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Arsa ( Original Motion Picture Soundtrack ) it’s out today via Superbudda in collaboration with Eolo Film Production and Alición Production.
It’s been a great pleasure to work side by side with @masbedoand step by step with great collaborators like @obobenz , @enricogap , @andreamariocauduro , @maurizioborgna and @eolianskunk .
Here the link to all digital distributors:
sq.lnk.to/SB010

Credits:
Original music by Davide Tomat and G.U.P. Alcaro, produced and recorded at Superbudda Studio, Turin, Italy.
Vocals: Camilla Soave.
Strings recorded and produced by Marco Benz Gentile @ LaCurt Studio, Turin
Violins: Vittorio Sebeglia, Marco Benz Gentile
Violas: Marco Benz Gentile
Cellos: Ferdinando Vietti
Clarinet and bass clarinet: Enrico Gabrielli
Maestro collaborator: Andrea Cauduro
Mix: Maurizio Borgna
Additional Mix : G.U.P. Alcaro
Master : G.U.P. Alcaro

Out today the second single “Canneto” from the Arsa (Original Motion Picture Soundtrack) scheduled for the 15th of May via Superbudda Records in collaboration with Eolo Film Productions e Alción Production.
The film Arsa, directed by Masbedo, is still live in all theatres around. Don’t missi it!
Below is the magic link to the track.
sq.lnk.to/SB01_S2

Canneto Credits:
Original music by Davide Tomat and G.U.P. Alcaro, produced and recorded at Superbudda Studio, Turin, Italy.
Mix: Maurizio Borgna.
Additional Mix : G.U.P. Alcaro.
Master : G.U.P. Alcaro.

The film Arsa, directed by Masbedo, is released today in all theatres along with the single “Arsa Theme,” which anticipates the release of the full soundtrack scheduled for May 15 via Superbudda Records.
Below is the link to the pre-save of the full album.
sq.lnk.to/SB010

Credits
Original music by Davide Tomat and G.U.P. Alcaro, produced and recorded at Superbudda Studio, Turin, Italy.
Vocals: Camilla Soave.
Strings recorded and produced by Marco Benz Gentile @ LaCurt Studio, Turin
Violins: Vittorio Sebeglia, Marco Benz Gentile
Violas: Marco Benz Gentile
Cellos: Ferdinando Vietti
Clarinet and bass clarinet: Enrico Gabrielli
Maestro collaborator: Andrea Cauduro
Mix: Maurizio Borgna
Additional Mix : G.U.P. Alcaro
Master : G.U.P. Alcaro

Out today, 'Ogal' is the new EP from @torson______

https://linktr.ee/torson.band

@torson______ ARN second single of the upcoming new album OGAL.
Produced @superbudda
Mastering @gupalcaro
artwork by @giovanni.armando.romano

MRG , the first single from the upcoming new @torson______ album OGAL , IS OUT NOW!
Label @superbudda
Mastering @gupalcaro
Artwork @giovanni.armando.romano

OHT Frankenstein EP, a sound excerpt from the eponymous play by Office for a Human Theatre, is out today.

Inspired by Frankenstein, the production makes partial and vertical dives into the text, without restrictions on form, language, or duration. Mary W. Shelley’s classic becomes material to be examined, dissected, stitched together, and reassembled. A body open to various experiments: theatrical performance, reading sessions, installations, a film adaptation, and culminating in Davide Tomat’s OHT Frankenstein EP, grafted into the book Frankenstein If You Love Solitude You Don’t Love Freedom, published by bruno.

Like the text, the sound evolves through a personal and subjective journey, resonating with both the viewer and the narrative. A direct outcome of the scene and the performers’ actions, all sound material was written, performed, and recorded during rehearsals. Like Mary W. Shelley’s protagonist, the newborn sound learns to navigate the world and gain self-awareness through interaction with humans. The performance, the performers, and the sound gradually take shape and self-awareness, breath by breath. It is precisely breath, through the performers’ voices, that represents the genesis of the sound: the monster trying to express itself, with the noise slowly taking form and consciousness.

music - Davide Tomat
mix and master - Maurizio Borgna
melodic - Silvia Costa
artwork designer - Filippo Andreatta
artwork editor - Francesco Serasso
production - Office for a Human Theatre
label - Superbudda

OHT Frankenstein EP, a sound excerpt from the eponymous play by Office for a Human Theatre, is out today.

