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🎨☀️ APPLICATIONS OPEN for LAB 2026! ☀️🎨

Now in its 16th year, Locust Art Builders (LAB): Summer Art Intensive for Teens returns with the theme “Build for Better”, a five-week, hands-on pre-college program exploring sustainable art practices at the intersection of art, technology, and the environment. 🌎🛠️

Designed for Miami-Dade high school students interested in art, design, and creative careers, LAB offers professional artist-led workshops, studio visits, collaborative art-making, and behind-the-scenes access to Miami’s arts community, all while students work together to build an experimental exhibition from scratch at Locust Projects in our Main Gallery. Students start building day one!

✨ LAB is FREE and includes:
 🍴 Free lunch + snacks daily
 🚌 Transportation stipends
 🎒 Builder Bag with art supplies + essentials
 👕 Artist-edition T-shirt
 📚 Community service hours

📅 Program Dates: June 15 – July 17, 2026
 🕙 Mondays–Thursdays | 10am–3pm
 🎉 Student Exhibition Opening: Saturday, July 18 | 5:30–7:30pm
 ⏰ FINAL Deadline: Monday, June 8 at MIDNIGHT!

Open to rising 10th–12th graders and graduating seniors in Miami-Dade County.

Apply now and spend your summer building, experimenting, collaborating, and creating new work with us at Locust Projects 💥

Locust Art Builders: Summer Art Intensive for Teens 2024-2025 is made possible through lead support from @miamidadearts, the Miami-Dade County Mayor and Board of County Commissioners, @TheChildrensTrust; The Kirk Foundation, and INCUBATORS Friends of the Next Generation.

#LocustProjects #TeenSummerArtIntensive #LocustArtBuilders

#LocustArtistSpotlight: Congratulations to B0YG1RL (@b0yg1rlmus1c), 2025 Locust Projects WaveMaker Grantee, on “Little Haiti” being selected as Pitchfork’s Best New Track  - listen now on Spotify and Apple Music!✨

In their review, Pitchfork described the track as “all the life-or-death romanticism of a classic Haitian love song,” praising how the Miami-based duo transforms kompa’s “gooey percussive sway and kitschy electronica” into something “distorted” and “ethereal.”

We’re thrilled to see B0YG1RL receiving this well-deserved recognition and proud to celebrate them as part of the Locust Projects family. 

WaveMaker incubator grants at Locust Projects are made possible by The Andy @warholfoundation for the Visual Arts’ Regional Regranting Program, a network of 36 regranting partners across the country.

#LocustArtistSpotlight #WaveMakerGrants #B0YG1RL #Pitchfork BestNewTrack @angelario_

#LocustArtistSpotlight: Congratulations to B0YG1RL (@b0yg1rlmus1c), 2025 Locust Projects WaveMaker Grantee, on “Little Haiti” being selected as Pitchfork’s Best New Track  - listen now on Spotify and Apple Music!✨

In their review, Pitchfork described the track as “all the life-or-death romanticism of a classic Haitian love song,” praising how the Miami-based duo transforms kompa’s “gooey percussive sway and kitschy electronica” into something “distorted” and “ethereal.”

We’re thrilled to see B0YG1RL receiving this well-deserved recognition and proud to celebrate them as part of the Locust Projects family. 

WaveMaker incubator grants at Locust Projects are made possible by The Andy @warholfoundation for the Visual Arts’ Regional Regranting Program, a network of 36 regranting partners across the country.

#LocustArtistSpotlight #WaveMakerGrants #B0YG1RL #Pitchfork BestNewTrack @angelario_

#LocustArtistSpotlight: Congratulations to B0YG1RL (@b0yg1rlmus1c), 2025 Locust Projects WaveMaker Grantee, on “Little Haiti” being selected as Pitchfork’s Best New Track  - listen now on Spotify and Apple Music!✨

In their review, Pitchfork described the track as “all the life-or-death romanticism of a classic Haitian love song,” praising how the Miami-based duo transforms kompa’s “gooey percussive sway and kitschy electronica” into something “distorted” and “ethereal.”

We’re thrilled to see B0YG1RL receiving this well-deserved recognition and proud to celebrate them as part of the Locust Projects family. 

WaveMaker incubator grants at Locust Projects are made possible by The Andy @warholfoundation for the Visual Arts’ Regional Regranting Program, a network of 36 regranting partners across the country.

#LocustArtistSpotlight #WaveMakerGrants #B0YG1RL #Pitchfork BestNewTrack @angelario_

Totally obsessed with the documentation of my show A Bought Kingdom by @dominik_bindl 💫 and @pedrowazzan ✨

🏰A Bought Kingdom 🚀 is a newly commissioned multimedia immersive installation for Locust Projects‘ 625-sq ft Project Room @locustprojects 🩷 by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition.

🐦‍⬛ Playing off Walt Disney World’s theme park, Strobel’s immersive installation reimagines Disney’s Enchanted Tiki Room as a space of quiet reflection versus the original attraction’s 225+ animatronic singing birds. Under a birdcage-like structure, sculptural timepieces depicting birds and eggs made from wax that slowly melt, harden, and remelt, referencing precarious natural cycles. As the wax gradually evaporates during the remelting process, the cycles accelerate, and eventually—once the wax has run out—it stops. ⏳⌛️

The exhibition is a Knight Digital Commission @knightfdn and is accompanied by a publication published by EXILE. @exilebooks

#sculpture #timepieces #installation #johannastrobel #contemporaryart

Totally obsessed with the documentation of my show A Bought Kingdom by @dominik_bindl 💫 and @pedrowazzan ✨

🏰A Bought Kingdom 🚀 is a newly commissioned multimedia immersive installation for Locust Projects‘ 625-sq ft Project Room @locustprojects 🩷 by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition.

🐦‍⬛ Playing off Walt Disney World’s theme park, Strobel’s immersive installation reimagines Disney’s Enchanted Tiki Room as a space of quiet reflection versus the original attraction’s 225+ animatronic singing birds. Under a birdcage-like structure, sculptural timepieces depicting birds and eggs made from wax that slowly melt, harden, and remelt, referencing precarious natural cycles. As the wax gradually evaporates during the remelting process, the cycles accelerate, and eventually—once the wax has run out—it stops. ⏳⌛️

The exhibition is a Knight Digital Commission @knightfdn and is accompanied by a publication published by EXILE. @exilebooks

#sculpture #timepieces #installation #johannastrobel #contemporaryart

Totally obsessed with the documentation of my show A Bought Kingdom by @dominik_bindl 💫 and @pedrowazzan ✨

🏰A Bought Kingdom 🚀 is a newly commissioned multimedia immersive installation for Locust Projects‘ 625-sq ft Project Room @locustprojects 🩷 by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition.

