
Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio
Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio

Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio

Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio

Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio

Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio

Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio

Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio
Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio

Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio
Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio

Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio

Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio

Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio

Directory (@directory.work) engaged us to define and design a platform that connects talent, skills, and opportunity across the global film and creative industries.
Born from numerous conversations with filmmakers at @directorslibrary roundtables, the platform was built to advocate for human collaboration — revealing local networks, connecting global ones, and serving as a counter-narrative to big tech and generative AI’s dismantling of traditional creative roles.
From early feature definition to information architecture, interface design, and technical planning, our collective focus was on creating a platform that could handle dynamic data while remaining intuitive and low-friction for both contributors and users.
Users submit only essential information: name, location, a single external link, and a set of roles and formats that define their work. Directory reverses the conventional discovery flow: instead of leading with the work, it leads with the filmworkers. Experience, credits, and status are intentionally hidden in overview — everyone is shown on equal terms. This approach values and promotes craft specialism, ensuring that the depth and specificity of a person’s expertise is what surfaces them, not algorithm or vanity metrics.
The platform balances robust infrastructure with long-term maintainability, ensuring that Directory can scale as its network expands. In its final form, Directory operates as a clear, open system for discovering local and worldwide talent, replacing fragmented networks with a single, accessible source. Success is measured offline.
Check out the full case study at the link in our bio.
Development: @merlindotstudio

‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner

‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner
‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner

‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner

‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner
‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner
‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner

‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner

‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner

‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner

‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner

‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner

‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner

‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner

‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner

‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner
‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner

‘Time is Currency’ BTS for The Kettle Kids
@joelclaudio_ / Director
@shakdanothman / EP & Director
@halittahaus / Production Company
@nirvanahenry_ / Producer
@jameskilleendop / DOP
@jaisandah / 1st AD
@jamesknight2018 / Gaffer
@kevingardner2918 / Spark
@callumtunmore / 1st AC
@j_ighodaro / 2nd AC
@csmithsounds / Sound Operator
@leonbostwick / Editor
@rascalstudio / Colour Post Production
@msherlockpcolour / Colourist
@lilydelphine / Colour Line Producer
@teobeaume / Sound Designer
@j_kogzy / Stylist
@caeliaab / Stylist Assistanf
@muahlondon / Makeup Artist
@radhika.photos / Photographer
@abz.9mm / Production Assistant
@258_perso / Production Assistant
@curtisappleby / Actor
Jeremy Piven / Talent
@shoeshineuk @gazianogirling / Shoe Shiner
‘The Guardians of the Roses’ BTS film for Amouage.
@taqwabintali / Directed & Written by
@studioharaka / Production Company
@samutasem / Producer
@mathiaszivanovic / DOP
@dalalfirst / 1st AD
@_.nasser_ / Production Manager
@mohmed_alkhaifi / Casting Director
@rvlhi / Project Coordinator
@ahidsalim / Project Coordinator
@theprismart / Art House
@shzom.97 / Production Designer
@ham.sayyed / Art Director
@filmex.om / Equipment
@alkhusibi00 / Gaffer & Key Grip
@n3bily_2020 / Gaffer
@la23l / 1st AC
@h_i6dl / Boom Operator
@ahmedalgharibii / DIT
@meshal_alhooti / Voiceover
@sultanvirtual / Editor
@seijichampollion / Sound Designer
@corapoststudio / Colorist
@lucasf.bergamini / Colorist
‘Dave Chappelle’s Pulling Up’ BTS for Netflix Is A Joke Fest.
@tooooomaaaaas / Director
@softspot.world / Production Company
@vertelscott / Executive Producer
@paulyounglee / Producer
@j.bo / Creative Producer
@alxxlt / In-House Coordinator
@itsjustkennytaylor / 1st AD
@tehillahdecastro / Director of Photography
@gregyaro / Production Designer
@jacksonatyler / Art Director
@noe.sart / Scenic
@jimivieira / Scenic
@zealotinc / Client Post
@house__post / Color House
@connorjbailey / Colorist
@barkingowl_ / Sound Design
@hrdwrestudio / VFX House
@dbamarco / VFX Artist
‘Fever Dream’ Movement Rehearsal.
@david_shap / Performer
@d.a.leeds / Director & Editor
@waleedsokkar / Director of Photography
@filmtrip97 / 1st Assistant Camera
@marmar____ami / Stylist
@djcrowls / Original Music
@patrick.devine.iii / Colorist
@chloeroselewiis / Motion Designer
@ppburke / Executive Producer
@him__creative / Production Company
@corbanharper / Featured Designer

