𝗲𝗻𝗱𝗱𝗹𝗲 [ˈɛndəl] aka 𝙅𝙞𝙖𝙣𝙝𝙖𝙤 𝙕𝙝𝙚𝙣𝙜
𝘓𝘦𝘢𝘳𝘯𝘪𝘯𝘨 𝘢𝘯𝘺𝘵𝘩𝘪𝘯𝘨 𝘵𝘩𝘢𝘵 𝘴𝘦𝘦𝘮𝘴 𝘧𝘶𝘯...
occupant of @100rochester
ʎʇılɐǝɹ opns ʎʇılɐǝɹ opnesd

𝙁𝙚𝙚𝙙𝘽𝙖𝙘𝙠 is a multi-device installation that takes the live audio 𝘧𝘦𝘦𝘥 from Cornell Lab’s FeederWatch cameras, re-broadcast it through a local FM radio transmitter. The live sound travels in the air but cannot be heard until the radio wave meets a receiver, where the frequencies are demodulated into an oscillating voltage level, activating the speaker coil and converting the analog data into sounds we can hear.
At the centre of this installation, a feeder device listens to the sound, and gets triggered when birds are fed and start singing – happening simultaneously across hundreds of miles – feeding the audiences, who feed the birds via online spectatorship and remote participation. 𝘛𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘦𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘳𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥 𝘣𝘢𝘤𝘬 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘳𝘦𝘢𝘭𝘵𝘪𝘮𝘦 𝘧𝘦𝘦𝘥 𝘣𝘢𝘤𝘬 𝘧𝘦𝘦𝘥𝘣𝘢𝘤𝘬.
Resources: birds.cornell.edu / allaboutbirds.org / feederwatch.org
(Cornell Lab’s FeederWatch project streams bird cams with unlimited-supplying seeds, fruits, and other bird treats from multiple locations. Hundreds of birds starred in the livestreams everyday, as well as thousands of online viewers all around the world.)
Sensory Ecology Fall 2025
Exhibited in IDM Winter Showcase
NYU Tandon @ The Yard
Dec 13, 2025

𝙁𝙚𝙚𝙙𝘽𝙖𝙘𝙠 is a multi-device installation that takes the live audio 𝘧𝘦𝘦𝘥 from Cornell Lab’s FeederWatch cameras, re-broadcast it through a local FM radio transmitter. The live sound travels in the air but cannot be heard until the radio wave meets a receiver, where the frequencies are demodulated into an oscillating voltage level, activating the speaker coil and converting the analog data into sounds we can hear.
At the centre of this installation, a feeder device listens to the sound, and gets triggered when birds are fed and start singing – happening simultaneously across hundreds of miles – feeding the audiences, who feed the birds via online spectatorship and remote participation. 𝘛𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘦𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘳𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥 𝘣𝘢𝘤𝘬 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘳𝘦𝘢𝘭𝘵𝘪𝘮𝘦 𝘧𝘦𝘦𝘥 𝘣𝘢𝘤𝘬 𝘧𝘦𝘦𝘥𝘣𝘢𝘤𝘬.
Resources: birds.cornell.edu / allaboutbirds.org / feederwatch.org
(Cornell Lab’s FeederWatch project streams bird cams with unlimited-supplying seeds, fruits, and other bird treats from multiple locations. Hundreds of birds starred in the livestreams everyday, as well as thousands of online viewers all around the world.)
Sensory Ecology Fall 2025
Exhibited in IDM Winter Showcase
NYU Tandon @ The Yard
Dec 13, 2025

𝙁𝙚𝙚𝙙𝘽𝙖𝙘𝙠 is a multi-device installation that takes the live audio 𝘧𝘦𝘦𝘥 from Cornell Lab’s FeederWatch cameras, re-broadcast it through a local FM radio transmitter. The live sound travels in the air but cannot be heard until the radio wave meets a receiver, where the frequencies are demodulated into an oscillating voltage level, activating the speaker coil and converting the analog data into sounds we can hear.
At the centre of this installation, a feeder device listens to the sound, and gets triggered when birds are fed and start singing – happening simultaneously across hundreds of miles – feeding the audiences, who feed the birds via online spectatorship and remote participation. 𝘛𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘦𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘳𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥 𝘣𝘢𝘤𝘬 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘳𝘦𝘢𝘭𝘵𝘪𝘮𝘦 𝘧𝘦𝘦𝘥 𝘣𝘢𝘤𝘬 𝘧𝘦𝘦𝘥𝘣𝘢𝘤𝘬.
Resources: birds.cornell.edu / allaboutbirds.org / feederwatch.org
(Cornell Lab’s FeederWatch project streams bird cams with unlimited-supplying seeds, fruits, and other bird treats from multiple locations. Hundreds of birds starred in the livestreams everyday, as well as thousands of online viewers all around the world.)
Sensory Ecology Fall 2025
Exhibited in IDM Winter Showcase
NYU Tandon @ The Yard
Dec 13, 2025

𝙁𝙚𝙚𝙙𝘽𝙖𝙘𝙠 is a multi-device installation that takes the live audio 𝘧𝘦𝘦𝘥 from Cornell Lab’s FeederWatch cameras, re-broadcast it through a local FM radio transmitter. The live sound travels in the air but cannot be heard until the radio wave meets a receiver, where the frequencies are demodulated into an oscillating voltage level, activating the speaker coil and converting the analog data into sounds we can hear.
At the centre of this installation, a feeder device listens to the sound, and gets triggered when birds are fed and start singing – happening simultaneously across hundreds of miles – feeding the audiences, who feed the birds via online spectatorship and remote participation. 𝘛𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘦𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘳𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥 𝘣𝘢𝘤𝘬 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘳𝘦𝘢𝘭𝘵𝘪𝘮𝘦 𝘧𝘦𝘦𝘥 𝘣𝘢𝘤𝘬 𝘧𝘦𝘦𝘥𝘣𝘢𝘤𝘬.
Resources: birds.cornell.edu / allaboutbirds.org / feederwatch.org
(Cornell Lab’s FeederWatch project streams bird cams with unlimited-supplying seeds, fruits, and other bird treats from multiple locations. Hundreds of birds starred in the livestreams everyday, as well as thousands of online viewers all around the world.)
Sensory Ecology Fall 2025
Exhibited in IDM Winter Showcase
NYU Tandon @ The Yard
Dec 13, 2025