🐦‍⬛ Playing off Walt Disney World’s theme park, Strobel’s immersive installation reimagines Disney’s Enchanted Tiki Room as a space of quiet reflection versus the original attraction’s 225+ animatronic singing birds. Under a birdcage-like structure, sculptural timepieces depicting birds and eggs made from wax that slowly melt, harden, and remelt, referencing precarious natural cycles. As the wax gradually evaporates during the remelting process, the cycles accelerate, and eventually—once the wax has run out—it stops. ⏳⌛️

The exhibition is a Knight Digital Commission @knightfdn and is accompanied by a publication published by EXILE. @exilebooks

#sculpture #timepieces #installation #johannastrobel #contemporaryart

Totally obsessed with the documentation of my show A Bought Kingdom by @dominik_bindl 💫 and @pedrowazzan ✨

🏰A Bought Kingdom 🚀 is a newly commissioned multimedia immersive installation for Locust Projects‘ 625-sq ft Project Room @locustprojects 🩷 by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition.

🐦‍⬛ Playing off Walt Disney World’s theme park, Strobel’s immersive installation reimagines Disney’s Enchanted Tiki Room as a space of quiet reflection versus the original attraction’s 225+ animatronic singing birds. Under a birdcage-like structure, sculptural timepieces depicting birds and eggs made from wax that slowly melt, harden, and remelt, referencing precarious natural cycles. As the wax gradually evaporates during the remelting process, the cycles accelerate, and eventually—once the wax has run out—it stops. ⏳⌛️

The exhibition is a Knight Digital Commission @knightfdn and is accompanied by a publication published by EXILE. @exilebooks

#sculpture #timepieces #installation #johannastrobel #contemporaryart

Totally obsessed with the documentation of my show A Bought Kingdom by @dominik_bindl 💫 and @pedrowazzan ✨

🏰A Bought Kingdom 🚀 is a newly commissioned multimedia immersive installation for Locust Projects‘ 625-sq ft Project Room @locustprojects 🩷 by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition.

🐦‍⬛ Playing off Walt Disney World’s theme park, Strobel’s immersive installation reimagines Disney’s Enchanted Tiki Room as a space of quiet reflection versus the original attraction’s 225+ animatronic singing birds. Under a birdcage-like structure, sculptural timepieces depicting birds and eggs made from wax that slowly melt, harden, and remelt, referencing precarious natural cycles. As the wax gradually evaporates during the remelting process, the cycles accelerate, and eventually—once the wax has run out—it stops. ⏳⌛️

The exhibition is a Knight Digital Commission @knightfdn and is accompanied by a publication published by EXILE. @exilebooks

#sculpture #timepieces #installation #johannastrobel #contemporaryart

Totally obsessed with the documentation of my show A Bought Kingdom by @dominik_bindl 💫 and @pedrowazzan ✨

🏰A Bought Kingdom 🚀 is a newly commissioned multimedia immersive installation for Locust Projects‘ 625-sq ft Project Room @locustprojects 🩷 by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition.

🐦‍⬛ Playing off Walt Disney World’s theme park, Strobel’s immersive installation reimagines Disney’s Enchanted Tiki Room as a space of quiet reflection versus the original attraction’s 225+ animatronic singing birds. Under a birdcage-like structure, sculptural timepieces depicting birds and eggs made from wax that slowly melt, harden, and remelt, referencing precarious natural cycles. As the wax gradually evaporates during the remelting process, the cycles accelerate, and eventually—once the wax has run out—it stops. ⏳⌛️

The exhibition is a Knight Digital Commission @knightfdn and is accompanied by a publication published by EXILE. @exilebooks

#sculpture #timepieces #installation #johannastrobel #contemporaryart

Totally obsessed with the documentation of my show A Bought Kingdom by @dominik_bindl 💫 and @pedrowazzan ✨

🏰A Bought Kingdom 🚀 is a newly commissioned multimedia immersive installation for Locust Projects‘ 625-sq ft Project Room @locustprojects 🩷 by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition.

🐦‍⬛ Playing off Walt Disney World’s theme park, Strobel’s immersive installation reimagines Disney’s Enchanted Tiki Room as a space of quiet reflection versus the original attraction’s 225+ animatronic singing birds. Under a birdcage-like structure, sculptural timepieces depicting birds and eggs made from wax that slowly melt, harden, and remelt, referencing precarious natural cycles. As the wax gradually evaporates during the remelting process, the cycles accelerate, and eventually—once the wax has run out—it stops. ⏳⌛️

The exhibition is a Knight Digital Commission @knightfdn and is accompanied by a publication published by EXILE. @exilebooks

#sculpture #timepieces #installation #johannastrobel #contemporaryart

Totally obsessed with the documentation of my show A Bought Kingdom by @dominik_bindl 💫 and @pedrowazzan ✨

🏰A Bought Kingdom 🚀 is a newly commissioned multimedia immersive installation for Locust Projects‘ 625-sq ft Project Room @locustprojects 🩷 by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition.

🐦‍⬛ Playing off Walt Disney World’s theme park, Strobel’s immersive installation reimagines Disney’s Enchanted Tiki Room as a space of quiet reflection versus the original attraction’s 225+ animatronic singing birds. Under a birdcage-like structure, sculptural timepieces depicting birds and eggs made from wax that slowly melt, harden, and remelt, referencing precarious natural cycles. As the wax gradually evaporates during the remelting process, the cycles accelerate, and eventually—once the wax has run out—it stops. ⏳⌛️

The exhibition is a Knight Digital Commission @knightfdn and is accompanied by a publication published by EXILE. @exilebooks

#sculpture #timepieces #installation #johannastrobel #contemporaryart

Totally obsessed with the documentation of my show A Bought Kingdom by @dominik_bindl 💫 and @pedrowazzan ✨

🏰A Bought Kingdom 🚀 is a newly commissioned multimedia immersive installation for Locust Projects‘ 625-sq ft Project Room @locustprojects 🩷 by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition.

🐦‍⬛ Playing off Walt Disney World’s theme park, Strobel’s immersive installation reimagines Disney’s Enchanted Tiki Room as a space of quiet reflection versus the original attraction’s 225+ animatronic singing birds. Under a birdcage-like structure, sculptural timepieces depicting birds and eggs made from wax that slowly melt, harden, and remelt, referencing precarious natural cycles. As the wax gradually evaporates during the remelting process, the cycles accelerate, and eventually—once the wax has run out—it stops. ⏳⌛️

The exhibition is a Knight Digital Commission @knightfdn and is accompanied by a publication published by EXILE. @exilebooks

#sculpture #timepieces #installation #johannastrobel #contemporaryart

Totally obsessed with the documentation of my show A Bought Kingdom by @dominik_bindl 💫 and @pedrowazzan ✨

🏰A Bought Kingdom 🚀 is a newly commissioned multimedia immersive installation for Locust Projects‘ 625-sq ft Project Room @locustprojects 🩷 by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition.

