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Diane von Furstenberg’s longest love affair is with Venice.

In the Spring 2026 issue of 72, Juergen Teller photographs the designer in her Venetian palazzo, as Scarlett Conlon speaks with her about glamour, memory and the city that changed her life.

“I first visited Venice on a day trip with my father and brother when I was 17,” reminisces Diane von Furstenberg. “The night before, I had a secret, passionate love affair on the beach with some Italian boy. The next morning, I was just a little girl with her family visiting Venice, but it was the first time I really felt like a woman.”

Chief Creative Officer Edward Enninful @edward_enninful
Photography Juergen Teller @juergentellerstudio
Creative Partner Dovile Drizyte @doviledrizyte
Hair and makeup Massimo Serini @massimoserini.official
1st Photo Assistant Felipe Chaves @chaaaves
Postproduction Louwre Erasmus at Quickfix

Chief Creative Officer Edward Enninful @edward_enninful
Editorial Director Sarah Harris @sarahharris
Chief Visual Officer Alec Maxwell @kloss_films
Creative Directors Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director Stefan Abrahams @stefan_abrahams
Creative Producer Fernanda Dugdale @fernandadugdale

Diane von Furstenberg’s longest love affair is with Venice.

In the Spring 2026 issue of 72, Juergen Teller photographs the designer in her Venetian palazzo, as Scarlett Conlon speaks with her about glamour, memory and the city that changed her life.

“I first visited Venice on a day trip with my father and brother when I was 17,” reminisces Diane von Furstenberg. “The night before, I had a secret, passionate love affair on the beach with some Italian boy. The next morning, I was just a little girl with her family visiting Venice, but it was the first time I really felt like a woman.”

Chief Creative Officer Edward Enninful @edward_enninful
Photography Juergen Teller @juergentellerstudio
Creative Partner Dovile Drizyte @doviledrizyte
Hair and makeup Massimo Serini @massimoserini.official
1st Photo Assistant Felipe Chaves @chaaaves
Postproduction Louwre Erasmus at Quickfix

Chief Creative Officer Edward Enninful @edward_enninful
Editorial Director Sarah Harris @sarahharris
Chief Visual Officer Alec Maxwell @kloss_films
Creative Directors Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director Stefan Abrahams @stefan_abrahams
Creative Producer Fernanda Dugdale @fernandadugdale

Diane von Furstenberg’s longest love affair is with Venice.

In the Spring 2026 issue of 72, Juergen Teller photographs the designer in her Venetian palazzo, as Scarlett Conlon speaks with her about glamour, memory and the city that changed her life.

“I first visited Venice on a day trip with my father and brother when I was 17,” reminisces Diane von Furstenberg. “The night before, I had a secret, passionate love affair on the beach with some Italian boy. The next morning, I was just a little girl with her family visiting Venice, but it was the first time I really felt like a woman.”

Chief Creative Officer Edward Enninful @edward_enninful
Photography Juergen Teller @juergentellerstudio
Creative Partner Dovile Drizyte @doviledrizyte
Hair and makeup Massimo Serini @massimoserini.official
1st Photo Assistant Felipe Chaves @chaaaves
Postproduction Louwre Erasmus at Quickfix

Chief Creative Officer Edward Enninful @edward_enninful
Editorial Director Sarah Harris @sarahharris
Chief Visual Officer Alec Maxwell @kloss_films
Creative Directors Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director Stefan Abrahams @stefan_abrahams
Creative Producer Fernanda Dugdale @fernandadugdale

Diane von Furstenberg’s longest love affair is with Venice.

In the Spring 2026 issue of 72, Juergen Teller photographs the designer in her Venetian palazzo, as Scarlett Conlon speaks with her about glamour, memory and the city that changed her life.

“I first visited Venice on a day trip with my father and brother when I was 17,” reminisces Diane von Furstenberg. “The night before, I had a secret, passionate love affair on the beach with some Italian boy. The next morning, I was just a little girl with her family visiting Venice, but it was the first time I really felt like a woman.”

Chief Creative Officer Edward Enninful @edward_enninful
Photography Juergen Teller @juergentellerstudio
Creative Partner Dovile Drizyte @doviledrizyte
Hair and makeup Massimo Serini @massimoserini.official
1st Photo Assistant Felipe Chaves @chaaaves
Postproduction Louwre Erasmus at Quickfix

Chief Creative Officer Edward Enninful @edward_enninful
Editorial Director Sarah Harris @sarahharris
Chief Visual Officer Alec Maxwell @kloss_films
Creative Directors Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director Stefan Abrahams @stefan_abrahams
Creative Producer Fernanda Dugdale @fernandadugdale

Diane von Furstenberg’s longest love affair is with Venice.