𝙁𝙚𝙚𝙙𝘽𝙖𝙘𝙠 is a multi-device installation that takes the live audio 𝘧𝘦𝘦𝘥 from Cornell Lab’s FeederWatch cameras, re-broadcast it through a local FM radio transmitter. The live sound travels in the air but cannot be heard until the radio wave meets a receiver, where the frequencies are demodulated into an oscillating voltage level, activating the speaker coil and converting the analog data into sounds we can hear.
At the centre of this installation, a feeder device listens to the sound, and gets triggered when birds are fed and start singing – happening simultaneously across hundreds of miles – feeding the audiences, who feed the birds via online spectatorship and remote participation. 𝘛𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘦𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘳𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥 𝘣𝘢𝘤𝘬 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘳𝘦𝘢𝘭𝘵𝘪𝘮𝘦 𝘧𝘦𝘦𝘥 𝘣𝘢𝘤𝘬 𝘧𝘦𝘦𝘥𝘣𝘢𝘤𝘬.
Resources: birds.cornell.edu / allaboutbirds.org / feederwatch.org
(Cornell Lab’s FeederWatch project streams bird cams with unlimited-supplying seeds, fruits, and other bird treats from multiple locations. Hundreds of birds starred in the livestreams everyday, as well as thousands of online viewers all around the world.)
Sensory Ecology Fall 2025
Exhibited in IDM Winter Showcase
NYU Tandon @ The Yard
Dec 13, 2025

𝙁𝙚𝙚𝙙𝘽𝙖𝙘𝙠 is a multi-device installation that takes the live audio 𝘧𝘦𝘦𝘥 from Cornell Lab’s FeederWatch cameras, re-broadcast it through a local FM radio transmitter. The live sound travels in the air but cannot be heard until the radio wave meets a receiver, where the frequencies are demodulated into an oscillating voltage level, activating the speaker coil and converting the analog data into sounds we can hear.
At the centre of this installation, a feeder device listens to the sound, and gets triggered when birds are fed and start singing – happening simultaneously across hundreds of miles – feeding the audiences, who feed the birds via online spectatorship and remote participation. 𝘛𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘦𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘳𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥 𝘣𝘢𝘤𝘬 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘳𝘦𝘢𝘭𝘵𝘪𝘮𝘦 𝘧𝘦𝘦𝘥 𝘣𝘢𝘤𝘬 𝘧𝘦𝘦𝘥𝘣𝘢𝘤𝘬.
Resources: birds.cornell.edu / allaboutbirds.org / feederwatch.org
(Cornell Lab’s FeederWatch project streams bird cams with unlimited-supplying seeds, fruits, and other bird treats from multiple locations. Hundreds of birds starred in the livestreams everyday, as well as thousands of online viewers all around the world.)
Sensory Ecology Fall 2025
Exhibited in IDM Winter Showcase
NYU Tandon @ The Yard
Dec 13, 2025

𝙁𝙚𝙚𝙙𝘽𝙖𝙘𝙠 is a multi-device installation that takes the live audio 𝘧𝘦𝘦𝘥 from Cornell Lab’s FeederWatch cameras, re-broadcast it through a local FM radio transmitter. The live sound travels in the air but cannot be heard until the radio wave meets a receiver, where the frequencies are demodulated into an oscillating voltage level, activating the speaker coil and converting the analog data into sounds we can hear.
At the centre of this installation, a feeder device listens to the sound, and gets triggered when birds are fed and start singing – happening simultaneously across hundreds of miles – feeding the audiences, who feed the birds via online spectatorship and remote participation. 𝘛𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘦𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘳𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥 𝘣𝘢𝘤𝘬 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘳𝘦𝘢𝘭𝘵𝘪𝘮𝘦 𝘧𝘦𝘦𝘥 𝘣𝘢𝘤𝘬 𝘧𝘦𝘦𝘥𝘣𝘢𝘤𝘬.
Resources: birds.cornell.edu / allaboutbirds.org / feederwatch.org
(Cornell Lab’s FeederWatch project streams bird cams with unlimited-supplying seeds, fruits, and other bird treats from multiple locations. Hundreds of birds starred in the livestreams everyday, as well as thousands of online viewers all around the world.)
Sensory Ecology Fall 2025
Exhibited in IDM Winter Showcase
NYU Tandon @ The Yard
Dec 13, 2025

𝙁𝙚𝙚𝙙𝘽𝙖𝙘𝙠 is a multi-device installation that takes the live audio 𝘧𝘦𝘦𝘥 from Cornell Lab’s FeederWatch cameras, re-broadcast it through a local FM radio transmitter. The live sound travels in the air but cannot be heard until the radio wave meets a receiver, where the frequencies are demodulated into an oscillating voltage level, activating the speaker coil and converting the analog data into sounds we can hear.
At the centre of this installation, a feeder device listens to the sound, and gets triggered when birds are fed and start singing – happening simultaneously across hundreds of miles – feeding the audiences, who feed the birds via online spectatorship and remote participation. 𝘛𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘦𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘳𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥 𝘣𝘢𝘤𝘬 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘳𝘦𝘢𝘭𝘵𝘪𝘮𝘦 𝘧𝘦𝘦𝘥 𝘣𝘢𝘤𝘬 𝘧𝘦𝘦𝘥𝘣𝘢𝘤𝘬.
Resources: birds.cornell.edu / allaboutbirds.org / feederwatch.org
(Cornell Lab’s FeederWatch project streams bird cams with unlimited-supplying seeds, fruits, and other bird treats from multiple locations. Hundreds of birds starred in the livestreams everyday, as well as thousands of online viewers all around the world.)
Sensory Ecology Fall 2025
Exhibited in IDM Winter Showcase
NYU Tandon @ The Yard
Dec 13, 2025

𝙁𝙚𝙚𝙙𝘽𝙖𝙘𝙠 is a multi-device installation that takes the live audio 𝘧𝘦𝘦𝘥 from Cornell Lab’s FeederWatch cameras, re-broadcast it through a local FM radio transmitter. The live sound travels in the air but cannot be heard until the radio wave meets a receiver, where the frequencies are demodulated into an oscillating voltage level, activating the speaker coil and converting the analog data into sounds we can hear.
At the centre of this installation, a feeder device listens to the sound, and gets triggered when birds are fed and start singing – happening simultaneously across hundreds of miles – feeding the audiences, who feed the birds via online spectatorship and remote participation. 𝘛𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘦𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘳𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥 𝘣𝘢𝘤𝘬 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘳𝘦𝘢𝘭𝘵𝘪𝘮𝘦 𝘧𝘦𝘦𝘥 𝘣𝘢𝘤𝘬 𝘧𝘦𝘦𝘥𝘣𝘢𝘤𝘬.
Resources: birds.cornell.edu / allaboutbirds.org / feederwatch.org
(Cornell Lab’s FeederWatch project streams bird cams with unlimited-supplying seeds, fruits, and other bird treats from multiple locations. Hundreds of birds starred in the livestreams everyday, as well as thousands of online viewers all around the world.)
Sensory Ecology Fall 2025
Exhibited in IDM Winter Showcase
NYU Tandon @ The Yard
Dec 13, 2025