‘Just A Board’ BTS for Hornbach.
@ianponsjewell / Director
@anorak_film / Production Company
@prodcofficial / Production Company
@christiane.dressler / Anorak EP
Zico Judge / ProdCo EP
Steffen Leiser / Producer
@oztavio / DOP
@__ab__normal / Production Designer
@katogelashvili / Stylist
Madona Chanturia / Make Up Artist
@jamesdyer1stad / 1st AD
Chiara Walde / Production Coordinator
@irakli_gvishiani / Location Manager
Adrian Rodriguez / 1st AC
Marc Blasco / VTR
@hornbach_de / Client
Karsten Kühn / Chief Marketing Officer
Thomas Schnaitmann / Head of Global Marketing
Julia Post / Head of Brand Marketing
@heimattbwa / Agency
@guidoheffels / Chief Creative Officer
@luis_jaehner / Creative Director
Christopher Kämmerer / Creative Director
@tvkerstin / Head of Production
Sandra Wulkow / Copy
Luis Jähner / Copy
Guido Heffels / Copy
Peter Hunger / Account Supervisor
Léa Böhm / Account Director
Yorgos Lamprinos / Editor
@katalyst.berlin / VFX & Post Production
Steffen Röthinger / VFX Supervisor
@tmls.tv / Grading
@julienalary_color / Colourist
@klankwerk / Music & Sound Design
Thomas Houthave / Sound Design & Mix
@polaaider / Sound Design & Mix
@polaaider / Music Composer
@arthurbrouns / Music Composer
@micaela.ferrao / Cello
@cobblestonefoley / Foley
@fridge.audio / Audio Mix
David Arnold / Audio Mixer
@enkenyfilms / Production Services
Bacho Meburishvili / Producer
Sopo Bendiashvili / Line Producer
Elo Chkheidze / Casting Director
@nanukasioridze / Casting Director
Kharmel Cochrane / Casting Director
@nakashidzegio / Cast
@mournata / Cast
@chidera.odukwu / Cast
@z.jachvadze / Cast
@davit_mes / Cast
@ananomarkoishvili / Cast
@galaktionkhonelidze / Cast
Beqa Kirtava / Production Manager
Giorgi Topuridze / Production Manager
Sopo Orjonikidze / Production Manager
Keta Lomsadze / Production Coordinator
Lea Jinjikhashvili / Production Assistant
Tsotne Marsagishvili / Gaffer
Goga Chanturia / Key Grip
Tengo Kasradze / Best Boy
Giorgi Berdzenishvili / 2nd AC
Giorgi Matcharashvili / DIT
Tamta Mandzulashvili / Sound
Oso Avto Kokaevi / Set Manager
@_nnanuka / BTS
@nika.keh / BTS
@pancholi___na / Restaurant Location
‘Just A Board’ BTS for Hornbach.
@ianponsjewell / Director
@anorak_film / Production Company
@prodcofficial / Production Company
@christiane.dressler / Anorak EP
Zico Judge / ProdCo EP
Steffen Leiser / Producer
@oztavio / DOP
@__ab__normal / Production Designer
@katogelashvili / Stylist
Madona Chanturia / Make Up Artist
@jamesdyer1stad / 1st AD
Chiara Walde / Production Coordinator
@irakli_gvishiani / Location Manager
Adrian Rodriguez / 1st AC
Marc Blasco / VTR
@hornbach_de / Client
Karsten Kühn / Chief Marketing Officer
Thomas Schnaitmann / Head of Global Marketing
Julia Post / Head of Brand Marketing
@heimattbwa / Agency
@guidoheffels / Chief Creative Officer
@luis_jaehner / Creative Director
Christopher Kämmerer / Creative Director
@tvkerstin / Head of Production
Sandra Wulkow / Copy
Luis Jähner / Copy
Guido Heffels / Copy
Peter Hunger / Account Supervisor
Léa Böhm / Account Director
Yorgos Lamprinos / Editor
@katalyst.berlin / VFX & Post Production
Steffen Röthinger / VFX Supervisor
@tmls.tv / Grading
@julienalary_color / Colourist
@klankwerk / Music & Sound Design
Thomas Houthave / Sound Design & Mix
@polaaider / Sound Design & Mix
@polaaider / Music Composer
@arthurbrouns / Music Composer
@micaela.ferrao / Cello
@cobblestonefoley / Foley
@fridge.audio / Audio Mix
David Arnold / Audio Mixer
@enkenyfilms / Production Services
Bacho Meburishvili / Producer
Sopo Bendiashvili / Line Producer
Elo Chkheidze / Casting Director
@nanukasioridze / Casting Director
Kharmel Cochrane / Casting Director
@nakashidzegio / Cast
@mournata / Cast
@chidera.odukwu / Cast
@z.jachvadze / Cast
@davit_mes / Cast
@ananomarkoishvili / Cast
@galaktionkhonelidze / Cast
Beqa Kirtava / Production Manager
Giorgi Topuridze / Production Manager
Sopo Orjonikidze / Production Manager
Keta Lomsadze / Production Coordinator
Lea Jinjikhashvili / Production Assistant
Tsotne Marsagishvili / Gaffer
Goga Chanturia / Key Grip
Tengo Kasradze / Best Boy
Giorgi Berdzenishvili / 2nd AC
Giorgi Matcharashvili / DIT
Tamta Mandzulashvili / Sound
Oso Avto Kokaevi / Set Manager
@_nnanuka / BTS
@nika.keh / BTS
@pancholi___na / Restaurant Location

‘Just A Board’ BTS for Hornbach.
@ianponsjewell / Director
@anorak_film / Production Company
@prodcofficial / Production Company
@christiane.dressler / Anorak EP
Zico Judge / ProdCo EP
Steffen Leiser / Producer
@oztavio / DOP
@__ab__normal / Production Designer
@katogelashvili / Stylist
Madona Chanturia / Make Up Artist
@jamesdyer1stad / 1st AD
Chiara Walde / Production Coordinator
@irakli_gvishiani / Location Manager
Adrian Rodriguez / 1st AC
Marc Blasco / VTR
@hornbach_de / Client
Karsten Kühn / Chief Marketing Officer
Thomas Schnaitmann / Head of Global Marketing
Julia Post / Head of Brand Marketing
@heimattbwa / Agency
@guidoheffels / Chief Creative Officer
@luis_jaehner / Creative Director
Christopher Kämmerer / Creative Director
@tvkerstin / Head of Production
Sandra Wulkow / Copy
Luis Jähner / Copy
Guido Heffels / Copy
Peter Hunger / Account Supervisor
Léa Böhm / Account Director
Yorgos Lamprinos / Editor
@katalyst.berlin / VFX & Post Production
Steffen Röthinger / VFX Supervisor
@tmls.tv / Grading
@julienalary_color / Colourist
@klankwerk / Music & Sound Design
Thomas Houthave / Sound Design & Mix
@polaaider / Sound Design & Mix
@polaaider / Music Composer
@arthurbrouns / Music Composer
@micaela.ferrao / Cello
@cobblestonefoley / Foley
@fridge.audio / Audio Mix
David Arnold / Audio Mixer
@enkenyfilms / Production Services
Bacho Meburishvili / Producer
Sopo Bendiashvili / Line Producer
Elo Chkheidze / Casting Director
@nanukasioridze / Casting Director
Kharmel Cochrane / Casting Director
@nakashidzegio / Cast
@mournata / Cast
@chidera.odukwu / Cast
@z.jachvadze / Cast
@davit_mes / Cast
@ananomarkoishvili / Cast
@galaktionkhonelidze / Cast
Beqa Kirtava / Production Manager
Giorgi Topuridze / Production Manager
Sopo Orjonikidze / Production Manager
Keta Lomsadze / Production Coordinator
Lea Jinjikhashvili / Production Assistant
Tsotne Marsagishvili / Gaffer
Goga Chanturia / Key Grip
Tengo Kasradze / Best Boy
Giorgi Berdzenishvili / 2nd AC
Giorgi Matcharashvili / DIT
Tamta Mandzulashvili / Sound
Oso Avto Kokaevi / Set Manager
@_nnanuka / BTS
@nika.keh / BTS
@pancholi___na / Restaurant Location

