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Episode 3 Great Expectations.
Pip goes to London.

The stills from the first slide best show the look shift from ‘Home’ to ‘London’. Both frames had scene headings of day interior with daylight and firelight informing the lighting. Where they differ is the ratio between the two sources. At ‘Home’ we’d let the warm firelight fill the room more and justify keys on faces. Whilst in ‘London’ the cool daylight would dominate and the warm light would be suppressed. Compositionally it was all about putting Pip into 2shot confrontations, making him feel lonely in a frame and at times losing him in amongst the chaos of London. Toby’s grade helped further and support all of these ideas.

#greatexpectations #cinematography #directorofphotography #hulu #bbc

Episode 3 Great Expectations.
Pip goes to London.

The stills from the first slide best show the look shift from ‘Home’ to ‘London’. Both frames had scene headings of day interior with daylight and firelight informing the lighting. Where they differ is the ratio between the two sources. At ‘Home’ we’d let the warm firelight fill the room more and justify keys on faces. Whilst in ‘London’ the cool daylight would dominate and the warm light would be suppressed. Compositionally it was all about putting Pip into 2shot confrontations, making him feel lonely in a frame and at times losing him in amongst the chaos of London. Toby’s grade helped further and support all of these ideas.

#greatexpectations #cinematography #directorofphotography #hulu #bbc

Episode 3 Great Expectations.
Pip goes to London.

The stills from the first slide best show the look shift from ‘Home’ to ‘London’. Both frames had scene headings of day interior with daylight and firelight informing the lighting. Where they differ is the ratio between the two sources. At ‘Home’ we’d let the warm firelight fill the room more and justify keys on faces. Whilst in ‘London’ the cool daylight would dominate and the warm light would be suppressed. Compositionally it was all about putting Pip into 2shot confrontations, making him feel lonely in a frame and at times losing him in amongst the chaos of London. Toby’s grade helped further and support all of these ideas.

#greatexpectations #cinematography #directorofphotography #hulu #bbc

Episode 3 Great Expectations.
Pip goes to London.

The stills from the first slide best show the look shift from ‘Home’ to ‘London’. Both frames had scene headings of day interior with daylight and firelight informing the lighting. Where they differ is the ratio between the two sources. At ‘Home’ we’d let the warm firelight fill the room more and justify keys on faces. Whilst in ‘London’ the cool daylight would dominate and the warm light would be suppressed. Compositionally it was all about putting Pip into 2shot confrontations, making him feel lonely in a frame and at times losing him in amongst the chaos of London. Toby’s grade helped further and support all of these ideas.

#greatexpectations #cinematography #directorofphotography #hulu #bbc

Episode 3 Great Expectations.
Pip goes to London.

The stills from the first slide best show the look shift from ‘Home’ to ‘London’. Both frames had scene headings of day interior with daylight and firelight informing the lighting. Where they differ is the ratio between the two sources. At ‘Home’ we’d let the warm firelight fill the room more and justify keys on faces. Whilst in ‘London’ the cool daylight would dominate and the warm light would be suppressed. Compositionally it was all about putting Pip into 2shot confrontations, making him feel lonely in a frame and at times losing him in amongst the chaos of London. Toby’s grade helped further and support all of these ideas.

#greatexpectations #cinematography #directorofphotography #hulu #bbc

Episode 3 Great Expectations.
Pip goes to London.

The stills from the first slide best show the look shift from ‘Home’ to ‘London’. Both frames had scene headings of day interior with daylight and firelight informing the lighting. Where they differ is the ratio between the two sources. At ‘Home’ we’d let the warm firelight fill the room more and justify keys on faces. Whilst in ‘London’ the cool daylight would dominate and the warm light would be suppressed. Compositionally it was all about putting Pip into 2shot confrontations, making him feel lonely in a frame and at times losing him in amongst the chaos of London. Toby’s grade helped further and support all of these ideas.

#greatexpectations #cinematography #directorofphotography #hulu #bbc

Episode 3 Great Expectations.
Pip goes to London.

The stills from the first slide best show the look shift from ‘Home’ to ‘London’. Both frames had scene headings of day interior with daylight and firelight informing the lighting. Where they differ is the ratio between the two sources. At ‘Home’ we’d let the warm firelight fill the room more and justify keys on faces. Whilst in ‘London’ the cool daylight would dominate and the warm light would be suppressed. Compositionally it was all about putting Pip into 2shot confrontations, making him feel lonely in a frame and at times losing him in amongst the chaos of London. Toby’s grade helped further and support all of these ideas.