𝙁𝙚𝙚𝙙𝘽𝙖𝙘𝙠 is a multi-device installation that takes the live audio 𝘧𝘦𝘦𝘥 from Cornell Lab’s FeederWatch cameras, re-broadcast it through a local FM radio transmitter. The live sound travels in the air but cannot be heard until the radio wave meets a receiver, where the frequencies are demodulated into an oscillating voltage level, activating the speaker coil and converting the analog data into sounds we can hear.
At the centre of this installation, a feeder device listens to the sound, and gets triggered when birds are fed and start singing – happening simultaneously across hundreds of miles – feeding the audiences, who feed the birds via online spectatorship and remote participation. 𝘛𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘦𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘧𝘦𝘦𝘥𝘦𝘳𝘴 𝘢𝘳𝘦 𝘧𝘦𝘥 𝘣𝘢𝘤𝘬 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘳𝘦𝘢𝘭𝘵𝘪𝘮𝘦 𝘧𝘦𝘦𝘥 𝘣𝘢𝘤𝘬 𝘧𝘦𝘦𝘥𝘣𝘢𝘤𝘬.
Resources: birds.cornell.edu / allaboutbirds.org / feederwatch.org
(Cornell Lab’s FeederWatch project streams bird cams with unlimited-supplying seeds, fruits, and other bird treats from multiple locations. Hundreds of birds starred in the livestreams everyday, as well as thousands of online viewers all around the world.)
Sensory Ecology Fall 2025
Exhibited in IDM Winter Showcase
NYU Tandon @ The Yard
Dec 13, 2025

(continued from previous post)
For the 55 cities described in Calvino's book, any words related to cities and the concept of city are removed from the text along with their names, in a manual, non-algorithmical process. The image inserts also went through a similar removal procedure, selected from a personal collection of photos holding memories with the physical space in time.
When the names, towers and skyscrapers are erased, the boundary of 𝘵𝘩𝘦 city becomes a vessel for 𝘢 city, and 𝘢𝘯𝘺 cities. The silhouette may look like 𝘵𝘩𝘦 city, but no one can deny the possibility of another city that have appeared or to be appeared, fits exactly into this void.
When the names, towers and skyscrapers are invisible, the city itself becomes more visible. 𝘛𝘩𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘪𝘴 𝘮𝘢𝘳𝘬𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘢𝘣𝘴𝘦𝘯𝘤𝘦. This contradiction between visible and invisible is contained and mediated by the boundaries, which may appeared as explicit lines and pointers, but with infinite width and fractal qualities.
included in 𝘤𝘰𝘥𝘦.𝘱𝘳𝘪𝘯𝘵();
Print and Code Course Showcase
IDM Gallery, 3rd fl, 370 Jay St
Dec 12, 2025

(continued from previous post)
For the 55 cities described in Calvino's book, any words related to cities and the concept of city are removed from the text along with their names, in a manual, non-algorithmical process. The image inserts also went through a similar removal procedure, selected from a personal collection of photos holding memories with the physical space in time.
When the names, towers and skyscrapers are erased, the boundary of 𝘵𝘩𝘦 city becomes a vessel for 𝘢 city, and 𝘢𝘯𝘺 cities. The silhouette may look like 𝘵𝘩𝘦 city, but no one can deny the possibility of another city that have appeared or to be appeared, fits exactly into this void.
When the names, towers and skyscrapers are invisible, the city itself becomes more visible. 𝘛𝘩𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘪𝘴 𝘮𝘢𝘳𝘬𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘢𝘣𝘴𝘦𝘯𝘤𝘦. This contradiction between visible and invisible is contained and mediated by the boundaries, which may appeared as explicit lines and pointers, but with infinite width and fractal qualities.
included in 𝘤𝘰𝘥𝘦.𝘱𝘳𝘪𝘯𝘵();
Print and Code Course Showcase
IDM Gallery, 3rd fl, 370 Jay St
Dec 12, 2025

(continued from previous post)
For the 55 cities described in Calvino's book, any words related to cities and the concept of city are removed from the text along with their names, in a manual, non-algorithmical process. The image inserts also went through a similar removal procedure, selected from a personal collection of photos holding memories with the physical space in time.
When the names, towers and skyscrapers are erased, the boundary of 𝘵𝘩𝘦 city becomes a vessel for 𝘢 city, and 𝘢𝘯𝘺 cities. The silhouette may look like 𝘵𝘩𝘦 city, but no one can deny the possibility of another city that have appeared or to be appeared, fits exactly into this void.
When the names, towers and skyscrapers are invisible, the city itself becomes more visible. 𝘛𝘩𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘪𝘴 𝘮𝘢𝘳𝘬𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘢𝘣𝘴𝘦𝘯𝘤𝘦. This contradiction between visible and invisible is contained and mediated by the boundaries, which may appeared as explicit lines and pointers, but with infinite width and fractal qualities.
included in 𝘤𝘰𝘥𝘦.𝘱𝘳𝘪𝘯𝘵();
Print and Code Course Showcase
IDM Gallery, 3rd fl, 370 Jay St
Dec 12, 2025

(continued from previous post)
For the 55 cities described in Calvino's book, any words related to cities and the concept of city are removed from the text along with their names, in a manual, non-algorithmical process. The image inserts also went through a similar removal procedure, selected from a personal collection of photos holding memories with the physical space in time.
When the names, towers and skyscrapers are erased, the boundary of 𝘵𝘩𝘦 city becomes a vessel for 𝘢 city, and 𝘢𝘯𝘺 cities. The silhouette may look like 𝘵𝘩𝘦 city, but no one can deny the possibility of another city that have appeared or to be appeared, fits exactly into this void.
When the names, towers and skyscrapers are invisible, the city itself becomes more visible. 𝘛𝘩𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘪𝘴 𝘮𝘢𝘳𝘬𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘢𝘣𝘴𝘦𝘯𝘤𝘦. This contradiction between visible and invisible is contained and mediated by the boundaries, which may appeared as explicit lines and pointers, but with infinite width and fractal qualities.
included in 𝘤𝘰𝘥𝘦.𝘱𝘳𝘪𝘯𝘵();
Print and Code Course Showcase
IDM Gallery, 3rd fl, 370 Jay St
Dec 12, 2025

(continued from previous post)
For the 55 cities described in Calvino's book, any words related to cities and the concept of city are removed from the text along with their names, in a manual, non-algorithmical process. The image inserts also went through a similar removal procedure, selected from a personal collection of photos holding memories with the physical space in time.
When the names, towers and skyscrapers are erased, the boundary of 𝘵𝘩𝘦 city becomes a vessel for 𝘢 city, and 𝘢𝘯𝘺 cities. The silhouette may look like 𝘵𝘩𝘦 city, but no one can deny the possibility of another city that have appeared or to be appeared, fits exactly into this void.
When the names, towers and skyscrapers are invisible, the city itself becomes more visible. 𝘛𝘩𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘪𝘴 𝘮𝘢𝘳𝘬𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘢𝘣𝘴𝘦𝘯𝘤𝘦. This contradiction between visible and invisible is contained and mediated by the boundaries, which may appeared as explicit lines and pointers, but with infinite width and fractal qualities.
included in 𝘤𝘰𝘥𝘦.𝘱𝘳𝘪𝘯𝘵();
Print and Code Course Showcase
IDM Gallery, 3rd fl, 370 Jay St
Dec 12, 2025