‘Just A Board’ BTS for Hornbach.
@ianponsjewell / Director
@anorak_film / Production Company
@prodcofficial / Production Company
@christiane.dressler / Anorak EP
Zico Judge / ProdCo EP
Steffen Leiser / Producer
@oztavio / DOP
@__ab__normal / Production Designer
@katogelashvili / Stylist
Madona Chanturia / Make Up Artist
@jamesdyer1stad / 1st AD
Chiara Walde / Production Coordinator
@irakli_gvishiani / Location Manager
Adrian Rodriguez / 1st AC
Marc Blasco / VTR
@hornbach_de / Client
Karsten Kühn / Chief Marketing Officer
Thomas Schnaitmann / Head of Global Marketing
Julia Post / Head of Brand Marketing
@heimattbwa / Agency
@guidoheffels / Chief Creative Officer
@luis_jaehner / Creative Director
Christopher Kämmerer / Creative Director
@tvkerstin / Head of Production
Sandra Wulkow / Copy
Luis Jähner / Copy
Guido Heffels / Copy
Peter Hunger / Account Supervisor
Léa Böhm / Account Director
Yorgos Lamprinos / Editor
@katalyst.berlin / VFX & Post Production
Steffen Röthinger / VFX Supervisor
@tmls.tv / Grading
@julienalary_color / Colourist
@klankwerk / Music & Sound Design
Thomas Houthave / Sound Design & Mix
@polaaider / Sound Design & Mix
@polaaider / Music Composer
@arthurbrouns / Music Composer
@micaela.ferrao / Cello
@cobblestonefoley / Foley
@fridge.audio / Audio Mix
David Arnold / Audio Mixer
@enkenyfilms / Production Services
Bacho Meburishvili / Producer
Sopo Bendiashvili / Line Producer
Elo Chkheidze / Casting Director
@nanukasioridze / Casting Director
Kharmel Cochrane / Casting Director
@nakashidzegio / Cast
@mournata / Cast
@chidera.odukwu / Cast
@z.jachvadze / Cast
@davit_mes / Cast
@ananomarkoishvili / Cast
@galaktionkhonelidze / Cast
Beqa Kirtava / Production Manager
Giorgi Topuridze / Production Manager
Sopo Orjonikidze / Production Manager
Keta Lomsadze / Production Coordinator
Lea Jinjikhashvili / Production Assistant
Tsotne Marsagishvili / Gaffer
Goga Chanturia / Key Grip
Tengo Kasradze / Best Boy
Giorgi Berdzenishvili / 2nd AC
Giorgi Matcharashvili / DIT
Tamta Mandzulashvili / Sound
Oso Avto Kokaevi / Set Manager
@_nnanuka / BTS
@nika.keh / BTS
@pancholi___na / Restaurant Location

‘Just A Board’ BTS for Hornbach.
@ianponsjewell / Director
@anorak_film / Production Company
@prodcofficial / Production Company
@christiane.dressler / Anorak EP
Zico Judge / ProdCo EP
Steffen Leiser / Producer
@oztavio / DOP
@__ab__normal / Production Designer
@katogelashvili / Stylist
Madona Chanturia / Make Up Artist
@jamesdyer1stad / 1st AD
Chiara Walde / Production Coordinator
@irakli_gvishiani / Location Manager
Adrian Rodriguez / 1st AC
Marc Blasco / VTR
@hornbach_de / Client
Karsten Kühn / Chief Marketing Officer
Thomas Schnaitmann / Head of Global Marketing
Julia Post / Head of Brand Marketing
@heimattbwa / Agency
@guidoheffels / Chief Creative Officer
@luis_jaehner / Creative Director
Christopher Kämmerer / Creative Director
@tvkerstin / Head of Production
Sandra Wulkow / Copy
Luis Jähner / Copy
Guido Heffels / Copy
Peter Hunger / Account Supervisor
Léa Böhm / Account Director
Yorgos Lamprinos / Editor
@katalyst.berlin / VFX & Post Production
Steffen Röthinger / VFX Supervisor
@tmls.tv / Grading
@julienalary_color / Colourist
@klankwerk / Music & Sound Design
Thomas Houthave / Sound Design & Mix
@polaaider / Sound Design & Mix
@polaaider / Music Composer
@arthurbrouns / Music Composer
@micaela.ferrao / Cello
@cobblestonefoley / Foley
@fridge.audio / Audio Mix
David Arnold / Audio Mixer
@enkenyfilms / Production Services
Bacho Meburishvili / Producer
Sopo Bendiashvili / Line Producer
Elo Chkheidze / Casting Director
@nanukasioridze / Casting Director
Kharmel Cochrane / Casting Director
@nakashidzegio / Cast
@mournata / Cast
@chidera.odukwu / Cast
@z.jachvadze / Cast
@davit_mes / Cast
@ananomarkoishvili / Cast
@galaktionkhonelidze / Cast
Beqa Kirtava / Production Manager
Giorgi Topuridze / Production Manager
Sopo Orjonikidze / Production Manager
Keta Lomsadze / Production Coordinator
Lea Jinjikhashvili / Production Assistant
Tsotne Marsagishvili / Gaffer
Goga Chanturia / Key Grip
Tengo Kasradze / Best Boy
Giorgi Berdzenishvili / 2nd AC
Giorgi Matcharashvili / DIT
Tamta Mandzulashvili / Sound
Oso Avto Kokaevi / Set Manager
@_nnanuka / BTS
@nika.keh / BTS
@pancholi___na / Restaurant Location

