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NEW NARRATIVE SHOWREEL 2026!!
(short & feature films over the last few years)
Huge thank you to all the Directors, crew and wonderful cast I’ve worked with to date!
I’m currently on the lookout for my next project- so do get in touch!!
(NOTE - no audio due to licensing but the Zimmer soundtrack version can be found on my website!! Link in bio)
#cinematography #directorofphotography @berlinassociates @murthaskouras
@neilmarshall_director @williambrentbell @britishcinematographer @reddigitalcinema @arri @raviachopra @marios01 @jamiewelsh_colourist

LEGACY OF LIES - an espionage spy thriller I shot in 2019 in Kiev is out from tomw on NETFLIX UK @netflixuk !! (Swipe ➡️ for multiple images) WINNER of Best Picture at 10 festivals and now over 30 awards!! FREE to watch if you subscribe ti Netflix! Do make sure to check it out, it’s great fun!!
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@thescottadkins #cinematography #directorofphotography @murthaskouras #actionfilm #spyfilm #netflix #scottadkins @bol.adrian @legacyofliesmovie

LEGACY OF LIES - an espionage spy thriller I shot in 2019 in Kiev is out from tomw on NETFLIX UK @netflixuk !! (Swipe ➡️ for multiple images) WINNER of Best Picture at 10 festivals and now over 30 awards!! FREE to watch if you subscribe ti Netflix! Do make sure to check it out, it’s great fun!!
.
@thescottadkins #cinematography #directorofphotography @murthaskouras #actionfilm #spyfilm #netflix #scottadkins @bol.adrian @legacyofliesmovie

LEGACY OF LIES - an espionage spy thriller I shot in 2019 in Kiev is out from tomw on NETFLIX UK @netflixuk !! (Swipe ➡️ for multiple images) WINNER of Best Picture at 10 festivals and now over 30 awards!! FREE to watch if you subscribe ti Netflix! Do make sure to check it out, it’s great fun!!
.
@thescottadkins #cinematography #directorofphotography @murthaskouras #actionfilm #spyfilm #netflix #scottadkins @bol.adrian @legacyofliesmovie

LEGACY OF LIES - an espionage spy thriller I shot in 2019 in Kiev is out from tomw on NETFLIX UK @netflixuk !! (Swipe ➡️ for multiple images) WINNER of Best Picture at 10 festivals and now over 30 awards!! FREE to watch if you subscribe ti Netflix! Do make sure to check it out, it’s great fun!!
.
@thescottadkins #cinematography #directorofphotography @murthaskouras #actionfilm #spyfilm #netflix #scottadkins @bol.adrian @legacyofliesmovie

LEGACY OF LIES - an espionage spy thriller I shot in 2019 in Kiev is out from tomw on NETFLIX UK @netflixuk !! (Swipe ➡️ for multiple images) WINNER of Best Picture at 10 festivals and now over 30 awards!! FREE to watch if you subscribe ti Netflix! Do make sure to check it out, it’s great fun!!
.
@thescottadkins #cinematography #directorofphotography @murthaskouras #actionfilm #spyfilm #netflix #scottadkins @bol.adrian @legacyofliesmovie

LEGACY OF LIES - an espionage spy thriller I shot in 2019 in Kiev is out from tomw on NETFLIX UK @netflixuk !! (Swipe ➡️ for multiple images) WINNER of Best Picture at 10 festivals and now over 30 awards!! FREE to watch if you subscribe ti Netflix! Do make sure to check it out, it’s great fun!!
.
@thescottadkins #cinematography #directorofphotography @murthaskouras #actionfilm #spyfilm #netflix #scottadkins @bol.adrian @legacyofliesmovie

LEGACY OF LIES - an espionage spy thriller I shot in 2019 in Kiev is out from tomw on NETFLIX UK @netflixuk !! (Swipe ➡️ for multiple images) WINNER of Best Picture at 10 festivals and now over 30 awards!! FREE to watch if you subscribe ti Netflix! Do make sure to check it out, it’s great fun!!
.
@thescottadkins #cinematography #directorofphotography @murthaskouras #actionfilm #spyfilm #netflix #scottadkins @bol.adrian @legacyofliesmovie

LEGACY OF LIES - an espionage spy thriller I shot in 2019 in Kiev is out from tomw on NETFLIX UK @netflixuk !! (Swipe ➡️ for multiple images) WINNER of Best Picture at 10 festivals and now over 30 awards!! FREE to watch if you subscribe ti Netflix! Do make sure to check it out, it’s great fun!!
.
@thescottadkins #cinematography #directorofphotography @murthaskouras #actionfilm #spyfilm #netflix #scottadkins @bol.adrian @legacyofliesmovie

LEGACY OF LIES - an espionage spy thriller I shot in 2019 in Kiev is out from tomw on NETFLIX UK @netflixuk !! (Swipe ➡️ for multiple images) WINNER of Best Picture at 10 festivals and now over 30 awards!! FREE to watch if you subscribe ti Netflix! Do make sure to check it out, it’s great fun!!
.
@thescottadkins #cinematography #directorofphotography @murthaskouras #actionfilm #spyfilm #netflix #scottadkins @bol.adrian @legacyofliesmovie

LEGACY OF LIES - an espionage spy thriller I shot in 2019 in Kiev is out from tomw on NETFLIX UK @netflixuk !! (Swipe ➡️ for multiple images) WINNER of Best Picture at 10 festivals and now over 30 awards!! FREE to watch if you subscribe ti Netflix! Do make sure to check it out, it’s great fun!!
.
@thescottadkins #cinematography #directorofphotography @murthaskouras #actionfilm #spyfilm #netflix #scottadkins @bol.adrian @legacyofliesmovie

‘BOYS’ directed by @ashleywalters is now available to watch on NOWtv @nowtv !! Here are a few screen grabs to wet your appetite!! Shout out to grader @alexgregorycolour at @mill_ldn for making my work look even better! SWIPE ➡️ FOR ALL IMAGES
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Produced by @skytv & @slndauk
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Big thanks to the crew and cast for all their hard work! @robert_beck_aco @andy_j_jones @saba_kia @rupertpeddle
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#cinematography @murthaskouras #directorofphotography @arri_rental @arri @hawkanamorphic #cinematographer #camerakit #lighting #anamorphic @boys.movie

‘BOYS’ directed by @ashleywalters is now available to watch on NOWtv @nowtv !! Here are a few screen grabs to wet your appetite!! Shout out to grader @alexgregorycolour at @mill_ldn for making my work look even better! SWIPE ➡️ FOR ALL IMAGES
.
Produced by @skytv & @slndauk
.
Big thanks to the crew and cast for all their hard work! @robert_beck_aco @andy_j_jones @saba_kia @rupertpeddle
.
#cinematography @murthaskouras #directorofphotography @arri_rental @arri @hawkanamorphic #cinematographer #camerakit #lighting #anamorphic @boys.movie

