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Basic.Space
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Next in design, art and fashion.
Serpentine Los Angeles is built around timeless objects with history and presence.
From rare vintage furniture to one the largest collections of Willy Guhl pieces in the world, every object feels weathered in the right way.
Available now on Basic.Space
Video @reefturner
A look inside Serpentine Los Angeles. Full studio tour coming soon.
Plus, a new edit of Serpentine pieces just dropped on Basic.Space.
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Serpentine Los Angeles is a study in presence through objects — sculptural, aged, and intentionally collected.
New items and studio tour coming soon.
📸 @reefturner
Objects with presence.
Clean lines, sculptural forms, and the kind of pieces that quietly change a room. @tylerbarrydesign feels somewhere between functional object and art piece.
Objects with presence.
Clean lines, sculptural forms, and the kind of pieces that quietly change a room. @tylerbarrydesign feels somewhere between functional object and art piece.
Objects with presence.
Clean lines, sculptural forms, and the kind of pieces that quietly change a room. @tylerbarrydesign feels somewhere between functional object and art piece.
Objects with presence.
Clean lines, sculptural forms, and the kind of pieces that quietly change a room. @tylerbarrydesign feels somewhere between functional object and art piece.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Call Eli Russell Linnetz a multi-hyphenate and you’ve already missed the point. Hyphens suggest separation; Linnetz deals in cohesion.
“It’s the push and pull of reality meeting imagination. And that tension both implodes and expands constantly.”
Read the interview now on Substack. Link in bio.
Chandigarh furniture from the private collection of @rajanbijlani.
Designed by Pierre Jeanneret for a new city in 1950s India — teak, cane, and necessity. Built for government buildings, made by local hands, meant to last. Discarded, then rediscovered. Now it defines an entire language of design.
Now available on Basic.Space.
Chandigarh furniture from the private collection of @rajanbijlani.
Designed by Pierre Jeanneret for a new city in 1950s India — teak, cane, and necessity. Built for government buildings, made by local hands, meant to last. Discarded, then rediscovered. Now it defines an entire language of design.
Now available on Basic.Space.
Chandigarh furniture from the private collection of @rajanbijlani.
Designed by Pierre Jeanneret for a new city in 1950s India — teak, cane, and necessity. Built for government buildings, made by local hands, meant to last. Discarded, then rediscovered. Now it defines an entire language of design.
Now available on Basic.Space.
Chandigarh furniture from the private collection of @rajanbijlani.
Designed by Pierre Jeanneret for a new city in 1950s India — teak, cane, and necessity. Built for government buildings, made by local hands, meant to last. Discarded, then rediscovered. Now it defines an entire language of design.
Now available on Basic.Space.
Chandigarh furniture from the private collection of @rajanbijlani.
Designed by Pierre Jeanneret for a new city in 1950s India — teak, cane, and necessity. Built for government buildings, made by local hands, meant to last. Discarded, then rediscovered. Now it defines an entire language of design.
Now available on Basic.Space.
Chandigarh furniture from the private collection of @rajanbijlani.
Designed by Pierre Jeanneret for a new city in 1950s India — teak, cane, and necessity. Built for government buildings, made by local hands, meant to last. Discarded, then rediscovered. Now it defines an entire language of design.
Now available on Basic.Space.
Chandigarh furniture from the private collection of @rajanbijlani.
Designed by Pierre Jeanneret for a new city in 1950s India — teak, cane, and necessity. Built for government buildings, made by local hands, meant to last. Discarded, then rediscovered. Now it defines an entire language of design.
Now available on Basic.Space.
1983: the year the internet was born, the first mobile phone call was made, and Karl Lagerfeld debuted at Chanel.
Known only through a handful of photos, Lagerfeld’s Monaco apartment lives on in pop culture mythology. He tapped Memphis – Ettore Sottsass’ radical design collective founded two years earlier – to furnish his new home.
“It was love at first sight,” he recalled. “I wanted it all modern, and instantly thought that Memphis would be the Art Deco of the 80s. I was right. And what I like about all the Memphis stuff is its humor.”
Images: Jacques Schumacher
1983: the year the internet was born, the first mobile phone call was made, and Karl Lagerfeld debuted at Chanel.
Known only through a handful of photos, Lagerfeld’s Monaco apartment lives on in pop culture mythology. He tapped Memphis – Ettore Sottsass’ radical design collective founded two years earlier – to furnish his new home.