‘Just A Board’ BTS for Hornbach.
@ianponsjewell / Director
@anorak_film / Production Company
@prodcofficial / Production Company
@christiane.dressler / Anorak EP
Zico Judge / ProdCo EP
Steffen Leiser / Producer
@oztavio / DOP
@__ab__normal / Production Designer
@katogelashvili / Stylist
Madona Chanturia / Make Up Artist
@jamesdyer1stad / 1st AD
Chiara Walde / Production Coordinator
@irakli_gvishiani / Location Manager
Adrian Rodriguez / 1st AC
Marc Blasco / VTR
@hornbach_de / Client
Karsten Kühn / Chief Marketing Officer
Thomas Schnaitmann / Head of Global Marketing
Julia Post / Head of Brand Marketing
@heimattbwa / Agency
@guidoheffels / Chief Creative Officer
@luis_jaehner / Creative Director
Christopher Kämmerer / Creative Director
@tvkerstin / Head of Production
Sandra Wulkow / Copy
Luis Jähner / Copy
Guido Heffels / Copy
Peter Hunger / Account Supervisor
Léa Böhm / Account Director
Yorgos Lamprinos / Editor
@katalyst.berlin / VFX & Post Production
Steffen Röthinger / VFX Supervisor
@tmls.tv / Grading
@julienalary_color / Colourist
@klankwerk / Music & Sound Design
Thomas Houthave / Sound Design & Mix
@polaaider / Sound Design & Mix
@polaaider / Music Composer
@arthurbrouns / Music Composer
@micaela.ferrao / Cello
@cobblestonefoley / Foley
@fridge.audio / Audio Mix
David Arnold / Audio Mixer
@enkenyfilms / Production Services
Bacho Meburishvili / Producer
Sopo Bendiashvili / Line Producer
Elo Chkheidze / Casting Director
@nanukasioridze / Casting Director
Kharmel Cochrane / Casting Director
@nakashidzegio / Cast
@mournata / Cast
@chidera.odukwu / Cast
@z.jachvadze / Cast
@davit_mes / Cast
@ananomarkoishvili / Cast
@galaktionkhonelidze / Cast
Beqa Kirtava / Production Manager
Giorgi Topuridze / Production Manager
Sopo Orjonikidze / Production Manager
Keta Lomsadze / Production Coordinator
Lea Jinjikhashvili / Production Assistant
Tsotne Marsagishvili / Gaffer
Goga Chanturia / Key Grip
Tengo Kasradze / Best Boy
Giorgi Berdzenishvili / 2nd AC
Giorgi Matcharashvili / DIT
Tamta Mandzulashvili / Sound
Oso Avto Kokaevi / Set Manager
@_nnanuka / BTS
@nika.keh / BTS
@pancholi___na / Restaurant Location

‘Just A Board’ BTS for Hornbach.
@ianponsjewell / Director
@anorak_film / Production Company
@prodcofficial / Production Company
@christiane.dressler / Anorak EP
Zico Judge / ProdCo EP
Steffen Leiser / Producer
@oztavio / DOP
@__ab__normal / Production Designer
@katogelashvili / Stylist
Madona Chanturia / Make Up Artist
@jamesdyer1stad / 1st AD
Chiara Walde / Production Coordinator
@irakli_gvishiani / Location Manager
Adrian Rodriguez / 1st AC
Marc Blasco / VTR
@hornbach_de / Client
Karsten Kühn / Chief Marketing Officer
Thomas Schnaitmann / Head of Global Marketing
Julia Post / Head of Brand Marketing
@heimattbwa / Agency
@guidoheffels / Chief Creative Officer
@luis_jaehner / Creative Director
Christopher Kämmerer / Creative Director
@tvkerstin / Head of Production
Sandra Wulkow / Copy
Luis Jähner / Copy
Guido Heffels / Copy
Peter Hunger / Account Supervisor
Léa Böhm / Account Director
Yorgos Lamprinos / Editor
@katalyst.berlin / VFX & Post Production
Steffen Röthinger / VFX Supervisor
@tmls.tv / Grading
@julienalary_color / Colourist
@klankwerk / Music & Sound Design
Thomas Houthave / Sound Design & Mix
@polaaider / Sound Design & Mix
@polaaider / Music Composer
@arthurbrouns / Music Composer
@micaela.ferrao / Cello
@cobblestonefoley / Foley
@fridge.audio / Audio Mix
David Arnold / Audio Mixer
@enkenyfilms / Production Services
Bacho Meburishvili / Producer
Sopo Bendiashvili / Line Producer
Elo Chkheidze / Casting Director
@nanukasioridze / Casting Director
Kharmel Cochrane / Casting Director
@nakashidzegio / Cast
@mournata / Cast
@chidera.odukwu / Cast
@z.jachvadze / Cast
@davit_mes / Cast
@ananomarkoishvili / Cast
@galaktionkhonelidze / Cast
Beqa Kirtava / Production Manager
Giorgi Topuridze / Production Manager
Sopo Orjonikidze / Production Manager
Keta Lomsadze / Production Coordinator
Lea Jinjikhashvili / Production Assistant
Tsotne Marsagishvili / Gaffer
Goga Chanturia / Key Grip
Tengo Kasradze / Best Boy
Giorgi Berdzenishvili / 2nd AC
Giorgi Matcharashvili / DIT
Tamta Mandzulashvili / Sound
Oso Avto Kokaevi / Set Manager
@_nnanuka / BTS
@nika.keh / BTS
@pancholi___na / Restaurant Location