‘BOYS’ directed by @ashleywalters is now available to watch on NOWtv @nowtv !! Here are a few screen grabs to wet your appetite!! Shout out to grader @alexgregorycolour at @mill_ldn for making my work look even better! SWIPE ➡️ FOR ALL IMAGES
.
Produced by @skytv & @slndauk
.
Big thanks to the crew and cast for all their hard work! @robert_beck_aco @andy_j_jones @saba_kia @rupertpeddle
.
#cinematography @murthaskouras #directorofphotography @arri_rental @arri @hawkanamorphic #cinematographer #camerakit #lighting #anamorphic @boys.movie

I was honored to give a talk today at @goldsmiths_mafm about how I prep a Narrative project as a Cinematographer. It was lovely meeting the students and talking them through my process, from discussions with the director to recce’s and camera testing.
Feel free to reach out if yourself or your uni course might be interested in collaborating on something similar!

Thanks to @tania_freimuth for having me along and taking these photos! @goldsmithsuol

What a year 2025 has given me! Two feature films with some lovely cast and crew, ‘THE CAGED’ & ‘LIFE 2.0’ as well as the arrival of another baby boy in our life.

Pic 1 - The lovely cast and crew of LIFE 2.0
Pic 2 - pretending to use a light meter
Pic 3 - THE CAGED clapped board from @4130photography
Pic 4 - on set of LIFE 2.0 with AD Simon Haveland and @realmichellehurd
Pic 5 - on set of THE CAGED with director @jeffrey.scott.collins

Huge thank you to all the amazing crew who have helped me on my projects this year! Hopefully bigger and better ones to come in 2026! 🙌

What a year 2025 has given me! Two feature films with some lovely cast and crew, ‘THE CAGED’ & ‘LIFE 2.0’ as well as the arrival of another baby boy in our life.

Pic 1 - The lovely cast and crew of LIFE 2.0
Pic 2 - pretending to use a light meter
Pic 3 - THE CAGED clapped board from @4130photography
Pic 4 - on set of LIFE 2.0 with AD Simon Haveland and @realmichellehurd
Pic 5 - on set of THE CAGED with director @jeffrey.scott.collins

Huge thank you to all the amazing crew who have helped me on my projects this year! Hopefully bigger and better ones to come in 2026! 🙌

What a year 2025 has given me! Two feature films with some lovely cast and crew, ‘THE CAGED’ & ‘LIFE 2.0’ as well as the arrival of another baby boy in our life.

Pic 1 - The lovely cast and crew of LIFE 2.0
Pic 2 - pretending to use a light meter
Pic 3 - THE CAGED clapped board from @4130photography
Pic 4 - on set of LIFE 2.0 with AD Simon Haveland and @realmichellehurd
Pic 5 - on set of THE CAGED with director @jeffrey.scott.collins

Huge thank you to all the amazing crew who have helped me on my projects this year! Hopefully bigger and better ones to come in 2026! 🙌

What a year 2025 has given me! Two feature films with some lovely cast and crew, ‘THE CAGED’ & ‘LIFE 2.0’ as well as the arrival of another baby boy in our life.

Pic 1 - The lovely cast and crew of LIFE 2.0
Pic 2 - pretending to use a light meter
Pic 3 - THE CAGED clapped board from @4130photography
Pic 4 - on set of LIFE 2.0 with AD Simon Haveland and @realmichellehurd
Pic 5 - on set of THE CAGED with director @jeffrey.scott.collins

Huge thank you to all the amazing crew who have helped me on my projects this year! Hopefully bigger and better ones to come in 2026! 🙌

What a year 2025 has given me! Two feature films with some lovely cast and crew, ‘THE CAGED’ & ‘LIFE 2.0’ as well as the arrival of another baby boy in our life.

Pic 1 - The lovely cast and crew of LIFE 2.0
Pic 2 - pretending to use a light meter
Pic 3 - THE CAGED clapped board from @4130photography
Pic 4 - on set of LIFE 2.0 with AD Simon Haveland and @realmichellehurd
Pic 5 - on set of THE CAGED with director @jeffrey.scott.collins

Huge thank you to all the amazing crew who have helped me on my projects this year! Hopefully bigger and better ones to come in 2026! 🙌

New frames from short film ‘MR VERTIGO’ now in festivals!
From the brilliant mind of writer/Director Marios Hamboulides @marios01 , starring @jeremy.irvine & @sabrinabartlett
Big thanks to the Awesome crew and post team! Smashed it!

Shot on the @arri mini LF & @xelmusanamorphic Apollo’s as well as the @reddigitalcinema V-Raptor with @zeisscameralenses Supreme Primes

Big thanks to @onestopfilms for their lenses!
@murthaskouras @berlinassociates @britishcinematographer @bscine #directorofphotography #cinematography

New frames from short film ‘MR VERTIGO’ now in festivals!
From the brilliant mind of writer/Director Marios Hamboulides @marios01 , starring @jeremy.irvine & @sabrinabartlett
Big thanks to the Awesome crew and post team! Smashed it!

Shot on the @arri mini LF & @xelmusanamorphic Apollo’s as well as the @reddigitalcinema V-Raptor with @zeisscameralenses Supreme Primes

Big thanks to @onestopfilms for their lenses!
@murthaskouras @berlinassociates @britishcinematographer @bscine #directorofphotography #cinematography

New frames from short film ‘MR VERTIGO’ now in festivals!
From the brilliant mind of writer/Director Marios Hamboulides @marios01 , starring @jeremy.irvine & @sabrinabartlett
Big thanks to the Awesome crew and post team! Smashed it!

Shot on the @arri mini LF & @xelmusanamorphic Apollo’s as well as the @reddigitalcinema V-Raptor with @zeisscameralenses Supreme Primes

Big thanks to @onestopfilms for their lenses!
@murthaskouras @berlinassociates @britishcinematographer @bscine #directorofphotography #cinematography

Frame grabs from my 2025 Narrative Showreel!
(Big thanks to all the hard working crew who have helped me and the wonderful directors I’ve worked with up until now!
Countless shorts and 12 features down…2x of which this year!)

#actionfilms #horrorfilms #thrillermovie #drama @bscine @britishcinematographer @reddigitalcinema @arri @hawkanamorphic @atlaslensco @williambrentbell @timo_vuorensola @neilmarshall_director @jeffrey.scott.collins @rossboyask @film.director.adrian.bol @jamesbushe @jessevjohnson @marios01

Frame grabs from my 2025 Narrative Showreel!
(Big thanks to all the hard working crew who have helped me and the wonderful directors I’ve worked with up until now!
Countless shorts and 12 features down…2x of which this year!)