(continued from previous post)
For the 55 cities described in Calvino's book, any words related to cities and the concept of city are removed from the text along with their names, in a manual, non-algorithmical process. The image inserts also went through a similar removal procedure, selected from a personal collection of photos holding memories with the physical space in time.
When the names, towers and skyscrapers are erased, the boundary of 𝘵𝘩𝘦 city becomes a vessel for 𝘢 city, and 𝘢𝘯𝘺 cities. The silhouette may look like 𝘵𝘩𝘦 city, but no one can deny the possibility of another city that have appeared or to be appeared, fits exactly into this void.
When the names, towers and skyscrapers are invisible, the city itself becomes more visible. 𝘛𝘩𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘪𝘴 𝘮𝘢𝘳𝘬𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘢𝘣𝘴𝘦𝘯𝘤𝘦. This contradiction between visible and invisible is contained and mediated by the boundaries, which may appeared as explicit lines and pointers, but with infinite width and fractal qualities.
included in 𝘤𝘰𝘥𝘦.𝘱𝘳𝘪𝘯𝘵();
Print and Code Course Showcase
IDM Gallery, 3rd fl, 370 Jay St
Dec 12, 2025

(continued from previous post)
For the 55 cities described in Calvino's book, any words related to cities and the concept of city are removed from the text along with their names, in a manual, non-algorithmical process. The image inserts also went through a similar removal procedure, selected from a personal collection of photos holding memories with the physical space in time.
When the names, towers and skyscrapers are erased, the boundary of 𝘵𝘩𝘦 city becomes a vessel for 𝘢 city, and 𝘢𝘯𝘺 cities. The silhouette may look like 𝘵𝘩𝘦 city, but no one can deny the possibility of another city that have appeared or to be appeared, fits exactly into this void.
When the names, towers and skyscrapers are invisible, the city itself becomes more visible. 𝘛𝘩𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘪𝘴 𝘮𝘢𝘳𝘬𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘢𝘣𝘴𝘦𝘯𝘤𝘦. This contradiction between visible and invisible is contained and mediated by the boundaries, which may appeared as explicit lines and pointers, but with infinite width and fractal qualities.
included in 𝘤𝘰𝘥𝘦.𝘱𝘳𝘪𝘯𝘵();
Print and Code Course Showcase
IDM Gallery, 3rd fl, 370 Jay St
Dec 12, 2025

(continued from previous post)
For the 55 cities described in Calvino's book, any words related to cities and the concept of city are removed from the text along with their names, in a manual, non-algorithmical process. The image inserts also went through a similar removal procedure, selected from a personal collection of photos holding memories with the physical space in time.
When the names, towers and skyscrapers are erased, the boundary of 𝘵𝘩𝘦 city becomes a vessel for 𝘢 city, and 𝘢𝘯𝘺 cities. The silhouette may look like 𝘵𝘩𝘦 city, but no one can deny the possibility of another city that have appeared or to be appeared, fits exactly into this void.
When the names, towers and skyscrapers are invisible, the city itself becomes more visible. 𝘛𝘩𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘪𝘴 𝘮𝘢𝘳𝘬𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘢𝘣𝘴𝘦𝘯𝘤𝘦. This contradiction between visible and invisible is contained and mediated by the boundaries, which may appeared as explicit lines and pointers, but with infinite width and fractal qualities.
included in 𝘤𝘰𝘥𝘦.𝘱𝘳𝘪𝘯𝘵();
Print and Code Course Showcase
IDM Gallery, 3rd fl, 370 Jay St
Dec 12, 2025

(continued from previous post)
For the 55 cities described in Calvino's book, any words related to cities and the concept of city are removed from the text along with their names, in a manual, non-algorithmical process. The image inserts also went through a similar removal procedure, selected from a personal collection of photos holding memories with the physical space in time.
When the names, towers and skyscrapers are erased, the boundary of 𝘵𝘩𝘦 city becomes a vessel for 𝘢 city, and 𝘢𝘯𝘺 cities. The silhouette may look like 𝘵𝘩𝘦 city, but no one can deny the possibility of another city that have appeared or to be appeared, fits exactly into this void.
When the names, towers and skyscrapers are invisible, the city itself becomes more visible. 𝘛𝘩𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘪𝘴 𝘮𝘢𝘳𝘬𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘢𝘣𝘴𝘦𝘯𝘤𝘦. This contradiction between visible and invisible is contained and mediated by the boundaries, which may appeared as explicit lines and pointers, but with infinite width and fractal qualities.
included in 𝘤𝘰𝘥𝘦.𝘱𝘳𝘪𝘯𝘵();
Print and Code Course Showcase
IDM Gallery, 3rd fl, 370 Jay St
Dec 12, 2025

(continued from previous post)
For the 55 cities described in Calvino's book, any words related to cities and the concept of city are removed from the text along with their names, in a manual, non-algorithmical process. The image inserts also went through a similar removal procedure, selected from a personal collection of photos holding memories with the physical space in time.
When the names, towers and skyscrapers are erased, the boundary of 𝘵𝘩𝘦 city becomes a vessel for 𝘢 city, and 𝘢𝘯𝘺 cities. The silhouette may look like 𝘵𝘩𝘦 city, but no one can deny the possibility of another city that have appeared or to be appeared, fits exactly into this void.
When the names, towers and skyscrapers are invisible, the city itself becomes more visible. 𝘛𝘩𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦 𝘪𝘴 𝘮𝘢𝘳𝘬𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘢𝘣𝘴𝘦𝘯𝘤𝘦. This contradiction between visible and invisible is contained and mediated by the boundaries, which may appeared as explicit lines and pointers, but with infinite width and fractal qualities.
included in 𝘤𝘰𝘥𝘦.𝘱𝘳𝘪𝘯𝘵();
Print and Code Course Showcase
IDM Gallery, 3rd fl, 370 Jay St
Dec 12, 2025

This is the city in my eyes.
The trees, the waves, the sky. They might be hidden behind the buildings and office ceilings, but their presence is persistent and genuine. Calvino writes in 𝘐𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘊𝘪𝘵𝘪𝘦𝘴, “𝘢𝘯 𝘪𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦 𝘤𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴 𝘵𝘩𝘦 𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘰𝘯𝘦.” What we considered as the city are surrounded by the elements, marking the boundary between them. If we turn the city out of focus into blankness, there must be some moments of peace stationed on the horizon, and I peek through the outline of the invisible city.
What can we own in 𝘵𝘩𝘦 city? An identity status, an occupation, or an over-charged rental apartment? At least we can have the sky, anytime when we look across that boundary.
(continues to next post)