‘Just A Board’ BTS for Hornbach.
@ianponsjewell / Director
@anorak_film / Production Company
@prodcofficial / Production Company
@christiane.dressler / Anorak EP
Zico Judge / ProdCo EP
Steffen Leiser / Producer
@oztavio / DOP
@__ab__normal / Production Designer
@katogelashvili / Stylist
Madona Chanturia / Make Up Artist
@jamesdyer1stad / 1st AD
Chiara Walde / Production Coordinator
@irakli_gvishiani / Location Manager
Adrian Rodriguez / 1st AC
Marc Blasco / VTR
@hornbach_de / Client
Karsten Kühn / Chief Marketing Officer
Thomas Schnaitmann / Head of Global Marketing
Julia Post / Head of Brand Marketing
@heimattbwa / Agency
@guidoheffels / Chief Creative Officer
@luis_jaehner / Creative Director
Christopher Kämmerer / Creative Director
@tvkerstin / Head of Production
Sandra Wulkow / Copy
Luis Jähner / Copy
Guido Heffels / Copy
Peter Hunger / Account Supervisor
Léa Böhm / Account Director
Yorgos Lamprinos / Editor
@katalyst.berlin / VFX & Post Production
Steffen Röthinger / VFX Supervisor
@tmls.tv / Grading
@julienalary_color / Colourist
@klankwerk / Music & Sound Design
Thomas Houthave / Sound Design & Mix
@polaaider / Sound Design & Mix
@polaaider / Music Composer
@arthurbrouns / Music Composer
@micaela.ferrao / Cello
@cobblestonefoley / Foley
@fridge.audio / Audio Mix
David Arnold / Audio Mixer
@enkenyfilms / Production Services
Bacho Meburishvili / Producer
Sopo Bendiashvili / Line Producer
Elo Chkheidze / Casting Director
@nanukasioridze / Casting Director
Kharmel Cochrane / Casting Director
@nakashidzegio / Cast
@mournata / Cast
@chidera.odukwu / Cast
@z.jachvadze / Cast
@davit_mes / Cast
@ananomarkoishvili / Cast
@galaktionkhonelidze / Cast
Beqa Kirtava / Production Manager
Giorgi Topuridze / Production Manager
Sopo Orjonikidze / Production Manager
Keta Lomsadze / Production Coordinator
Lea Jinjikhashvili / Production Assistant
Tsotne Marsagishvili / Gaffer
Goga Chanturia / Key Grip
Tengo Kasradze / Best Boy
Giorgi Berdzenishvili / 2nd AC
Giorgi Matcharashvili / DIT
Tamta Mandzulashvili / Sound
Oso Avto Kokaevi / Set Manager
@_nnanuka / BTS
@nika.keh / BTS
@pancholi___na / Restaurant Location

‘Don’t Drink And Chess’ BTS.
@ellah_world / Cast
@raymond_rushabiro / Cast
@koam_shaka / Cast
@d3niromambo / Director & Writer
@abwakat_ / Producer
@miragestudiostv / Production Company
Talanta Films / Production Company
@abwakat_ / Executive Producer
@benji.tselaya / Executive Producer
@izaek_dp_official / Director of Photography
@keryeko / 1st Assistant Director
@josehendo / Costume
@tokyophio / Art Direction
@is_ak_simba / Production Designer
@filmpropsuganda / Props
@scarlet.studios_ug / Head of Makeup
Fred Iwere / BTS
@missmukisa / BTS
@bashenyi_allan / Production Assistant
@camsandgripsug / Rental House
@d3niromambo / Editor
@company_3 / Colour Post Production
@d.phipps.colour / Colorist
@santino_colour / Colorist
@kerriaungleproducer / Colour Line Producer
@gotmoves.co / Audio Post
@joshsbdirector / Sound and Percussion
@matovu_creative / VFX
vysgummybears / VFX Supervision
@mario_cervantesg / Sky Oil Painting Artist

‘Don’t Drink And Chess’ BTS.
@ellah_world / Cast
@raymond_rushabiro / Cast
@koam_shaka / Cast
@d3niromambo / Director & Writer
@abwakat_ / Producer
@miragestudiostv / Production Company
Talanta Films / Production Company
@abwakat_ / Executive Producer
@benji.tselaya / Executive Producer
@izaek_dp_official / Director of Photography
@keryeko / 1st Assistant Director
@josehendo / Costume
@tokyophio / Art Direction
@is_ak_simba / Production Designer
@filmpropsuganda / Props
@scarlet.studios_ug / Head of Makeup
Fred Iwere / BTS
@missmukisa / BTS
@bashenyi_allan / Production Assistant
@camsandgripsug / Rental House
@d3niromambo / Editor
@company_3 / Colour Post Production
@d.phipps.colour / Colorist
@santino_colour / Colorist
@kerriaungleproducer / Colour Line Producer
@gotmoves.co / Audio Post
@joshsbdirector / Sound and Percussion
@matovu_creative / VFX
vysgummybears / VFX Supervision
@mario_cervantesg / Sky Oil Painting Artist

‘Don’t Drink And Chess’ BTS.
@ellah_world / Cast
@raymond_rushabiro / Cast
@koam_shaka / Cast
@d3niromambo / Director & Writer
@abwakat_ / Producer
@miragestudiostv / Production Company
Talanta Films / Production Company
@abwakat_ / Executive Producer
@benji.tselaya / Executive Producer
@izaek_dp_official / Director of Photography
@keryeko / 1st Assistant Director
@josehendo / Costume
@tokyophio / Art Direction
@is_ak_simba / Production Designer
@filmpropsuganda / Props
@scarlet.studios_ug / Head of Makeup
Fred Iwere / BTS
@missmukisa / BTS
@bashenyi_allan / Production Assistant
@camsandgripsug / Rental House
@d3niromambo / Editor
@company_3 / Colour Post Production
@d.phipps.colour / Colorist
@santino_colour / Colorist
@kerriaungleproducer / Colour Line Producer
@gotmoves.co / Audio Post
@joshsbdirector / Sound and Percussion
@matovu_creative / VFX
vysgummybears / VFX Supervision
@mario_cervantesg / Sky Oil Painting Artist