In the Spring 2026 issue of 72, Juergen Teller photographs the designer in her Venetian palazzo, as Scarlett Conlon speaks with her about glamour, memory and the city that changed her life.

“I first visited Venice on a day trip with my father and brother when I was 17,” reminisces Diane von Furstenberg. “The night before, I had a secret, passionate love affair on the beach with some Italian boy. The next morning, I was just a little girl with her family visiting Venice, but it was the first time I really felt like a woman.”

Chief Creative Officer Edward Enninful @edward_enninful
Photography Juergen Teller @juergentellerstudio
Creative Partner Dovile Drizyte @doviledrizyte
Hair and makeup Massimo Serini @massimoserini.official
1st Photo Assistant Felipe Chaves @chaaaves
Postproduction Louwre Erasmus at Quickfix

Chief Creative Officer Edward Enninful @edward_enninful
Editorial Director Sarah Harris @sarahharris
Chief Visual Officer Alec Maxwell @kloss_films
Creative Directors Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director Stefan Abrahams @stefan_abrahams
Creative Producer Fernanda Dugdale @fernandadugdale

Diane von Furstenberg’s longest love affair is with Venice.

In the Spring 2026 issue of 72, Juergen Teller photographs the designer in her Venetian palazzo, as Scarlett Conlon speaks with her about glamour, memory and the city that changed her life.

“I first visited Venice on a day trip with my father and brother when I was 17,” reminisces Diane von Furstenberg. “The night before, I had a secret, passionate love affair on the beach with some Italian boy. The next morning, I was just a little girl with her family visiting Venice, but it was the first time I really felt like a woman.”

Chief Creative Officer Edward Enninful @edward_enninful
Photography Juergen Teller @juergentellerstudio
Creative Partner Dovile Drizyte @doviledrizyte
Hair and makeup Massimo Serini @massimoserini.official
1st Photo Assistant Felipe Chaves @chaaaves
Postproduction Louwre Erasmus at Quickfix

Chief Creative Officer Edward Enninful @edward_enninful
Editorial Director Sarah Harris @sarahharris
Chief Visual Officer Alec Maxwell @kloss_films
Creative Directors Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director Stefan Abrahams @stefan_abrahams
Creative Producer Fernanda Dugdale @fernandadugdale

Introducing the Spring 2026 issue of #72.

Kate Moss, photographed by Nick Knight.

“Kate is stitched into the tapestry of my work and into the culture that surrounds us all. Watching her work is like watching a film play out before your eyes. Pure magic. There is no one like her.” — Edward Enninful,
Co-Founder and Chief Creative Officer, EE72

Available at the link in bio now.

Kate wears a sequined chiffon dress, @maisonvalentino. Watch and ring, worn throughout, both Kate’s own.

Chief Creative Officer Edward Enninful @edward_enninful
Photographer Nick Knight @nick_knight
Hair Stylist Sam McKnight at Premier @sammcknight1
Makeup Artist Val Garland at Streeters @thevalgarland
Fashion Editor Eniola Dare @enied
Manicurist Adam Slee at Streeters @adamslee_
Set Designer Andrew Tomlinson at Streeters @tomotattle
Creative Consultant Calum Knight @calumkingsleyknight
1st Photo Assistant Lara Hughes @larasugarhughes
Photo Assistant Gil Warner @gilwarneruk
Photo Intern Oldnightkid Wang @oldnightkidwang
Digi Op Joe Colley @josephcolley
Styling Assistants Justine Domejean @lafilledudj
Ella McKierman @ellamckiernan
Hair Assistant Valerie Benevides @valeriebenavides
Makeup Assistant Paula Maxwell @p.j.maxwell
Production: Liberte Productions @liberteproductions
Executive Producer Kat Davey @bendybackpanda
Production Team Alice Carlet @alice.carlet
Sidonie Barton @sidoniebarton
Retouching Epilogue Imaging @epilogueinc

Chief Creative Officer Edward Enninful @edward_enninful
Editorial Director Sarah Harris @sarahharris
Chief Visual Officer Alec Maxwell @kloss_films
Creative Directors Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director Stefan Abrahams @stefan_abrahams
Creative Producer Fernanda Dugdale @fernandadugdale

2/2

“The world needs unique perspectives. Keep pushing boundaries and keep pursuing your passion because when you do, your dreams move within reach.” Ajus Samuel is the star of 72 magazine’s second issue.