This is the city in my eyes.
The trees, the waves, the sky. They might be hidden behind the buildings and office ceilings, but their presence is persistent and genuine. Calvino writes in 𝘐𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘊𝘪𝘵𝘪𝘦𝘴, “𝘢𝘯 𝘪𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦 𝘤𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴 𝘵𝘩𝘦 𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘰𝘯𝘦.” What we considered as the city are surrounded by the elements, marking the boundary between them. If we turn the city out of focus into blankness, there must be some moments of peace stationed on the horizon, and I peek through the outline of the invisible city.
What can we own in 𝘵𝘩𝘦 city? An identity status, an occupation, or an over-charged rental apartment? At least we can have the sky, anytime when we look across that boundary.
(continues to next post)

This is the city in my eyes.
The trees, the waves, the sky. They might be hidden behind the buildings and office ceilings, but their presence is persistent and genuine. Calvino writes in 𝘐𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘊𝘪𝘵𝘪𝘦𝘴, “𝘢𝘯 𝘪𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦 𝘤𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴 𝘵𝘩𝘦 𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘰𝘯𝘦.” What we considered as the city are surrounded by the elements, marking the boundary between them. If we turn the city out of focus into blankness, there must be some moments of peace stationed on the horizon, and I peek through the outline of the invisible city.
What can we own in 𝘵𝘩𝘦 city? An identity status, an occupation, or an over-charged rental apartment? At least we can have the sky, anytime when we look across that boundary.
(continues to next post)

This is the city in my eyes.
The trees, the waves, the sky. They might be hidden behind the buildings and office ceilings, but their presence is persistent and genuine. Calvino writes in 𝘐𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘊𝘪𝘵𝘪𝘦𝘴, “𝘢𝘯 𝘪𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦 𝘤𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴 𝘵𝘩𝘦 𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘰𝘯𝘦.” What we considered as the city are surrounded by the elements, marking the boundary between them. If we turn the city out of focus into blankness, there must be some moments of peace stationed on the horizon, and I peek through the outline of the invisible city.
What can we own in 𝘵𝘩𝘦 city? An identity status, an occupation, or an over-charged rental apartment? At least we can have the sky, anytime when we look across that boundary.
(continues to next post)

This is the city in my eyes.
The trees, the waves, the sky. They might be hidden behind the buildings and office ceilings, but their presence is persistent and genuine. Calvino writes in 𝘐𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘊𝘪𝘵𝘪𝘦𝘴, “𝘢𝘯 𝘪𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦 𝘤𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴 𝘵𝘩𝘦 𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘰𝘯𝘦.” What we considered as the city are surrounded by the elements, marking the boundary between them. If we turn the city out of focus into blankness, there must be some moments of peace stationed on the horizon, and I peek through the outline of the invisible city.
What can we own in 𝘵𝘩𝘦 city? An identity status, an occupation, or an over-charged rental apartment? At least we can have the sky, anytime when we look across that boundary.
(continues to next post)

This is the city in my eyes.
The trees, the waves, the sky. They might be hidden behind the buildings and office ceilings, but their presence is persistent and genuine. Calvino writes in 𝘐𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘊𝘪𝘵𝘪𝘦𝘴, “𝘢𝘯 𝘪𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦 𝘤𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴 𝘵𝘩𝘦 𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘰𝘯𝘦.” What we considered as the city are surrounded by the elements, marking the boundary between them. If we turn the city out of focus into blankness, there must be some moments of peace stationed on the horizon, and I peek through the outline of the invisible city.
What can we own in 𝘵𝘩𝘦 city? An identity status, an occupation, or an over-charged rental apartment? At least we can have the sky, anytime when we look across that boundary.
(continues to next post)

This is the city in my eyes.
The trees, the waves, the sky. They might be hidden behind the buildings and office ceilings, but their presence is persistent and genuine. Calvino writes in 𝘐𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘊𝘪𝘵𝘪𝘦𝘴, “𝘢𝘯 𝘪𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦 𝘤𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴 𝘵𝘩𝘦 𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘰𝘯𝘦.” What we considered as the city are surrounded by the elements, marking the boundary between them. If we turn the city out of focus into blankness, there must be some moments of peace stationed on the horizon, and I peek through the outline of the invisible city.
What can we own in 𝘵𝘩𝘦 city? An identity status, an occupation, or an over-charged rental apartment? At least we can have the sky, anytime when we look across that boundary.
(continues to next post)

This is the city in my eyes.
The trees, the waves, the sky. They might be hidden behind the buildings and office ceilings, but their presence is persistent and genuine. Calvino writes in 𝘐𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘊𝘪𝘵𝘪𝘦𝘴, “𝘢𝘯 𝘪𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦 𝘤𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴 𝘵𝘩𝘦 𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘰𝘯𝘦.” What we considered as the city are surrounded by the elements, marking the boundary between them. If we turn the city out of focus into blankness, there must be some moments of peace stationed on the horizon, and I peek through the outline of the invisible city.
What can we own in 𝘵𝘩𝘦 city? An identity status, an occupation, or an over-charged rental apartment? At least we can have the sky, anytime when we look across that boundary.
(continues to next post)

Sharing some photos from the performance, and a few behind the scenes moments with me & @enddle.work
So grateful to work with so many talented artists @delirious_dances and to spend a beautiful fall season on Staten Island. Thank you for the space!! @thenewhousecenter
Photos @adrianbuckmaster & mirembe @enddle.work @fenglin.art

Sharing some photos from the performance, and a few behind the scenes moments with me & @enddle.work
So grateful to work with so many talented artists @delirious_dances and to spend a beautiful fall season on Staten Island. Thank you for the space!! @thenewhousecenter
Photos @adrianbuckmaster & mirembe @enddle.work @fenglin.art

Sharing some photos from the performance, and a few behind the scenes moments with me & @enddle.work
So grateful to work with so many talented artists @delirious_dances and to spend a beautiful fall season on Staten Island. Thank you for the space!! @thenewhousecenter
Photos @adrianbuckmaster & mirembe @enddle.work @fenglin.art

Sharing some photos from the performance, and a few behind the scenes moments with me & @enddle.work
So grateful to work with so many talented artists @delirious_dances and to spend a beautiful fall season on Staten Island. Thank you for the space!! @thenewhousecenter
Photos @adrianbuckmaster & mirembe @enddle.work @fenglin.art

Sharing some photos from the performance, and a few behind the scenes moments with me & @enddle.work
So grateful to work with so many talented artists @delirious_dances and to spend a beautiful fall season on Staten Island. Thank you for the space!! @thenewhousecenter
Photos @adrianbuckmaster & mirembe @enddle.work @fenglin.art

Sharing some photos from the performance, and a few behind the scenes moments with me & @enddle.work
So grateful to work with so many talented artists @delirious_dances and to spend a beautiful fall season on Staten Island. Thank you for the space!! @thenewhousecenter
Photos @adrianbuckmaster & mirembe @enddle.work @fenglin.art

Sharing some photos from the performance, and a few behind the scenes moments with me & @enddle.work
So grateful to work with so many talented artists @delirious_dances and to spend a beautiful fall season on Staten Island. Thank you for the space!! @thenewhousecenter
Photos @adrianbuckmaster & mirembe @enddle.work @fenglin.art