🐦‍⬛ Playing off Walt Disney World’s theme park, Strobel’s immersive installation reimagines Disney’s Enchanted Tiki Room as a space of quiet reflection versus the original attraction’s 225+ animatronic singing birds. Under a birdcage-like structure, sculptural timepieces depicting birds and eggs made from wax that slowly melt, harden, and remelt, referencing precarious natural cycles. As the wax gradually evaporates during the remelting process, the cycles accelerate, and eventually—once the wax has run out—it stops. ⏳⌛️

The exhibition is a Knight Digital Commission @knightfdn and is accompanied by a publication published by EXILE. @exilebooks

#sculpture #timepieces #installation #johannastrobel #contemporaryart

Totally obsessed with the documentation of my show A Bought Kingdom by @dominik_bindl 💫 and @pedrowazzan ✨

🏰A Bought Kingdom 🚀 is a newly commissioned multimedia immersive installation for Locust Projects‘ 625-sq ft Project Room @locustprojects 🩷 by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition.

🐦‍⬛ Playing off Walt Disney World’s theme park, Strobel’s immersive installation reimagines Disney’s Enchanted Tiki Room as a space of quiet reflection versus the original attraction’s 225+ animatronic singing birds. Under a birdcage-like structure, sculptural timepieces depicting birds and eggs made from wax that slowly melt, harden, and remelt, referencing precarious natural cycles. As the wax gradually evaporates during the remelting process, the cycles accelerate, and eventually—once the wax has run out—it stops. ⏳⌛️

The exhibition is a Knight Digital Commission @knightfdn and is accompanied by a publication published by EXILE. @exilebooks

#sculpture #timepieces #installation #johannastrobel #contemporaryart

🎉 Locust Projects is proud to announce the appointment of four new members to its Board of Directors: Eduardo Ojeda, Greg Schneider, Tatiana Nascimento Silva, and Andre Williams.

🌟 Bringing a breadth of professional expertise, perspectives, and community leadership, these new board members strengthen Locust Projects’ commitment to supporting ambitious contemporary art in Miami. As we approach our 30th anniversary, their insight and guidance will help shape an exciting new chapter of growth and innovation.

Eduardo Ojeda is a Miami-based cultural strategist and contemporary art advisor with more than 25 years of experience at the intersection of art, business, and community. He is the Founder and Chief Visionary Officer of The Art Dome, a Miami-based cultural platform focused on artist partnerships, corporate art collections, and collaborations across the United States and Latin America. He is also actively involved with ICA Miami, NSU Art Museum Fort Lauderdale, and the Greater Miami Jewish Federation.

Greg Schneider is a philanthropist, collector, and enthusiastic supporter of the arts. He is the Director of Tomas Redrado Art Gallery in Miami. A former teacher, he has long championed students, artists, galleries, and nonprofit organizations in our community including New World Symphony and Fountainhead.

Tatiana Nascimento Silva brings 20 years of experience in corporate operations and economic development, including 14 years at Google managing large-scale operations and strategic partnerships across the U.S., Europe, and Latin America. Most recently, she served as Chief Business Development Officer for the Miami-Dade Beacon Council and is the incoming Senior Director of GTM Strategy & Operations at Kaseya.

Andre Williams is a Harvard-educated real estate attorney and President and CEO of Pendragon Title and Escrow. He previously practiced at Holland & Knight LLP and served as an elected Councilman for the City of Miami Gardens from 2006 to 2012. He currently serves as President of the Miami Gardens Chamber of Commerce.

🙌 Please join us in welcoming these exceptional leaders to the Locust Projects family!

#LocustProjects #BoardOfDirectors #MiamiArts

#LocustArtistSpotlight: We are thrilled to congratulate Leo Castañeda on being included in the Whitney Biennial 2026 @whitneymusuem! 

Locust Projects is proud to have supported Leo’s Long Haul #wavemakergrant in 2018 to develop his Levels and Bosses digital game, which led up to his incredible Herramientas (Levels & Bosses) immersive installation at Locust in 2022. It’s so exciting to see the project continue to evolve in his Camoflux Grotto web-based game featured in the 2026 Whitney Biennial! Our Deputy Director Munisha Underhill had the opportunity to visit the exhibition last weekend and experience Leo’s compelling work firsthand! 

Organized by the Whitney Museum of American Art, the Whitney Biennial now in its 82nd edition is one of the most significant exhibitions of contemporary art in the United States, bringing together artists whose work is shaping the current cultural landscape. Congratulations to Leo on this incredible achievement! 

Photos 2 and 3: @munishaunderhill at the @whitneymuseum 
Photos 4 and 5: Herramientas (Levels & Bosses) at Locust Projects, 2022. Photos by @zackarybalber and @worldredeye

#WhitneyBiennial #LocustProjects WaveMakerGrants @warholfoundation PastExhibitingArtist

#LocustArtistSpotlight: We are thrilled to congratulate Leo Castañeda on being included in the Whitney Biennial 2026 @whitneymusuem! 

Locust Projects is proud to have supported Leo’s Long Haul #wavemakergrant in 2018 to develop his Levels and Bosses digital game, which led up to his incredible Herramientas (Levels & Bosses) immersive installation at Locust in 2022. It’s so exciting to see the project continue to evolve in his Camoflux Grotto web-based game featured in the 2026 Whitney Biennial! Our Deputy Director Munisha Underhill had the opportunity to visit the exhibition last weekend and experience Leo’s compelling work firsthand! 

Organized by the Whitney Museum of American Art, the Whitney Biennial now in its 82nd edition is one of the most significant exhibitions of contemporary art in the United States, bringing together artists whose work is shaping the current cultural landscape. Congratulations to Leo on this incredible achievement! 

Photos 2 and 3: @munishaunderhill at the @whitneymuseum 
Photos 4 and 5: Herramientas (Levels & Bosses) at Locust Projects, 2022. Photos by @zackarybalber and @worldredeye

#WhitneyBiennial #LocustProjects WaveMakerGrants @warholfoundation PastExhibitingArtist

#LocustArtistSpotlight: We are thrilled to congratulate Leo Castañeda on being included in the Whitney Biennial 2026 @whitneymusuem! 

Locust Projects is proud to have supported Leo’s Long Haul #wavemakergrant in 2018 to develop his Levels and Bosses digital game, which led up to his incredible Herramientas (Levels & Bosses) immersive installation at Locust in 2022. It’s so exciting to see the project continue to evolve in his Camoflux Grotto web-based game featured in the 2026 Whitney Biennial! Our Deputy Director Munisha Underhill had the opportunity to visit the exhibition last weekend and experience Leo’s compelling work firsthand! 

Organized by the Whitney Museum of American Art, the Whitney Biennial now in its 82nd edition is one of the most significant exhibitions of contemporary art in the United States, bringing together artists whose work is shaping the current cultural landscape. Congratulations to Leo on this incredible achievement! 

Photos 2 and 3: @munishaunderhill at the @whitneymuseum 
Photos 4 and 5: Herramientas (Levels & Bosses) at Locust Projects, 2022. Photos by @zackarybalber and @worldredeye

#WhitneyBiennial #LocustProjects WaveMakerGrants @warholfoundation PastExhibitingArtist

#LocustArtistSpotlight: We are thrilled to congratulate Leo Castañeda on being included in the Whitney Biennial 2026 @whitneymusuem! 