#greatexpectations #cinematography #directorofphotography #hulu #bbc

Episode 3 Great Expectations.
Pip goes to London.

The stills from the first slide best show the look shift from ‘Home’ to ‘London’. Both frames had scene headings of day interior with daylight and firelight informing the lighting. Where they differ is the ratio between the two sources. At ‘Home’ we’d let the warm firelight fill the room more and justify keys on faces. Whilst in ‘London’ the cool daylight would dominate and the warm light would be suppressed. Compositionally it was all about putting Pip into 2shot confrontations, making him feel lonely in a frame and at times losing him in amongst the chaos of London. Toby’s grade helped further and support all of these ideas.

#greatexpectations #cinematography #directorofphotography #hulu #bbc

Episode 3 Great Expectations.
Pip goes to London.

The stills from the first slide best show the look shift from ‘Home’ to ‘London’. Both frames had scene headings of day interior with daylight and firelight informing the lighting. Where they differ is the ratio between the two sources. At ‘Home’ we’d let the warm firelight fill the room more and justify keys on faces. Whilst in ‘London’ the cool daylight would dominate and the warm light would be suppressed. Compositionally it was all about putting Pip into 2shot confrontations, making him feel lonely in a frame and at times losing him in amongst the chaos of London. Toby’s grade helped further and support all of these ideas.

#greatexpectations #cinematography #directorofphotography #hulu #bbc

Episode 3 Great Expectations.
Pip goes to London.

The stills from the first slide best show the look shift from ‘Home’ to ‘London’. Both frames had scene headings of day interior with daylight and firelight informing the lighting. Where they differ is the ratio between the two sources. At ‘Home’ we’d let the warm firelight fill the room more and justify keys on faces. Whilst in ‘London’ the cool daylight would dominate and the warm light would be suppressed. Compositionally it was all about putting Pip into 2shot confrontations, making him feel lonely in a frame and at times losing him in amongst the chaos of London. Toby’s grade helped further and support all of these ideas.

#greatexpectations #cinematography #directorofphotography #hulu #bbc

Episode 1 Great Expectations
Out now on BBC and Hulu

Feeling very lucky to have shot this cast, in these crazy sets, with Steven Knight scripts, alongside such an accomplished crew. And to top it all off get to grade those images with a colourist like Toby.

Thank you to BBC and FX for the invitation to the premiere too. Pictures of us on the red carpet at the end before they told me to get out of the frame.

#cinematography #greatexpectations #directorofphotography #hulu #bbc #perioddrama

Episode 1 Great Expectations
Out now on BBC and Hulu

Feeling very lucky to have shot this cast, in these crazy sets, with Steven Knight scripts, alongside such an accomplished crew. And to top it all off get to grade those images with a colourist like Toby.

Thank you to BBC and FX for the invitation to the premiere too. Pictures of us on the red carpet at the end before they told me to get out of the frame.

#cinematography #greatexpectations #directorofphotography #hulu #bbc #perioddrama

Episode 1 Great Expectations
Out now on BBC and Hulu

Feeling very lucky to have shot this cast, in these crazy sets, with Steven Knight scripts, alongside such an accomplished crew. And to top it all off get to grade those images with a colourist like Toby.

Thank you to BBC and FX for the invitation to the premiere too. Pictures of us on the red carpet at the end before they told me to get out of the frame.

#cinematography #greatexpectations #directorofphotography #hulu #bbc #perioddrama

Episode 1 Great Expectations
Out now on BBC and Hulu

Feeling very lucky to have shot this cast, in these crazy sets, with Steven Knight scripts, alongside such an accomplished crew. And to top it all off get to grade those images with a colourist like Toby.

Thank you to BBC and FX for the invitation to the premiere too. Pictures of us on the red carpet at the end before they told me to get out of the frame.

#cinematography #greatexpectations #directorofphotography #hulu #bbc #perioddrama

Episode 1 Great Expectations
Out now on BBC and Hulu

Feeling very lucky to have shot this cast, in these crazy sets, with Steven Knight scripts, alongside such an accomplished crew. And to top it all off get to grade those images with a colourist like Toby.

Thank you to BBC and FX for the invitation to the premiere too. Pictures of us on the red carpet at the end before they told me to get out of the frame.