Sharing some photos from the performance, and a few behind the scenes moments with me & @enddle.work
So grateful to work with so many talented artists @delirious_dances and to spend a beautiful fall season on Staten Island. Thank you for the space!! @thenewhousecenter
Photos @adrianbuckmaster & mirembe @enddle.work @fenglin.art

Sharing some photos from the performance, and a few behind the scenes moments with me & @enddle.work
So grateful to work with so many talented artists @delirious_dances and to spend a beautiful fall season on Staten Island. Thank you for the space!! @thenewhousecenter
Photos @adrianbuckmaster & mirembe @enddle.work @fenglin.art

Sharing some photos from the performance, and a few behind the scenes moments with me & @enddle.work
So grateful to work with so many talented artists @delirious_dances and to spend a beautiful fall season on Staten Island. Thank you for the space!! @thenewhousecenter
Photos @adrianbuckmaster & mirembe @enddle.work @fenglin.art
The full interactive lighting flow we created for Wasteland!a by @delirious_dances
This space was conceived as a transitional tunnel, a birth canal between states of being, echoing how life first emerged from the ocean.🔹
We created a 16 channel LED system that responds to movement throughout the space, with the real time lighting behavior designed in TouchDesigner by @enddle.work
While I developed the physical LED structure and we co-fabricated the entire tunnel installation.
The Newhouse Center for Contemporary Art
@thenewhousecenter
Sept 19–28, 2025
Video by @fenglin.art
#installationart #interactiveart #newmediaart #lightart #immersiveart

still can't believe I flew all the way to Brazil and had my VJ debut show in the mountains ⛰️ it was such a crazy and unforgettable experience and the energy and weather in Rio are simply amazing
learning to do better sets and hope to meet you all again 🤙🤙🤙
photo @danielmrts

still can't believe I flew all the way to Brazil and had my VJ debut show in the mountains ⛰️ it was such a crazy and unforgettable experience and the energy and weather in Rio are simply amazing
learning to do better sets and hope to meet you all again 🤙🤙🤙
photo @danielmrts

still can't believe I flew all the way to Brazil and had my VJ debut show in the mountains ⛰️ it was such a crazy and unforgettable experience and the energy and weather in Rio are simply amazing
learning to do better sets and hope to meet you all again 🤙🤙🤙
photo @danielmrts

still can't believe I flew all the way to Brazil and had my VJ debut show in the mountains ⛰️ it was such a crazy and unforgettable experience and the energy and weather in Rio are simply amazing
learning to do better sets and hope to meet you all again 🤙🤙🤙
photo @danielmrts

still can't believe I flew all the way to Brazil and had my VJ debut show in the mountains ⛰️ it was such a crazy and unforgettable experience and the energy and weather in Rio are simply amazing
learning to do better sets and hope to meet you all again 🤙🤙🤙
photo @danielmrts



Olá, Brasil 🇧🇷🇧🇷
It was great fun and an amazing journey flying across the Americas to play at the mov dome in RTM!! 🗽🌎⛰️ @mov.festival @rockthemountain
Thanks to @vj.luv @danielmrts , and the producers, artists, and all the friends of mov! Obrigado!
dj @guscaram
photo @alnereis

Olá, Brasil 🇧🇷🇧🇷
It was great fun and an amazing journey flying across the Americas to play at the mov dome in RTM!! 🗽🌎⛰️ @mov.festival @rockthemountain
Thanks to @vj.luv @danielmrts , and the producers, artists, and all the friends of mov! Obrigado!
dj @guscaram
photo @alnereis

Olá, Brasil 🇧🇷🇧🇷
It was great fun and an amazing journey flying across the Americas to play at the mov dome in RTM!! 🗽🌎⛰️ @mov.festival @rockthemountain
Thanks to @vj.luv @danielmrts , and the producers, artists, and all the friends of mov! Obrigado!
dj @guscaram
photo @alnereis
Olá, Brasil 🇧🇷🇧🇷
It was great fun and an amazing journey flying across the Americas to play at the mov dome in RTM!! 🗽🌎⛰️ @mov.festival @rockthemountain
Thanks to @vj.luv @danielmrts , and the producers, artists, and all the friends of mov! Obrigado!
dj @guscaram
photo @alnereis

Olá, Brasil 🇧🇷🇧🇷
It was great fun and an amazing journey flying across the Americas to play at the mov dome in RTM!! 🗽🌎⛰️ @mov.festival @rockthemountain
Thanks to @vj.luv @danielmrts , and the producers, artists, and all the friends of mov! Obrigado!
dj @guscaram
photo @alnereis

Olá, Brasil 🇧🇷🇧🇷
It was great fun and an amazing journey flying across the Americas to play at the mov dome in RTM!! 🗽🌎⛰️ @mov.festival @rockthemountain
Thanks to @vj.luv @danielmrts , and the producers, artists, and all the friends of mov! Obrigado!
dj @guscaram
photo @alnereis
Olá, Brasil 🇧🇷🇧🇷
It was great fun and an amazing journey flying across the Americas to play at the mov dome in RTM!! 🗽🌎⛰️ @mov.festival @rockthemountain
Thanks to @vj.luv @danielmrts , and the producers, artists, and all the friends of mov! Obrigado!
dj @guscaram
photo @alnereis

Olá, Brasil 🇧🇷🇧🇷
It was great fun and an amazing journey flying across the Americas to play at the mov dome in RTM!! 🗽🌎⛰️ @mov.festival @rockthemountain
Thanks to @vj.luv @danielmrts , and the producers, artists, and all the friends of mov! Obrigado!
dj @guscaram
photo @alnereis

Olá, Brasil 🇧🇷🇧🇷
It was great fun and an amazing journey flying across the Americas to play at the mov dome in RTM!! 🗽🌎⛰️ @mov.festival @rockthemountain
Thanks to @vj.luv @danielmrts , and the producers, artists, and all the friends of mov! Obrigado!
dj @guscaram
photo @alnereis
"𝘛𝘩𝘦 𝘭𝘪𝘨𝘩𝘵𝘴 𝘳𝘶𝘯𝘯𝘪𝘯𝘨 𝘰𝘧𝘧 𝘴𝘶𝘣𝘸𝘢𝘺 𝘸𝘪𝘯𝘥𝘰𝘸𝘴, 𝘐 𝘵𝘩𝘪𝘯𝘬 𝘵𝘩𝘦𝘺 𝘭𝘰𝘰𝘬 𝘭𝘪𝘬𝘦 𝘴𝘩𝘰𝘰𝘵𝘪𝘯𝘨 𝘴𝘵𝘢𝘳𝘴."
– Capturing this moment of playful imagination derived from daily commute, I took hours of recordings from different NYC train services, bending the image and sound, framing a temporary space that glides between the ordinary and imaginations.
performed live at @accentsisters
huge thanks to my collaborator Jiaoyang and our curator Q @melancholic_tomato