‘Don’t Drink And Chess’ BTS.
@ellah_world / Cast
@raymond_rushabiro / Cast
@koam_shaka / Cast
@d3niromambo / Director & Writer
@abwakat_ / Producer
@miragestudiostv / Production Company
Talanta Films / Production Company
@abwakat_ / Executive Producer
@benji.tselaya / Executive Producer
@izaek_dp_official / Director of Photography
@keryeko / 1st Assistant Director
@josehendo / Costume
@tokyophio / Art Direction
@is_ak_simba / Production Designer
@filmpropsuganda / Props
@scarlet.studios_ug / Head of Makeup
Fred Iwere / BTS
@missmukisa / BTS
@bashenyi_allan / Production Assistant
@camsandgripsug / Rental House
@d3niromambo / Editor
@company_3 / Colour Post Production
@d.phipps.colour / Colorist
@santino_colour / Colorist
@kerriaungleproducer / Colour Line Producer
@gotmoves.co / Audio Post
@joshsbdirector / Sound and Percussion
@matovu_creative / VFX
vysgummybears / VFX Supervision
@mario_cervantesg / Sky Oil Painting Artist

‘Don’t Drink And Chess’ BTS.
@ellah_world / Cast
@raymond_rushabiro / Cast
@koam_shaka / Cast
@d3niromambo / Director & Writer
@abwakat_ / Producer
@miragestudiostv / Production Company
Talanta Films / Production Company
@abwakat_ / Executive Producer
@benji.tselaya / Executive Producer
@izaek_dp_official / Director of Photography
@keryeko / 1st Assistant Director
@josehendo / Costume
@tokyophio / Art Direction
@is_ak_simba / Production Designer
@filmpropsuganda / Props
@scarlet.studios_ug / Head of Makeup
Fred Iwere / BTS
@missmukisa / BTS
@bashenyi_allan / Production Assistant
@camsandgripsug / Rental House
@d3niromambo / Editor
@company_3 / Colour Post Production
@d.phipps.colour / Colorist
@santino_colour / Colorist
@kerriaungleproducer / Colour Line Producer
@gotmoves.co / Audio Post
@joshsbdirector / Sound and Percussion
@matovu_creative / VFX
vysgummybears / VFX Supervision
@mario_cervantesg / Sky Oil Painting Artist

‘Don’t Drink And Chess’ BTS.
@ellah_world / Cast
@raymond_rushabiro / Cast
@koam_shaka / Cast
@d3niromambo / Director & Writer
@abwakat_ / Producer
@miragestudiostv / Production Company
Talanta Films / Production Company
@abwakat_ / Executive Producer
@benji.tselaya / Executive Producer
@izaek_dp_official / Director of Photography
@keryeko / 1st Assistant Director
@josehendo / Costume
@tokyophio / Art Direction
@is_ak_simba / Production Designer
@filmpropsuganda / Props
@scarlet.studios_ug / Head of Makeup
Fred Iwere / BTS
@missmukisa / BTS
@bashenyi_allan / Production Assistant
@camsandgripsug / Rental House
@d3niromambo / Editor
@company_3 / Colour Post Production
@d.phipps.colour / Colorist
@santino_colour / Colorist
@kerriaungleproducer / Colour Line Producer
@gotmoves.co / Audio Post
@joshsbdirector / Sound and Percussion
@matovu_creative / VFX
vysgummybears / VFX Supervision
@mario_cervantesg / Sky Oil Painting Artist

‘Don’t Drink And Chess’ BTS.
@ellah_world / Cast
@raymond_rushabiro / Cast
@koam_shaka / Cast
@d3niromambo / Director & Writer
@abwakat_ / Producer
@miragestudiostv / Production Company
Talanta Films / Production Company
@abwakat_ / Executive Producer
@benji.tselaya / Executive Producer
@izaek_dp_official / Director of Photography
@keryeko / 1st Assistant Director
@josehendo / Costume
@tokyophio / Art Direction
@is_ak_simba / Production Designer
@filmpropsuganda / Props
@scarlet.studios_ug / Head of Makeup
Fred Iwere / BTS
@missmukisa / BTS
@bashenyi_allan / Production Assistant
@camsandgripsug / Rental House
@d3niromambo / Editor
@company_3 / Colour Post Production
@d.phipps.colour / Colorist
@santino_colour / Colorist
@kerriaungleproducer / Colour Line Producer
@gotmoves.co / Audio Post
@joshsbdirector / Sound and Percussion
@matovu_creative / VFX
vysgummybears / VFX Supervision
@mario_cervantesg / Sky Oil Painting Artist

‘Don’t Drink And Chess’ BTS.
@ellah_world / Cast
@raymond_rushabiro / Cast
@koam_shaka / Cast
@d3niromambo / Director & Writer
@abwakat_ / Producer
@miragestudiostv / Production Company
Talanta Films / Production Company
@abwakat_ / Executive Producer
@benji.tselaya / Executive Producer
@izaek_dp_official / Director of Photography
@keryeko / 1st Assistant Director
@josehendo / Costume
@tokyophio / Art Direction
@is_ak_simba / Production Designer
@filmpropsuganda / Props
@scarlet.studios_ug / Head of Makeup
Fred Iwere / BTS
@missmukisa / BTS
@bashenyi_allan / Production Assistant
@camsandgripsug / Rental House
@d3niromambo / Editor
@company_3 / Colour Post Production
@d.phipps.colour / Colorist
@santino_colour / Colorist
@kerriaungleproducer / Colour Line Producer
@gotmoves.co / Audio Post
@joshsbdirector / Sound and Percussion
@matovu_creative / VFX
vysgummybears / VFX Supervision
@mario_cervantesg / Sky Oil Painting Artist

