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Me as Andy from The Devil Wears Gele by @lovemagazine & @nolly.babes
Absolutely loved working on this 🫶🏾
Directors @nolly.babes
Starting Sal Gbajabiamila, @daberechi @temilade.ladejobi
Photography @marcasekhame
Director of Photography @1kspeaks
Styling @nigeriangothic
Makeup @tolabethel
Gele stylist @gelebytifex
Photography assistant @dafeoboro
Director assistant @chisomizm
Lighting assistant @salammuritala
Styling assistants @0c420 @diiamondheartt and @nigeriangothic
Camera assistants @olamide_alabi @markingsofahomee and @emmaco_grip
Sound engineer @clintzmiz
Production @_fabsalabs
Production Assistant Yaz Gbajabiamila
Poster @adaezeonyiuke
Creative director @juancp
Chief executive officer @nordineb
Chief content officer @valeriedumont
#dwp #devilwearsprada #lagos #love #nollywood
Me as Andy from The Devil Wears Gele by @lovemagazine & @nolly.babes
Absolutely loved working on this 🫶🏾
Directors @nolly.babes
Starting Sal Gbajabiamila, @daberechi @temilade.ladejobi
Photography @marcasekhame
Director of Photography @1kspeaks
Styling @nigeriangothic
Makeup @tolabethel
Gele stylist @gelebytifex
Photography assistant @dafeoboro
Director assistant @chisomizm
Lighting assistant @salammuritala
Styling assistants @0c420 @diiamondheartt and @nigeriangothic
Camera assistants @olamide_alabi @markingsofahomee and @emmaco_grip
Sound engineer @clintzmiz
Production @_fabsalabs
Production Assistant Yaz Gbajabiamila
Poster @adaezeonyiuke
Creative director @juancp
Chief executive officer @nordineb
Chief content officer @valeriedumont
#dwp #devilwearsprada #lagos #love #nollywood
Me as Andy from The Devil Wears Gele by @lovemagazine & @nolly.babes
Absolutely loved working on this 🫶🏾
Directors @nolly.babes
Starting Sal Gbajabiamila, @daberechi @temilade.ladejobi
Photography @marcasekhame
Director of Photography @1kspeaks
Styling @nigeriangothic
Makeup @tolabethel
Gele stylist @gelebytifex
Photography assistant @dafeoboro
Director assistant @chisomizm
Lighting assistant @salammuritala
Styling assistants @0c420 @diiamondheartt and @nigeriangothic
Camera assistants @olamide_alabi @markingsofahomee and @emmaco_grip
Sound engineer @clintzmiz
Production @_fabsalabs
Production Assistant Yaz Gbajabiamila
Poster @adaezeonyiuke
Creative director @juancp
Chief executive officer @nordineb
Chief content officer @valeriedumont
#dwp #devilwearsprada #lagos #love #nollywood
Me as Andy from The Devil Wears Gele by @lovemagazine & @nolly.babes
Absolutely loved working on this 🫶🏾
Directors @nolly.babes
Starting Sal Gbajabiamila, @daberechi @temilade.ladejobi
Photography @marcasekhame
Director of Photography @1kspeaks
Styling @nigeriangothic
Makeup @tolabethel
Gele stylist @gelebytifex
Photography assistant @dafeoboro
Director assistant @chisomizm
Lighting assistant @salammuritala
Styling assistants @0c420 @diiamondheartt and @nigeriangothic
Camera assistants @olamide_alabi @markingsofahomee and @emmaco_grip
Sound engineer @clintzmiz
Production @_fabsalabs
Production Assistant Yaz Gbajabiamila
Poster @adaezeonyiuke
Creative director @juancp
Chief executive officer @nordineb
Chief content officer @valeriedumont
#dwp #devilwearsprada #lagos #love #nollywood
Associate Video Design for The Boy Who Harnessed The Wind! @ The RSC
Video Designer: @gricg
Video Programmer: @reubencvideo
Video Engineer - Jon Ryan
Video Technician - Oli Quintrell
Direction: Lynette Linton
Choreography: Shelley Maxwell
Design: Frankie Bradshaw
Lighting: Oli Fenwick