Locust Projects is proud to have supported Leo’s Long Haul #wavemakergrant in 2018 to develop his Levels and Bosses digital game, which led up to his incredible Herramientas (Levels & Bosses) immersive installation at Locust in 2022. It’s so exciting to see the project continue to evolve in his Camoflux Grotto web-based game featured in the 2026 Whitney Biennial! Our Deputy Director Munisha Underhill had the opportunity to visit the exhibition last weekend and experience Leo’s compelling work firsthand! 

Organized by the Whitney Museum of American Art, the Whitney Biennial now in its 82nd edition is one of the most significant exhibitions of contemporary art in the United States, bringing together artists whose work is shaping the current cultural landscape. Congratulations to Leo on this incredible achievement! 

Photos 2 and 3: @munishaunderhill at the @whitneymuseum 
Photos 4 and 5: Herramientas (Levels & Bosses) at Locust Projects, 2022. Photos by @zackarybalber and @worldredeye

#WhitneyBiennial #LocustProjects WaveMakerGrants @warholfoundation PastExhibitingArtist

#LocustArtistSpotlight: We are thrilled to congratulate Leo Castañeda on being included in the Whitney Biennial 2026 @whitneymusuem! 

Locust Projects is proud to have supported Leo’s Long Haul #wavemakergrant in 2018 to develop his Levels and Bosses digital game, which led up to his incredible Herramientas (Levels & Bosses) immersive installation at Locust in 2022. It’s so exciting to see the project continue to evolve in his Camoflux Grotto web-based game featured in the 2026 Whitney Biennial! Our Deputy Director Munisha Underhill had the opportunity to visit the exhibition last weekend and experience Leo’s compelling work firsthand! 

Organized by the Whitney Museum of American Art, the Whitney Biennial now in its 82nd edition is one of the most significant exhibitions of contemporary art in the United States, bringing together artists whose work is shaping the current cultural landscape. Congratulations to Leo on this incredible achievement! 

Photos 2 and 3: @munishaunderhill at the @whitneymuseum 
Photos 4 and 5: Herramientas (Levels & Bosses) at Locust Projects, 2022. Photos by @zackarybalber and @worldredeye

#WhitneyBiennial #LocustProjects WaveMakerGrants @warholfoundation PastExhibitingArtist

“It’s not that this bird went extinct forcefully. It was just like nobody cared. And I want people to care because I care.”
-Johanna Strobel

WATCH! Go behind the scenes of “A Bought Kingdom” with artist Johanna Strobel and learn more about the ideas behind her immersive installation confronting the ecological consequences of human ambition. Rooted in the extinction of the Dusky Seaside Sparrow, the exhibition uses sculpture, animation, and music to reflect on environmental loss, the passage of time, and the cost of progress.

Experience A Bought Kingdom  in person at Locust Projects — on view through June 27, Tuesday–Saturday, 11am–5pm.

Video by Alexa Caravia (@ac2565) with additional filming by Zusel Escriba also available on our YouTube channel, link in bio!. 🎥

This exhibition  is a @knightfdn Digital Commission. Locust Projects receives major support from @knightfdn; @miamidadearts, the Miami-Dade County Mayor and the Board of County Commissioners; the State of Florida through the Division of Arts and Culture and @neaarts; @warholfoundation; @ruthfoundation; and @PerezFamilyFoundation and @miamifoundation #CREARTE2025

🥒 LAST 𝗟𝗢𝗖𝗨𝗦𝗧 𝗟𝗔𝗧𝗘 @ 𝗧𝗛𝗘 𝗗𝗜𝗟𝗟
📆 Thu, May 21, 2026 | 7–9pm

Join us for the final Locust Late @ The DiLL of the 2025–26 season! 

For the season finale, we’re exploring how our online and offline lives intertwine, beginning with a hands-on workshop led by artist-educator Fereshteh Toosi using live-action role-playing (LARP) to thoughtfully probe our relationship with digital systems. The evening concludes with a participatory performance by movement artist Roxana Barba, activated through a secret Discord chat projected live in the DiLL. Artists of all skill levels are encouraged to #BYOL (Bring Your Own Laptop) and follow along.

7pm 𝗪𝗢𝗥𝗞𝗦𝗛𝗢𝗣
Fereshteh Toosi: Hacking Reality: exploring tech entanglements through play
Reflecting on this past season of digital innovation, how do invisible systems continue to shape our behavior and values? In this interactive workshop, Fereshteh Toosi uses live-action role-playing (LARP) to explore our relationship with digital systems—without writing code or building machines. Through short improvisational games, participants step into speculative realities shaped by surveillance, data clouds, and offline zones. The workshop concludes with a discussion about what these playful scenarios reveal about our lived experiences.

9pm 𝗣𝗘𝗥𝗙𝗢𝗥𝗠𝗔𝗡𝗖𝗘
Roxana Barba: secret group chat (beta test)
RSVP at the link in bio!!

This event is free and open to the public, and presented as part of the @knightfdn Digital Innovation Initiative at Locust Projects. Complimentary refreshments are available for guests aged 21 and older courtesy of our 2025–26 sponsors @thetankbrewingco and @topochico.

#artandtechnology #locustprojects

🥒 LAST 𝗟𝗢𝗖𝗨𝗦𝗧 𝗟𝗔𝗧𝗘 @ 𝗧𝗛𝗘 𝗗𝗜𝗟𝗟
📆 Thu, May 21, 2026 | 7–9pm

Join us for the final Locust Late @ The DiLL of the 2025–26 season! 

For the season finale, we’re exploring how our online and offline lives intertwine, beginning with a hands-on workshop led by artist-educator Fereshteh Toosi using live-action role-playing (LARP) to thoughtfully probe our relationship with digital systems. The evening concludes with a participatory performance by movement artist Roxana Barba, activated through a secret Discord chat projected live in the DiLL. Artists of all skill levels are encouraged to #BYOL (Bring Your Own Laptop) and follow along.

7pm 𝗪𝗢𝗥𝗞𝗦𝗛𝗢𝗣
Fereshteh Toosi: Hacking Reality: exploring tech entanglements through play
Reflecting on this past season of digital innovation, how do invisible systems continue to shape our behavior and values? In this interactive workshop, Fereshteh Toosi uses live-action role-playing (LARP) to explore our relationship with digital systems—without writing code or building machines. Through short improvisational games, participants step into speculative realities shaped by surveillance, data clouds, and offline zones. The workshop concludes with a discussion about what these playful scenarios reveal about our lived experiences.

9pm 𝗣𝗘𝗥𝗙𝗢𝗥𝗠𝗔𝗡𝗖𝗘
Roxana Barba: secret group chat (beta test)
RSVP at the link in bio!!

This event is free and open to the public, and presented as part of the @knightfdn Digital Innovation Initiative at Locust Projects. Complimentary refreshments are available for guests aged 21 and older courtesy of our 2025–26 sponsors @thetankbrewingco and @topochico.