Inspired by Frankenstein, the production makes partial and vertical dives into the text, without restrictions on form, language, or duration. Mary W. Shelley’s classic becomes material to be examined, dissected, stitched together, and reassembled. A body open to various experiments: theatrical performance, reading sessions, installations, a film adaptation, and culminating in Davide Tomat’s OHT Frankenstein EP, grafted into the book Frankenstein If You Love Solitude You Don’t Love Freedom, published by bruno.

Like the text, the sound evolves through a personal and subjective journey, resonating with both the viewer and the narrative. A direct outcome of the scene and the performers’ actions, all sound material was written, performed, and recorded during rehearsals. Like Mary W. Shelley’s protagonist, the newborn sound learns to navigate the world and gain self-awareness through interaction with humans. The performance, the performers, and the sound gradually take shape and self-awareness, breath by breath. It is precisely breath, through the performers’ voices, that represents the genesis of the sound: the monster trying to express itself, with the noise slowly taking form and consciousness.

music - Davide Tomat
mix and master - Maurizio Borgna
melodic - Silvia Costa
artwork designer - Filippo Andreatta
artwork editor - Francesco Serasso
production - Office for a Human Theatre
label - Superbudda

OHT Frankenstein EP, a sound excerpt from the eponymous play by Office for a Human Theatre, is out today.

Inspired by Frankenstein, the production makes partial and vertical dives into the text, without restrictions on form, language, or duration. Mary W. Shelley’s classic becomes material to be examined, dissected, stitched together, and reassembled. A body open to various experiments: theatrical performance, reading sessions, installations, a film adaptation, and culminating in Davide Tomat’s OHT Frankenstein EP, grafted into the book Frankenstein If You Love Solitude You Don’t Love Freedom, published by bruno.

Like the text, the sound evolves through a personal and subjective journey, resonating with both the viewer and the narrative. A direct outcome of the scene and the performers’ actions, all sound material was written, performed, and recorded during rehearsals. Like Mary W. Shelley’s protagonist, the newborn sound learns to navigate the world and gain self-awareness through interaction with humans. The performance, the performers, and the sound gradually take shape and self-awareness, breath by breath. It is precisely breath, through the performers’ voices, that represents the genesis of the sound: the monster trying to express itself, with the noise slowly taking form and consciousness.

music - Davide Tomat
mix and master - Maurizio Borgna
melodic - Silvia Costa
artwork designer - Filippo Andreatta
artwork editor - Francesco Serasso
production - Office for a Human Theatre
label - Superbudda

OHT Frankenstein EP, a sound excerpt from the eponymous play by Office for a Human Theatre, is out today.

Inspired by Frankenstein, the production makes partial and vertical dives into the text, without restrictions on form, language, or duration. Mary W. Shelley’s classic becomes material to be examined, dissected, stitched together, and reassembled. A body open to various experiments: theatrical performance, reading sessions, installations, a film adaptation, and culminating in Davide Tomat’s OHT Frankenstein EP, grafted into the book Frankenstein If You Love Solitude You Don’t Love Freedom, published by bruno.

Like the text, the sound evolves through a personal and subjective journey, resonating with both the viewer and the narrative. A direct outcome of the scene and the performers’ actions, all sound material was written, performed, and recorded during rehearsals. Like Mary W. Shelley’s protagonist, the newborn sound learns to navigate the world and gain self-awareness through interaction with humans. The performance, the performers, and the sound gradually take shape and self-awareness, breath by breath. It is precisely breath, through the performers’ voices, that represents the genesis of the sound: the monster trying to express itself, with the noise slowly taking form and consciousness.

music - Davide Tomat
mix and master - Maurizio Borgna
melodic - Silvia Costa
artwork designer - Filippo Andreatta
artwork editor - Francesco Serasso
production - Office for a Human Theatre
label - Superbudda

OHT Frankenstein EP, a sound excerpt from the eponymous play by Office for a Human Theatre, is out today.

Inspired by Frankenstein, the production makes partial and vertical dives into the text, without restrictions on form, language, or duration. Mary W. Shelley’s classic becomes material to be examined, dissected, stitched together, and reassembled. A body open to various experiments: theatrical performance, reading sessions, installations, a film adaptation, and culminating in Davide Tomat’s OHT Frankenstein EP, grafted into the book Frankenstein If You Love Solitude You Don’t Love Freedom, published by bruno.