“It was love at first sight,” he recalled. “I wanted it all modern, and instantly thought that Memphis would be the Art Deco of the 80s. I was right. And what I like about all the Memphis stuff is its humor.”
Images: Jacques Schumacher
1983: the year the internet was born, the first mobile phone call was made, and Karl Lagerfeld debuted at Chanel.
Known only through a handful of photos, Lagerfeld’s Monaco apartment lives on in pop culture mythology. He tapped Memphis – Ettore Sottsass’ radical design collective founded two years earlier – to furnish his new home.
“It was love at first sight,” he recalled. “I wanted it all modern, and instantly thought that Memphis would be the Art Deco of the 80s. I was right. And what I like about all the Memphis stuff is its humor.”
Images: Jacques Schumacher
The best retail spaces say more than what they're built to display – they act as a backdrop for cultural and creative exchange.
Issey Miyake in Kobe, Japan (1988) by Shiro Kuramata. Stone Island's NO SEASONS for Milan Design Week (2026) by NM3. Fiorucci Amsterdam (1980) by Ettore Sottsass, Michele De Lucchi and Anita Bianchetti. The Edwards Boutique in Tokyo, Japan (1970) by Shiro Kuramata.
The best retail spaces say more than what they're built to display – they act as a backdrop for cultural and creative exchange.
Issey Miyake in Kobe, Japan (1988) by Shiro Kuramata. Stone Island's NO SEASONS for Milan Design Week (2026) by NM3. Fiorucci Amsterdam (1980) by Ettore Sottsass, Michele De Lucchi and Anita Bianchetti. The Edwards Boutique in Tokyo, Japan (1970) by Shiro Kuramata.
The best retail spaces say more than what they're built to display – they act as a backdrop for cultural and creative exchange.
Issey Miyake in Kobe, Japan (1988) by Shiro Kuramata. Stone Island's NO SEASONS for Milan Design Week (2026) by NM3. Fiorucci Amsterdam (1980) by Ettore Sottsass, Michele De Lucchi and Anita Bianchetti. The Edwards Boutique in Tokyo, Japan (1970) by Shiro Kuramata.
The best retail spaces say more than what they're built to display – they act as a backdrop for cultural and creative exchange.
Issey Miyake in Kobe, Japan (1988) by Shiro Kuramata. Stone Island's NO SEASONS for Milan Design Week (2026) by NM3. Fiorucci Amsterdam (1980) by Ettore Sottsass, Michele De Lucchi and Anita Bianchetti. The Edwards Boutique in Tokyo, Japan (1970) by Shiro Kuramata.
The best retail spaces say more than what they're built to display – they act as a backdrop for cultural and creative exchange.
Issey Miyake in Kobe, Japan (1988) by Shiro Kuramata. Stone Island's NO SEASONS for Milan Design Week (2026) by NM3. Fiorucci Amsterdam (1980) by Ettore Sottsass, Michele De Lucchi and Anita Bianchetti. The Edwards Boutique in Tokyo, Japan (1970) by Shiro Kuramata.
The pieces that outlive the season.
A.Presse, Cantate, Commission, and Rier from @marcheinteretgeneral available now on Basic.Space
The pieces that outlive the season.
A.Presse, Cantate, Commission, and Rier from @marcheinteretgeneral available now on Basic.Space
The pieces that outlive the season.
A.Presse, Cantate, Commission, and Rier from @marcheinteretgeneral available now on Basic.Space
The pieces that outlive the season.
A.Presse, Cantate, Commission, and Rier from @marcheinteretgeneral available now on Basic.Space
The pieces that outlive the season.
A.Presse, Cantate, Commission, and Rier from @marcheinteretgeneral available now on Basic.Space
The pieces that outlive the season.
A.Presse, Cantate, Commission, and Rier from @marcheinteretgeneral available now on Basic.Space
The best seat at the show. Set designs considered down to the chair you sit on.
Gucci AW 2026: Demna’s Uffizi museum replicas. Chanel SS 2025: Willo Perron’s sculptural infinity loop at the Grand Palais. Bottega Veneta AW 2026: 421 Max Lamb Chairs. Bottega Veneta SS 2023: 400 unique resin chairs by Gaetano Pesce. Bottega Veneta SS 2026: Blown-glass cubes by 6:AM Glassworks.
The best seat at the show. Set designs considered down to the chair you sit on.
Gucci AW 2026: Demna’s Uffizi museum replicas. Chanel SS 2025: Willo Perron’s sculptural infinity loop at the Grand Palais. Bottega Veneta AW 2026: 421 Max Lamb Chairs. Bottega Veneta SS 2023: 400 unique resin chairs by Gaetano Pesce. Bottega Veneta SS 2026: Blown-glass cubes by 6:AM Glassworks.