#artandtechnology #locustprojects

Johanna Strobel: A Bought Kingdom | On view in the Project Room through June 27

𝗔 𝗕𝗼𝘂𝗴𝗵𝘁 𝗞𝗶𝗻𝗴𝗱𝗼𝗺 is a newly commissioned multimedia immersive installation by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition. Years in the making, this project grew from research sparked during a 2023 road trip from NYC to Miami, where visits to Kennedy Space Center and Disney World revealed uncanny parallels between the “Happiest Place on Earth” and the infrastructure behind the “Greatest Human Achievement.” 🚀🏰

Rooted in the extinction of the Dusky Seaside Sparrow, a small native Florida bird whose fragile salt marsh habitat on Merritt Island was gradually destroyed through the development of Kennedy Space Center, the exhibition explores environmental degradation, spectacle, tourism, loss, and the consequences of progress and power. Following the species’ rapid decline, the last remaining birds were sent through various institutions for failed breeding attempts before eventually arriving at Discovery Island, Disney World’s former zoological park, where the final bird, Orange Band, died in captivity in 1987. The species was officially declared extinct in 1990.

🎶 Playing off Disney’s Enchanted Tiki Room, Strobel’s immersive installation combines a hand-drawn and live-filmed three-act musical film, melting wax timepieces depicting birds and eggs, a multidisciplinary publication produced with @exilebooks featuring contributions by @loriemertes @alexandro_segade and ursula.stroebele, and yes — even a lousy souvenir t-shirt!
🛍 Shop the exhibition (including t-shirts and comic books)  online through our Editions website - link in bio!

This exhibition is a @knightfdn Digital Commission. Locust Projects receives major support from @knightfdn; @miamidadearts, the Miami-Dade County Mayor and the Board of County Commissioners; the State of Florida through the Division of Arts and Culture and @neaarts; @warholfoundation; and @PerezFamilyFoundation and @miamifoundation #CREARTE2025

Photos by @pedrowazzan

Johanna Strobel: A Bought Kingdom | On view in the Project Room through June 27

𝗔 𝗕𝗼𝘂𝗴𝗵𝘁 𝗞𝗶𝗻𝗴𝗱𝗼𝗺 is a newly commissioned multimedia immersive installation by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition. Years in the making, this project grew from research sparked during a 2023 road trip from NYC to Miami, where visits to Kennedy Space Center and Disney World revealed uncanny parallels between the “Happiest Place on Earth” and the infrastructure behind the “Greatest Human Achievement.” 🚀🏰

Rooted in the extinction of the Dusky Seaside Sparrow, a small native Florida bird whose fragile salt marsh habitat on Merritt Island was gradually destroyed through the development of Kennedy Space Center, the exhibition explores environmental degradation, spectacle, tourism, loss, and the consequences of progress and power. Following the species’ rapid decline, the last remaining birds were sent through various institutions for failed breeding attempts before eventually arriving at Discovery Island, Disney World’s former zoological park, where the final bird, Orange Band, died in captivity in 1987. The species was officially declared extinct in 1990.

🎶 Playing off Disney’s Enchanted Tiki Room, Strobel’s immersive installation combines a hand-drawn and live-filmed three-act musical film, melting wax timepieces depicting birds and eggs, a multidisciplinary publication produced with @exilebooks featuring contributions by @loriemertes @alexandro_segade and ursula.stroebele, and yes — even a lousy souvenir t-shirt!
🛍 Shop the exhibition (including t-shirts and comic books)  online through our Editions website - link in bio!

This exhibition is a @knightfdn Digital Commission. Locust Projects receives major support from @knightfdn; @miamidadearts, the Miami-Dade County Mayor and the Board of County Commissioners; the State of Florida through the Division of Arts and Culture and @neaarts; @warholfoundation; and @PerezFamilyFoundation and @miamifoundation #CREARTE2025

Photos by @pedrowazzan

Johanna Strobel: A Bought Kingdom | On view in the Project Room through June 27

𝗔 𝗕𝗼𝘂𝗴𝗵𝘁 𝗞𝗶𝗻𝗴𝗱𝗼𝗺 is a newly commissioned multimedia immersive installation by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition. Years in the making, this project grew from research sparked during a 2023 road trip from NYC to Miami, where visits to Kennedy Space Center and Disney World revealed uncanny parallels between the “Happiest Place on Earth” and the infrastructure behind the “Greatest Human Achievement.” 🚀🏰

Rooted in the extinction of the Dusky Seaside Sparrow, a small native Florida bird whose fragile salt marsh habitat on Merritt Island was gradually destroyed through the development of Kennedy Space Center, the exhibition explores environmental degradation, spectacle, tourism, loss, and the consequences of progress and power. Following the species’ rapid decline, the last remaining birds were sent through various institutions for failed breeding attempts before eventually arriving at Discovery Island, Disney World’s former zoological park, where the final bird, Orange Band, died in captivity in 1987. The species was officially declared extinct in 1990.

🎶 Playing off Disney’s Enchanted Tiki Room, Strobel’s immersive installation combines a hand-drawn and live-filmed three-act musical film, melting wax timepieces depicting birds and eggs, a multidisciplinary publication produced with @exilebooks featuring contributions by @loriemertes @alexandro_segade and ursula.stroebele, and yes — even a lousy souvenir t-shirt!
🛍 Shop the exhibition (including t-shirts and comic books)  online through our Editions website - link in bio!

This exhibition is a @knightfdn Digital Commission. Locust Projects receives major support from @knightfdn; @miamidadearts, the Miami-Dade County Mayor and the Board of County Commissioners; the State of Florida through the Division of Arts and Culture and @neaarts; @warholfoundation; and @PerezFamilyFoundation and @miamifoundation #CREARTE2025

Photos by @pedrowazzan

Johanna Strobel: A Bought Kingdom | On view in the Project Room through June 27

𝗔 𝗕𝗼𝘂𝗴𝗵𝘁 𝗞𝗶𝗻𝗴𝗱𝗼𝗺 is a newly commissioned multimedia immersive installation by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition. Years in the making, this project grew from research sparked during a 2023 road trip from NYC to Miami, where visits to Kennedy Space Center and Disney World revealed uncanny parallels between the “Happiest Place on Earth” and the infrastructure behind the “Greatest Human Achievement.” 🚀🏰

Rooted in the extinction of the Dusky Seaside Sparrow, a small native Florida bird whose fragile salt marsh habitat on Merritt Island was gradually destroyed through the development of Kennedy Space Center, the exhibition explores environmental degradation, spectacle, tourism, loss, and the consequences of progress and power. Following the species’ rapid decline, the last remaining birds were sent through various institutions for failed breeding attempts before eventually arriving at Discovery Island, Disney World’s former zoological park, where the final bird, Orange Band, died in captivity in 1987. The species was officially declared extinct in 1990.

🎶 Playing off Disney’s Enchanted Tiki Room, Strobel’s immersive installation combines a hand-drawn and live-filmed three-act musical film, melting wax timepieces depicting birds and eggs, a multidisciplinary publication produced with @exilebooks featuring contributions by @loriemertes @alexandro_segade and ursula.stroebele, and yes — even a lousy souvenir t-shirt!
🛍 Shop the exhibition (including t-shirts and comic books)  online through our Editions website - link in bio!

