an invitation: listen to what‘s off the beat, trust what you cannot see.

The live set gives no answers. Only fragments. Only you. Even when the facts are hard to read, the very act of listening is already your own judgment.

What is visible may not be real. What is invisible may not be absent.

—

Between fragments lie truths. Inside the rests, a stance. The facts may be blurred — but your judgment makes a sound.

2026.05.23 KAIWAI 界隈 Live Set

#idm #experimental

「Invisible, Visible」 Live

Available On SoundCloud Now

-Link In Bio-

Produce, Mastering, Artwork and Mixing
By Madctrl

—

[visible]

這場現場錄音不是再現，而是碎片的再生。〈Invisible, visible〉
在重慶大廈上被重新剪開——可見的是聲響、動作、失真的瞬間；
不可見的是縫隙、猶豫、被抹去的痕跡。

我們活在真假模糊的時代。訊息碎裂如取樣，
真相像被拉長的殘影。
但在這段錄音的留白之間，在節奏斷裂的豁口裡，
藏著一個邀請：
聽那些不在節拍上的聲音，信那些看不見的直覺。

現場沒有給出答案，只有碎片，只有你。
就算事實再難辨認，你都已經在聆聽的動作裡，
做出了自己的判斷。

可見的，未必是真。
不可見的，未必不存在。

—

碎片之間有真相，留白之中有立場。事實可能模糊，但你的判斷會發出聲音。

[Invisible]

This live recording is not a reproduction, but a regeneration of fragments. At Chungking Mansion, 〈invisible, visible〉 is cut open again — visible are the sounds, the movements, the moments of distortion; invisible are the gaps, the hesitations, the traces that have been erased.

We live in an age where the real and the fake blur. Messages shatter like samples; truth stretches like a smeared ghost trail. But in the silences between these fragments — in the fractures of the rhythm — lies an invitation: listen to what‘s off the beat, trust what you cannot see.

The live set gives no answers. Only fragments. Only you. Even when the facts are hard to read, the very act of listening is already your own judgment.

What is visible may not be real. What is invisible may not be absent.

—

Between fragments lie truths. Inside the rests, a stance. The facts may be blurred — but your judgment makes a sound.

2026.05.23 KAIWAI 界隈 Live Set

#idm #experimental

「Invisible, Visible」 Live

Available On SoundCloud Now

-Link In Bio-

Produce, Mastering, Artwork and Mixing
By Madctrl

—

[visible]

這場現場錄音不是再現，而是碎片的再生。〈Invisible, visible〉
在重慶大廈上被重新剪開——可見的是聲響、動作、失真的瞬間；
不可見的是縫隙、猶豫、被抹去的痕跡。

我們活在真假模糊的時代。訊息碎裂如取樣，
真相像被拉長的殘影。
但在這段錄音的留白之間，在節奏斷裂的豁口裡，
藏著一個邀請：
聽那些不在節拍上的聲音，信那些看不見的直覺。

現場沒有給出答案，只有碎片，只有你。
就算事實再難辨認，你都已經在聆聽的動作裡，
做出了自己的判斷。

可見的，未必是真。
不可見的，未必不存在。

—

碎片之間有真相，留白之中有立場。事實可能模糊，但你的判斷會發出聲音。

[Invisible]

This live recording is not a reproduction, but a regeneration of fragments. At Chungking Mansion, 〈invisible, visible〉 is cut open again — visible are the sounds, the movements, the moments of distortion; invisible are the gaps, the hesitations, the traces that have been erased.

We live in an age where the real and the fake blur. Messages shatter like samples; truth stretches like a smeared ghost trail. But in the silences between these fragments — in the fractures of the rhythm — lies an invitation: listen to what‘s off the beat, trust what you cannot see.

The live set gives no answers. Only fragments. Only you. Even when the facts are hard to read, the very act of listening is already your own judgment.

What is visible may not be real. What is invisible may not be absent.