The best seat at the show. Set designs considered down to the chair you sit on.
Gucci AW 2026: Demna’s Uffizi museum replicas. Chanel SS 2025: Willo Perron’s sculptural infinity loop at the Grand Palais. Bottega Veneta AW 2026: 421 Max Lamb Chairs. Bottega Veneta SS 2023: 400 unique resin chairs by Gaetano Pesce. Bottega Veneta SS 2026: Blown-glass cubes by 6:AM Glassworks.
The best seat at the show. Set designs considered down to the chair you sit on.
Gucci AW 2026: Demna’s Uffizi museum replicas. Chanel SS 2025: Willo Perron’s sculptural infinity loop at the Grand Palais. Bottega Veneta AW 2026: 421 Max Lamb Chairs. Bottega Veneta SS 2023: 400 unique resin chairs by Gaetano Pesce. Bottega Veneta SS 2026: Blown-glass cubes by 6:AM Glassworks.
The best seat at the show. Set designs considered down to the chair you sit on.
Gucci AW 2026: Demna’s Uffizi museum replicas. Chanel SS 2025: Willo Perron’s sculptural infinity loop at the Grand Palais. Bottega Veneta AW 2026: 421 Max Lamb Chairs. Bottega Veneta SS 2023: 400 unique resin chairs by Gaetano Pesce. Bottega Veneta SS 2026: Blown-glass cubes by 6:AM Glassworks.
The best seat at the show. Set designs considered down to the chair you sit on.
Gucci AW 2026: Demna’s Uffizi museum replicas. Chanel SS 2025: Willo Perron’s sculptural infinity loop at the Grand Palais. Bottega Veneta AW 2026: 421 Max Lamb Chairs. Bottega Veneta SS 2023: 400 unique resin chairs by Gaetano Pesce. Bottega Veneta SS 2026: Blown-glass cubes by 6:AM Glassworks.
The best seat at the show. Set designs considered down to the chair you sit on.
Gucci AW 2026: Demna’s Uffizi museum replicas. Chanel SS 2025: Willo Perron’s sculptural infinity loop at the Grand Palais. Bottega Veneta AW 2026: 421 Max Lamb Chairs. Bottega Veneta SS 2023: 400 unique resin chairs by Gaetano Pesce. Bottega Veneta SS 2026: Blown-glass cubes by 6:AM Glassworks.
SUPER95.
Handmade furniture, produced in small runs in Austria. Functional forms with a sharper edge - considered in craft, loose in attitude. @super.95_
Avaliable now on Basic.Space.
SUPER95.
Handmade furniture, produced in small runs in Austria. Functional forms with a sharper edge - considered in craft, loose in attitude. @super.95_
Avaliable now on Basic.Space.
SUPER95.
Handmade furniture, produced in small runs in Austria. Functional forms with a sharper edge - considered in craft, loose in attitude. @super.95_
Avaliable now on Basic.Space.
SUPER95.
Handmade furniture, produced in small runs in Austria. Functional forms with a sharper edge - considered in craft, loose in attitude. @super.95_
Avaliable now on Basic.Space.
SUPER95.
Handmade furniture, produced in small runs in Austria. Functional forms with a sharper edge - considered in craft, loose in attitude. @super.95_
Avaliable now on Basic.Space.
SUPER95.
Handmade furniture, produced in small runs in Austria. Functional forms with a sharper edge - considered in craft, loose in attitude. @super.95_
Avaliable now on Basic.Space.
Six Dots Design.
Furniture and objects out of East London, where raw material and visible process are left fully intact. Handmade pieces that trade polish for character. Featured on Basic.Space. @six_dots_design
Six Dots Design.
Furniture and objects out of East London, where raw material and visible process are left fully intact. Handmade pieces that trade polish for character. Featured on Basic.Space. @six_dots_design
Six Dots Design.
Furniture and objects out of East London, where raw material and visible process are left fully intact. Handmade pieces that trade polish for character. Featured on Basic.Space. @six_dots_design
Six Dots Design.
Furniture and objects out of East London, where raw material and visible process are left fully intact. Handmade pieces that trade polish for character. Featured on Basic.Space. @six_dots_design
Six Dots Design.
Furniture and objects out of East London, where raw material and visible process are left fully intact. Handmade pieces that trade polish for character. Featured on Basic.Space. @six_dots_design
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