#cinematography #greatexpectations #directorofphotography #hulu #bbc #perioddrama

Episode 1 Great Expectations
Out now on BBC and Hulu

Feeling very lucky to have shot this cast, in these crazy sets, with Steven Knight scripts, alongside such an accomplished crew. And to top it all off get to grade those images with a colourist like Toby.

Thank you to BBC and FX for the invitation to the premiere too. Pictures of us on the red carpet at the end before they told me to get out of the frame.

#cinematography #greatexpectations #directorofphotography #hulu #bbc #perioddrama

Episode 1 Great Expectations
Out now on BBC and Hulu

Feeling very lucky to have shot this cast, in these crazy sets, with Steven Knight scripts, alongside such an accomplished crew. And to top it all off get to grade those images with a colourist like Toby.

Thank you to BBC and FX for the invitation to the premiere too. Pictures of us on the red carpet at the end before they told me to get out of the frame.

#cinematography #greatexpectations #directorofphotography #hulu #bbc #perioddrama

Episode 1 Great Expectations
Out now on BBC and Hulu

Feeling very lucky to have shot this cast, in these crazy sets, with Steven Knight scripts, alongside such an accomplished crew. And to top it all off get to grade those images with a colourist like Toby.

Thank you to BBC and FX for the invitation to the premiere too. Pictures of us on the red carpet at the end before they told me to get out of the frame.

#cinematography #greatexpectations #directorofphotography #hulu #bbc #perioddrama

Episode 1 Great Expectations
Out now on BBC and Hulu

Feeling very lucky to have shot this cast, in these crazy sets, with Steven Knight scripts, alongside such an accomplished crew. And to top it all off get to grade those images with a colourist like Toby.

Thank you to BBC and FX for the invitation to the premiere too. Pictures of us on the red carpet at the end before they told me to get out of the frame.

#cinematography #greatexpectations #directorofphotography #hulu #bbc #perioddrama

Episode 1 Great Expectations
Out now on BBC and Hulu

Feeling very lucky to have shot this cast, in these crazy sets, with Steven Knight scripts, alongside such an accomplished crew. And to top it all off get to grade those images with a colourist like Toby.

Thank you to BBC and FX for the invitation to the premiere too. Pictures of us on the red carpet at the end before they told me to get out of the frame.

#cinematography #greatexpectations #directorofphotography #hulu #bbc #perioddrama

Topboy framez - Jamie

1. Moonlight reference moment.
2. One of my favourite shots I’ve ever done. Perfectly telling the story of Sully and Jamie for this season. Simple car rig with a slow zoom and expertly timed focus pulling between the light pools courtesy of the great @jonengl4nd
3. Unscripted moment. 10 minutes left in the day so we let the cast roam free for a moment of joy. It’s a bit rough around the edges but it feels so honest and beautiful

Topboy framez - Jamie

1. Moonlight reference moment.
2. One of my favourite shots I’ve ever done. Perfectly telling the story of Sully and Jamie for this season. Simple car rig with a slow zoom and expertly timed focus pulling between the light pools courtesy of the great @jonengl4nd
3. Unscripted moment. 10 minutes left in the day so we let the cast roam free for a moment of joy. It’s a bit rough around the edges but it feels so honest and beautiful

Topboy framez - Jamie

1. Moonlight reference moment.
2. One of my favourite shots I’ve ever done. Perfectly telling the story of Sully and Jamie for this season. Simple car rig with a slow zoom and expertly timed focus pulling between the light pools courtesy of the great @jonengl4nd
3. Unscripted moment. 10 minutes left in the day so we let the cast roam free for a moment of joy. It’s a bit rough around the edges but it feels so honest and beautiful

“Bait” on Amazon Prime

A selection of stills from episodes with director @tomgeorgefilm

From 8 minute oners on Brick Lane to… Bourne trilogy camerawork to… UV lighting to… Patrick Stewart pig head POVs. Safe to say I felt artistically alive shooting this series. Thank you to the brilliant creative minds and trust from @rizahmed @alliemoore22 + Ben Karlin

@amazonmgmstudios @itg_btl @george_rumsey_itg

“Bait” on Amazon Prime

A selection of stills from episodes with director @tomgeorgefilm

From 8 minute oners on Brick Lane to… Bourne trilogy camerawork to… UV lighting to… Patrick Stewart pig head POVs. Safe to say I felt artistically alive shooting this series. Thank you to the brilliant creative minds and trust from @rizahmed @alliemoore22 + Ben Karlin