Issue 2 arrives with a special dual cover: a 50/50 split between a striking beauty portrait of South Sudanese model Ajus Samuel, captured by Dan Jackson with styling by Julia Sarr-Jamois and beauty by Lynsey Alexander and an exquisite punk rose by Nick Knight, complete with a black safety pin.

Pre-order your issue at the link in bio now. Shipping from 11th December.

Chief Creative Officer: Edward Enninful @edward_enninful
Photography: Dan Jackson @studio_jackson
Styling: Julia Sarr-Jamois @sarrjamois
Model: Ajus Samuel / Models1 @ajussamuel
Editorial Director: Sarah Harris @sarahharris
Chief Visuals Officer: Alec Maxwell @kloss_films
Creative Directors: Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director: Stefan Abrahams @stefan_abrahams
Casting: Piergiorgio Del Moro For DM Casting @piergiorgio
Casting assistant: Juliun Williams for DM Casting
Hair: Shon Hyungsun Ju @shonju
Makeup: Lynsey Alexander @lynseyalexander
Nails: Sabrina Gayle @sabrinagayle__
Tailor: Audra Budvytiene
Executive Creative Producer: Tomasina Lebus-Price @tomalebus
Production: Town Productions / Noot Coates @townprod
Production Assistant: Amelia Heritage
Photography Assistants: Jonathan Johnson, Sebastian McCluskey
Makeup Assistants: Sarah Edenborough
Digitech: Matthew Aland
Styling Assistants: Maya Gunavardhana, Clemmie Harris Stuart
Studio / Location: The Tank Factory @thetankfactory
Retouching: Gloss Studio @glossnewyork
With thanks to Sue Fujimoto

@towabird is back, and she’s better than ever.

The rock star dropped her sophomore album Gentleman last week and it exudes the confidence gained from a viral debut and a supporting slot on Billie Eilish’s last tour.

The guitar solos are longer, and the lyrics are more honest. It’s a confidence that was always there but now has nowhere to hide.

Earlier this year, she took us to the @miumiu show, and @ericarana caught up with her ahead of the album’s release.

Head to the link in bio to read the full interview.

Director/Editor @rachbouvier

Our Editorial Director, @SarahHarris, invited us into her workspace to share the objects that shape her day, from surprise sketches by her daughter tucked inside her notebook to mapping each issue of 72 Magazine by hand, all with a @montblanc notebook and pen.

72 seconds with @edward_enninful, @nick_knight and @sammcknight1 at the premiere of a short film by Nick Knight for EE72’s takeover of Piccadilly Lights, starring Kate Moss in support of @breakthroughT1DUK.

EE72 has launched a limited-edition A2 poster of the Spring 2026 cover of 72, available to purchase at ee72.com. Photographed by Nick Knight and featuring Kate Moss, this collector’s piece includes Kate’s printed handwritten signature. The poster is available for two-weeks starting today at the link in bio.

Profits from the sales of the poster will benefit @breakthroughT1DUK the world’s leading type 1 diabetes research and advocacy charity chosen by and close to the heart of Kate, whose daughter, Lila, has been an advocate for the Type 1 Diabetes community.

Director/Editor Alec Maxwell @kloss_films
Art Director Stefan Abrahams @stefan_abrahams
DOP Mark Adcock @markadcockdop
Drone Operator Jake Mobbs @jakeflys.co
Production Tom Hardern @tomhrdn
Special Thanks @piccadillylights

This evening we premiered a short film starring Kate Moss captured by @nick_knight in a takeover of Piccadilly Lights.

EE72 has launched a limited-edition A2 poster of the Spring 2026 cover of 72, available to purchase at ee72.com. Photographed by Nick Knight and featuring Kate Moss, this collector’s piece includes Kate’s printed handwritten signature. The poster is available for two-weeks starting today at the link in bio.

Profits from the sales of the poster will benefit @breakthroughT1DUK the world’s leading type 1 diabetes research and advocacy charity chosen by and close to the heart of Kate, whose daughter, Lila, has been an advocate for the Type 1 Diabetes community.