—

Between fragments lie truths. Inside the rests, a stance. The facts may be blurred — but your judgment makes a sound.

2026.05.23 KAIWAI 界隈 Live Set

#idm #experimental

KAIWAI 界隈 02 ・23.05.2026

Madctrl @madctrl_ (live)

Madctrl 是一朵綻放在數據廢墟中的侘寂之花。模組迴路拼湊起消逝的頻率——捕捉冷卻混凝土的咔啪聲、霓虹餘燼中粗礪的光塵、破碎咒語留下的語法殘骸。所有記憶都被轉譯為衰敗中的聲音週期，在充滿故障感的節奏裡重生為更美的碎片。

·:*¨༺ ♱✮♱ ༻¨*:·
Realm of no compress

Start 21:00
Secret location; KLN
RSVP only
$150

Registration link in @kaiwai33a bio

Curated by
@egodeafff @catchacat
Design & illustrated by
@catchacat

KAIWAI 界隈 02 ・23.05.2026

Madctrl @madctrl_ (live)

Madctrl 是一朵綻放在數據廢墟中的侘寂之花。模組迴路拼湊起消逝的頻率——捕捉冷卻混凝土的咔啪聲、霓虹餘燼中粗礪的光塵、破碎咒語留下的語法殘骸。所有記憶都被轉譯為衰敗中的聲音週期，在充滿故障感的節奏裡重生為更美的碎片。

·:*¨༺ ♱✮♱ ༻¨*:·
Realm of no compress

Start 21:00
Secret location; KLN
RSVP only
$150

Registration link in @kaiwai33a bio

Curated by
@egodeafff @catchacat
Design & illustrated by
@catchacat

KAIWAI 界隈 02 | 23.05.2026

·:*¨༺ ♱✮♱ ༻¨*:·
Realm of no compress

muii @mui.work
MO @cuiamo
klaux @klauslee625
madctrl @madctrl_

Start 21:00
Secret location; KLN
RSVP only, $150

registration link in @kaiwai33a bio

Curated by
@egodeafff @catchacat
Design & illustrated by
@catchacat

🕸HAIL HYDRA RECORDS PRESENTS🕸

MADCTRL

From the ruins of data and dust,
where servers decay like temples,
madctrl blooms —
a wabi-sabi flower rooted in collapse.

Modular circuits coil like Hydra heads,
splicing vanishing frequencies,
harvesting the crackle of cooling concrete,
the neon ash of exhausted light,
the broken grammar of forgotten incantations.
Memory here does not survive —
it cycles.

Translated into decaying rhythms,
glitch-scarred loops crumble beautifully,
each fracture revealing a deeper symmetry of loss.
An oscilloscope charts the fall of sandcastles.
Sawtooth waves irrigate mandalas that refuse to bloom.

White noise conducts an endless funeral for oblivion —
no body, no name, only vibration.
Every drop is a calculated absence.
Every rise announces a quieter disappearance.

What remains is not melody,
but the trembling outline of emptiness
after sound has finished dying.
madctrl does not create —
it dissolves with intent,
giving shape to absence,
allowing disintegration to continue breathing.

Within the many listening heads of the Hydra,
this collapse becomes sacred —
an electrostatic sanctuary
where the dark soul hums softly,
undisturbed.

🜏 MADCTRL —
Glitch as scripture.
Absence as form.
The void, held open by Hail Hydra Records.

#HailHydraRecords #Madctrl

Bionickle 06 ：Tranquility In A Chaotic by Madctrl

Tranquility in a Chaotic is a four-movement symphony for the apocalypse—the signal frequency of a final rebellion. This EP charts the internal and external landscapes of insurrection when the threat is total annihilation, moving through four stages: resolve, reflection, resonance, and revolt.