LX Programming: Lewis McMillan
Sound: George Dennis
Sound Desk: Jake Smith
SM: Alix Henry
DSM: Anna Sheard
ASMs: Shaneice Brown, Sophie Duffin
Photography by Tyler Fayose
Associate Video Design for The Boy Who Harnessed The Wind! @ The RSC
Video Designer: @gricg
Video Programmer: @reubencvideo
Video Engineer - Jon Ryan
Video Technician - Oli Quintrell
Direction: Lynette Linton
Choreography: Shelley Maxwell
Design: Frankie Bradshaw
Lighting: Oli Fenwick
LX Programming: Lewis McMillan
Sound: George Dennis
Sound Desk: Jake Smith
SM: Alix Henry
DSM: Anna Sheard
ASMs: Shaneice Brown, Sophie Duffin
Photography by Tyler Fayose
Associate Video Design for The Boy Who Harnessed The Wind! @ The RSC
Video Designer: @gricg
Video Programmer: @reubencvideo
Video Engineer - Jon Ryan
Video Technician - Oli Quintrell
Direction: Lynette Linton
Choreography: Shelley Maxwell
Design: Frankie Bradshaw
Lighting: Oli Fenwick
LX Programming: Lewis McMillan
Sound: George Dennis
Sound Desk: Jake Smith
SM: Alix Henry
DSM: Anna Sheard
ASMs: Shaneice Brown, Sophie Duffin
Photography by Tyler Fayose
Associate Video Design for The Boy Who Harnessed The Wind! @ The RSC
Video Designer: @gricg
Video Programmer: @reubencvideo
Video Engineer - Jon Ryan
Video Technician - Oli Quintrell
Direction: Lynette Linton
Choreography: Shelley Maxwell
Design: Frankie Bradshaw
Lighting: Oli Fenwick
LX Programming: Lewis McMillan
Sound: George Dennis
Sound Desk: Jake Smith
SM: Alix Henry
DSM: Anna Sheard
ASMs: Shaneice Brown, Sophie Duffin
Photography by Tyler Fayose
Associate Video Design for The Boy Who Harnessed The Wind! @ The RSC
Video Designer: @gricg
Video Programmer: @reubencvideo
Video Engineer - Jon Ryan
Video Technician - Oli Quintrell
Direction: Lynette Linton
Choreography: Shelley Maxwell
Design: Frankie Bradshaw
Lighting: Oli Fenwick
LX Programming: Lewis McMillan
Sound: George Dennis
Sound Desk: Jake Smith
SM: Alix Henry
DSM: Anna Sheard
ASMs: Shaneice Brown, Sophie Duffin
Photography by Tyler Fayose
Associate Video Design for The Boy Who Harnessed The Wind! @ The RSC
Video Designer: @gricg
Video Programmer: @reubencvideo
Video Engineer - Jon Ryan
Video Technician - Oli Quintrell
Direction: Lynette Linton
Choreography: Shelley Maxwell
Design: Frankie Bradshaw
Lighting: Oli Fenwick
LX Programming: Lewis McMillan
Sound: George Dennis
Sound Desk: Jake Smith
SM: Alix Henry
DSM: Anna Sheard
ASMs: Shaneice Brown, Sophie Duffin
Photography by Tyler Fayose
Associate Video Design for The Boy Who Harnessed The Wind! @ The RSC
Video Designer: @gricg
Video Programmer: @reubencvideo
Video Engineer - Jon Ryan
Video Technician - Oli Quintrell
Direction: Lynette Linton
Choreography: Shelley Maxwell
Design: Frankie Bradshaw
Lighting: Oli Fenwick
LX Programming: Lewis McMillan
Sound: George Dennis
Sound Desk: Jake Smith
SM: Alix Henry
DSM: Anna Sheard
ASMs: Shaneice Brown, Sophie Duffin
Photography by Tyler Fayose
Associate Video Design for The Boy Who Harnessed The Wind! @ The RSC
Video Designer: @gricg
Video Programmer: @reubencvideo
Video Engineer - Jon Ryan
Video Technician - Oli Quintrell
Direction: Lynette Linton
Choreography: Shelley Maxwell
Design: Frankie Bradshaw
Lighting: Oli Fenwick
LX Programming: Lewis McMillan
Sound: George Dennis
Sound Desk: Jake Smith
SM: Alix Henry
DSM: Anna Sheard
ASMs: Shaneice Brown, Sophie Duffin
Photography by Tyler Fayose
Video Programming for Woman In Mind 🧠 at The Duke of Yorks Theatre
Video Design: @andrzejgoulding
System Design: @zakkhein
Video Programmer: me!