@amazonmgmstudios @itg_btl @george_rumsey_itg

“Bait” on Amazon Prime

A selection of stills from episodes with director @tomgeorgefilm

From 8 minute oners on Brick Lane to… Bourne trilogy camerawork to… UV lighting to… Patrick Stewart pig head POVs. Safe to say I felt artistically alive shooting this series. Thank you to the brilliant creative minds and trust from @rizahmed @alliemoore22 + Ben Karlin

@amazonmgmstudios @itg_btl @george_rumsey_itg

“Bait” on Amazon Prime

A selection of stills from episodes with director @tomgeorgefilm

From 8 minute oners on Brick Lane to… Bourne trilogy camerawork to… UV lighting to… Patrick Stewart pig head POVs. Safe to say I felt artistically alive shooting this series. Thank you to the brilliant creative minds and trust from @rizahmed @alliemoore22 + Ben Karlin

@amazonmgmstudios @itg_btl @george_rumsey_itg

“Bait” on Amazon Prime

A selection of stills from episodes with director @tomgeorgefilm

From 8 minute oners on Brick Lane to… Bourne trilogy camerawork to… UV lighting to… Patrick Stewart pig head POVs. Safe to say I felt artistically alive shooting this series. Thank you to the brilliant creative minds and trust from @rizahmed @alliemoore22 + Ben Karlin

@amazonmgmstudios @itg_btl @george_rumsey_itg

“Bait” on Amazon Prime

A selection of stills from episodes with director @tomgeorgefilm

From 8 minute oners on Brick Lane to… Bourne trilogy camerawork to… UV lighting to… Patrick Stewart pig head POVs. Safe to say I felt artistically alive shooting this series. Thank you to the brilliant creative minds and trust from @rizahmed @alliemoore22 + Ben Karlin

@amazonmgmstudios @itg_btl @george_rumsey_itg

“Bait” on Amazon Prime

A selection of stills from episodes with director @tomgeorgefilm

From 8 minute oners on Brick Lane to… Bourne trilogy camerawork to… UV lighting to… Patrick Stewart pig head POVs. Safe to say I felt artistically alive shooting this series. Thank you to the brilliant creative minds and trust from @rizahmed @alliemoore22 + Ben Karlin

@amazonmgmstudios @itg_btl @george_rumsey_itg

“Bait” on Amazon Prime

A selection of stills from episodes with director @tomgeorgefilm

From 8 minute oners on Brick Lane to… Bourne trilogy camerawork to… UV lighting to… Patrick Stewart pig head POVs. Safe to say I felt artistically alive shooting this series. Thank you to the brilliant creative minds and trust from @rizahmed @alliemoore22 + Ben Karlin

@amazonmgmstudios @itg_btl @george_rumsey_itg

“Bait” on Amazon Prime

A selection of stills from episodes with director @tomgeorgefilm

From 8 minute oners on Brick Lane to… Bourne trilogy camerawork to… UV lighting to… Patrick Stewart pig head POVs. Safe to say I felt artistically alive shooting this series. Thank you to the brilliant creative minds and trust from @rizahmed @alliemoore22 + Ben Karlin

@amazonmgmstudios @itg_btl @george_rumsey_itg

“Legends” is now streaming worldwide on Netflix.
Director/second wife @hoodlumfilms
Creator/writer @mrneilforsyth

Episodes 1-4 made with love and dedication from the Hoodlum family: @potatoasteroid @pelsworld @akash_tp1 @verityhawkescostume @johnnyharris @hayzsquires @tobytomkins @harborpictureco @dcsidemedia @we.love.hue @milesridgway Derek, Sam, @thalia_ecclestone
— plus some brilliant new additions to the squad: Rob gaffer, Alfie grip, @jazziblackborow @thommycoombes @amlameenbaby @robbieoneill85 Naomi, Dimi + more

Thank you @arri_rental @arri for all the chutney.
Shot on @atlaslensco1.5x mercury. So happy we got to shoot in 2.39:1 thank you Netflix

@itg_btl @george_rumsey_itg

Iz and I at the ASC awards earlier this year. Nominated alongside some legends in the game.

Iz and I at the ASC awards earlier this year. Nominated alongside some legends in the game.

Iz and I at the ASC awards earlier this year. Nominated alongside some legends in the game.

Two cinematography nominations in a week! Thank you @the__asc and @bscine , it’s such an honour.