𝙏𝙝𝙞𝙣𝙜𝙨 𝙂𝙤𝙣𝙚 𝙎𝙤𝙪𝙩𝙝! 🧭 a sculpture made with hand-carved wood, aluminum plate, steel bolt, metal paint, patina stain spray, a magnetic rock from Iceland
Turning an imaginary future into a physical object, in which the shifting of Earth's magnetic pole speeds up and eventually flipped, causing catastrophic impacts on human civilization...
Background research looks into the power structure of directions throughout history, how people define and construct directions not only practically, but also politically - When things go south, will it be bad or will it be good?
also thanks @urcrunching for the rock 🪨

𝙏𝙝𝙞𝙣𝙜𝙨 𝙂𝙤𝙣𝙚 𝙎𝙤𝙪𝙩𝙝! 🧭 a sculpture made with hand-carved wood, aluminum plate, steel bolt, metal paint, patina stain spray, a magnetic rock from Iceland
Turning an imaginary future into a physical object, in which the shifting of Earth's magnetic pole speeds up and eventually flipped, causing catastrophic impacts on human civilization...
Background research looks into the power structure of directions throughout history, how people define and construct directions not only practically, but also politically - When things go south, will it be bad or will it be good?
also thanks @urcrunching for the rock 🪨

𝙏𝙝𝙞𝙣𝙜𝙨 𝙂𝙤𝙣𝙚 𝙎𝙤𝙪𝙩𝙝! 🧭 a sculpture made with hand-carved wood, aluminum plate, steel bolt, metal paint, patina stain spray, a magnetic rock from Iceland
Turning an imaginary future into a physical object, in which the shifting of Earth's magnetic pole speeds up and eventually flipped, causing catastrophic impacts on human civilization...
Background research looks into the power structure of directions throughout history, how people define and construct directions not only practically, but also politically - When things go south, will it be bad or will it be good?
also thanks @urcrunching for the rock 🪨

𝙏𝙝𝙞𝙣𝙜𝙨 𝙂𝙤𝙣𝙚 𝙎𝙤𝙪𝙩𝙝! 🧭 a sculpture made with hand-carved wood, aluminum plate, steel bolt, metal paint, patina stain spray, a magnetic rock from Iceland
Turning an imaginary future into a physical object, in which the shifting of Earth's magnetic pole speeds up and eventually flipped, causing catastrophic impacts on human civilization...
Background research looks into the power structure of directions throughout history, how people define and construct directions not only practically, but also politically - When things go south, will it be bad or will it be good?
also thanks @urcrunching for the rock 🪨

𝙏𝙝𝙞𝙣𝙜𝙨 𝙂𝙤𝙣𝙚 𝙎𝙤𝙪𝙩𝙝! 🧭 a sculpture made with hand-carved wood, aluminum plate, steel bolt, metal paint, patina stain spray, a magnetic rock from Iceland
Turning an imaginary future into a physical object, in which the shifting of Earth's magnetic pole speeds up and eventually flipped, causing catastrophic impacts on human civilization...
Background research looks into the power structure of directions throughout history, how people define and construct directions not only practically, but also politically - When things go south, will it be bad or will it be good?
also thanks @urcrunching for the rock 🪨

𝙏𝙝𝙞𝙣𝙜𝙨 𝙂𝙤𝙣𝙚 𝙎𝙤𝙪𝙩𝙝! 🧭 a sculpture made with hand-carved wood, aluminum plate, steel bolt, metal paint, patina stain spray, a magnetic rock from Iceland
Turning an imaginary future into a physical object, in which the shifting of Earth's magnetic pole speeds up and eventually flipped, causing catastrophic impacts on human civilization...
Background research looks into the power structure of directions throughout history, how people define and construct directions not only practically, but also politically - When things go south, will it be bad or will it be good?
also thanks @urcrunching for the rock 🪨

𝙏𝙝𝙞𝙣𝙜𝙨 𝙂𝙤𝙣𝙚 𝙎𝙤𝙪𝙩𝙝! 🧭 a sculpture made with hand-carved wood, aluminum plate, steel bolt, metal paint, patina stain spray, a magnetic rock from Iceland
Turning an imaginary future into a physical object, in which the shifting of Earth's magnetic pole speeds up and eventually flipped, causing catastrophic impacts on human civilization...
Background research looks into the power structure of directions throughout history, how people define and construct directions not only practically, but also politically - When things go south, will it be bad or will it be good?
also thanks @urcrunching for the rock 🪨

𝙏𝙝𝙞𝙣𝙜𝙨 𝙂𝙤𝙣𝙚 𝙎𝙤𝙪𝙩𝙝! 🧭 a sculpture made with hand-carved wood, aluminum plate, steel bolt, metal paint, patina stain spray, a magnetic rock from Iceland
Turning an imaginary future into a physical object, in which the shifting of Earth's magnetic pole speeds up and eventually flipped, causing catastrophic impacts on human civilization...
Background research looks into the power structure of directions throughout history, how people define and construct directions not only practically, but also politically - When things go south, will it be bad or will it be good?
also thanks @urcrunching for the rock 🪨

𝙏𝙝𝙞𝙣𝙜𝙨 𝙂𝙤𝙣𝙚 𝙎𝙤𝙪𝙩𝙝! 🧭 a sculpture made with hand-carved wood, aluminum plate, steel bolt, metal paint, patina stain spray, a magnetic rock from Iceland
Turning an imaginary future into a physical object, in which the shifting of Earth's magnetic pole speeds up and eventually flipped, causing catastrophic impacts on human civilization...
Background research looks into the power structure of directions throughout history, how people define and construct directions not only practically, but also politically - When things go south, will it be bad or will it be good?
also thanks @urcrunching for the rock 🪨

𝙏𝙝𝙞𝙣𝙜𝙨 𝙂𝙤𝙣𝙚 𝙎𝙤𝙪𝙩𝙝! 🧭 a sculpture made with hand-carved wood, aluminum plate, steel bolt, metal paint, patina stain spray, a magnetic rock from Iceland
Turning an imaginary future into a physical object, in which the shifting of Earth's magnetic pole speeds up and eventually flipped, causing catastrophic impacts on human civilization...
Background research looks into the power structure of directions throughout history, how people define and construct directions not only practically, but also politically - When things go south, will it be bad or will it be good?
also thanks @urcrunching for the rock 🪨