‘Don’t Drink And Chess’ BTS.
@ellah_world / Cast
@raymond_rushabiro / Cast
@koam_shaka / Cast
@d3niromambo / Director & Writer
@abwakat_ / Producer
@miragestudiostv / Production Company
Talanta Films / Production Company
@abwakat_ / Executive Producer
@benji.tselaya / Executive Producer
@izaek_dp_official / Director of Photography
@keryeko / 1st Assistant Director
@josehendo / Costume
@tokyophio / Art Direction
@is_ak_simba / Production Designer
@filmpropsuganda / Props
@scarlet.studios_ug / Head of Makeup
Fred Iwere / BTS
@missmukisa / BTS
@bashenyi_allan / Production Assistant
@camsandgripsug / Rental House
@d3niromambo / Editor
@company_3 / Colour Post Production
@d.phipps.colour / Colorist
@santino_colour / Colorist
@kerriaungleproducer / Colour Line Producer
@gotmoves.co / Audio Post
@joshsbdirector / Sound and Percussion
@matovu_creative / VFX
vysgummybears / VFX Supervision
@mario_cervantesg / Sky Oil Painting Artist
‘Get Back’ BTS for Samm Henshaw.
Talent @Sammhenshaw
Director @akinajan
Creative Direction & Production: Borrowed Dog
Cinematographer @thomasterminet
Gaffer @ironhandfilmlighting
Spark Trainee: @duqueephoto
JD Management Jackie Davidson
JD Management @iandamanager
Stills photographer @vdl.o
Bassist @blitzrosales
Guitar @andrewsmarttt
Drums: @henrywas
Keys @steveyreid
Editor @tyra.chuck
Colourist @khalifsultan
Filmed @baltic_studios
Dagiliyorum Olaysiz BTS for Mabel Matiz.
Pose Records / Producer
Berat Tunç / Director
Ozan Korkmaz / Co-Producer
Ahmet Açıkkol / DoP
Ozan Korkmaz / Artist Representative
Tugay Çolak / Executive Producer
Batuhan Akyüz / Production Operator
Ozan Okay / Editor
Doğuş Özel / Colorist
Jerfi Can Altintaş / Production Team
Mert Mustafa Yılmaz / Production Team
Çağlar Yıldırım / Assistant Director
Burak Kurt / Assistant Director
Besey Melis Demirtaş / Art Director
Ramazan Ataş / Art Department
Doğancan Çolak / Camera Team
Şafak Çağrı Yıldıran / Camera Team
Mehmet Gültekin / Camera Team
Orhun Karaca / Camera Team
Berkan Çeşme / Camera Team
Emre Duman / DIT
Sezgin Keriş / Gaffer
Salih Bölme / Lighting Team
Vahap Karaşal / Lighting Team
Furkan Karakoç / Lighting Team
İlker Uygun / Lighting Team
Burak Dilmen / Lighting Team
Unity Force Grip / Grip
Bilal Çiman / Grip Supervisor
Metin Zengin / Grip Team
Veysel Arda Sati / Grip Team
Hasan Ekici / Grip Team
Polat Ergin / Grip Team
Ufuk Ayvalı / Panther Operator
Mesut Patan / Panther Assistant
Başar Caner / Drone Operator
Berk Kuruçay / Creative Production Lead
Erdi Doğan / Photographer
Taner Yaman / Photo Gaffer
Kutay Başpınar / Backstage Video
Ceysun Candaş / Team Coordination
Çağla Bayram / Backstage Manager
Anil Can / Costume Design
Mustafa Akgül / Hair Artist
Burcu Taş / Makeup Artist
Dagiliyorum Olaysiz BTS for Mabel Matiz.
Pose Records / Producer
Berat Tunç / Director
Ozan Korkmaz / Co-Producer
Ahmet Açıkkol / DoP
Ozan Korkmaz / Artist Representative
Tugay Çolak / Executive Producer
Batuhan Akyüz / Production Operator
Ozan Okay / Editor
Doğuş Özel / Colorist
Jerfi Can Altintaş / Production Team
Mert Mustafa Yılmaz / Production Team
Çağlar Yıldırım / Assistant Director
Burak Kurt / Assistant Director
Besey Melis Demirtaş / Art Director
Ramazan Ataş / Art Department
Doğancan Çolak / Camera Team
Şafak Çağrı Yıldıran / Camera Team
Mehmet Gültekin / Camera Team
Orhun Karaca / Camera Team
Berkan Çeşme / Camera Team
Emre Duman / DIT
Sezgin Keriş / Gaffer
Salih Bölme / Lighting Team
Vahap Karaşal / Lighting Team
Furkan Karakoç / Lighting Team
İlker Uygun / Lighting Team
Burak Dilmen / Lighting Team
Unity Force Grip / Grip
Bilal Çiman / Grip Supervisor
Metin Zengin / Grip Team
Veysel Arda Sati / Grip Team
Hasan Ekici / Grip Team
Polat Ergin / Grip Team
Ufuk Ayvalı / Panther Operator
Mesut Patan / Panther Assistant
Başar Caner / Drone Operator
Berk Kuruçay / Creative Production Lead
Erdi Doğan / Photographer
Taner Yaman / Photo Gaffer
Kutay Başpınar / Backstage Video
Ceysun Candaş / Team Coordination
Çağla Bayram / Backstage Manager
Anil Can / Costume Design
Mustafa Akgül / Hair Artist
Burcu Taş / Makeup Artist
Dagiliyorum Olaysiz BTS for Mabel Matiz.
Pose Records / Producer
Berat Tunç / Director
Ozan Korkmaz / Co-Producer
Ahmet Açıkkol / DoP
Ozan Korkmaz / Artist Representative
Tugay Çolak / Executive Producer
Batuhan Akyüz / Production Operator
Ozan Okay / Editor
Doğuş Özel / Colorist
Jerfi Can Altintaş / Production Team
Mert Mustafa Yılmaz / Production Team
Çağlar Yıldırım / Assistant Director
Burak Kurt / Assistant Director
Besey Melis Demirtaş / Art Director
Ramazan Ataş / Art Department
Doğancan Çolak / Camera Team
Şafak Çağrı Yıldıran / Camera Team
Mehmet Gültekin / Camera Team
Orhun Karaca / Camera Team
Berkan Çeşme / Camera Team
Emre Duman / DIT
Sezgin Keriş / Gaffer
Salih Bölme / Lighting Team
Vahap Karaşal / Lighting Team
Furkan Karakoç / Lighting Team
İlker Uygun / Lighting Team
Burak Dilmen / Lighting Team
Unity Force Grip / Grip
Bilal Çiman / Grip Supervisor
Metin Zengin / Grip Team
Veysel Arda Sati / Grip Team
Hasan Ekici / Grip Team
Polat Ergin / Grip Team
Ufuk Ayvalı / Panther Operator
Mesut Patan / Panther Assistant
Başar Caner / Drone Operator
Berk Kuruçay / Creative Production Lead
Erdi Doğan / Photographer
Taner Yaman / Photo Gaffer
Kutay Başpınar / Backstage Video
Ceysun Candaş / Team Coordination
Çağla Bayram / Backstage Manager
Anil Can / Costume Design
Mustafa Akgül / Hair Artist
Burcu Taş / Makeup Artist
Dagiliyorum Olaysiz BTS for Mabel Matiz.
Pose Records / Producer
Berat Tunç / Director
Ozan Korkmaz / Co-Producer
Ahmet Açıkkol / DoP
Ozan Korkmaz / Artist Representative
Tugay Çolak / Executive Producer
Batuhan Akyüz / Production Operator
Ozan Okay / Editor
Doğuş Özel / Colorist
Jerfi Can Altintaş / Production Team
Mert Mustafa Yılmaz / Production Team
Çağlar Yıldırım / Assistant Director
Burak Kurt / Assistant Director
Besey Melis Demirtaş / Art Director
Ramazan Ataş / Art Department
Doğancan Çolak / Camera Team
Şafak Çağrı Yıldıran / Camera Team
Mehmet Gültekin / Camera Team
Orhun Karaca / Camera Team
Berkan Çeşme / Camera Team
Emre Duman / DIT
Sezgin Keriş / Gaffer
Salih Bölme / Lighting Team
Vahap Karaşal / Lighting Team
Furkan Karakoç / Lighting Team
İlker Uygun / Lighting Team
Burak Dilmen / Lighting Team
Unity Force Grip / Grip
Bilal Çiman / Grip Supervisor
Metin Zengin / Grip Team
Veysel Arda Sati / Grip Team
Hasan Ekici / Grip Team
Polat Ergin / Grip Team
Ufuk Ayvalı / Panther Operator
Mesut Patan / Panther Assistant
Başar Caner / Drone Operator
Berk Kuruçay / Creative Production Lead
Erdi Doğan / Photographer
Taner Yaman / Photo Gaffer
Kutay Başpınar / Backstage Video
Ceysun Candaş / Team Coordination
Çağla Bayram / Backstage Manager
Anil Can / Costume Design
Mustafa Akgül / Hair Artist
Burcu Taş / Makeup Artist