#actionfilms #horrorfilms #thrillermovie #drama @bscine @britishcinematographer @reddigitalcinema @arri @hawkanamorphic @atlaslensco @williambrentbell @timo_vuorensola @neilmarshall_director @jeffrey.scott.collins @rossboyask @film.director.adrian.bol @jamesbushe @jessevjohnson @marios01

Frame grabs from my 2025 Narrative Showreel!
(Big thanks to all the hard working crew who have helped me and the wonderful directors I’ve worked with up until now!
Countless shorts and 12 features down…2x of which this year!)

#actionfilms #horrorfilms #thrillermovie #drama @bscine @britishcinematographer @reddigitalcinema @arri @hawkanamorphic @atlaslensco @williambrentbell @timo_vuorensola @neilmarshall_director @jeffrey.scott.collins @rossboyask @film.director.adrian.bol @jamesbushe @jessevjohnson @marios01

Frame grabs from my 2025 Narrative Showreel!
(Big thanks to all the hard working crew who have helped me and the wonderful directors I’ve worked with up until now!
Countless shorts and 12 features down…2x of which this year!)

#actionfilms #horrorfilms #thrillermovie #drama @bscine @britishcinematographer @reddigitalcinema @arri @hawkanamorphic @atlaslensco @williambrentbell @timo_vuorensola @neilmarshall_director @jeffrey.scott.collins @rossboyask @film.director.adrian.bol @jamesbushe @jessevjohnson @marios01

Frame grabs from my 2025 Narrative Showreel!
(Big thanks to all the hard working crew who have helped me and the wonderful directors I’ve worked with up until now!
Countless shorts and 12 features down…2x of which this year!)

#actionfilms #horrorfilms #thrillermovie #drama @bscine @britishcinematographer @reddigitalcinema @arri @hawkanamorphic @atlaslensco @williambrentbell @timo_vuorensola @neilmarshall_director @jeffrey.scott.collins @rossboyask @film.director.adrian.bol @jamesbushe @jessevjohnson @marios01

Frame grabs from my 2025 Narrative Showreel!
(Big thanks to all the hard working crew who have helped me and the wonderful directors I’ve worked with up until now!
Countless shorts and 12 features down…2x of which this year!)

#actionfilms #horrorfilms #thrillermovie #drama @bscine @britishcinematographer @reddigitalcinema @arri @hawkanamorphic @atlaslensco @williambrentbell @timo_vuorensola @neilmarshall_director @jeffrey.scott.collins @rossboyask @film.director.adrian.bol @jamesbushe @jessevjohnson @marios01

Frame grabs from my 2025 Narrative Showreel!
(Big thanks to all the hard working crew who have helped me and the wonderful directors I’ve worked with up until now!
Countless shorts and 12 features down…2x of which this year!)

#actionfilms #horrorfilms #thrillermovie #drama @bscine @britishcinematographer @reddigitalcinema @arri @hawkanamorphic @atlaslensco @williambrentbell @timo_vuorensola @neilmarshall_director @jeffrey.scott.collins @rossboyask @film.director.adrian.bol @jamesbushe @jessevjohnson @marios01

Frame grabs from my 2025 Narrative Showreel!
(Big thanks to all the hard working crew who have helped me and the wonderful directors I’ve worked with up until now!
Countless shorts and 12 features down…2x of which this year!)

#actionfilms #horrorfilms #thrillermovie #drama @bscine @britishcinematographer @reddigitalcinema @arri @hawkanamorphic @atlaslensco @williambrentbell @timo_vuorensola @neilmarshall_director @jeffrey.scott.collins @rossboyask @film.director.adrian.bol @jamesbushe @jessevjohnson @marios01

Frame grabs from my 2025 Narrative Showreel!
(Big thanks to all the hard working crew who have helped me and the wonderful directors I’ve worked with up until now!
Countless shorts and 12 features down…2x of which this year!)

#actionfilms #horrorfilms #thrillermovie #drama @bscine @britishcinematographer @reddigitalcinema @arri @hawkanamorphic @atlaslensco @williambrentbell @timo_vuorensola @neilmarshall_director @jeffrey.scott.collins @rossboyask @film.director.adrian.bol @jamesbushe @jessevjohnson @marios01

Frame grabs from my 2025 Narrative Showreel!
(Big thanks to all the hard working crew who have helped me and the wonderful directors I’ve worked with up until now!
Countless shorts and 12 features down…2x of which this year!)

#actionfilms #horrorfilms #thrillermovie #drama @bscine @britishcinematographer @reddigitalcinema @arri @hawkanamorphic @atlaslensco @williambrentbell @timo_vuorensola @neilmarshall_director @jeffrey.scott.collins @rossboyask @film.director.adrian.bol @jamesbushe @jessevjohnson @marios01

Frame grabs from my 2025 Narrative Showreel!
(Big thanks to all the hard working crew who have helped me and the wonderful directors I’ve worked with up until now!
Countless shorts and 12 features down…2x of which this year!)

#actionfilms #horrorfilms #thrillermovie #drama @bscine @britishcinematographer @reddigitalcinema @arri @hawkanamorphic @atlaslensco @williambrentbell @timo_vuorensola @neilmarshall_director @jeffrey.scott.collins @rossboyask @film.director.adrian.bol @jamesbushe @jessevjohnson @marios01

Coming to film festivals near you!! Here is the trailer for the short film ‘MR VERTIGO’ directed by my talented good friend @marios01 and starring the sensational @jeremy.irvine & @sabrinabartlett
(Shot on the Red V-Raptor with Zeiss Supreme Primes & Alexa Mini LF with Xelmus Apollo anamorphics - courtesy of @onestopfilms )

Huge shout out to my crew for this one! Was an intense shoot and lots to cover but my team had my back as usual!
Gaffer @jamiehitchens @glofilmlighting
Camera team @hermes_contreras_26 & @aidagarciavega
With grip @jaferacer
Superb grade by @richardfearon

B cam team
@tobyharrisdp @bampfilm @eyyaz @dannystrasserac

@reddigitalcinema @arri @xelmusanamorphic @zeisscameralenses #cinematography #directorofphotography

Set in the 1980s with black-and-white flashbacks to the 1500s, "The Caged" was lensed with ARRI Ensō Primes and Vintage Elements. DP Simon Rowling (@simonrowlingdp) explains how he used these lenses to create a modern look with subtle edge softness and sharp center focus.