This exhibition is a @knightfdn Digital Commission. Locust Projects receives major support from @knightfdn; @miamidadearts, the Miami-Dade County Mayor and the Board of County Commissioners; the State of Florida through the Division of Arts and Culture and @neaarts; @warholfoundation; and @PerezFamilyFoundation and @miamifoundation #CREARTE2025

Photos by @pedrowazzan

Johanna Strobel: A Bought Kingdom | On view in the Project Room through June 27

𝗔 𝗕𝗼𝘂𝗴𝗵𝘁 𝗞𝗶𝗻𝗴𝗱𝗼𝗺 is a newly commissioned multimedia immersive installation by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition. Years in the making, this project grew from research sparked during a 2023 road trip from NYC to Miami, where visits to Kennedy Space Center and Disney World revealed uncanny parallels between the “Happiest Place on Earth” and the infrastructure behind the “Greatest Human Achievement.” 🚀🏰

Rooted in the extinction of the Dusky Seaside Sparrow, a small native Florida bird whose fragile salt marsh habitat on Merritt Island was gradually destroyed through the development of Kennedy Space Center, the exhibition explores environmental degradation, spectacle, tourism, loss, and the consequences of progress and power. Following the species’ rapid decline, the last remaining birds were sent through various institutions for failed breeding attempts before eventually arriving at Discovery Island, Disney World’s former zoological park, where the final bird, Orange Band, died in captivity in 1987. The species was officially declared extinct in 1990.

🎶 Playing off Disney’s Enchanted Tiki Room, Strobel’s immersive installation combines a hand-drawn and live-filmed three-act musical film, melting wax timepieces depicting birds and eggs, a multidisciplinary publication produced with @exilebooks featuring contributions by @loriemertes @alexandro_segade and ursula.stroebele, and yes — even a lousy souvenir t-shirt!
🛍 Shop the exhibition (including t-shirts and comic books)  online through our Editions website - link in bio!

This exhibition is a @knightfdn Digital Commission. Locust Projects receives major support from @knightfdn; @miamidadearts, the Miami-Dade County Mayor and the Board of County Commissioners; the State of Florida through the Division of Arts and Culture and @neaarts; @warholfoundation; and @PerezFamilyFoundation and @miamifoundation #CREARTE2025

Photos by @pedrowazzan

Johanna Strobel: A Bought Kingdom | On view in the Project Room through June 27

𝗔 𝗕𝗼𝘂𝗴𝗵𝘁 𝗞𝗶𝗻𝗴𝗱𝗼𝗺 is a newly commissioned multimedia immersive installation by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition. Years in the making, this project grew from research sparked during a 2023 road trip from NYC to Miami, where visits to Kennedy Space Center and Disney World revealed uncanny parallels between the “Happiest Place on Earth” and the infrastructure behind the “Greatest Human Achievement.” 🚀🏰

Rooted in the extinction of the Dusky Seaside Sparrow, a small native Florida bird whose fragile salt marsh habitat on Merritt Island was gradually destroyed through the development of Kennedy Space Center, the exhibition explores environmental degradation, spectacle, tourism, loss, and the consequences of progress and power. Following the species’ rapid decline, the last remaining birds were sent through various institutions for failed breeding attempts before eventually arriving at Discovery Island, Disney World’s former zoological park, where the final bird, Orange Band, died in captivity in 1987. The species was officially declared extinct in 1990.

🎶 Playing off Disney’s Enchanted Tiki Room, Strobel’s immersive installation combines a hand-drawn and live-filmed three-act musical film, melting wax timepieces depicting birds and eggs, a multidisciplinary publication produced with @exilebooks featuring contributions by @loriemertes @alexandro_segade and ursula.stroebele, and yes — even a lousy souvenir t-shirt!
🛍 Shop the exhibition (including t-shirts and comic books)  online through our Editions website - link in bio!

This exhibition is a @knightfdn Digital Commission. Locust Projects receives major support from @knightfdn; @miamidadearts, the Miami-Dade County Mayor and the Board of County Commissioners; the State of Florida through the Division of Arts and Culture and @neaarts; @warholfoundation; and @PerezFamilyFoundation and @miamifoundation #CREARTE2025

Photos by @pedrowazzan

Johanna Strobel: A Bought Kingdom | On view in the Project Room through June 27

𝗔 𝗕𝗼𝘂𝗴𝗵𝘁 𝗞𝗶𝗻𝗴𝗱𝗼𝗺 is a newly commissioned multimedia immersive installation by German-born, NYC-based artist Johanna Strobel confronting the ecological consequences of human ambition. Years in the making, this project grew from research sparked during a 2023 road trip from NYC to Miami, where visits to Kennedy Space Center and Disney World revealed uncanny parallels between the “Happiest Place on Earth” and the infrastructure behind the “Greatest Human Achievement.” 🚀🏰

Rooted in the extinction of the Dusky Seaside Sparrow, a small native Florida bird whose fragile salt marsh habitat on Merritt Island was gradually destroyed through the development of Kennedy Space Center, the exhibition explores environmental degradation, spectacle, tourism, loss, and the consequences of progress and power. Following the species’ rapid decline, the last remaining birds were sent through various institutions for failed breeding attempts before eventually arriving at Discovery Island, Disney World’s former zoological park, where the final bird, Orange Band, died in captivity in 1987. The species was officially declared extinct in 1990.

🎶 Playing off Disney’s Enchanted Tiki Room, Strobel’s immersive installation combines a hand-drawn and live-filmed three-act musical film, melting wax timepieces depicting birds and eggs, a multidisciplinary publication produced with @exilebooks featuring contributions by @loriemertes @alexandro_segade and ursula.stroebele, and yes — even a lousy souvenir t-shirt!
🛍 Shop the exhibition (including t-shirts and comic books)  online through our Editions website - link in bio!

This exhibition is a @knightfdn Digital Commission. Locust Projects receives major support from @knightfdn; @miamidadearts, the Miami-Dade County Mayor and the Board of County Commissioners; the State of Florida through the Division of Arts and Culture and @neaarts; @warholfoundation; and @PerezFamilyFoundation and @miamifoundation #CREARTE2025

Photos by @pedrowazzan

#LocustArtistSpotlight: We’re excited to celebrate members of the Locust Projects family selected for the 2026 edition of the Florida Prize in Contemporary Art at the Orlando Museum of Art 🎉

𝗖𝗼𝗻𝗴𝗿𝗮𝘁𝘂𝗹𝗮𝘁𝗶𝗼𝗻𝘀� Charo Oquet — Exhibiting Artist ‘00� Ema Ri — Exhibiting Artist ‘26 and WaveMaker Grantee ‘22� Mette Tommerup — Exhibiting Artist ‘20� We Are Nice n’ Easy — Exhibiting Artists ‘17

Congrats all! 👏

The Florida Prize in Contemporary Art, organized by the Orlando Museum of Art, brings recognition to some of the most progressive artists working across the state. Now in its twelfth edition, this year’s exhibition features twelve artists working across painting, photography, sculpture, installation, and more. The exhibition highlights a wide range of visual languages, from text-based works to coded systems, spiritual practices, and deeply rooted personal and cultural narratives.