Video Engineer: @jakestebbings
Photos: Marc Brenner
Video Programming for Woman In Mind 🧠 at The Duke of Yorks Theatre
Video Design: @andrzejgoulding
System Design: @zakkhein
Video Programmer: me!
Video Engineer: @jakestebbings
Photos: Marc Brenner
Video Programming for Woman In Mind 🧠 at The Duke of Yorks Theatre
Video Design: @andrzejgoulding
System Design: @zakkhein
Video Programmer: me!
Video Engineer: @jakestebbings
Photos: Marc Brenner
Video Programming for Woman In Mind 🧠 at The Duke of Yorks Theatre
Video Design: @andrzejgoulding
System Design: @zakkhein
Video Programmer: me!
Video Engineer: @jakestebbings
Photos: Marc Brenner
Video Programming for Woman In Mind 🧠 at The Duke of Yorks Theatre
Video Design: @andrzejgoulding
System Design: @zakkhein
Video Programmer: me!
Video Engineer: @jakestebbings
Photos: Marc Brenner
Video Programming for Woman In Mind 🧠 at The Duke of Yorks Theatre
Video Design: @andrzejgoulding
System Design: @zakkhein
Video Programmer: me!
Video Engineer: @jakestebbings
Photos: Marc Brenner
Video Programming for Woman In Mind 🧠 at The Duke of Yorks Theatre
Video Design: @andrzejgoulding
System Design: @zakkhein
Video Programmer: me!
Video Engineer: @jakestebbings
Photos: Marc Brenner
Bite the Mind That Feeds You is the first essay in a two-part series titled Remedies for a Post-Apocalyptic Country. Drawing from my experience of growing up in Nigeria, the essay examines how my own identity has been shaped under enduring colonial structures while proposing pathways towards our collective decolonisation. As Nigeria deteriorates before our very eyes, it becomes increasingly urgent to reject the survival imposed upon us, and commit instead to collective mental and social liberation.
Link in bio
Bite the Mind That Feeds You is the first essay in a two-part series titled Remedies for a Post-Apocalyptic Country. Drawing from my experience of growing up in Nigeria, the essay examines how my own identity has been shaped under enduring colonial structures while proposing pathways towards our collective decolonisation. As Nigeria deteriorates before our very eyes, it becomes increasingly urgent to reject the survival imposed upon us, and commit instead to collective mental and social liberation.
Link in bio
Bite the Mind That Feeds You is the first essay in a two-part series titled Remedies for a Post-Apocalyptic Country. Drawing from my experience of growing up in Nigeria, the essay examines how my own identity has been shaped under enduring colonial structures while proposing pathways towards our collective decolonisation. As Nigeria deteriorates before our very eyes, it becomes increasingly urgent to reject the survival imposed upon us, and commit instead to collective mental and social liberation.
Link in bio
Bite the Mind That Feeds You is the first essay in a two-part series titled Remedies for a Post-Apocalyptic Country. Drawing from my experience of growing up in Nigeria, the essay examines how my own identity has been shaped under enduring colonial structures while proposing pathways towards our collective decolonisation. As Nigeria deteriorates before our very eyes, it becomes increasingly urgent to reject the survival imposed upon us, and commit instead to collective mental and social liberation.
Link in bio
Bite the Mind That Feeds You is the first essay in a two-part series titled Remedies for a Post-Apocalyptic Country. Drawing from my experience of growing up in Nigeria, the essay examines how my own identity has been shaped under enduring colonial structures while proposing pathways towards our collective decolonisation. As Nigeria deteriorates before our very eyes, it becomes increasingly urgent to reject the survival imposed upon us, and commit instead to collective mental and social liberation.
Link in bio
Bite the Mind That Feeds You is the first essay in a two-part series titled Remedies for a Post-Apocalyptic Country. Drawing from my experience of growing up in Nigeria, the essay examines how my own identity has been shaped under enduring colonial structures while proposing pathways towards our collective decolonisation. As Nigeria deteriorates before our very eyes, it becomes increasingly urgent to reject the survival imposed upon us, and commit instead to collective mental and social liberation.
Link in bio
Bite the Mind That Feeds You is the first essay in a two-part series titled Remedies for a Post-Apocalyptic Country. Drawing from my experience of growing up in Nigeria, the essay examines how my own identity has been shaped under enduring colonial structures while proposing pathways towards our collective decolonisation. As Nigeria deteriorates before our very eyes, it becomes increasingly urgent to reject the survival imposed upon us, and commit instead to collective mental and social liberation.