"I didn’t want the film to feel as it was shot in the 1980’s and to be dated—I wanted it to feel modern but with a subtle central focused look, with softness on the edges of frame but with sharpness in the middle. I knew I also needed a set of lenses that gave me full control, in terms of matching colour, contrast and had good close focus, so I started to look at the ARRI Ensō Primes. The 32mm, became our go-to lens as it was a wide frame but still looked great in closeups. For this, the weakest filter (100N) was perfect as it distorted, pulled and softened the edge of frame in a beautifully subtle way to really focus your attention to look at the centre of the image and give the sense that something was wrong and about to unfold." - DP Simon Rowling

For the flashbacks, a 4:3 aspect ratio and slow-motion frame rates helped create a painterly, timeless feel. A strong back filter (300N) on the 18mm lens added blur and distortion, enhancing the period style.

#ARRI #EnsōPrimes #ARRIEnsōPrimes #ARRIVintageElements #EnsoPrimes #cinematography #TheCaged #behindthescenes #filmmaking #cinematography

Set in the 1980s with black-and-white flashbacks to the 1500s, "The Caged" was lensed with ARRI Ensō Primes and Vintage Elements. DP Simon Rowling (@simonrowlingdp) explains how he used these lenses to create a modern look with subtle edge softness and sharp center focus.

"I didn’t want the film to feel as it was shot in the 1980’s and to be dated—I wanted it to feel modern but with a subtle central focused look, with softness on the edges of frame but with sharpness in the middle. I knew I also needed a set of lenses that gave me full control, in terms of matching colour, contrast and had good close focus, so I started to look at the ARRI Ensō Primes. The 32mm, became our go-to lens as it was a wide frame but still looked great in closeups. For this, the weakest filter (100N) was perfect as it distorted, pulled and softened the edge of frame in a beautifully subtle way to really focus your attention to look at the centre of the image and give the sense that something was wrong and about to unfold." - DP Simon Rowling

For the flashbacks, a 4:3 aspect ratio and slow-motion frame rates helped create a painterly, timeless feel. A strong back filter (300N) on the 18mm lens added blur and distortion, enhancing the period style.

#ARRI #EnsōPrimes #ARRIEnsōPrimes #ARRIVintageElements #EnsoPrimes #cinematography #TheCaged #behindthescenes #filmmaking #cinematography

Set in the 1980s with black-and-white flashbacks to the 1500s, "The Caged" was lensed with ARRI Ensō Primes and Vintage Elements. DP Simon Rowling (@simonrowlingdp) explains how he used these lenses to create a modern look with subtle edge softness and sharp center focus.

"I didn’t want the film to feel as it was shot in the 1980’s and to be dated—I wanted it to feel modern but with a subtle central focused look, with softness on the edges of frame but with sharpness in the middle. I knew I also needed a set of lenses that gave me full control, in terms of matching colour, contrast and had good close focus, so I started to look at the ARRI Ensō Primes. The 32mm, became our go-to lens as it was a wide frame but still looked great in closeups. For this, the weakest filter (100N) was perfect as it distorted, pulled and softened the edge of frame in a beautifully subtle way to really focus your attention to look at the centre of the image and give the sense that something was wrong and about to unfold." - DP Simon Rowling

For the flashbacks, a 4:3 aspect ratio and slow-motion frame rates helped create a painterly, timeless feel. A strong back filter (300N) on the 18mm lens added blur and distortion, enhancing the period style.

#ARRI #EnsōPrimes #ARRIEnsōPrimes #ARRIVintageElements #EnsoPrimes #cinematography #TheCaged #behindthescenes #filmmaking #cinematography

Set in the 1980s with black-and-white flashbacks to the 1500s, "The Caged" was lensed with ARRI Ensō Primes and Vintage Elements. DP Simon Rowling (@simonrowlingdp) explains how he used these lenses to create a modern look with subtle edge softness and sharp center focus.

"I didn’t want the film to feel as it was shot in the 1980’s and to be dated—I wanted it to feel modern but with a subtle central focused look, with softness on the edges of frame but with sharpness in the middle. I knew I also needed a set of lenses that gave me full control, in terms of matching colour, contrast and had good close focus, so I started to look at the ARRI Ensō Primes. The 32mm, became our go-to lens as it was a wide frame but still looked great in closeups. For this, the weakest filter (100N) was perfect as it distorted, pulled and softened the edge of frame in a beautifully subtle way to really focus your attention to look at the centre of the image and give the sense that something was wrong and about to unfold." - DP Simon Rowling

For the flashbacks, a 4:3 aspect ratio and slow-motion frame rates helped create a painterly, timeless feel. A strong back filter (300N) on the 18mm lens added blur and distortion, enhancing the period style.

#ARRI #EnsōPrimes #ARRIEnsōPrimes #ARRIVintageElements #EnsoPrimes #cinematography #TheCaged #behindthescenes #filmmaking #cinematography

Set in the 1980s with black-and-white flashbacks to the 1500s, "The Caged" was lensed with ARRI Ensō Primes and Vintage Elements. DP Simon Rowling (@simonrowlingdp) explains how he used these lenses to create a modern look with subtle edge softness and sharp center focus.

"I didn’t want the film to feel as it was shot in the 1980’s and to be dated—I wanted it to feel modern but with a subtle central focused look, with softness on the edges of frame but with sharpness in the middle. I knew I also needed a set of lenses that gave me full control, in terms of matching colour, contrast and had good close focus, so I started to look at the ARRI Ensō Primes. The 32mm, became our go-to lens as it was a wide frame but still looked great in closeups. For this, the weakest filter (100N) was perfect as it distorted, pulled and softened the edge of frame in a beautifully subtle way to really focus your attention to look at the centre of the image and give the sense that something was wrong and about to unfold." - DP Simon Rowling

For the flashbacks, a 4:3 aspect ratio and slow-motion frame rates helped create a painterly, timeless feel. A strong back filter (300N) on the 18mm lens added blur and distortion, enhancing the period style.

#ARRI #EnsōPrimes #ARRIEnsōPrimes #ARRIVintageElements #EnsoPrimes #cinematography #TheCaged #behindthescenes #filmmaking #cinematography

Set in the 1980s with black-and-white flashbacks to the 1500s, "The Caged" was lensed with ARRI Ensō Primes and Vintage Elements. DP Simon Rowling (@simonrowlingdp) explains how he used these lenses to create a modern look with subtle edge softness and sharp center focus.

