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Announcing our 2026 MPEG Forum Host: Tim Shiel.

Join us for the 2026 MPEG Forum:
🗓 Saturday 20 June
📍 Collingwood Yards, Collingwood, VIC
⏰ 10AM : 5PM

Free for MPEG members / $25 general admission.

Tickets via link in bio!

Join us for the 2026 MPEG Forum
🗓 Saturday 20 June
📍 Collingwood Yards
⏰ 10AM - 5PM

Free for MPEG members / $25 general admission.

Tickets via link in bio!

MPEG Members - The May Control Room promises to be one of the most important and informative of the year! Join us as the team from PPCA explain the benefits and potential income that can flow from being registered with them.

MPEG Members - The May Control Room promises to be one of the most important and informative of the year! Join us as the team from PPCA explain the benefits and potential income that can flow from being registered with them.

MPEG Members - The May Control Room promises to be one of the most important and informative of the year! Join us as the team from PPCA explain the benefits and potential income that can flow from being registered with them.

MPEG Members - The May Control Room promises to be one of the most important and informative of the year! Join us as the team from PPCA explain the benefits and potential income that can flow from being registered with them.

Lachlan Carrick is a Melbourne-based recording, mixing and mastering engineer with over 20 years experience working across music, film scores and immersive audio.

In 2023, he mastered the Grammy-nominated soundtrack for Baz Luhrmann’s Elvis. His credits span artists including Emma Donovan, CW Stoneking, Missy Higgins, Gotye, Lior, Mo’ju, Mama Kin Spender and Luke Howard, alongside ARIA-nominated and award-winning projects. Recent work includes mastering records by Meg Washington and Emily Lubitz, producing, mixing and mastering Domini Forster’s The Lonely, and Atmos mixing for the Jake Mason Trio featuring Kurt Elling. He operates from his own mastering and Atmos facility in Melbourne’s northern suburbs.

Lachlan is a proud MPEG member 🎛️

Lachlan Carrick is a Melbourne-based recording, mixing and mastering engineer with over 20 years experience working across music, film scores and immersive audio.

In 2023, he mastered the Grammy-nominated soundtrack for Baz Luhrmann’s Elvis. His credits span artists including Emma Donovan, CW Stoneking, Missy Higgins, Gotye, Lior, Mo’ju, Mama Kin Spender and Luke Howard, alongside ARIA-nominated and award-winning projects. Recent work includes mastering records by Meg Washington and Emily Lubitz, producing, mixing and mastering Domini Forster’s The Lonely, and Atmos mixing for the Jake Mason Trio featuring Kurt Elling. He operates from his own mastering and Atmos facility in Melbourne’s northern suburbs.

Lachlan is a proud MPEG member 🎛️

Lachlan Carrick is a Melbourne-based recording, mixing and mastering engineer with over 20 years experience working across music, film scores and immersive audio.

In 2023, he mastered the Grammy-nominated soundtrack for Baz Luhrmann’s Elvis. His credits span artists including Emma Donovan, CW Stoneking, Missy Higgins, Gotye, Lior, Mo’ju, Mama Kin Spender and Luke Howard, alongside ARIA-nominated and award-winning projects. Recent work includes mastering records by Meg Washington and Emily Lubitz, producing, mixing and mastering Domini Forster’s The Lonely, and Atmos mixing for the Jake Mason Trio featuring Kurt Elling. He operates from his own mastering and Atmos facility in Melbourne’s northern suburbs.

Lachlan is a proud MPEG member 🎛️

Lachlan Carrick is a Melbourne-based recording, mixing and mastering engineer with over 20 years experience working across music, film scores and immersive audio.

In 2023, he mastered the Grammy-nominated soundtrack for Baz Luhrmann’s Elvis. His credits span artists including Emma Donovan, CW Stoneking, Missy Higgins, Gotye, Lior, Mo’ju, Mama Kin Spender and Luke Howard, alongside ARIA-nominated and award-winning projects. Recent work includes mastering records by Meg Washington and Emily Lubitz, producing, mixing and mastering Domini Forster’s The Lonely, and Atmos mixing for the Jake Mason Trio featuring Kurt Elling. He operates from his own mastering and Atmos facility in Melbourne’s northern suburbs.