Link in bio
Bite the Mind That Feeds You is the first essay in a two-part series titled Remedies for a Post-Apocalyptic Country. Drawing from my experience of growing up in Nigeria, the essay examines how my own identity has been shaped under enduring colonial structures while proposing pathways towards our collective decolonisation. As Nigeria deteriorates before our very eyes, it becomes increasingly urgent to reject the survival imposed upon us, and commit instead to collective mental and social liberation.
Link in bio
Bite the Mind That Feeds You is the first essay in a two-part series titled Remedies for a Post-Apocalyptic Country. Drawing from my experience of growing up in Nigeria, the essay examines how my own identity has been shaped under enduring colonial structures while proposing pathways towards our collective decolonisation. As Nigeria deteriorates before our very eyes, it becomes increasingly urgent to reject the survival imposed upon us, and commit instead to collective mental and social liberation.
Link in bio
Bite the Mind That Feeds You is the first essay in a two-part series titled Remedies for a Post-Apocalyptic Country. Drawing from my experience of growing up in Nigeria, the essay examines how my own identity has been shaped under enduring colonial structures while proposing pathways towards our collective decolonisation. As Nigeria deteriorates before our very eyes, it becomes increasingly urgent to reject the survival imposed upon us, and commit instead to collective mental and social liberation.
Link in bio
Bite the Mind That Feeds You is the first essay in a two-part series titled Remedies for a Post-Apocalyptic Country. Drawing from my experience of growing up in Nigeria, the essay examines how my own identity has been shaped under enduring colonial structures while proposing pathways towards our collective decolonisation. As Nigeria deteriorates before our very eyes, it becomes increasingly urgent to reject the survival imposed upon us, and commit instead to collective mental and social liberation.
Link in bio
Associate Video Design for Not Your Superwoman @bushtheatre
Another incredible experience working alongside an amazingly creative team, bringing to life a story of Guyanese heritage that spans three generations—a journey through generational trauma, transference, transmutation, and ultimately, love 🌪️❣️
Video Design: @gricg
Video Engineer: @ieuanwh
Director: @lynettelinton1
Set Design: @alexxberry
Lighting Design: @jai.morjaria
Lighting programmer: @its.luca.panetta
Composer: XANA
Sound Design: Max Pappenheim
CSM on the book: Anna Sheard
ASM: @africablaaah
Associate Video Design for Not Your Superwoman @bushtheatre
Another incredible experience working alongside an amazingly creative team, bringing to life a story of Guyanese heritage that spans three generations—a journey through generational trauma, transference, transmutation, and ultimately, love 🌪️❣️
Video Design: @gricg
Video Engineer: @ieuanwh
Director: @lynettelinton1
Set Design: @alexxberry
Lighting Design: @jai.morjaria
Lighting programmer: @its.luca.panetta
Composer: XANA
Sound Design: Max Pappenheim
CSM on the book: Anna Sheard
ASM: @africablaaah
Associate Video Design for Not Your Superwoman @bushtheatre
Another incredible experience working alongside an amazingly creative team, bringing to life a story of Guyanese heritage that spans three generations—a journey through generational trauma, transference, transmutation, and ultimately, love 🌪️❣️
Video Design: @gricg
Video Engineer: @ieuanwh
Director: @lynettelinton1
Set Design: @alexxberry
Lighting Design: @jai.morjaria
Lighting programmer: @its.luca.panetta
Composer: XANA
Sound Design: Max Pappenheim
CSM on the book: Anna Sheard
ASM: @africablaaah
Associate Video Design for Not Your Superwoman @bushtheatre
Another incredible experience working alongside an amazingly creative team, bringing to life a story of Guyanese heritage that spans three generations—a journey through generational trauma, transference, transmutation, and ultimately, love 🌪️❣️
Video Design: @gricg
Video Engineer: @ieuanwh
Director: @lynettelinton1
Set Design: @alexxberry
Lighting Design: @jai.morjaria
Lighting programmer: @its.luca.panetta
Composer: XANA
Sound Design: Max Pappenheim
CSM on the book: Anna Sheard