From the fragile, determined pulse of the title track where a plan takes form, through the glitched, fractured reality of ”Kagami“ into the pounding, relentless assault of ”Whispers of Doom“ the journey culminates in ”Eclipse“ where sonic chaos erupts into a furious, driving rhythm. This is for those who would rather ignite a fleeting, brilliant light than fade silently into the dark.

Now available on Bandcamp

「光合成 Photosynthesis」 At Final Taipei

B2B with MZee@tracypcy @mzee_aiff
@bionickle.exp x @twilight_rhythm

「光合成 Photosynthesis」 At Final Taipei

B2B with MZee@tracypcy @mzee_aiff
@bionickle.exp x @twilight_rhythm

「光合成 Photosynthesis」 At Final Taipei

B2B with MZee@tracypcy @mzee_aiff
@bionickle.exp x @twilight_rhythm

「光合成 Photosynthesis」 At Final Taipei

B2B with MZee@tracypcy @mzee_aiff
@bionickle.exp x @twilight_rhythm

「光合成 Photosynthesis」 At Final Taipei

B2B with MZee@tracypcy @mzee_aiff
@bionickle.exp x @twilight_rhythm

「光合成 Photosynthesis」 At Final Taipei

B2B with MZee@tracypcy @mzee_aiff
@bionickle.exp x @twilight_rhythm

「光合成 Photosynthesis」 At Final Taipei

B2B with MZee@tracypcy @mzee_aiff
@bionickle.exp x @twilight_rhythm

「光合成 Photosynthesis」 At Final Taipei

B2B with MZee@tracypcy @mzee_aiff
@bionickle.exp x @twilight_rhythm

「光合成 Photosynthesis」 At Final Taipei

B2B with MZee@tracypcy @mzee_aiff
@bionickle.exp x @twilight_rhythm

「光合成 Photosynthesis」 At Final Taipei

B2B with MZee@tracypcy @mzee_aiff
@bionickle.exp x @twilight_rhythm

「光合成 Photosynthesis」 At Final Taipei

B2B with MZee@tracypcy @mzee_aiff
@bionickle.exp x @twilight_rhythm

「光合成 Photosynthesis」 At Final Taipei

B2B with MZee@tracypcy @mzee_aiff
@bionickle.exp x @twilight_rhythm

Memorable Trip @bionickle.exp & @twilight_rhythm at Taipei. Thanks everyone who make this happen.

Memorable Trip @bionickle.exp & @twilight_rhythm at Taipei. Thanks everyone who make this happen.

Memorable Trip @bionickle.exp & @twilight_rhythm at Taipei. Thanks everyone who make this happen.

Memorable Trip @bionickle.exp & @twilight_rhythm at Taipei. Thanks everyone who make this happen.

Memorable Trip @bionickle.exp & @twilight_rhythm at Taipei. Thanks everyone who make this happen.

Memorable Trip @bionickle.exp & @twilight_rhythm at Taipei. Thanks everyone who make this happen.

Memorable Trip @bionickle.exp & @twilight_rhythm at Taipei. Thanks everyone who make this happen.

Memorable Trip @bionickle.exp & @twilight_rhythm at Taipei. Thanks everyone who make this happen.

Memorable Trip @bionickle.exp & @twilight_rhythm at Taipei. Thanks everyone who make this happen.

Memorable Trip @bionickle.exp & @twilight_rhythm at Taipei. Thanks everyone who make this happen.

Memorable Trip @bionickle.exp & @twilight_rhythm at Taipei. Thanks everyone who make this happen.

Memorable Trip @bionickle.exp & @twilight_rhythm at Taipei. Thanks everyone who make this happen.

Memorable Trip @bionickle.exp & @twilight_rhythm at Taipei. Thanks everyone who make this happen.