"I didn’t want the film to feel as it was shot in the 1980’s and to be dated—I wanted it to feel modern but with a subtle central focused look, with softness on the edges of frame but with sharpness in the middle. I knew I also needed a set of lenses that gave me full control, in terms of matching colour, contrast and had good close focus, so I started to look at the ARRI Ensō Primes. The 32mm, became our go-to lens as it was a wide frame but still looked great in closeups. For this, the weakest filter (100N) was perfect as it distorted, pulled and softened the edge of frame in a beautifully subtle way to really focus your attention to look at the centre of the image and give the sense that something was wrong and about to unfold." - DP Simon Rowling

For the flashbacks, a 4:3 aspect ratio and slow-motion frame rates helped create a painterly, timeless feel. A strong back filter (300N) on the 18mm lens added blur and distortion, enhancing the period style.

#ARRI #EnsōPrimes #ARRIEnsōPrimes #ARRIVintageElements #EnsoPrimes #cinematography #TheCaged #behindthescenes #filmmaking #cinematography

Set in the 1980s with black-and-white flashbacks to the 1500s, "The Caged" was lensed with ARRI Ensō Primes and Vintage Elements. DP Simon Rowling (@simonrowlingdp) explains how he used these lenses to create a modern look with subtle edge softness and sharp center focus.

"I didn’t want the film to feel as it was shot in the 1980’s and to be dated—I wanted it to feel modern but with a subtle central focused look, with softness on the edges of frame but with sharpness in the middle. I knew I also needed a set of lenses that gave me full control, in terms of matching colour, contrast and had good close focus, so I started to look at the ARRI Ensō Primes. The 32mm, became our go-to lens as it was a wide frame but still looked great in closeups. For this, the weakest filter (100N) was perfect as it distorted, pulled and softened the edge of frame in a beautifully subtle way to really focus your attention to look at the centre of the image and give the sense that something was wrong and about to unfold." - DP Simon Rowling

For the flashbacks, a 4:3 aspect ratio and slow-motion frame rates helped create a painterly, timeless feel. A strong back filter (300N) on the 18mm lens added blur and distortion, enhancing the period style.

#ARRI #EnsōPrimes #ARRIEnsōPrimes #ARRIVintageElements #EnsoPrimes #cinematography #TheCaged #behindthescenes #filmmaking #cinematography

Set in the 1980s with black-and-white flashbacks to the 1500s, "The Caged" was lensed with ARRI Ensō Primes and Vintage Elements. DP Simon Rowling (@simonrowlingdp) explains how he used these lenses to create a modern look with subtle edge softness and sharp center focus.

"I didn’t want the film to feel as it was shot in the 1980’s and to be dated—I wanted it to feel modern but with a subtle central focused look, with softness on the edges of frame but with sharpness in the middle. I knew I also needed a set of lenses that gave me full control, in terms of matching colour, contrast and had good close focus, so I started to look at the ARRI Ensō Primes. The 32mm, became our go-to lens as it was a wide frame but still looked great in closeups. For this, the weakest filter (100N) was perfect as it distorted, pulled and softened the edge of frame in a beautifully subtle way to really focus your attention to look at the centre of the image and give the sense that something was wrong and about to unfold." - DP Simon Rowling

For the flashbacks, a 4:3 aspect ratio and slow-motion frame rates helped create a painterly, timeless feel. A strong back filter (300N) on the 18mm lens added blur and distortion, enhancing the period style.

#ARRI #EnsōPrimes #ARRIEnsōPrimes #ARRIVintageElements #EnsoPrimes #cinematography #TheCaged #behindthescenes #filmmaking #cinematography

Set in the 1980s with black-and-white flashbacks to the 1500s, "The Caged" was lensed with ARRI Ensō Primes and Vintage Elements. DP Simon Rowling (@simonrowlingdp) explains how he used these lenses to create a modern look with subtle edge softness and sharp center focus.

"I didn’t want the film to feel as it was shot in the 1980’s and to be dated—I wanted it to feel modern but with a subtle central focused look, with softness on the edges of frame but with sharpness in the middle. I knew I also needed a set of lenses that gave me full control, in terms of matching colour, contrast and had good close focus, so I started to look at the ARRI Ensō Primes. The 32mm, became our go-to lens as it was a wide frame but still looked great in closeups. For this, the weakest filter (100N) was perfect as it distorted, pulled and softened the edge of frame in a beautifully subtle way to really focus your attention to look at the centre of the image and give the sense that something was wrong and about to unfold." - DP Simon Rowling

For the flashbacks, a 4:3 aspect ratio and slow-motion frame rates helped create a painterly, timeless feel. A strong back filter (300N) on the 18mm lens added blur and distortion, enhancing the period style.

#ARRI #EnsōPrimes #ARRIEnsōPrimes #ARRIVintageElements #EnsoPrimes #cinematography #TheCaged #behindthescenes #filmmaking #cinematography

That’s a wrap on ‘THE CAGED’ 2025. What a wonderful crew, cast and director to work with!! A super tight schedule but it brought out us the most creative ideas!!
Here’s some cheeky BTS pics from set courtesy of our camera trainees.

Shot on the @reddigitalcinema V-Raptor with the new @arri Enso Primes and back filters.
Lenses courtesy of @emmyland and camera from @onestopfilms

I want to give a special shout out to my crew who worked incredibly hard!
My amazing collaborative gaffer @runlight_film and his team!
1st AC @hermes_contreras_26
2nc AC @domingosimon
Grip @berettacustom_grip & @jaferacer
Steadicam & 2nd Unit - legend @rupertpeddle
Dailies focusing by @eyyazand @aristide.russo
2nd unit focus by @aimatamia

Superb leads @the_edmundkingsley @tamzinmerchant

And the awesomely talented writer/director @jeffrey.scott.collins !!

@berlinassociates @murthaskouras @britishcinematographer @bscine @eyyaz @daniel_svilenov
@swanny.media @llewelynn @aririssotti @gaby_wh_casting @jtuneofficial @joe_grano @arran_maclennan

That’s a wrap on ‘THE CAGED’ 2025. What a wonderful crew, cast and director to work with!! A super tight schedule but it brought out us the most creative ideas!!
Here’s some cheeky BTS pics from set courtesy of our camera trainees.

Shot on the @reddigitalcinema V-Raptor with the new @arri Enso Primes and back filters.
Lenses courtesy of @emmyland and camera from @onestopfilms

I want to give a special shout out to my crew who worked incredibly hard!
My amazing collaborative gaffer @runlight_film and his team!
1st AC @hermes_contreras_26
2nc AC @domingosimon
Grip @berettacustom_grip & @jaferacer
Steadicam & 2nd Unit - legend @rupertpeddle
Dailies focusing by @eyyazand @aristide.russo
2nd unit focus by @aimatamia

Superb leads @the_edmundkingsley @tamzinmerchant

And the awesomely talented writer/director @jeffrey.scott.collins !!