Congratulations to all of this year’s Florida Prize artists! We’re proud to see so many from the Locust Projects community contributing to the rich and evolving cultural landscape of Florida.

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

🎤✨ THANK YOU FOR JOINING US ✨🎤
 This Wednesday we continued our CURATOR TALKS series with an incredible talk by Kristy Edmunds, Director of @massmoca!

A globally recognized leader in the arts, Edmunds shared insights into her visionary approach to curatorial practice and institution-building, shaped by decades of work across visual and performing arts. From her leadership at MASS MoCA to her work with major international festivals and organizations, she offered a dynamic perspective on creating platforms that support artists, foster making and experimentation.

“In my experience, arts leadership finds you, and I realized early that organizations can be a kind of material....a medium for making possibility at scale. They are their own kind of art form. And they are epic adventures in collaboration, with thousands of teachers.”
- Kristy Edmunds

We’re so grateful to everyone who came out, asked thoughtful questions, and brought such great energy to the conversation—it’s been amazing to see our community show up for the return of CURATOR TALKS 💫 This talk will be available on our youtube page soon in case you missed it!!

ARTIST TALKS and CURATOR TALKS are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ContemporaryArt

You never know what you’re going to experience at 🥒 𝗟𝗢𝗖𝗨𝗦𝗧 𝗟𝗔𝗧𝗘 @ 𝗧𝗛𝗘 𝗗𝗜𝗟𝗟 💻⛓️

Kicking off with an incredible hands-on workshop, artist and educator Ariel Baron-Robbins guided participants through translating creative ideas into the spatial internet using digital scanning and open-source 3D software. Everyone who participated was also treated to a trove of great resources for solo experimentation.

The night closed with visual and sound artist Richard Moreno debuting Corpse Chrysalis, a giant wheeled crate that unfolded into a cabinet of curiosities, a masterclass in extreme metal sculpture and sound.

Thanks to our community for showing up to experiment with us! Stay tuned for the season finale on May 21 with artists Fereshteh Toosi and Roxana Barba. Presented as part of the @knightfdn Digital Innovation Initiative at Locust Projects. Refreshments courtesy of @thetankbrewingco + @topochico. 

#LocustLate #TheDiLL #ArtAndTechnology #MiamiArts

You never know what you’re going to experience at 🥒 𝗟𝗢𝗖𝗨𝗦𝗧 𝗟𝗔𝗧𝗘 @ 𝗧𝗛𝗘 𝗗𝗜𝗟𝗟 💻⛓️

Kicking off with an incredible hands-on workshop, artist and educator Ariel Baron-Robbins guided participants through translating creative ideas into the spatial internet using digital scanning and open-source 3D software. Everyone who participated was also treated to a trove of great resources for solo experimentation.

The night closed with visual and sound artist Richard Moreno debuting Corpse Chrysalis, a giant wheeled crate that unfolded into a cabinet of curiosities, a masterclass in extreme metal sculpture and sound.

Thanks to our community for showing up to experiment with us! Stay tuned for the season finale on May 21 with artists Fereshteh Toosi and Roxana Barba. Presented as part of the @knightfdn Digital Innovation Initiative at Locust Projects. Refreshments courtesy of @thetankbrewingco + @topochico. 

#LocustLate #TheDiLL #ArtAndTechnology #MiamiArts

You never know what you’re going to experience at 🥒 𝗟𝗢𝗖𝗨𝗦𝗧 𝗟𝗔𝗧𝗘 @ 𝗧𝗛𝗘 𝗗𝗜𝗟𝗟 💻⛓️

Kicking off with an incredible hands-on workshop, artist and educator Ariel Baron-Robbins guided participants through translating creative ideas into the spatial internet using digital scanning and open-source 3D software. Everyone who participated was also treated to a trove of great resources for solo experimentation.

The night closed with visual and sound artist Richard Moreno debuting Corpse Chrysalis, a giant wheeled crate that unfolded into a cabinet of curiosities, a masterclass in extreme metal sculpture and sound.

Thanks to our community for showing up to experiment with us! Stay tuned for the season finale on May 21 with artists Fereshteh Toosi and Roxana Barba. Presented as part of the @knightfdn Digital Innovation Initiative at Locust Projects. Refreshments courtesy of @thetankbrewingco + @topochico. 

#LocustLate #TheDiLL #ArtAndTechnology #MiamiArts

You never know what you’re going to experience at 🥒 𝗟𝗢𝗖𝗨𝗦𝗧 𝗟𝗔𝗧𝗘 @ 𝗧𝗛𝗘 𝗗𝗜𝗟𝗟 💻⛓️

Kicking off with an incredible hands-on workshop, artist and educator Ariel Baron-Robbins guided participants through translating creative ideas into the spatial internet using digital scanning and open-source 3D software. Everyone who participated was also treated to a trove of great resources for solo experimentation.

The night closed with visual and sound artist Richard Moreno debuting Corpse Chrysalis, a giant wheeled crate that unfolded into a cabinet of curiosities, a masterclass in extreme metal sculpture and sound.

Thanks to our community for showing up to experiment with us! Stay tuned for the season finale on May 21 with artists Fereshteh Toosi and Roxana Barba. Presented as part of the @knightfdn Digital Innovation Initiative at Locust Projects. Refreshments courtesy of @thetankbrewingco + @topochico. 

#LocustLate #TheDiLL #ArtAndTechnology #MiamiArts

You never know what you’re going to experience at 🥒 𝗟𝗢𝗖𝗨𝗦𝗧 𝗟𝗔𝗧𝗘 @ 𝗧𝗛𝗘 𝗗𝗜𝗟𝗟 💻⛓️

Kicking off with an incredible hands-on workshop, artist and educator Ariel Baron-Robbins guided participants through translating creative ideas into the spatial internet using digital scanning and open-source 3D software. Everyone who participated was also treated to a trove of great resources for solo experimentation.

The night closed with visual and sound artist Richard Moreno debuting Corpse Chrysalis, a giant wheeled crate that unfolded into a cabinet of curiosities, a masterclass in extreme metal sculpture and sound.

Thanks to our community for showing up to experiment with us! Stay tuned for the season finale on May 21 with artists Fereshteh Toosi and Roxana Barba. Presented as part of the @knightfdn Digital Innovation Initiative at Locust Projects. Refreshments courtesy of @thetankbrewingco + @topochico. 

#LocustLate #TheDiLL #ArtAndTechnology #MiamiArts

You never know what you’re going to experience at 🥒 𝗟𝗢𝗖𝗨𝗦𝗧 𝗟𝗔𝗧𝗘 @ 𝗧𝗛𝗘 𝗗𝗜𝗟𝗟 💻⛓️

Kicking off with an incredible hands-on workshop, artist and educator Ariel Baron-Robbins guided participants through translating creative ideas into the spatial internet using digital scanning and open-source 3D software. Everyone who participated was also treated to a trove of great resources for solo experimentation.