Dagiliyorum Olaysiz BTS for Mabel Matiz.
Pose Records / Producer
Berat Tunç / Director
Ozan Korkmaz / Co-Producer
Ahmet Açıkkol / DoP
Ozan Korkmaz / Artist Representative
Tugay Çolak / Executive Producer
Batuhan Akyüz / Production Operator
Ozan Okay / Editor
Doğuş Özel / Colorist
Jerfi Can Altintaş / Production Team
Mert Mustafa Yılmaz / Production Team
Çağlar Yıldırım / Assistant Director
Burak Kurt / Assistant Director
Besey Melis Demirtaş / Art Director
Ramazan Ataş / Art Department
Doğancan Çolak / Camera Team
Şafak Çağrı Yıldıran / Camera Team
Mehmet Gültekin / Camera Team
Orhun Karaca / Camera Team
Berkan Çeşme / Camera Team
Emre Duman / DIT
Sezgin Keriş / Gaffer
Salih Bölme / Lighting Team
Vahap Karaşal / Lighting Team
Furkan Karakoç / Lighting Team
İlker Uygun / Lighting Team
Burak Dilmen / Lighting Team
Unity Force Grip / Grip
Bilal Çiman / Grip Supervisor
Metin Zengin / Grip Team
Veysel Arda Sati / Grip Team
Hasan Ekici / Grip Team
Polat Ergin / Grip Team
Ufuk Ayvalı / Panther Operator
Mesut Patan / Panther Assistant
Başar Caner / Drone Operator
Berk Kuruçay / Creative Production Lead
Erdi Doğan / Photographer
Taner Yaman / Photo Gaffer
Kutay Başpınar / Backstage Video
Ceysun Candaş / Team Coordination
Çağla Bayram / Backstage Manager
Anil Can / Costume Design
Mustafa Akgül / Hair Artist
Burcu Taş / Makeup Artist
‘A Beautiful Crash’ BTS
@brink_lars / Director
@jasperdekloetdp / Director of Photographer
@mflmmn / Editor
Mark Tuinstra / Composer
‘A Beautiful Crash’ BTS
@brink_lars / Director
@jasperdekloetdp / Director of Photographer
@mflmmn / Editor
Mark Tuinstra / Composer
‘A Beautiful Crash’ BTS
@brink_lars / Director
@jasperdekloetdp / Director of Photographer
@mflmmn / Editor
Mark Tuinstra / Composer
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