Behind the scenes photo from the opening scene of the episode being recognised. Taken by @mizuno.stills

Amazing names and shows to be considered with

Two cinematography nominations in a week! Thank you @the__asc and @bscine , it’s such an honour.

Behind the scenes photo from the opening scene of the episode being recognised. Taken by @mizuno.stills

Amazing names and shows to be considered with

Two cinematography nominations in a week! Thank you @the__asc and @bscine , it’s such an honour.

Behind the scenes photo from the opening scene of the episode being recognised. Taken by @mizuno.stills

Amazing names and shows to be considered with

Episode 2 of Great Expectations is out now on BBC and Hulu. Few of my favourite frames. This episode goes to some really dark and funny places with old and new characters. Jaggers played by @bashy is 🔥. Enjoy! And appreciate all the love from ep1.

#cinematography #cinematographer #directorofphotography #greatexpectations #hulu #bbc

Episode 2 of Great Expectations is out now on BBC and Hulu. Few of my favourite frames. This episode goes to some really dark and funny places with old and new characters. Jaggers played by @bashy is 🔥. Enjoy! And appreciate all the love from ep1.

#cinematography #cinematographer #directorofphotography #greatexpectations #hulu #bbc

Episode 2 of Great Expectations is out now on BBC and Hulu. Few of my favourite frames. This episode goes to some really dark and funny places with old and new characters. Jaggers played by @bashy is 🔥. Enjoy! And appreciate all the love from ep1.

#cinematography #cinematographer #directorofphotography #greatexpectations #hulu #bbc

Episode 2 of Great Expectations is out now on BBC and Hulu. Few of my favourite frames. This episode goes to some really dark and funny places with old and new characters. Jaggers played by @bashy is 🔥. Enjoy! And appreciate all the love from ep1.

#cinematography #cinematographer #directorofphotography #greatexpectations #hulu #bbc

Episode 2 of Great Expectations is out now on BBC and Hulu. Few of my favourite frames. This episode goes to some really dark and funny places with old and new characters. Jaggers played by @bashy is 🔥. Enjoy! And appreciate all the love from ep1.

#cinematography #cinematographer #directorofphotography #greatexpectations #hulu #bbc

Episode 2 of Great Expectations is out now on BBC and Hulu. Few of my favourite frames. This episode goes to some really dark and funny places with old and new characters. Jaggers played by @bashy is 🔥. Enjoy! And appreciate all the love from ep1.

#cinematography #cinematographer #directorofphotography #greatexpectations #hulu #bbc

Episode 2 of Great Expectations is out now on BBC and Hulu. Few of my favourite frames. This episode goes to some really dark and funny places with old and new characters. Jaggers played by @bashy is 🔥. Enjoy! And appreciate all the love from ep1.

#cinematography #cinematographer #directorofphotography #greatexpectations #hulu #bbc

Episode 2 of Great Expectations is out now on BBC and Hulu. Few of my favourite frames. This episode goes to some really dark and funny places with old and new characters. Jaggers played by @bashy is 🔥. Enjoy! And appreciate all the love from ep1.

#cinematography #cinematographer #directorofphotography #greatexpectations #hulu #bbc

Episode 2 of Great Expectations is out now on BBC and Hulu. Few of my favourite frames. This episode goes to some really dark and funny places with old and new characters. Jaggers played by @bashy is 🔥. Enjoy! And appreciate all the love from ep1.

#cinematography #cinematographer #directorofphotography #greatexpectations #hulu #bbc

Episode 2 of Great Expectations is out now on BBC and Hulu. Few of my favourite frames. This episode goes to some really dark and funny places with old and new characters. Jaggers played by @bashy is 🔥. Enjoy! And appreciate all the love from ep1.

#cinematography #cinematographer #directorofphotography #greatexpectations #hulu #bbc

Great Expectations trailer check it out 🎥 really proud to have shot episodes 1-4 of this. I’ll try and share some stills and BTS when it’s released.
.
A week today the first episode will be aired on BBC, FX and Hulu *Sunday 26th March*
.
One request if you do end up watching it…please tune on on iPlayer or Hulu as the image is far closer to the filmmaker’s intentions than broadcast. Too much beautiful work from the amazing cast and crewfor it not to be seen at it’s highest quality!