ASM: @africablaaah
Associate Video Design for Not Your Superwoman @bushtheatre
Another incredible experience working alongside an amazingly creative team, bringing to life a story of Guyanese heritage that spans three generations—a journey through generational trauma, transference, transmutation, and ultimately, love 🌪️❣️
Video Design: @gricg
Video Engineer: @ieuanwh
Director: @lynettelinton1
Set Design: @alexxberry
Lighting Design: @jai.morjaria
Lighting programmer: @its.luca.panetta
Composer: XANA
Sound Design: Max Pappenheim
CSM on the book: Anna Sheard
ASM: @africablaaah
Associate Video Design for Not Your Superwoman @bushtheatre
Another incredible experience working alongside an amazingly creative team, bringing to life a story of Guyanese heritage that spans three generations—a journey through generational trauma, transference, transmutation, and ultimately, love 🌪️❣️
Video Design: @gricg
Video Engineer: @ieuanwh
Director: @lynettelinton1
Set Design: @alexxberry
Lighting Design: @jai.morjaria
Lighting programmer: @its.luca.panetta
Composer: XANA
Sound Design: Max Pappenheim
CSM on the book: Anna Sheard
ASM: @africablaaah
Associate Video Design for Not Your Superwoman @bushtheatre
Another incredible experience working alongside an amazingly creative team, bringing to life a story of Guyanese heritage that spans three generations—a journey through generational trauma, transference, transmutation, and ultimately, love 🌪️❣️
Video Design: @gricg
Video Engineer: @ieuanwh
Director: @lynettelinton1
Set Design: @alexxberry
Lighting Design: @jai.morjaria
Lighting programmer: @its.luca.panetta
Composer: XANA
Sound Design: Max Pappenheim
CSM on the book: Anna Sheard
ASM: @africablaaah
icymi I wrote a lovely essay about play, games & social dreaming on @entertainment.baby! dreaming out loud, in the open would’ve been my worst nightmare if you’d asked me two years ago, but I have now learned that it is a very necessary action. how else can we(you)(me)(I) push things forward to a preferable collective future? the link is in my bio if you’re yet to give it a read, go ahead & subscribe to the newsletter while you’re at it! and if you have any thoughts, I’m open to conversation❣️
icymi I wrote a lovely essay about play, games & social dreaming on @entertainment.baby! dreaming out loud, in the open would’ve been my worst nightmare if you’d asked me two years ago, but I have now learned that it is a very necessary action. how else can we(you)(me)(I) push things forward to a preferable collective future? the link is in my bio if you’re yet to give it a read, go ahead & subscribe to the newsletter while you’re at it! and if you have any thoughts, I’m open to conversation❣️
icymi I wrote a lovely essay about play, games & social dreaming on @entertainment.baby! dreaming out loud, in the open would’ve been my worst nightmare if you’d asked me two years ago, but I have now learned that it is a very necessary action. how else can we(you)(me)(I) push things forward to a preferable collective future? the link is in my bio if you’re yet to give it a read, go ahead & subscribe to the newsletter while you’re at it! and if you have any thoughts, I’m open to conversation❣️
rebranding as a serious babe this year, aka embodying the fool in the tarot. what! aren’t those two contradictory statements? exactly my fucking point! happy new year chiquititas!!!!!
rebranding as a serious babe this year, aka embodying the fool in the tarot. what! aren’t those two contradictory statements? exactly my fucking point! happy new year chiquititas!!!!!
rebranding as a serious babe this year, aka embodying the fool in the tarot. what! aren’t those two contradictory statements? exactly my fucking point! happy new year chiquititas!!!!!
rebranding as a serious babe this year, aka embodying the fool in the tarot. what! aren’t those two contradictory statements? exactly my fucking point! happy new year chiquititas!!!!!
rebranding as a serious babe this year, aka embodying the fool in the tarot. what! aren’t those two contradictory statements? exactly my fucking point! happy new year chiquititas!!!!!
rebranding as a serious babe this year, aka embodying the fool in the tarot. what! aren’t those two contradictory statements? exactly my fucking point! happy new year chiquititas!!!!!