Like the text, the sound evolves through a personal and subjective journey, resonating with both the viewer and the narrative. A direct outcome of the scene and the performers’ actions, all sound material was written, performed, and recorded during rehearsals. Like Mary W. Shelley’s protagonist, the newborn sound learns to navigate the world and gain self-awareness through interaction with humans. The performance, the performers, and the sound gradually take shape and self-awareness, breath by breath. It is precisely breath, through the performers’ voices, that represents the genesis of the sound: the monster trying to express itself, with the noise slowly taking form and consciousness.

music - Davide Tomat
mix and master - Maurizio Borgna
melodic - Silvia Costa
artwork designer - Filippo Andreatta
artwork editor - Francesco Serasso
production - Office for a Human Theatre
label - Superbudda

OHT Frankenstein EP, a sound excerpt from the eponymous play by Office for a Human Theatre, is out today.

Inspired by Frankenstein, the production makes partial and vertical dives into the text, without restrictions on form, language, or duration. Mary W. Shelley’s classic becomes material to be examined, dissected, stitched together, and reassembled. A body open to various experiments: theatrical performance, reading sessions, installations, a film adaptation, and culminating in Davide Tomat’s OHT Frankenstein EP, grafted into the book Frankenstein If You Love Solitude You Don’t Love Freedom, published by bruno.

Like the text, the sound evolves through a personal and subjective journey, resonating with both the viewer and the narrative. A direct outcome of the scene and the performers’ actions, all sound material was written, performed, and recorded during rehearsals. Like Mary W. Shelley’s protagonist, the newborn sound learns to navigate the world and gain self-awareness through interaction with humans. The performance, the performers, and the sound gradually take shape and self-awareness, breath by breath. It is precisely breath, through the performers’ voices, that represents the genesis of the sound: the monster trying to express itself, with the noise slowly taking form and consciousness.

music - Davide Tomat
mix and master - Maurizio Borgna
melodic - Silvia Costa
artwork designer - Filippo Andreatta
artwork editor - Francesco Serasso
production - Office for a Human Theatre
label - Superbudda

OHT Frankenstein EP, a sound excerpt from the eponymous play by Office for a Human Theatre, is out today.

Inspired by Frankenstein, the production makes partial and vertical dives into the text, without restrictions on form, language, or duration. Mary W. Shelley’s classic becomes material to be examined, dissected, stitched together, and reassembled. A body open to various experiments: theatrical performance, reading sessions, installations, a film adaptation, and culminating in Davide Tomat’s OHT Frankenstein EP, grafted into the book Frankenstein If You Love Solitude You Don’t Love Freedom, published by bruno.

Like the text, the sound evolves through a personal and subjective journey, resonating with both the viewer and the narrative. A direct outcome of the scene and the performers’ actions, all sound material was written, performed, and recorded during rehearsals. Like Mary W. Shelley’s protagonist, the newborn sound learns to navigate the world and gain self-awareness through interaction with humans. The performance, the performers, and the sound gradually take shape and self-awareness, breath by breath. It is precisely breath, through the performers’ voices, that represents the genesis of the sound: the monster trying to express itself, with the noise slowly taking form and consciousness.

music - Davide Tomat
mix and master - Maurizio Borgna
melodic - Silvia Costa
artwork designer - Filippo Andreatta
artwork editor - Francesco Serasso
production - Office for a Human Theatre
label - Superbudda

@torson__ debut album is OUT NOW via @superbudda !
LISTEN-> link in bio

@musiqueinfinie debut album residency @superbudda // @ous.ooo#musiqueinfinie #residency #recording #album #debut #ous

@lorenzo_senni , @francescofantini_ , @j0fridur , @burrowstudio , @matteoforzano rehearsing @superbudda

@lorenzo_senni , @francescofantini_ , @j0fridur , @burrowstudio , @matteoforzano rehearsing @superbudda

@lorenzo_senni , @francescofantini_ , @j0fridur , @burrowstudio , @matteoforzano rehearsing @superbudda

@lorenzo_senni , @francescofantini_ , @j0fridur , @burrowstudio , @matteoforzano rehearsing @superbudda

@lorenzo_senni , @francescofantini_ , @j0fridur , @burrowstudio , @matteoforzano rehearsing @superbudda

@_fennesz + @ozmotic_oz recording session @superbudda #recording #studio #ozmotic #fennesz #recordingsession

Il 16 settembre alle ore 18:00 (CEST) si terrà la
“Masterclass pianistica sulla tecnica della musica continua”
con @lubomyr.melnyk.

Online ( su Zoom) e offline al Superbudda (Torino) con green pass.

Per info e iscrizioni: info@superbudda.com

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Nell'ambito di: TOURDAYS / @todaysfestival
Un progetto di: CITTÀ DI TORINO
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