Lachlan is a proud MPEG member 🎛️

Lachlan Carrick is a Melbourne-based recording, mixing and mastering engineer with over 20 years experience working across music, film scores and immersive audio.

In 2023, he mastered the Grammy-nominated soundtrack for Baz Luhrmann’s Elvis. His credits span artists including Emma Donovan, CW Stoneking, Missy Higgins, Gotye, Lior, Mo’ju, Mama Kin Spender and Luke Howard, alongside ARIA-nominated and award-winning projects. Recent work includes mastering records by Meg Washington and Emily Lubitz, producing, mixing and mastering Domini Forster’s The Lonely, and Atmos mixing for the Jake Mason Trio featuring Kurt Elling. He operates from his own mastering and Atmos facility in Melbourne’s northern suburbs.

Lachlan is a proud MPEG member 🎛️

Lachlan Carrick is a Melbourne-based recording, mixing and mastering engineer with over 20 years experience working across music, film scores and immersive audio.

In 2023, he mastered the Grammy-nominated soundtrack for Baz Luhrmann’s Elvis. His credits span artists including Emma Donovan, CW Stoneking, Missy Higgins, Gotye, Lior, Mo’ju, Mama Kin Spender and Luke Howard, alongside ARIA-nominated and award-winning projects. Recent work includes mastering records by Meg Washington and Emily Lubitz, producing, mixing and mastering Domini Forster’s The Lonely, and Atmos mixing for the Jake Mason Trio featuring Kurt Elling. He operates from his own mastering and Atmos facility in Melbourne’s northern suburbs.

Lachlan is a proud MPEG member 🎛️

The MPEG Forum is back for 2026!

📅 Saturday 20 June 2026
⏰ 10am-5pm
📍Collingwood Yards, Collingwood

Entry to the forum is free for MPEG paid members or $25 for GA. To secure your spot, get tickets via the link in our bio.

The MPEG Forum is a once-a-year event that brings producers, engineers, and the wider industry together to connect, learn and shape what’s next.

Comprising of panels and networking with leading industry voices, the MPEG Forum is designed to engage, inform and inspire the music production community.

Celebrating our members at the MPEG Awards just over a month ago.

Hummify, the workspace built for audio collaboration, is offering 2 months of free access to the Hummify app to paid-up MPEG members.
Simply email Kurt Luthy on kurt@mpeg.org.au to take advantage of this generous offer.

To learn more about the benefits of Hummify, head to hummify.app

MPEG Members - We are excited to have Tom Addison, founder of Hummify join us for the April Control Room. Hummify is an all-in-one platform that enables teams to review and version audio effortlessly. Equally exciting is that paid-up MPEG Members will receive two months of free access to Hummify. Join us on Tuesday 7 April to find out more. Registration link in bio.

We have rescheduled the March Control Room for next Tuesday 10 March at 7pm AEDT. Join us for our free flowing Quarterly Catch-Up and post 2026 MPEG Awards run down. Link in Bio.

My trip to London somehow feels like it was just yesterday and also ten years ago?

This vid is for me to look back fondly on, forget ya'll 😂

Big thanks to the staff at every place i stopped by for sharing their time with me, and all the aussies i happened to run into on my last night.

Learnt so much from that time, and i still have so much to share from it... If you're interested.

MPEG Awards Recap: “It’s hard to realize it was missing before... but now that it’s there, it’s such a heartwarming space.”

@mpeg_au Board Member and @musicproductionforwomen founder @xyloaria talks about the magic of the 2026 MPEG Awards.

In an industry that often happens behind closed studio doors, the MPEG Awards are more than just trophies - they’re about building the community that our producers and engineers deserve.

Huge congrats to all the 2026 winners and nominees 🙌

#MPEGAwards #MusicProducer #SoundEngineer #WomenInMusic