what an age!! made it another year round the sun!! gratitude is immense 💖🦂🎀🎂
what an age!! made it another year round the sun!! gratitude is immense 💖🦂🎀🎂
what an age!! made it another year round the sun!! gratitude is immense 💖🦂🎀🎂
what an age!! made it another year round the sun!! gratitude is immense 💖🦂🎀🎂
what an age!! made it another year round the sun!! gratitude is immense 💖🦂🎀🎂
what an age!! made it another year round the sun!! gratitude is immense 💖🦂🎀🎂
what an age!! made it another year round the sun!! gratitude is immense 💖🦂🎀🎂
what an age!! made it another year round the sun!! gratitude is immense 💖🦂🎀🎂
what an age!! made it another year round the sun!! gratitude is immense 💖🦂🎀🎂
what an age!! made it another year round the sun!! gratitude is immense 💖🦂🎀🎂
—— Technical art feels like a unique kind of flower. Technical Artists works together to create this mechanism of change, beauty, and meaning, but if you’re not there to witness it, you miss the flower in bloom. The performance exists in that specific moment, just like a flower at its peak—fleeting, but no less profound because of its impermanence.
Read the full essay and subscribe via the link in bio
—— Technical art feels like a unique kind of flower. Technical Artists works together to create this mechanism of change, beauty, and meaning, but if you’re not there to witness it, you miss the flower in bloom. The performance exists in that specific moment, just like a flower at its peak—fleeting, but no less profound because of its impermanence.
Read the full essay and subscribe via the link in bio
shout out to the ever present moment
shout out to all the poems I wrote
to all the beautiful people I met
all the stories I heard
and the things I learned
shout out to my gratitude
and to the ever fervent fire of the sun
nothings ever new
but I’ve never been here before
I can tell you that for sure
shout out to the ever present moment
shout out to all the poems I wrote
to all the beautiful people I met
all the stories I heard
and the things I learned
shout out to my gratitude
and to the ever fervent fire of the sun
nothings ever new
but I’ve never been here before
I can tell you that for sure
shout out to the ever present moment
shout out to all the poems I wrote
to all the beautiful people I met
all the stories I heard
and the things I learned
shout out to my gratitude
and to the ever fervent fire of the sun
nothings ever new
but I’ve never been here before
I can tell you that for sure
shout out to the ever present moment
shout out to all the poems I wrote
to all the beautiful people I met
all the stories I heard
and the things I learned
shout out to my gratitude
and to the ever fervent fire of the sun
nothings ever new
but I’ve never been here before
I can tell you that for sure
shout out to the ever present moment
shout out to all the poems I wrote
to all the beautiful people I met
all the stories I heard
and the things I learned
shout out to my gratitude
and to the ever fervent fire of the sun
nothings ever new
but I’ve never been here before
I can tell you that for sure
shout out to the ever present moment
shout out to all the poems I wrote
to all the beautiful people I met
all the stories I heard
and the things I learned
shout out to my gratitude
and to the ever fervent fire of the sun
nothings ever new
but I’ve never been here before
I can tell you that for sure
shout out to the ever present moment
shout out to all the poems I wrote
to all the beautiful people I met
all the stories I heard
and the things I learned
shout out to my gratitude
and to the ever fervent fire of the sun
nothings ever new
but I’ve never been here before
I can tell you that for sure
shout out to the ever present moment
shout out to all the poems I wrote
to all the beautiful people I met
all the stories I heard
and the things I learned
shout out to my gratitude
and to the ever fervent fire of the sun
nothings ever new
but I’ve never been here before
I can tell you that for sure
shout out to the ever present moment
shout out to all the poems I wrote
to all the beautiful people I met
all the stories I heard
and the things I learned
shout out to my gratitude
and to the ever fervent fire of the sun
nothings ever new
but I’ve never been here before
I can tell you that for sure
shout out to the ever present moment
shout out to all the poems I wrote
to all the beautiful people I met
all the stories I heard
and the things I learned
shout out to my gratitude
and to the ever fervent fire of the sun
nothings ever new
but I’ve never been here before
I can tell you that for sure
Story Save - La mejor herramienta gratuita para guardar Historias, Reels, Fotos, Videos, Highlights e IGTV en tu teléfono.
Story-save.com es una herramienta en línea intuitiva que permite a los usuarios descargar y guardar una variedad de contenido, incluidas historias, fotos, videos y materiales de IGTV directamente desde Instagram. Con Story-Save, no solo puedes descargar contenido diverso de Instagram fácilmente, sino también verlo cuando quieras, incluso sin acceso a internet. Esta herramienta es perfecta para esos momentos en los que encuentras algo interesante en Instagram y quieres guardarlo para verlo después. ¡Usa Story-Save para asegurarte de no perder la oportunidad de llevar contigo tus momentos favoritos de Instagram!
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