@berlinassociates @murthaskouras @britishcinematographer @bscine @eyyaz @daniel_svilenov
@swanny.media @llewelynn @aririssotti @gaby_wh_casting @jtuneofficial @joe_grano @arran_maclennan

That’s a wrap on ‘THE CAGED’ 2025. What a wonderful crew, cast and director to work with!! A super tight schedule but it brought out us the most creative ideas!!
Here’s some cheeky BTS pics from set courtesy of our camera trainees.

Shot on the @reddigitalcinema V-Raptor with the new @arri Enso Primes and back filters.
Lenses courtesy of @emmyland and camera from @onestopfilms

I want to give a special shout out to my crew who worked incredibly hard!
My amazing collaborative gaffer @runlight_film and his team!
1st AC @hermes_contreras_26
2nc AC @domingosimon
Grip @berettacustom_grip & @jaferacer
Steadicam & 2nd Unit - legend @rupertpeddle
Dailies focusing by @eyyazand @aristide.russo
2nd unit focus by @aimatamia

Superb leads @the_edmundkingsley @tamzinmerchant

And the awesomely talented writer/director @jeffrey.scott.collins !!

@berlinassociates @murthaskouras @britishcinematographer @bscine @eyyaz @daniel_svilenov
@swanny.media @llewelynn @aririssotti @gaby_wh_casting @jtuneofficial @joe_grano @arran_maclennan

That’s a wrap on ‘THE CAGED’ 2025. What a wonderful crew, cast and director to work with!! A super tight schedule but it brought out us the most creative ideas!!
Here’s some cheeky BTS pics from set courtesy of our camera trainees.

Shot on the @reddigitalcinema V-Raptor with the new @arri Enso Primes and back filters.
Lenses courtesy of @emmyland and camera from @onestopfilms

I want to give a special shout out to my crew who worked incredibly hard!
My amazing collaborative gaffer @runlight_film and his team!
1st AC @hermes_contreras_26
2nc AC @domingosimon
Grip @berettacustom_grip & @jaferacer
Steadicam & 2nd Unit - legend @rupertpeddle
Dailies focusing by @eyyazand @aristide.russo
2nd unit focus by @aimatamia

Superb leads @the_edmundkingsley @tamzinmerchant

And the awesomely talented writer/director @jeffrey.scott.collins !!

@berlinassociates @murthaskouras @britishcinematographer @bscine @eyyaz @daniel_svilenov
@swanny.media @llewelynn @aririssotti @gaby_wh_casting @jtuneofficial @joe_grano @arran_maclennan

That’s a wrap on ‘THE CAGED’ 2025. What a wonderful crew, cast and director to work with!! A super tight schedule but it brought out us the most creative ideas!!
Here’s some cheeky BTS pics from set courtesy of our camera trainees.

Shot on the @reddigitalcinema V-Raptor with the new @arri Enso Primes and back filters.
Lenses courtesy of @emmyland and camera from @onestopfilms

I want to give a special shout out to my crew who worked incredibly hard!
My amazing collaborative gaffer @runlight_film and his team!
1st AC @hermes_contreras_26
2nc AC @domingosimon
Grip @berettacustom_grip & @jaferacer
Steadicam & 2nd Unit - legend @rupertpeddle
Dailies focusing by @eyyazand @aristide.russo
2nd unit focus by @aimatamia

Superb leads @the_edmundkingsley @tamzinmerchant

And the awesomely talented writer/director @jeffrey.scott.collins !!

@berlinassociates @murthaskouras @britishcinematographer @bscine @eyyaz @daniel_svilenov
@swanny.media @llewelynn @aririssotti @gaby_wh_casting @jtuneofficial @joe_grano @arran_maclennan

That’s a wrap on ‘THE CAGED’ 2025. What a wonderful crew, cast and director to work with!! A super tight schedule but it brought out us the most creative ideas!!
Here’s some cheeky BTS pics from set courtesy of our camera trainees.

Shot on the @reddigitalcinema V-Raptor with the new @arri Enso Primes and back filters.
Lenses courtesy of @emmyland and camera from @onestopfilms

I want to give a special shout out to my crew who worked incredibly hard!
My amazing collaborative gaffer @runlight_film and his team!
1st AC @hermes_contreras_26
2nc AC @domingosimon
Grip @berettacustom_grip & @jaferacer
Steadicam & 2nd Unit - legend @rupertpeddle
Dailies focusing by @eyyazand @aristide.russo
2nd unit focus by @aimatamia

Superb leads @the_edmundkingsley @tamzinmerchant

And the awesomely talented writer/director @jeffrey.scott.collins !!

@berlinassociates @murthaskouras @britishcinematographer @bscine @eyyaz @daniel_svilenov
@swanny.media @llewelynn @aririssotti @gaby_wh_casting @jtuneofficial @joe_grano @arran_maclennan

That’s a wrap on ‘THE CAGED’ 2025. What a wonderful crew, cast and director to work with!! A super tight schedule but it brought out us the most creative ideas!!
Here’s some cheeky BTS pics from set courtesy of our camera trainees.

Shot on the @reddigitalcinema V-Raptor with the new @arri Enso Primes and back filters.
Lenses courtesy of @emmyland and camera from @onestopfilms

I want to give a special shout out to my crew who worked incredibly hard!
My amazing collaborative gaffer @runlight_film and his team!
1st AC @hermes_contreras_26
2nc AC @domingosimon
Grip @berettacustom_grip & @jaferacer
Steadicam & 2nd Unit - legend @rupertpeddle
Dailies focusing by @eyyazand @aristide.russo
2nd unit focus by @aimatamia

Superb leads @the_edmundkingsley @tamzinmerchant

And the awesomely talented writer/director @jeffrey.scott.collins !!

@berlinassociates @murthaskouras @britishcinematographer @bscine @eyyaz @daniel_svilenov
@swanny.media @llewelynn @aririssotti @gaby_wh_casting @jtuneofficial @joe_grano @arran_maclennan

That’s a wrap on ‘THE CAGED’ 2025. What a wonderful crew, cast and director to work with!! A super tight schedule but it brought out us the most creative ideas!!
Here’s some cheeky BTS pics from set courtesy of our camera trainees.

Shot on the @reddigitalcinema V-Raptor with the new @arri Enso Primes and back filters.
Lenses courtesy of @emmyland and camera from @onestopfilms

I want to give a special shout out to my crew who worked incredibly hard!
My amazing collaborative gaffer @runlight_film and his team!
1st AC @hermes_contreras_26
2nc AC @domingosimon
Grip @berettacustom_grip & @jaferacer
Steadicam & 2nd Unit - legend @rupertpeddle
Dailies focusing by @eyyazand @aristide.russo
2nd unit focus by @aimatamia

Superb leads @the_edmundkingsley @tamzinmerchant

And the awesomely talented writer/director @jeffrey.scott.collins !!