The night closed with visual and sound artist Richard Moreno debuting Corpse Chrysalis, a giant wheeled crate that unfolded into a cabinet of curiosities, a masterclass in extreme metal sculpture and sound.

Thanks to our community for showing up to experiment with us! Stay tuned for the season finale on May 21 with artists Fereshteh Toosi and Roxana Barba. Presented as part of the @knightfdn Digital Innovation Initiative at Locust Projects. Refreshments courtesy of @thetankbrewingco + @topochico. 

#LocustLate #TheDiLL #ArtAndTechnology #MiamiArts

You never know what you’re going to experience at 🥒 𝗟𝗢𝗖𝗨𝗦𝗧 𝗟𝗔𝗧𝗘 @ 𝗧𝗛𝗘 𝗗𝗜𝗟𝗟 💻⛓️

Kicking off with an incredible hands-on workshop, artist and educator Ariel Baron-Robbins guided participants through translating creative ideas into the spatial internet using digital scanning and open-source 3D software. Everyone who participated was also treated to a trove of great resources for solo experimentation.

The night closed with visual and sound artist Richard Moreno debuting Corpse Chrysalis, a giant wheeled crate that unfolded into a cabinet of curiosities, a masterclass in extreme metal sculpture and sound.

Thanks to our community for showing up to experiment with us! Stay tuned for the season finale on May 21 with artists Fereshteh Toosi and Roxana Barba. Presented as part of the @knightfdn Digital Innovation Initiative at Locust Projects. Refreshments courtesy of @thetankbrewingco + @topochico. 

#LocustLate #TheDiLL #ArtAndTechnology #MiamiArts

You never know what you’re going to experience at 🥒 𝗟𝗢𝗖𝗨𝗦𝗧 𝗟𝗔𝗧𝗘 @ 𝗧𝗛𝗘 𝗗𝗜𝗟𝗟 💻⛓️

Kicking off with an incredible hands-on workshop, artist and educator Ariel Baron-Robbins guided participants through translating creative ideas into the spatial internet using digital scanning and open-source 3D software. Everyone who participated was also treated to a trove of great resources for solo experimentation.

The night closed with visual and sound artist Richard Moreno debuting Corpse Chrysalis, a giant wheeled crate that unfolded into a cabinet of curiosities, a masterclass in extreme metal sculpture and sound.

Thanks to our community for showing up to experiment with us! Stay tuned for the season finale on May 21 with artists Fereshteh Toosi and Roxana Barba. Presented as part of the @knightfdn Digital Innovation Initiative at Locust Projects. Refreshments courtesy of @thetankbrewingco + @topochico. 

#LocustLate #TheDiLL #ArtAndTechnology #MiamiArts

You never know what you’re going to experience at 🥒 𝗟𝗢𝗖𝗨𝗦𝗧 𝗟𝗔𝗧𝗘 @ 𝗧𝗛𝗘 𝗗𝗜𝗟𝗟 💻⛓️

Kicking off with an incredible hands-on workshop, artist and educator Ariel Baron-Robbins guided participants through translating creative ideas into the spatial internet using digital scanning and open-source 3D software. Everyone who participated was also treated to a trove of great resources for solo experimentation.

The night closed with visual and sound artist Richard Moreno debuting Corpse Chrysalis, a giant wheeled crate that unfolded into a cabinet of curiosities, a masterclass in extreme metal sculpture and sound.

Thanks to our community for showing up to experiment with us! Stay tuned for the season finale on May 21 with artists Fereshteh Toosi and Roxana Barba. Presented as part of the @knightfdn Digital Innovation Initiative at Locust Projects. Refreshments courtesy of @thetankbrewingco + @topochico. 

#LocustLate #TheDiLL #ArtAndTechnology #MiamiArts

You never know what you’re going to experience at 🥒 𝗟𝗢𝗖𝗨𝗦𝗧 𝗟𝗔𝗧𝗘 @ 𝗧𝗛𝗘 𝗗𝗜𝗟𝗟 💻⛓️

Kicking off with an incredible hands-on workshop, artist and educator Ariel Baron-Robbins guided participants through translating creative ideas into the spatial internet using digital scanning and open-source 3D software. Everyone who participated was also treated to a trove of great resources for solo experimentation.

The night closed with visual and sound artist Richard Moreno debuting Corpse Chrysalis, a giant wheeled crate that unfolded into a cabinet of curiosities, a masterclass in extreme metal sculpture and sound.

Thanks to our community for showing up to experiment with us! Stay tuned for the season finale on May 21 with artists Fereshteh Toosi and Roxana Barba. Presented as part of the @knightfdn Digital Innovation Initiative at Locust Projects. Refreshments courtesy of @thetankbrewingco + @topochico. 

#LocustLate #TheDiLL #ArtAndTechnology #MiamiArts

You never know what you’re going to experience at 🥒 𝗟𝗢𝗖𝗨𝗦𝗧 𝗟𝗔𝗧𝗘 @ 𝗧𝗛𝗘 𝗗𝗜𝗟𝗟 💻⛓️

Kicking off with an incredible hands-on workshop, artist and educator Ariel Baron-Robbins guided participants through translating creative ideas into the spatial internet using digital scanning and open-source 3D software. Everyone who participated was also treated to a trove of great resources for solo experimentation.

The night closed with visual and sound artist Richard Moreno debuting Corpse Chrysalis, a giant wheeled crate that unfolded into a cabinet of curiosities, a masterclass in extreme metal sculpture and sound.

Thanks to our community for showing up to experiment with us! Stay tuned for the season finale on May 21 with artists Fereshteh Toosi and Roxana Barba. Presented as part of the @knightfdn Digital Innovation Initiative at Locust Projects. Refreshments courtesy of @thetankbrewingco + @topochico. 

#LocustLate #TheDiLL #ArtAndTechnology #MiamiArts

🎥✨ NOW LIVE: CURATOR TALK WITH AMBER ESSEIVA ✨
Missed it or want to revisit the conversation? The full recording of our March 25 CURATOR TALK with @amberesseiva is now available on our YouTube channel—watch via the link in bio!

Thank you again to everyone who joined us in person and brought such thoughtful energy to the room—we loved kicking off the return of CURATOR TALKS with you all 💫

🎤✨ TOMORROW NIGHT ✨🎤don’t miss CURATOR TALK with Kristy Edmunds, Director of @massmoca, happening tomorrow, Wednesday April 29 | 7-9pm! A globally recognized arts leader, Edmunds will share her visionary approach to supporting artists across disciplines.
👀 Register now—link in bio!

Both series are supported by a CreARTE grant from The Jorge M. Pérez Family Foundation at The Miami Foundation @perezfamilyfoundation @miamifoundation. CURATOR TALKS are presented by @vivantskincare. Additional support is provided by The Wege Foundation, the Grob Gift Fund, and @vagabondhotelmiami

#LocustProjects #CuratorTalks #ArtistTalks