No Computer

x @twilight_rhythm – Double Weekender

光合成 Photosynthesis − 香港站 🇭🇰 Secret Location + 🇹🇼台北站 - @final_taipei

演出者介紹 - @madctrl_ 🇭🇰

Madctrl是香港電子音樂團體Bionickle和Sub Murder的成員之一，也是Zoohar和Khnum Crew 的一員。他是一位電子音樂製作人/鼓手，專注研究和創作結合現代闇黑工業風格與迷幻民族 鼓的獨特音色，搭配IDM式的故障鼓聲，並加入東方神秘美學元素。他的音樂作品充滿情緒， 實驗性和前衛意識。聆聽體驗中見證著他在聲音設計層面的美學演進，將你的身體感受共振， 衝擊你的心靈與情感，逐一解體再修復完整。
Madctrl is a member of Hong Kong electronic music groups Sub Murder and Bionickle as well as a member of Zoohar & Khnum Crew. He is an electronic music producer / drummer who focuses on researching and creating a unique sound that combines modern dark industrial style and psychedelic ethnic drums, paired with IDM-style glitchy drum sounds, and adds elements of oriental mysterious aesthetics. His musical compositions are full of emotion, experimentation, and avant-garde consciousness. In the listening experience, you witness his aesthetic evolution in sound design, which resonates with your physical feelings to empathy, impacts your mind and emotions, and disintegrates and then repairs them individually.

x @twilight_rhythm – Double Weekender

光合成 Photosynthesis − 香港站 🇭🇰 Secret Location + 🇹🇼台北站 - @final_taipei

演出者介紹 - @madctrl_ 🇭🇰

Madctrl是香港電子音樂團體Bionickle和Sub Murder的成員之一，也是Zoohar和Khnum Crew 的一員。他是一位電子音樂製作人/鼓手，專注研究和創作結合現代闇黑工業風格與迷幻民族 鼓的獨特音色，搭配IDM式的故障鼓聲，並加入東方神秘美學元素。他的音樂作品充滿情緒， 實驗性和前衛意識。聆聽體驗中見證著他在聲音設計層面的美學演進，將你的身體感受共振， 衝擊你的心靈與情感，逐一解體再修復完整。
Madctrl is a member of Hong Kong electronic music groups Sub Murder and Bionickle as well as a member of Zoohar & Khnum Crew. He is an electronic music producer / drummer who focuses on researching and creating a unique sound that combines modern dark industrial style and psychedelic ethnic drums, paired with IDM-style glitchy drum sounds, and adds elements of oriental mysterious aesthetics. His musical compositions are full of emotion, experimentation, and avant-garde consciousness. In the listening experience, you witness his aesthetic evolution in sound design, which resonates with your physical feelings to empathy, impacts your mind and emotions, and disintegrates and then repairs them individually.

x @twilight_rhythm – Double Weekender

光合成 Photosynthesis − 香港站 🇭🇰 Secret Location + 🇹🇼台北站 - @final_taipei

演出者介紹 - @madctrl_ 🇭🇰

Madctrl是香港電子音樂團體Bionickle和Sub Murder的成員之一，也是Zoohar和Khnum Crew 的一員。他是一位電子音樂製作人/鼓手，專注研究和創作結合現代闇黑工業風格與迷幻民族 鼓的獨特音色，搭配IDM式的故障鼓聲，並加入東方神秘美學元素。他的音樂作品充滿情緒， 實驗性和前衛意識。聆聽體驗中見證著他在聲音設計層面的美學演進，將你的身體感受共振， 衝擊你的心靈與情感，逐一解體再修復完整。
Madctrl is a member of Hong Kong electronic music groups Sub Murder and Bionickle as well as a member of Zoohar & Khnum Crew. He is an electronic music producer / drummer who focuses on researching and creating a unique sound that combines modern dark industrial style and psychedelic ethnic drums, paired with IDM-style glitchy drum sounds, and adds elements of oriental mysterious aesthetics. His musical compositions are full of emotion, experimentation, and avant-garde consciousness. In the listening experience, you witness his aesthetic evolution in sound design, which resonates with your physical feelings to empathy, impacts your mind and emotions, and disintegrates and then repairs them individually.