@berlinassociates @murthaskouras @britishcinematographer @bscine @eyyaz @daniel_svilenov
@swanny.media @llewelynn @aririssotti @gaby_wh_casting @jtuneofficial @joe_grano @arran_maclennan

That’s a wrap on ‘THE CAGED’ 2025. What a wonderful crew, cast and director to work with!! A super tight schedule but it brought out us the most creative ideas!!
Here’s some cheeky BTS pics from set courtesy of our camera trainees.

Shot on the @reddigitalcinema V-Raptor with the new @arri Enso Primes and back filters.
Lenses courtesy of @emmyland and camera from @onestopfilms

I want to give a special shout out to my crew who worked incredibly hard!
My amazing collaborative gaffer @runlight_film and his team!
1st AC @hermes_contreras_26
2nc AC @domingosimon
Grip @berettacustom_grip & @jaferacer
Steadicam & 2nd Unit - legend @rupertpeddle
Dailies focusing by @eyyazand @aristide.russo
2nd unit focus by @aimatamia

Superb leads @the_edmundkingsley @tamzinmerchant

And the awesomely talented writer/director @jeffrey.scott.collins !!

@berlinassociates @murthaskouras @britishcinematographer @bscine @eyyaz @daniel_svilenov
@swanny.media @llewelynn @aririssotti @gaby_wh_casting @jtuneofficial @joe_grano @arran_maclennan

That’s a wrap on ‘THE CAGED’ 2025. What a wonderful crew, cast and director to work with!! A super tight schedule but it brought out us the most creative ideas!!
Here’s some cheeky BTS pics from set courtesy of our camera trainees.

Shot on the @reddigitalcinema V-Raptor with the new @arri Enso Primes and back filters.
Lenses courtesy of @emmyland and camera from @onestopfilms

I want to give a special shout out to my crew who worked incredibly hard!
My amazing collaborative gaffer @runlight_film and his team!
1st AC @hermes_contreras_26
2nc AC @domingosimon
Grip @berettacustom_grip & @jaferacer
Steadicam & 2nd Unit - legend @rupertpeddle
Dailies focusing by @eyyazand @aristide.russo
2nd unit focus by @aimatamia

Superb leads @the_edmundkingsley @tamzinmerchant

And the awesomely talented writer/director @jeffrey.scott.collins !!

@berlinassociates @murthaskouras @britishcinematographer @bscine @eyyaz @daniel_svilenov
@swanny.media @llewelynn @aririssotti @gaby_wh_casting @jtuneofficial @joe_grano @arran_maclennan

That’s a wrap on ‘THE CAGED’ 2025. What a wonderful crew, cast and director to work with!! A super tight schedule but it brought out us the most creative ideas!!
Here’s some cheeky BTS pics from set courtesy of our camera trainees.

Shot on the @reddigitalcinema V-Raptor with the new @arri Enso Primes and back filters.
Lenses courtesy of @emmyland and camera from @onestopfilms

I want to give a special shout out to my crew who worked incredibly hard!
My amazing collaborative gaffer @runlight_film and his team!
1st AC @hermes_contreras_26
2nc AC @domingosimon
Grip @berettacustom_grip & @jaferacer
Steadicam & 2nd Unit - legend @rupertpeddle
Dailies focusing by @eyyazand @aristide.russo
2nd unit focus by @aimatamia

Superb leads @the_edmundkingsley @tamzinmerchant

And the awesomely talented writer/director @jeffrey.scott.collins !!

@berlinassociates @murthaskouras @britishcinematographer @bscine @eyyaz @daniel_svilenov
@swanny.media @llewelynn @aririssotti @gaby_wh_casting @jtuneofficial @joe_grano @arran_maclennan

‘The Meaning of Light’ - a new commercial I shot for director @dc_reeves @wingldn & their client @signifycompany - Featuring Lewis Hamilton.
.
Shot on the Red V-Raptor with @onestopfilms Xelmus Apollo’s.
.
Big thanks to my amazing crew!
Gaffer - @benjamin_j_vorster_ & amazing lighting team!
Key grip - @alexofhudsongrips
Steadicam op - @rupertpeddle
Focus puller - @mannedcamera
2nd AC - @dannystrasserac
Trainee @tomdolega
Lighting desk Mixer - @archerlx_

@thegripcompany @berlinassociates @murthaskouras @mercedesbenz #formula1 @lewishamilton @bscine @britishcinematographer #dop #directorofphotography #dp #anamorphic @cinedreamlenses @lens_addiction @xelmusanamorphic @shl.london

Frames from: ‘The Meaning of Light’ - a new commercial I shot for director @dc_reeves @wingldn & their client @signifycompany - Featuring Lewis Hamilton.
.
Shot on the Red V-Raptor with @onestopfilms Xelmus Apollo’s.
.
Big thanks to my amazing crew!
Gaffer - @benjamin_j_vorster_ & amazing lighting team!
Key grip - @alexofhudsongrips
Steadicam op - @rupertpeddle
Focus puller - @mannedcamera
2nd AC - @dannystrasserac
Trainee @tomdolega
Lighting desk Mixer - @archerlx_

@thegripcompany @berlinassociates @murthaskouras @mercedesbenz #formula1 @lewishamilton @bscine @britishcinematographer #dop #directorofphotography #dp #anamorphic @cinedreamlenses @lens_addiction @xelmusanamorphic @shl.london

Frames from: ‘The Meaning of Light’ - a new commercial I shot for director @dc_reeves @wingldn & their client @signifycompany - Featuring Lewis Hamilton.
.
Shot on the Red V-Raptor with @onestopfilms Xelmus Apollo’s.
.
Big thanks to my amazing crew!
Gaffer - @benjamin_j_vorster_ & amazing lighting team!
Key grip - @alexofhudsongrips
Steadicam op - @rupertpeddle
Focus puller - @mannedcamera
2nd AC - @dannystrasserac
Trainee @tomdolega
Lighting desk Mixer - @archerlx_

@thegripcompany @berlinassociates @murthaskouras @mercedesbenz #formula1 @lewishamilton @bscine @britishcinematographer #dop #directorofphotography #dp #anamorphic @cinedreamlenses @lens_addiction @xelmusanamorphic @shl.london