𝙏𝙝𝙞𝙣𝙜𝙨 𝙂𝙤𝙣𝙚 𝙎𝙤𝙪𝙩𝙝! 🧭 a sculpture made with hand-carved wood, aluminum plate, steel bolt, metal paint, patina stain spray, a magnetic rock from Iceland
Turning an imaginary future into a physical object, in which the shifting of Earth's magnetic pole speeds up and eventually flipped, causing catastrophic impacts on human civilization...
Background research looks into the power structure of directions throughout history, how people define and construct directions not only practically, but also politically - When things go south, will it be bad or will it be good?
also thanks @urcrunching for the rock 🪨
𝙏𝙝𝙞𝙣𝙜𝙨 𝙂𝙤𝙣𝙚 𝙎𝙤𝙪𝙩𝙝! 🧭 a sculpture made with hand-carved wood, aluminum plate, steel bolt, metal paint, patina stain spray, a magnetic rock from Iceland
Turning an imaginary future into a physical object, in which the shifting of Earth's magnetic pole speeds up and eventually flipped, causing catastrophic impacts on human civilization...
Background research looks into the power structure of directions throughout history, how people define and construct directions not only practically, but also politically - When things go south, will it be bad or will it be good?
also thanks @urcrunching for the rock 🪨

𝙏𝙝𝙞𝙣𝙜𝙨 𝙂𝙤𝙣𝙚 𝙎𝙤𝙪𝙩𝙝! 🧭 a sculpture made with hand-carved wood, aluminum plate, steel bolt, metal paint, patina stain spray, a magnetic rock from Iceland
Turning an imaginary future into a physical object, in which the shifting of Earth's magnetic pole speeds up and eventually flipped, causing catastrophic impacts on human civilization...
Background research looks into the power structure of directions throughout history, how people define and construct directions not only practically, but also politically - When things go south, will it be bad or will it be good?
also thanks @urcrunching for the rock 🪨

𝙏𝙝𝙞𝙣𝙜𝙨 𝙂𝙤𝙣𝙚 𝙎𝙤𝙪𝙩𝙝! 🧭 a sculpture made with hand-carved wood, aluminum plate, steel bolt, metal paint, patina stain spray, a magnetic rock from Iceland
Turning an imaginary future into a physical object, in which the shifting of Earth's magnetic pole speeds up and eventually flipped, causing catastrophic impacts on human civilization...
Background research looks into the power structure of directions throughout history, how people define and construct directions not only practically, but also politically - When things go south, will it be bad or will it be good?
also thanks @urcrunching for the rock 🪨

a participatory performance and sculpture made from repurposed plastic bags, for one individual animal
Exhibited in "Endangered Animals" Fall 2025 Ideation & Prototype grad class show, IDM Gallery
October 24–30, 2025
a participatory performance and sculpture made from repurposed plastic bags, for one individual animal
Exhibited in "Endangered Animals" Fall 2025 Ideation & Prototype grad class show, IDM Gallery
October 24–30, 2025
a participatory performance and sculpture made from repurposed plastic bags, for one individual animal
Exhibited in "Endangered Animals" Fall 2025 Ideation & Prototype grad class show, IDM Gallery
October 24–30, 2025

a participatory performance and sculpture made from repurposed plastic bags, for one individual animal
Exhibited in "Endangered Animals" Fall 2025 Ideation & Prototype grad class show, IDM Gallery
October 24–30, 2025

a participatory performance and sculpture made from repurposed plastic bags, for one individual animal
Exhibited in "Endangered Animals" Fall 2025 Ideation & Prototype grad class show, IDM Gallery
October 24–30, 2025

a participatory performance and sculpture made from repurposed plastic bags, for one individual animal
Exhibited in "Endangered Animals" Fall 2025 Ideation & Prototype grad class show, IDM Gallery
October 24–30, 2025

a participatory performance and sculpture made from repurposed plastic bags, for one individual animal
Exhibited in "Endangered Animals" Fall 2025 Ideation & Prototype grad class show, IDM Gallery
October 24–30, 2025

a participatory performance and sculpture made from repurposed plastic bags, for one individual animal
Exhibited in "Endangered Animals" Fall 2025 Ideation & Prototype grad class show, IDM Gallery
October 24–30, 2025

a participatory performance and sculpture made from repurposed plastic bags, for one individual animal
Exhibited in "Endangered Animals" Fall 2025 Ideation & Prototype grad class show, IDM Gallery
October 24–30, 2025

posting more photos/videos from previous interactive light installation.
as part of
𝐖𝐚𝐬𝐭𝐞𝐥𝐚𝐧𝐝!𝐚 by Delirious Dances @delirious_dances
Sept 19–28, 2025
Newhouse Center for Contemporary Art at Snug Harbor @thenewhousecenter
Staten Island, NY
Interactive Technology:
@enddle.work @fenglin.art
photo by @enddle.work
posting more photos/videos from previous interactive light installation.
as part of
𝐖𝐚𝐬𝐭𝐞𝐥𝐚𝐧𝐝!𝐚 by Delirious Dances @delirious_dances
Sept 19–28, 2025
Newhouse Center for Contemporary Art at Snug Harbor @thenewhousecenter
Staten Island, NY
Interactive Technology:
@enddle.work @fenglin.art
photo by @enddle.work

posting more photos/videos from previous interactive light installation.
as part of
𝐖𝐚𝐬𝐭𝐞𝐥𝐚𝐧𝐝!𝐚 by Delirious Dances @delirious_dances
Sept 19–28, 2025
Newhouse Center for Contemporary Art at Snug Harbor @thenewhousecenter
Staten Island, NY
Interactive Technology:
@enddle.work @fenglin.art
photo by @enddle.work

posting more photos/videos from previous interactive light installation.
as part of
𝐖𝐚𝐬𝐭𝐞𝐥𝐚𝐧𝐝!𝐚 by Delirious Dances @delirious_dances
Sept 19–28, 2025
Newhouse Center for Contemporary Art at Snug Harbor @thenewhousecenter
Staten Island, NY
Interactive Technology:
@enddle.work @fenglin.art
photo by @enddle.work

posting more photos/videos from previous interactive light installation.
as part of
𝐖𝐚𝐬𝐭𝐞𝐥𝐚𝐧𝐝!𝐚 by Delirious Dances @delirious_dances
Sept 19–28, 2025
Newhouse Center for Contemporary Art at Snug Harbor @thenewhousecenter
Staten Island, NY
Interactive Technology:
@enddle.work @fenglin.art
photo by @enddle.work

posting more photos/videos from previous interactive light installation.
as part of
𝐖𝐚𝐬𝐭𝐞𝐥𝐚𝐧𝐝!𝐚 by Delirious Dances @delirious_dances
Sept 19–28, 2025
Newhouse Center for Contemporary Art at Snug Harbor @thenewhousecenter
Staten Island, NY
Interactive Technology:
@enddle.work @fenglin.art
photo by @enddle.work

posting more photos/videos from previous interactive light installation.
as part of
𝐖𝐚𝐬𝐭𝐞𝐥𝐚𝐧𝐝!𝐚 by Delirious Dances @delirious_dances
Sept 19–28, 2025
Newhouse Center for Contemporary Art at Snug Harbor @thenewhousecenter
Staten Island, NY
Interactive Technology:
@enddle.work @fenglin.art
photo by @enddle.work
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