⭐️⭐️⭐️⭐️⭐️ - The Guardian
⭐️⭐️⭐️⭐️⭐️ - The Times
⭐️⭐️⭐️⭐️⭐️ - The Telegraph

Mad reviews out there for #SomewhereBoy
It continues tonight on channel 4 with @alexandrabrodski and myself at the helm. Thank you @clerkenwellfilms and @gavinogrady for having us.

Memory 1 - building rigs that never made the cut. Had to give Ash (grip) airtime for this somehow.
Memory 2 - epic sunsets in Wales whilst waiting for night with top gaffer Ben Purcell
Memory 3 - director Brodski with her two favourite things. The inflatable cat she tried to dress into every frame and her Gollum t shirt.
Memory 4 - Scott and Farah’s beautiful milestone boards. Presented by our leading man and all round nutcase @gribbenlewis

⭐️⭐️⭐️⭐️⭐️ - The Guardian
⭐️⭐️⭐️⭐️⭐️ - The Times
⭐️⭐️⭐️⭐️⭐️ - The Telegraph

Mad reviews out there for #SomewhereBoy
It continues tonight on channel 4 with @alexandrabrodski and myself at the helm. Thank you @clerkenwellfilms and @gavinogrady for having us.

Memory 1 - building rigs that never made the cut. Had to give Ash (grip) airtime for this somehow.
Memory 2 - epic sunsets in Wales whilst waiting for night with top gaffer Ben Purcell
Memory 3 - director Brodski with her two favourite things. The inflatable cat she tried to dress into every frame and her Gollum t shirt.
Memory 4 - Scott and Farah’s beautiful milestone boards. Presented by our leading man and all round nutcase @gribbenlewis

⭐️⭐️⭐️⭐️⭐️ - The Guardian
⭐️⭐️⭐️⭐️⭐️ - The Times
⭐️⭐️⭐️⭐️⭐️ - The Telegraph

Mad reviews out there for #SomewhereBoy
It continues tonight on channel 4 with @alexandrabrodski and myself at the helm. Thank you @clerkenwellfilms and @gavinogrady for having us.

Memory 1 - building rigs that never made the cut. Had to give Ash (grip) airtime for this somehow.
Memory 2 - epic sunsets in Wales whilst waiting for night with top gaffer Ben Purcell
Memory 3 - director Brodski with her two favourite things. The inflatable cat she tried to dress into every frame and her Gollum t shirt.
Memory 4 - Scott and Farah’s beautiful milestone boards. Presented by our leading man and all round nutcase @gribbenlewis

⭐️⭐️⭐️⭐️⭐️ - The Guardian
⭐️⭐️⭐️⭐️⭐️ - The Times
⭐️⭐️⭐️⭐️⭐️ - The Telegraph

Mad reviews out there for #SomewhereBoy
It continues tonight on channel 4 with @alexandrabrodski and myself at the helm. Thank you @clerkenwellfilms and @gavinogrady for having us.

Memory 1 - building rigs that never made the cut. Had to give Ash (grip) airtime for this somehow.
Memory 2 - epic sunsets in Wales whilst waiting for night with top gaffer Ben Purcell
Memory 3 - director Brodski with her two favourite things. The inflatable cat she tried to dress into every frame and her Gollum t shirt.
Memory 4 - Scott and Farah’s beautiful milestone boards. Presented by our leading man and all round nutcase @gribbenlewis

⭐️⭐️⭐️⭐️⭐️ - The Guardian
⭐️⭐️⭐️⭐️⭐️ - The Times
⭐️⭐️⭐️⭐️⭐️ - The Telegraph

Mad reviews out there for #SomewhereBoy
It continues tonight on channel 4 with @alexandrabrodski and myself at the helm. Thank you @clerkenwellfilms and @gavinogrady for having us.

Memory 1 - building rigs that never made the cut. Had to give Ash (grip) airtime for this somehow.
Memory 2 - epic sunsets in Wales whilst waiting for night with top gaffer Ben Purcell
Memory 3 - director Brodski with her two favourite things. The inflatable cat she tried to dress into every frame and her Gollum t shirt.
Memory 4 - Scott and Farah’s beautiful milestone boards. Presented by our leading man and all round nutcase @gribbenlewis

Topboy s2 is out on Netflix today! Here’s a little teaser. I shot all the foreign unit stuff in the series along with a few bits in London. Big congrats to the @topboynetflix family and @bradyhood01 for launching it this year.

Thanks for the memories Cadiz. That’s a wrap on Topboy s2!
Photo © @strongbyname