Director/Editor Alec Maxwell @kloss_films
Art Director Stefan Abrahams @stefan_abrahams
DOP Mark Adcock @markadcockdop
Drone Operator Jake Mobbs @jakeflys.co
Production Tom Hardern @tomhrdn
Special Thanks @piccadillylights

The Venice Biennale is often referred to as the Olympics of the art world. With 99 countries taking part and work by more than 100 international artists on view, the 61st instalment is no exception.

Holly Howe shares the exhibitions not to be missed at this year’s Venice Biennale and explores why this is the most politically charged yet at the link in bio.

The Venice Biennale is often referred to as the Olympics of the art world. With 99 countries taking part and work by more than 100 international artists on view, the 61st instalment is no exception.

Holly Howe shares the exhibitions not to be missed at this year’s Venice Biennale and explores why this is the most politically charged yet at the link in bio.

The Venice Biennale is often referred to as the Olympics of the art world. With 99 countries taking part and work by more than 100 international artists on view, the 61st instalment is no exception.

Holly Howe shares the exhibitions not to be missed at this year’s Venice Biennale and explores why this is the most politically charged yet at the link in bio.

The Venice Biennale is often referred to as the Olympics of the art world. With 99 countries taking part and work by more than 100 international artists on view, the 61st instalment is no exception.

Holly Howe shares the exhibitions not to be missed at this year’s Venice Biennale and explores why this is the most politically charged yet at the link in bio.

The Venice Biennale is often referred to as the Olympics of the art world. With 99 countries taking part and work by more than 100 international artists on view, the 61st instalment is no exception.

Holly Howe shares the exhibitions not to be missed at this year’s Venice Biennale and explores why this is the most politically charged yet at the link in bio.

The Venice Biennale is often referred to as the Olympics of the art world. With 99 countries taking part and work by more than 100 international artists on view, the 61st instalment is no exception.

Holly Howe shares the exhibitions not to be missed at this year’s Venice Biennale and explores why this is the most politically charged yet at the link in bio.

The Venice Biennale is often referred to as the Olympics of the art world. With 99 countries taking part and work by more than 100 international artists on view, the 61st instalment is no exception.

Holly Howe shares the exhibitions not to be missed at this year’s Venice Biennale and explores why this is the most politically charged yet at the link in bio.

The Venice Biennale is often referred to as the Olympics of the art world. With 99 countries taking part and work by more than 100 international artists on view, the 61st instalment is no exception.

Holly Howe shares the exhibitions not to be missed at this year’s Venice Biennale and explores why this is the most politically charged yet at the link in bio.

The Venice Biennale is often referred to as the Olympics of the art world. With 99 countries taking part and work by more than 100 international artists on view, the 61st instalment is no exception.

Holly Howe shares the exhibitions not to be missed at this year’s Venice Biennale and explores why this is the most politically charged yet at the link in bio.

The Venice Biennale is often referred to as the Olympics of the art world. With 99 countries taking part and work by more than 100 international artists on view, the 61st instalment is no exception.

Holly Howe shares the exhibitions not to be missed at this year’s Venice Biennale and explores why this is the most politically charged yet at the link in bio.

We want to see the world through your lens.

We’re inviting all photographers and videographers to introduce us to their creative world.

Send submissions to info@ee72.com and head to the link in bio for further details. Please note, all successful candidates will receive a fee for their featured work.

“Nothing’s off limits.”

Born in Malaysia, @chloeqisha moved to the UK at 17, finished a psychology degree, and quietly spent years writing songs until one of them hit 8 million streams. She still wasn’t convinced it was a great song.

@michaelcragg goes inside her perfect pop world at the link in bio.

“Nothing’s off limits.”

Born in Malaysia, @chloeqisha moved to the UK at 17, finished a psychology degree, and quietly spent years writing songs until one of them hit 8 million streams. She still wasn’t convinced it was a great song.

@michaelcragg goes inside her perfect pop world at the link in bio.

London boy.

We joined @aaron_pierre1 for a 72 second tour of The Old Vic Theatre in South East London, where he is starring in One Flew Over The Cuckoo’s Nest.

Videographer: Chanel Moye @chanel.jm
Editor: Alec Maxwell @kloss_films
Grade: Edward Webb @edwardwebbcolour Freefolk Studios
Producer: Tom Hardern @tomhrdn

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.