Frames from: ‘The Meaning of Light’ - a new commercial I shot for director @dc_reeves @wingldn & their client @signifycompany - Featuring Lewis Hamilton.
.
Shot on the Red V-Raptor with @onestopfilms Xelmus Apollo’s.
.
Big thanks to my amazing crew!
Gaffer - @benjamin_j_vorster_ & amazing lighting team!
Key grip - @alexofhudsongrips
Steadicam op - @rupertpeddle
Focus puller - @mannedcamera
2nd AC - @dannystrasserac
Trainee @tomdolega
Lighting desk Mixer - @archerlx_

@thegripcompany @berlinassociates @murthaskouras @mercedesbenz #formula1 @lewishamilton @bscine @britishcinematographer #dop #directorofphotography #dp #anamorphic @cinedreamlenses @lens_addiction @xelmusanamorphic @shl.london

Frames from: ‘The Meaning of Light’ - a new commercial I shot for director @dc_reeves @wingldn & their client @signifycompany - Featuring Lewis Hamilton.
.
Shot on the Red V-Raptor with @onestopfilms Xelmus Apollo’s.
.
Big thanks to my amazing crew!
Gaffer - @benjamin_j_vorster_ & amazing lighting team!
Key grip - @alexofhudsongrips
Steadicam op - @rupertpeddle
Focus puller - @mannedcamera
2nd AC - @dannystrasserac
Trainee @tomdolega
Lighting desk Mixer - @archerlx_

@thegripcompany @berlinassociates @murthaskouras @mercedesbenz #formula1 @lewishamilton @bscine @britishcinematographer #dop #directorofphotography #dp #anamorphic @cinedreamlenses @lens_addiction @xelmusanamorphic @shl.london

Frames from: ‘The Meaning of Light’ - a new commercial I shot for director @dc_reeves @wingldn & their client @signifycompany - Featuring Lewis Hamilton.
.
Shot on the Red V-Raptor with @onestopfilms Xelmus Apollo’s.
.
Big thanks to my amazing crew!
Gaffer - @benjamin_j_vorster_ & amazing lighting team!
Key grip - @alexofhudsongrips
Steadicam op - @rupertpeddle
Focus puller - @mannedcamera
2nd AC - @dannystrasserac
Trainee @tomdolega
Lighting desk Mixer - @archerlx_

@thegripcompany @berlinassociates @murthaskouras @mercedesbenz #formula1 @lewishamilton @bscine @britishcinematographer #dop #directorofphotography #dp #anamorphic @cinedreamlenses @lens_addiction @xelmusanamorphic @shl.london

Frames from: ‘The Meaning of Light’ - a new commercial I shot for director @dc_reeves @wingldn & their client @signifycompany - Featuring Lewis Hamilton.
.
Shot on the Red V-Raptor with @onestopfilms Xelmus Apollo’s.
.
Big thanks to my amazing crew!
Gaffer - @benjamin_j_vorster_ & amazing lighting team!
Key grip - @alexofhudsongrips
Steadicam op - @rupertpeddle
Focus puller - @mannedcamera
2nd AC - @dannystrasserac
Trainee @tomdolega
Lighting desk Mixer - @archerlx_

@thegripcompany @berlinassociates @murthaskouras @mercedesbenz #formula1 @lewishamilton @bscine @britishcinematographer #dop #directorofphotography #dp #anamorphic @cinedreamlenses @lens_addiction @xelmusanamorphic @shl.london

Frames from: ‘The Meaning of Light’ - a new commercial I shot for director @dc_reeves @wingldn & their client @signifycompany - Featuring Lewis Hamilton.
.
Shot on the Red V-Raptor with @onestopfilms Xelmus Apollo’s.
.
Big thanks to my amazing crew!
Gaffer - @benjamin_j_vorster_ & amazing lighting team!
Key grip - @alexofhudsongrips
Steadicam op - @rupertpeddle
Focus puller - @mannedcamera
2nd AC - @dannystrasserac
Trainee @tomdolega
Lighting desk Mixer - @archerlx_

@thegripcompany @berlinassociates @murthaskouras @mercedesbenz #formula1 @lewishamilton @bscine @britishcinematographer #dop #directorofphotography #dp #anamorphic @cinedreamlenses @lens_addiction @xelmusanamorphic @shl.london

Frames from: ‘The Meaning of Light’ - a new commercial I shot for director @dc_reeves @wingldn & their client @signifycompany - Featuring Lewis Hamilton.
.
Shot on the Red V-Raptor with @onestopfilms Xelmus Apollo’s.
.
Big thanks to my amazing crew!
Gaffer - @benjamin_j_vorster_ & amazing lighting team!
Key grip - @alexofhudsongrips
Steadicam op - @rupertpeddle
Focus puller - @mannedcamera
2nd AC - @dannystrasserac
Trainee @tomdolega
Lighting desk Mixer - @archerlx_

@thegripcompany @berlinassociates @murthaskouras @mercedesbenz #formula1 @lewishamilton @bscine @britishcinematographer #dop #directorofphotography #dp #anamorphic @cinedreamlenses @lens_addiction @xelmusanamorphic @shl.london

Frames from: ‘The Meaning of Light’ - a new commercial I shot for director @dc_reeves @wingldn & their client @signifycompany - Featuring Lewis Hamilton.
.
Shot on the Red V-Raptor with @onestopfilms Xelmus Apollo’s.
.
Big thanks to my amazing crew!
Gaffer - @benjamin_j_vorster_ & amazing lighting team!
Key grip - @alexofhudsongrips
Steadicam op - @rupertpeddle
Focus puller - @mannedcamera
2nd AC - @dannystrasserac
Trainee @tomdolega
Lighting desk Mixer - @archerlx_

@thegripcompany @berlinassociates @murthaskouras @mercedesbenz #formula1 @lewishamilton @bscine @britishcinematographer #dop #directorofphotography #dp #anamorphic @cinedreamlenses @lens_addiction @xelmusanamorphic @shl.london

Frames from: ‘The Meaning of Light’ - a new commercial I shot for director @dc_reeves @wingldn & their client @signifycompany - Featuring Lewis Hamilton.
.
Shot on the Red V-Raptor with @onestopfilms Xelmus Apollo’s.
.
Big thanks to my amazing crew!
Gaffer - @benjamin_j_vorster_ & amazing lighting team!
Key grip - @alexofhudsongrips
Steadicam op - @rupertpeddle
Focus puller - @mannedcamera
2nd AC - @dannystrasserac
Trainee @tomdolega
Lighting desk Mixer - @archerlx_

@thegripcompany @berlinassociates @murthaskouras @mercedesbenz #formula1 @lewishamilton @bscine @britishcinematographer #dop #directorofphotography #dp #anamorphic @cinedreamlenses @lens_addiction @xelmusanamorphic @shl.london